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community theatre

Exploring Social Issues Through Plays: A Guide for Middle School

November 19, 2024 By dhcbaldwin Leave a Comment

Wooden game pieces of different colors facing each other as if in a war.

Exploring Social Issues Through Plays: A Guide for Middle School

Today, I want to reflect on the my blog post title,  exploring social issues through plays: a guide for middle School. Theater is a powerful tool for middle school students to explore and discuss social issues. By stepping into the shoes of characters dealing with real-world challenges, students develop empathy, critical thinking, and teamwork. Plays such as The Yellow Boat, Ama and the White Cranes, and The Third Wave provide age-appropriate ways to delve into complex topics, making them ideal for young performers.

The Power of Theater in the Classroom: Inspiring Change Through Stories

I believe one of our missions as teachers is to make the world a better place.  As theater teachers, we have an incredibly useful tool at our fingertips–plays or musicals.  No other art form can do what theater can do!  I think you’d agree with me that the best way to reach people is through a story. Theater is non-confrontational and provides important universal themes.

In our classrooms, students can read or perform plays just for the sure fun or experience of it.  Consequently, students can experience diverse perspectives and learn to understand others’ emotions and struggles. Plus, plays can structure an environment for discussing sensitive topics. Additionally,  theater challenges students to examine societal issues in-depth and consider their roles in creating change.

Exploring Social Issues Through Plays: A Guide for Middle School

Here are a few plays I recommend to you.  Your students could read one of these plays in your class or better yet, produce it for the public.  (That’s the real elixir.)

Exploring Social Issues Through Plays: A Guide for Middle School

My Recommendations for Middle School Reading

 1. Peer Pressure, Authority, and Group Dynamics

—The Third Wave Based on a true story, this gripping play explores the dangers of groupthink and authoritarianism. It recounts a high school teacher’s experiment to demonstrate how easily individuals can be drawn into totalitarian systems. The Wave provides a thought-provoking look at peer pressure and critical thinking, making it highly relevant for middle schoolers.

Exploring Social Issues Through Plays: A Guide for Middle School

2. Illness, Resilience, and Family

– The Yellow Boat by David Saar. This deeply moving play is based on the true story of Benjamin Saar, a young boy born with congenital hemophilia. Through his vivid imagination and artistic talent, Benjamin navigates the joys and struggles of his life, including his battle with HIV/AIDS, contracted from a blood transfusion. His journey, filled with creativity, resilience, and love, celebrates the power of art and human connection. The play is a poignant exploration of hope, loss, and the enduring spirit of a child, offering audiences a heartfelt and uplifting experience. A heartwarming and imaginative story about a young boy living with a terminal illness. This play offers an opportunity for students to explore themes of resilience, creativity, and the bonds of family.

Exploring Social Issues Through Plays: A Guide for Middle School

3. Cultural Identity and Environmental Awareness

– Ama and the  White Cranes  This is a poignant play that blends Japanese folklore with contemporary themes of resilience and tradition. It follows Ama, a skilled pearl diver, who finds herself at odds with her village’s changing ways. When a mysterious white crane begins appearing during her dives, Ama discovers it is the spirit of her late mother, guiding her to protect the ocean and its treasures from exploitation. Ama struggles to reconcile her personal desires with her duty to her heritage. The story unfolds into a beautiful tale of sacrifice, love, and the enduring bond between humanity and nature. This is a  beautiful play that introduces Japanese culture while exploring themes of courage, family, and environmental responsibility.

Timeless Stories: Exploring Empathy and Justice Through Adapted Plays

4. Bullying and Kindness

–The Hundred Dresses: This play adapted from the book of the same name,  centers on Wanda Petronski, a Polish-American girl who is ridiculed by her classmates for wearing the same faded blue dress daily. In response to the teasing, Wanda claims to own one hundred beautiful dresses at home, a statement that becomes a focal point of the narrative. The book explores themes of bullying, empathy, and the consequences of prejudice. First published in 1944, this book and story survive the test of time.

-Holes– by Louis Sachar. This play adaptation of the book of the same name, is the story of Stanley Yelnats who is wrongly accused of theft.  Stanley Yelnats is sent to Camp Green Lake, where boys dig holes daily as part of their punishment. As Stanley uncovers secrets about the camp, his family’s past, and the outlaw Kissin’ Kate Barlow, themes of justice, fate, and friendship come to light. (It seems to be out of printing as of this writing, but do check back to see if it’s re-appeared.)

Exploring Social Issues Through Plays: A Guide for Middle School

5. Leadership and Community

– The Giver: Based on Lois Lowry’s novel, this play encourages students to reflect on freedom, individuality, and the responsibilities of leadership. Set in a seemingly utopian society where pain, conflict, and choice are eliminated. Jonas, a 12-year-old boy, is chosen to inherit the role of the Receiver of Memories. The Receiver is the only individual who holds the truth of the world’s past. As he learns from The Giver, Jonas begins to see the dark truths behind his community’s controlled existence. Confronted with the weight of memory and emotion, Jonas questions whether to accept the status quo or risk everything to bring freedom and individuality back to his world. For more information, read my post–The Reasons I Love The Giver Play

Exploring Social Issues Through Plays: A Guide for Middle School

Cultivating Community and Resilience: Plays That Inspire Connection

– Seedfolks: This is a touching play adaptation of Paul Fleischman’s novel, weaving together the stories of diverse individuals in a struggling urban neighborhood. When a young girl plants a handful of beans in a vacant lot, her small act inspires others to transform the space into a thriving community garden. Each character contributes their unique voice, sharing personal struggles.  Most importantly, while they share cultural perspectives, unexpected connections arise. As the garden grows, so does the sense of hope, unity, and understanding among the neighbors. This poignant story celebrates the power of small acts to foster change and build community.

-Esperanza Rising–  This play is a heartfelt adaptation of Pam Muñoz Ryan’s acclaimed novel, following Esperanza Ortega, a privileged young girl in 1930s Mexico. When her family’s fortunes are shattered by tragedy, Esperanza and her mother are forced to flee to California.  There they work as migrant laborers. Facing the hardship of poverty, prejudice, and back-breaking labor, Esperanza learns the value of resilience, community, and hope. This powerful coming-of-age story celebrates the strength of the human spirit and the importance of staying rooted in love and compassion during times of great change.

Discussing Social Issues in the Middle School Classroom

 

Exploring Social Issues Through Plays: A Guide for Middle School

6. Diversity and Acceptance

—The Watsons Go to Birmingham--1963: Ten-year-old Kenny narrates a life-changing summer for his family. Hoping to reform troublemaking Byron, the Watsons travel to Birmingham, Alabama.  They face the tragic 1963 church bombing. This moving and humorous story, based on Christopher Paul Curtis’ novel, explores family and resilience during a pivotal moment in history.

—Bud Not Buddy–-Set in 1930s Michigan, 10-year-old Bud Caldwell, an orphan fleeing abusive foster homes, embarks on a journey to find his father. Guided by a flier for a jazz band, Herman E. Calloway and the Dusky Devastators of the Depression, Bud travels to Grand Rapids.  He believes Calloway to be his father. Along the way, Bud encounters trouble, humor, and wisdom, using his “Rules and Things” to navigate a challenging world.

Exploring Social Issues Through Plays: A Guide for Middle School

 

The Third Wave: A Powerful Lesson in Authority and Responsibility

At this point in our country’s history, it is vitally important that we dramatize stories whose themes are especially powerful to our students.  We are at a real crossroads.  It is up to us to stand and be counted.

The Third Wave is particularly impactful for middle school students. Foremost, it dives into the issues they can relate to, such as peer pressure, the influence of authority figures, and the need to belong. The play demonstrates how quickly groupthink can take over.  Additionally, it encourages students to think critically about their choices and the importance of standing up for what’s right.

By dramatizing this real-life experiment, The Third Wave helps middle school students understand the dangers of blindly following authority or succumbing to social pressures. It’s a powerful conversation starter about history, psychology, and personal responsibility. Lastly, I challenge you to select this play for production at your school–you won’t regret it!

Incorporating These Plays into the Classroom

Wondering how to introduce students to the themes and moments in history or cultural contexts? If you’re using the play in your middle school classroom,  encourage students to write reflections. For example, they could be written from their characters’ perspectives to deepen their engagement. Additionally,  you can facilitate a discussion about the play’s messages and how they relate to students’ lives.

Ready to inspire your students and tackle these critical topics? The stage is waiting!

What plays do you read aloud in your middle school classroom or have staged that held important themes and messages?  I’d love to learn about them.

Email me at DhcBaldwin@gmail.com

Woman behind DramaMommaSpeaks

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Filed Under: acting, community theatre, drama education, drama integration, Education, Education, elementary, gifted and talented, middle grades, multiculturalism, plays, Producing plays and musicals, reading skills, storytelling, Teaching, theater, theatre, youth theatre Tagged With: Ama and the White Cranes, Bud not Buddy, Esperanza Rising, Holes, social issues, The Giver, The Hundred Dresses, The Seedfolks, The Third Wave, The Watsons Go to Birmingham, The Yellow Boat

How BookTix Turns Theatre Teachers into Confident Producers

October 18, 2024 By dhcbaldwin Leave a Comment

Every so often, I’m fortunate in having a company contact me and ask if I would be willing to recommend them to you.  Today, I’m excited to blog about how BookTix turns theatre teachers into confident producers. I’ve directed, taught and produced for over thirty-eight years. As you might expect, I have many memories of box office fiascos.   About twenty years ago, I administrated a summer theater camp in Missouri.  They were a small company with a large theater venue. Like many of us at the time  they were selling their tickets only at the door prior to performance time.
Their biggest problem wasn’t filling the seats. They had no lobby for the audience to wait prior to curtain or stand in a queue to pick up their tickets.  Invariably, the ticket line snaked out the door and around the building.  What a hassle!

How BookTix Turns Theatre Teachers into Confident Producers

Not only that, but with no box office purchasing system, selling in this manner makes for a late curtain. Consequently, audience members become anxious when they have to wait before a production begins. It can even discourage their applause. I’ve even heard an audience member say,  “Why did we have to wait so long for the show to begin? This better be good!”
Additionally, when people see a line at the door, they often assume the event is sold out. I’ve personally seen attendees leave the theater, believing there were no tickets available, simply because we lacked a system to sell tickets in advance. Yikes!

How BookTix Turns Theatre Teachers into Confident Producers

BookTix is one of the first companies in the country (and the world) to address this issue.
Who is BookTix?  From their owner,  “BookTix helps theatre teachers see themselves as producers – they handle so many roles – fundraising, marketing, ticket sales, etc. We help solve those pieces that become headaches so they can focus on the fun stuff – making art. It’s all about making the lives of teachers easier. We attend many conferences to meet the educators and brainstorm solutions. We pride ourselves helping teachers find loyal audiences and fundraise options so they can have financial and artistic freedom to the work they want to do.”
All ready they sound great, huh?

With BookTix, you will receive access to your own customized selling platform. Your patrons (customers) will be able to click from your website directly to your BookTix portal. This portal is customized to match the branding of your website for a seamless experience for the end user. Your staff will have access to your administrative portal, where they can customize events, items, season passes, donation campaigns and so much more!

Seamless Support and Innovation: How BookTix Elevates Your Production Process

They also provide a platform for you to use and they provide a highly trained customer support team with tons of experience in the event industry. This team can assist you and your staff in setting up & running your portal. If you want to set it up yourself, they include a base of articles or a teacher can sign up for a Webinar to learn how to use the BookTix platform.

BookTix Provides: A state-of-the-art platform that is always updating based on customer feedback and current industry trends; a fully staffed customer support center available by online chat, email, submit a ticket or phone call. We are here for you every step of the way!

What am I expected to provide? As you might expect, you provide the computers, tablets, mobile devices for using the system – as an administrator, box office rep or usher. (We offer support on compatible equipment that is available to purchase.) You provide all staffing and internet for running the system on your end.
How BookTix Turns Theatre Teachers into Confident Producers

BookTix: Simplifying Ticketing with Innovation and Industry Expertise

BookTix is a turnkey system created for the performing arts, and quickly expanded to include all types of events, by individuals that have worked in the industry in various capacities. After building a system for a limited run of an Off-Broadway show, co-owners Jason Goldstein & Tim DiVito knew it was too good to keep to themselves. As producers, they know how complicated ticketing can be. The staff at BookTix is also passionate about the arts and brings many levels of understanding to the development and support offered by the company.

The primary goal of BookTix is to make ticketing easy and affordable. First, BookTix offers a positive patron and brand experience. They are always embracing new technologies to enhance our features. This allows for a diverse array of analytic capabilities and reporting functions. Anticipating the future of ticketing, recently they completely redesigned their  system using 15 years of feedback.  It is their forward thinking and new tech to deliver an unparalleled system that sets them apart from others.

New 2024 Rollout: Affordable, Feature-Rich System Favored Nationwide

This system began rolling out in early 2024. From the feedback that they gathered, the low cost & improved features make this system preferred to other systems on the market. Booktix works with many towns, cities, counties, school districts, performing arts centers. Additionally, they help athletic associations and other organizations that offer a myriad of events throughout the United States and Canada.

How BookTix Turns Theatre Teachers into Confident Producers

Their system utilizes a digital ticket which patrons can scan at the door when attending events. There is also an option for patrons to print at home, or for the box office to print physical tickets and hold at Will Call. BookTix offers easy to understand reporting and real-time updating of tickets purchased both online and at the box office. Plus, they offer general admission ticketing, reserved seating and even a combination of both!

I think this next asset is incredigle! Their team will create a customized seating chart based on your venue and patrons can select their seats with ease, automatically blocking those seats out for others purchasing concurrently. We offer the ability to include sponsors on your tickets and on your ticketing site. Most features are fully customizable based on your organization’s needs.

How BookTix Turns Theatre Teachers into Confident Producers

Comprehensive Support: Expert Guidance from Setup to Sales with BookTix

BookTix not only checks every box for the technical needs in ticketing, but also brings a team of passionate employees who are ready to assist with any issues that may arise. Additionally, their sales & onboarding teams are available for personalized and group demos to help walk your team through the system. They are happy to answer any questions as you begin your ticketing journey with BookTix, too. Do you need some assistance with logos, color selections, etc?  Booktix will help you get set up & make sure your branding is en pointe and will double check that your initial events are all entered correctly and are ready for sales.

Another plus is that their company is their customer support team.  It is available 7 days a week and is actively online any time we have an event running in our system. We also have an emergency support line for urgent matters 24/7. Not only is someone available, but they are eager to help you understand the system and sell more tickets! New to teaching and directing on your own? This post is a must-read for you! Play Production for Newbie Theater Teachers: Expectations Versus Reality

How BookTix Turns Theatre Teachers into Confident Producers

Transparent, Flexible Pricing: BookTix Ensures Smooth, Fee-Free Ticketing

And that brings me to my next point about BookTix. They only make money when you sell tickets, so our goal is to ensure your ticketing process is always smooth. There are zero up front charges (unless you are purchasing equipment) and zero monthly or annual fees. We charge 3.75% plus 90¢ USD ($1.20CAD) per ticket. Cash & comp tickets are always FREE! This fee includes credit card fees processed by our partner, Stripe.

Most importantly, you never have to worry about any other fees. When you set up your tickets in the system, you will be able to see what their fees are and adjust your patron fees accordingly.  This ensures you receive exactly what you need per ticket. BookTix is 100% cloud based and each organization is provided with their own customizable URL. Patrons use this URL to find information about the organization and all of the events for which they are selling tickets.

Flexible Ticketing and Packages: Simplifying Sales for Any Event or Venue

Do you require package deals for a production such as group rates? Not a problem.  The site allows for the unlimited sale of tickets, packages, items and donations for multiple departments.  If that isn’t enough for you, they can provide tickets for multiple events at multiple venues all simultaneously. Events can be scheduled for a single date/time or for a range of dates/times.

How BookTix Turns Theatre Teachers into Confident Producers

Introducing the Worry-Free Queue: Stress-Free Ticket Sales Management

One of their newest features is our Worry Free Queue! This new upgrade puts your buyers in a dynamic line to reduce stress on the system and give customers more effective seat selection. You will never have to worry about overloading the system when tickets go on sale!

Additionally, they’ve recently rolled out a new Fundraising Suite. Talk about stress free! You can stay on top of donations, track your goals and thank donors easily with their new array of features designed to make fundraising easier for your organization.

BookTix: A Trusted Leader in Ticketing for Schools and Theaters Across North America

BookTix operates remotely, primarily out of New Jersey, USA. They are pleased to be the de facto ticketing system for school and performing arts organizations across the US and Canada. I can tell they take a lot of pride in being the top choice for many schools and theaters. As you might expect, they have an international footprint and are endorsed and partnered with many industry organizations.
In 2024, BookTix was honored with the Organization of the Year award from the Virginia Thespians for our expertise in online ticketing for their annual event. Moreover, they continue to be a proud member and supporter of the Association of School Business Officials (ASBO) as well as the Educational Theatre Association (EdTA). Lastly, they receive the   American Association of Community Theater Corporate Award presented to businesses and corporations for significant financial support of community theatre on a regional or national basis.
In conclusion, because of my extensive personal experiences as producer, director and teacher I can recommend BookTix to you with my utmost support. In today’s world, it’s rare to find a company as excellent, helpful and trustworthy as BookTix.
Do you use a platform to handle your box office needs? Looking for something better?  I’d love to hear about it.  Email me at DhcBaldwin@gmail.com
Woman behind DramaMommaSpeaks

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Filed Under: arts education, community theater, community theatre, drama education, Education, High School, Producing plays and musicals, Production Questions, youth theatre

License Training Musicals: Why You Need to Know Them Now

July 24, 2024 By dhcbaldwin 1 Comment

License Training Musicals: Why You Need to Know Them Now

License Training Musicals: Why You Need to Know Them Now

As a respectful product adopter, I try new products early but carefully. I’m thrilled to share License Training Musicals: Why You Need to Know Them Now. You are going to want to know more about them, too!

I keep up an active Instagram account through my Dramamommaspeaks page.  Primarily, teachers follow me there but from time to time other groups join–play publishers, authors and youth theater companies.  Recently, a new company joined me.  Being the dutiful marketing person that I aspire to be, I checked them out.  Simply put, once you learn about this company it is going to rock your world!

License Training Musicals: Why You Need to Know Them Now

License Training Musicals: Why You Need to Know Them Now

License Training Musicals creates specially crafted scripts and resources designed to change the way actors are trained. They provide true equity in learning with equal lines of dialogue, singing solos, and dance opportunities.  In addition, these training musicals are a truly unique and fun way to approach musical theater training for school drama teachers, community theaters, students and adults alike!

Are you understanding this yet?  Here’s a scenario for you:  You are a harried high school theater teacher.  Additionally, you are half way through the school year and it is time to study musical theater.  You all ready know that your students are wild  about musical theater–they sing songs and quote lines from musicals every single day.  Having their engagement to the subject isn’t the problem.   The problem is everyone wants to be the lead!  That’s a wonderful problem to have, but how do you accomplish this?

Of course, you can double cast the show.  That’s one of my most favorite ways to give more students stage time. You can learn more about my double casting adventures at: Double Casting a Show? Here’s Advice. What do you do about the rest?  More importantly, how do you encourage a student who may have the ability but needs to build their confidence so they feel comfortable singing louder or carrying a show?  After searching exhaustively on the web, you discover a new company,  License Training Musicals or LTM.com.  You are ecstatic!   Finally, someone that has solved this problem.

License Training Musicals: Why You Need to Know Them Now

What Makes LTM special?

First, I appreciate their mission statement: “To revolutionize the way musical theater is taught, by eliminating inequity and empowering all students to train as leads on and off the stage!”  Inequity is a big challenge theater teachers address every time they cast a show.  Plus, inequity can ruin the cast’s  chemistry.

Secondly, License Training Musicals creates one act musicals for casts of 1 to 8.  Here’s the kicker–everyone has the same amount of lines and songs. What?! Yes, you read that correctly.

Thirdly, the music is just great!  It isn’t preachy or juvenile as I find so many other places.

Their show kits contain: 

  • Triple Threat Training Script .PDF
  • Lead Sheet Music .PDF
  • Demo Vocal Track .Wav
  • Piano Melody With Click Track For Rehearsal .Wav
  • Piano Melody With Instrumental For Rehearsal .Wav
  • Instrumental Performance Track .Wav

Fourth, and this is almost too good to be true–they really want to HELP your students.

  • Flexible for any cast type
  • Affordable for any budget
  • Includes ALL resources for rehearsals AND performances
  • Royalty Free FOREVER

If you’d like to learn more about License Training Musicals, watch this youtube video

License Training Musicals: Why You Need to Know Them Now

Let’s Meet the Owners

Pamela Atkinson is the executive director and founder of the company. Among other things, Pam has a Masters in Educ. , Bachelors in Education and a B.S in Business. In addition,  she is certified to teach theater.   Pam has been on stage as a dancer, actress in print and television, and professional singer in Hawaii, California, Washington State, New York, and in Utah. Along with that, ask her to show you, “Body Language” music video (sort of a joke).

Pamela’s Creativity

She directed choirs, and orchestras, owned a big city dance studio, as well as produced shows and musicals.  Pam created a public school dance program called A Step Ahead,  and directed collegiate and community dance companies. Also, she  danced/choreographed for the  NBA Sacramento Kings Fastbreak Dance team.  Currently, she is the tech theater teacher in the Nebo School district.

Through her 45 + years in the industry, License Training Musicals is the culmination of her effort to fulfill that mission. You can learn more about her here: LicenseTrainingMusicals

Katie D Higley

Katie Higley is the artistic director, music composer and curriculum creator of the company.  At six months old Katie’s mom discovered her humming Silent Night. By age three, she belted out gibberish at the top of her lungs while holding aloft a Readers Digest magazine on the pot!

Since then, she has blossomed into an accomplished “triple threat” performer having been in 22 musicals before graduating high school. Interestingly, she’s a multi-instrumentalist who made it to Hollywood Week as an American Idol contestant not once, but twice!

Katie’s Accomplishments

Katie loves teaching the gifts of music to hundreds of students for the last 16 years as a professional artist development coach. She’s a motivational TEDx speaker, custom songwriter, author of the well loved “Uke Hymnbook”, a screen composer at Primer Chord Production Music in Australia and a self published producer with her music placed worldwide!

As you might expect, Katie has a Bachelor’s Degree in Commercial Music from BYU, she’s certified in Music Technology from RCC with an Honorary Chaplain of Spiritual Music Credential from the WSHO. She serves as the Head Chair of Spanish Fork’s Got Talent Show at Spanish Fork City’s Fiesta Days.

License Training Musicals: Why You Need to Know Them Now

Jessica NS Blackhurst

Jessica NS Blackhurst’s self-proclaimed super power is her ability to find and create stories that remind our souls who we really are and the truth of what this life is all about.

As a youth Jessica coped with loss, financial hardship, and constantly moving for her father’s work by making the theater her home and diving deep into the sacred and uplifting power of storytelling. These passions set her on a course of leadership through storytelling.

Jessica’s Education

Jessica pursued education in every medium through which it is possible to enlighten and uplift with story. For example, she studied English literature, written novels.  She trained in stage acting and public speaking, competed in playwriting competitions.  Plus, Jessica studied the art of screenwriting and directing (receiving a bachelor’s in media arts from BYU).  Jessica has an experienced and proficient hand in songwriting with an emphasis on lyricism.  On a daily basis, she applies herself to mastering the particular crafts of a musical theater librettist and lyricist.

Jessica met Katie Higley at BYU in 2010.  They have a long history of writing amazing songs and inspiring musicals together many of which they now bring to you here!

Join their Beta Program Now

Are you excited about the possibilities here?  Here is where it gets really exciting–LTM is looking for partners who will take time to simply fill out a survey about the shows they finished. They would love feedback on the shows you think may need improvement. Hearing about your experiences helps us create the best possible musical theater resources for your classroom.

Furthermore, they  also hope you’ll let us know if there is anything else we can include to make these tools more useful for you and your students!

For more information about the Beta program go to: LTM Beta Program

As an early adopter, I can say without a doubt–you NEED to check out this company now.  You won’t regret it. Just think how much better your year will go knowing there is a company creating musical theater resources to better things for your students and you.

Are you all ready familiar with LTM?  I’d love to hear your thoughts about them.  Feel free to email me at DhcBaldwin@gmail.com

Looking for a unique tool to boost student engagement?  Check out my new book, now available as a PDF: We’re Live! Radio Theater #101

Woman behind DramaMommaSpeaks

 

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Filed Under: Arts, arts education, community theater, community theatre, drama education, drama integration, Education, excellence in teaching, gifted and talented, music education, Musical Theatre, Producing plays and musicals, teaching strategies, theater, theatre Tagged With: effective teaching methods, high school musical theater, high school theater, high school vocal music, license training musicals, musical theater, teaching method, teaching tool

8 Middle School Plays That Work Every Time

April 23, 2024 By dhcbaldwin Leave a Comment

8 Middle School plays that work every time

8 Middle School Plays That Work Every Time

Teachers often ask me for  middle school play titles.  So, let’s talk about this today, 8 middle school plays that work every time.  I hope this list will help you as you consider what you’d like to direct in the next school year.  Having directed hundreds of play and musical for over 38 years, I have a vast experience in this subject. It is my goal to provide all the details and links that lead you to purchasing a preview of the scripts. 

Before you begin reading this post, please know that I am a purist.  I don’t do direct cute bunny or zombie storis, if you know what I mean.  Frankly, I think a teacher shouldn’t cater to the emotional level of the students but have high expectations of them.  What could be better than a play based on a classic novel or one with historical significance?

Here are a few I recommend you read and consider. I’ve listed these scripts in no particular order. 

8 Middle School Plays That Work Every Time

8 Middle School Plays That Work Every Time

Anne of Green Gables adapted by Sylvia Ashby.

  • Drama/Comedy
  • 9 M and 7 F plus extras
  • 120 minutes in length

Synopsis: A refreshing, contemporary telling of the classic story. Stern Marilla and her warm-hearted brother Matthew hoped to adopt a boy to work on their farm. But the orphanage sends young, befreckled Anne by mistake, and their lives will never be the same. Her warmth and wit affect everyone around her – even, eventually, the cold Marilla. We follow Anne through her rebellious years, her transformation into a young woman, and her romantic pairing with Gilbert. This play has been charming audiences around the world. Read more about this script here: Ten Reasons Why Everyone Produces Anne of Green Gables

8 Middle School Plays That Work Every Time

Tom Sawyer adapted by Tim Kelly

  • Drama/ Comedy
  • 9 to 11M., 12F  plus extras
  • 90 minutes in length

The child in all of us never gets tired of reliving again and again the antics and adventures of Tom, Huck, Becky Thatcher and all the rest of Mark Twain’s beloved characters. All the familiar characters are here—Huckleberry Finn, Aunt Polly, Becky Thatcher, Widow Douglas, Muff Potter, Cousin Mary and menacing Injun Joe. The action flows well, and scenes fly by in a lively fashion: the classic “fence-painting” scene, the school lessons from strict Mr. Dobbins, the eerie murder of Doc Robinson in the graveyard at midnight, the pirate journey to Jackson’s Island where buried treasure proves very dangerous, Tom’s side-splitting “funeral,” Tom’s courtship of Becky and other scenes from the immortal classic. If you want a study guide for Tom Sawyer which includes a set design lesson, check out: Drama Lesson Tom Sawyer

8 Middle School Plays That Work Every Time

8 Middle School Plays That Work Every Time

Number the Stars  adapted by Douglas Larche

  • Drama
  • 7 M and 7 F, extras
  • 80 minutes in length

During the German occupation of Denmark in World War II, the Nazis closed down Jewish-owned businesses and began to round up the Jews for relocation to concentration camps for the final solution. Danish freedom fighters of all ages risked everything in daring, hurried attempts to rescue the entire Jewish population. In this stirring play, young Annemarie and Kirsti Johansen face soldiers, interrogations, fierce dogs, personal danger, the loss of loved ones and their own fears as they try to help their friend Ellen Rosen escape across the ocean to Sweden and safely.

Courage, faith, ingenuity and even their fledgling acting skills eventually win the day. All the drama, pathos, adventure, terror and humor that have made Number the Stars a national best seller (and winner of the Newberry Award and the American Library Association Book of the Year Award) come to life in this powerful adaptation.

8 Middle School Plays That Work Every Time

Bringing History to Life

If you are looking for a week’s worth of drama class lessons for the first week of school, check out: First Week of School Drama Lessons

Dramamommaspeaks resource for middle school drama teachers

Orphan Train by Aurand Harris

  • Drama/Comedy
  • 6m., 7w., 6 boys, 6 girls, or 11 (1m., 1w., 3 boys, 6 girls) with doubling.
  • 65 minutes in length

The play tells the story of nine orphans on an “orphan train” that left New York City on May 28, 1914. The train travels to Midwestern towns in search of homes, any homes, anywhere for the orphaned and unwanted children. There’s Mary, Evie, spunky Pegeen, Annie and Little Lucy, a quiet one. Other orphans include Frank (who later becomes Frankie, a small girl), Raymond, Lucky and Danny the song-and-dance boy. And there are the men and women hoping for children. The lonesome whistle wails as the train chugs between encounters of anxiety, laughter, wistfulness, rejection and acceptance. Eight stories unfold, each a memorable surprise. The Orphan Train is a charming heart-warmer and all we expect from one of legendary playwrights for children, Aurand Harris. The staging creates a highly theatrical story, moving, amusing and always tellingly human.

8 Middle School Plays That Work Every Time

More Middle School Plays

The Princess Who Became King 

  • Drama
  • 6w, 14m, 5 any gender (youth)
  • 90 minutes in length

From the author of the very popular Anne of Green Gables. Freely adapted from an Indian tale, this spritely comedy serves up a blend of love, adventure and intrigue. On the eve of their wedding, Ravi and Parijata flee from their homes because their fathers are feuding — due to the schemes of an ambitious Guru. Parijata’s father is the terrible tempered Raja; Ravi’s father is the foolishly superstitious Sultan. On a dangerous forest journey, the Princess loses her amazing performing monkey, Zmarti, and is kidnapped by Gumba, a cloddish thief. After numerous chases and mistaken identities, the play ends in happy reunion and reconciliation and a surprise coronation! This play can be produced with colorful, elaborate scenery, or with almost no scenery at all.

8 Middle School Plays That Work Every Time

 

Story Theater stories from Grimm Brothers and Aesop adapted by Paul Sills.

  • Drama/Comedy
  • When I direct this play, I split up the stories and used as many students as I needed for each one.
  • 90 minutes in length

Mr. Sills started in New Haven and wound up on Broadway with this group of famous fables from the Grimm Brothers and Aesop. Here you will meet again Henny Penny, the Golden Goose, Venus and the Cat, the Fisherman and His Wife, the Robber Baron, the Bremen Towson Musicians, and other favorites. The fables require talented actors with expressive bodies. And make no mistakes about the quality: this is top-drawer adult theatre.

8 Middle School Plays That Work Every Time

8 Middle School Plays That Work Every Time

The Little Princess adapted by June Walker Rogers

  • Drama
  • 6m 13F
  • 90 minutes in length

Sara Crewe is one of the most beloved fictional heroines, and June Walker Rogers has brought her to life in this funny, sad, wonderfully imaginative adaptation. Audiences will identify with Sara as she begins her adventures in “Miss Minchin’s Select Seminary for Young Ladies”; laugh with her as she brings happiness to others; weep with her as her fortune changes from rich girl to poor orphan; and rejoice with her when strange events bring still another reversal of her destiny. This is a lovely play!

8 Middle School Plays That Work Every Time

The Emperor’s New Clothes

  • Comedy
  • 11 actors, flexible (many of the roles can be played by men or women).
  • 50 minutes

A bright, crisp, well-tailored dramatization of the Hans Christian Andersen tale. Snip and Tuck, two swindlers posing as tailors, weave a jolly trick on Emperor Velvet, who is willing to sacrifice his castle, friends—even his Empress Velveteen and their children, Prince Terry Cloth and Princess Polly Ester—to buy the most luxurious new clothes available. As you might expect, the “tailors” pull the wool over everybody’s eyes until a homespun boy has the courage to speak the unadorned truth, and all the fools are uncovered at last—and the swindlers are turned over to Shroud, keeper of the (shh-whisper) dungeon. The cleverly patterned characters and silky smooth plot will keep your audiences in stitches. Sharon A. Cole brought the characters to life with strong but humorous personalities that your cast members will love playing. Every role is a gem.

8 Middle School Plays That Work Every Time

The Bridge to Terabithia Adapted by author, Katherine Patterson

  • Drama
  • 3 Male 6 Female
  • 90 minutes in length

This powerful adaptation, supported by a lyrical score, focuses the humor, warmth and emotional intensity of Katherine Paterson’s Newbery Award winning novel.

Jesse, alienated from the pragmatism of his family and rural Virginia culture, draws and dreams of becoming something special. Then the new girl, Leslie, who just moved in from the city and the ultimate outsider, opens a world of imagination, art and literature for him

Together they create Terabithia, a fantasy kingdom where they are safe from those who don’t understand them. Their friendship grows as Jesse’s world expands. However, when tragedy strikes, the strength gained in Terabithia takes Jesse forward on his own and lets him share the magic of his dreams

Lastly, I wanted to include one of my favorites to direct around Halloween.  It’s just fun!

8 Middle School Plays That Work Every Time

It’s a Howl! by Tim Kelly

  • Comedy
  • 8 M and 14W
  • 90 minutes in length

Teenager Jane Hastings inherits remote and creepy Wolfbane Abbey. It’s a combination school and clinic for students who have trouble “adjusting.” No wonder – they’re werewolves! To begin with, the doctor who runs the Abbey decides Jane must be driven out of her mind so he can be trustee. This isn’t as easy as it sounds – even though the place is filled with more horrors than a wax museum. With two friends, Jane does her best to sort out the Abbey’s problem and “curse.” The characters are great fun to play in this fast-paced spoof, including bewildered police, a werewolf hunter, weird students, a gypsy who spends most of her time in a scary laboratory, and a reporter from a scandal magazine. And that’s just for openers…don’t forget the vampire. Not surprisingly, laughs collide with screams and the ending has plenty of bite.

Looking for a few other plays that might be successful with your students? Check out: The Ten Reasons Everyone Produces The Best Christmas Pageant Ever

Looking for bundles of drama lessons for middle school?  You know I’ve got you covered. Bundle Volume 3 Middle School Drama Units

Whew!  That’s quite a list.  Have you directed any of these plays?  I’d love to hear about your experiences. Email me at DhcBaldwin@gmail.com

Click here:  We’re Live! Radio Theater #101

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Filed Under: arts education, community theater, community theatre, drama education, drama integration, Education, gifted and talented, middle grades, plays, Teacherspayteachers, theater, theatre, youth theatre Tagged With: 'tweens, acting, Anne of Green Gables, books adapted into plays, Bridge to Terabithia, Middle school, plays, The Little Princess, Tom Sawyer

Discovering Creativity: A Drama Camp Fairy Tale Adventure

April 16, 2024 By dhcbaldwin Leave a Comment

A group of students jumping with joy at a summer drama camp

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Today let’s talk about discovering creativity: a drama camp fairy tale adventure.  I heartily love summer for many reasons, do you?  Before I retired one of my favorite things to do in the summer, was to run a two week summer drama camp. Since I ran summer drama camps for thirty-eight years, this is one thing I really have down.  Are you thinking of running a camp this summer?

 

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Drama campers having a little coloring time break!

Summer is a perfect time for students to learn about subjects that they either do not have available to take in their school, or wish to learn more in depth.  Enter my Summer Drama Fairy Tale Camp Curriculum!

Designed to ignite creativity and foster confidence, this immersive program offers eight dynamic lessons encompassing costume design, set creation, chanting, movement, storytelling, tableau theater, sound effects, and stage properties. Whether you’re planning a short spring break camp or a summer extravaganza, this comprehensive resource is your ticket to a stress-free and engaging experience for campers of all ages.

Summer Camp of Bye Bye Birdie

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Tableau Theater:
Campers kick off their fairy tale adventure by delving into the art of tableau theater. Then, through group exercises and improvisation, they learn how to create striking frozen scenes. These poses cleverly convey emotion and narrative without words. This lesson sets the stage for exploring composition, expression, and storytelling through stillness.

Set Design Masterclass:
In this hands-on workshop, campers discover the magic of set design. From fantastical landscapes to royal castles, students brainstorm and sketch their own designs. At the same time, they  learn how to bring their imaginative visions to life on stage. With the templates provided, they explore the intricacies of set pieces required for each setting, sparking their creativity and transport potential audiences to far-off lands.

A MIDDLE GRADE GIRL POINTING AT THE CAMERA

Pick up my FREE Scope and Sequence Drama Curriculum here.

Lessons During Drama Camp

Chanting and Choral Performance:
Campers harness the power of voice and rhythm as they explore chanting and choral performance techniques. Through vocal warm-ups and group exercises, they develop their vocal skills and create captivating chants. These chants can  be used to enhance the atmosphere of their fairy tale world in the play.  As a result, this adds depth and authenticity to their performances.

Movement and Characterization:
Through movement exercises and character exploration, campers learn how to embody the personalities and traits of their favorite fairy tale characters. From graceful princesses to mischievous trolls, they discover the physicality and nuances that bring characters to life on stage. Ultimately, this  fosters a deeper understanding of character development and expression.

Discovering Creativity: A Drama Camp Fairy Tale Adventure

First day of camp read through

Storytelling:
Campers delve into the art of storytelling, learning how to captivate audiences with their words and imagination. Through interactive games and exercises.  In addition, they explore narrative structure, character development, and audience engagement.  They hone their storytelling skills and unleashing their creativity in the process. Plus, there is a whole day set aside for everyone to tell a story of their own life!

File:Windmaschine (Nachbau).jpg

Wind machine

Creating Sound Effects and Beginning Playwriting:
In this interactive workshop, campers explore the world of sound effects. They do so by learning how to use everyday objects to create magical sounds and immersive audio environments. Working in small groups, the campers experiment with creating sound scenes by incorporating them into a short scene. The student write their own scene  and performing them for their peers. Consequently, they discover how sound can enhance the atmosphere and drama of their performances.

Costume Design Workshop:
Campers unleash their creativity as they explore the art of costume design. From princess gowns to wizard robes, they conceptualize, sketch, and create costumes design. The campers discover how they can bring their own fairy tale character to life. With four design templates provided, they have the freedom to customize their designs and express their unique vision.

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Playing a game during camp

Stage Properties:
Campers get hands-on experience studying stage properties and learning how to categorize props through fun activities. They discover the magic of stage properties, from magical wands to treasure chests, unleashing their creativity and attention to detail in bringing the world of fairy tales to life. If time allows, they can even make a few props for your production!

Discovering Creativity: A Drama Camp Fairy Tale Adventure

https://creativecommons.org/licenses/by/4.0/

Bloom’s Taxonomy of Learning

I’m a student of Bloom’s Taxonomy of Learning. Bloom’s Taxonomy focuses on cognitive development of intellectual abilities and skills. The cognitive learning domain can be classified in declarative and intellectual skills. Intellectual skills  include concepts, principles, procedures and rules which are applied in instances beyond instruction. In other words, it isn’t enough for a student to merely learn about something. They need to apply it for the students to retain the learning. 

Culminating in a Captivating Performance:
As the grand finale of the fairy tale adventure, campers bring the beloved classic “The Brave Little Tailor” to life on stage. With roles for 25+ students, this enchanting one-act play showcases the talents and creativity of young actors, transporting audiences to a world of adventure, courage, and magic.

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Synopsis: “The Brave Little Tailor” follows the journey of a humble tailor who, through his wit and bravery, embarks on a series of daring adventures. From a outsmarting giant to overcoming posses of flies, the tailor’s courage knows no bounds as he proves that even the smallest individual can achieve great things. In the end, even the King and Queen of the kingdom get involved.  And let’s not forget that fun song that’s included. (optional)

Throughout the camp, DramaMommaSpeaks’ resources help directors foster a supportive and inclusive environment where campers can express themselves creatively, build confidence, and forge lasting friendships. With a treasure trove of lessons and a captivating finale, the Fairy Tale Adventure curriculum promises to ignite the spark of imagination and leave a lasting impression on all who participate.

Would you like a preview of the resource?  Click SUMMER CAMP UNIT EBOOK PREVIEW YDP PDF-min.

This unit is valued at $50.00, but you will be paying much less.

Photo Gallery of DramaMommaSpeaks

Group hug at end of camp cast party

Life Lessons Learned at Summer Camp

One website, Simplelocalbillings.com had a nice article about the value of summer camp, “In the safe surroundings of summer camp, you can push yourself past your comfort zones and release your inner child in a judge-free environment. You learn to have faith in both yourself and the people around you, so that whatever seems scary, different, or impossible is often achievable at camp.”

Making New Friends at Camp

Another asset of summer camp is that students make new friends outside of their school.  This is important!  These experience demonstrate to the students that they are more than just the school they attend.  By doing so, it gives them a new and different perspective on themselves and how they fit into the world.
In conclusion, I hope you’ll consider purchasing this 136 page resource. You’ll find it here.  It will not only give you everything you need to be successful in your camp, but help to provide opportunities for students to learn as well as be joyful.
What camps have you created?  I’d love to hear about them.  Contact me at DhcBaldwin@gmail.com

 

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Filed Under: acting, arts education, arts integration, community theater, community theatre, creative dramatics, Creativity, drama education, drama integration, Education, gifted and talented, Teacherspayteachers, theater, theatre, youth theatre Tagged With: costume design, drama camp for grades 3 to 7, dramamommaspeaks, play production, set design, sound effects, stage properties, storytelling, summer drama camp, tableau, teacherspayteachers, The Brave Little Tailor, two week camp

Discovering Melodrama: A Theatrical Adventure for Students

November 1, 2023 By dhcbaldwin Leave a Comment

A village and a hero on the cover of a blog post about melodramas

Discovering Melodrama: A Theatrical Adventure for Students

Today, I want to chat with you about discovering melodrama: a theatrical adventure for students.  I know from my own experience it is so much fun.  There used to be a melodrama in Cripple Creek, CO and Dodge City, KS which my parents and I attended.  As I was only starting my journey in theater, I was tickled by it. It was so over the top and the corny jokes kept us laughing.  We knew it was bad theater, but we just didn’t care.  It was fun and that’s what a good melodrama should be.

Discovering Melodrama: A Theatrical Adventure for Students

In the realm of performing arts, this genre stands out for its vivid portrayal of heightened emotions, intense conflicts, and larger-than-life characters – melodrama. As you might expect, I’ve performed and directed several melodramas. If you are like me, you just can’t help yourself and enjoy them, too.  If you’d like to learn more about my directing experiences, check out Eighteen Ways To Make Your Directing Experience Less Stressful, Part One

The history of melodrama is a captivating journey through the evolution of theater.  It  reflects societal changes, artistic innovation, and the eternal fascination with exaggerated emotions. Your students would enjoy learning about them and even performing them.

The Origins: Setting the Stage

If you’ve wondered, the term “melodrama” finds its roots in Greek, where “melos” means music, and “drama” means action or play. Its history traces back to the 18th century, where it emerged as a blend of spoken word and music, primarily in operas and stage productions. These performances often used music to underscore the emotions of the characters, creating a heightened sense of drama.

Discovering Melodrama: A Theatrical Adventure for Students

Little Mary Sunshine Musical

One of my favorite melodramas to direct is Little Mary Sunshine.  Are you familiar with it? From Concord Theatricals, ” This hugely successful off-Broadway show played for almost three years at New York’s Orpheum Theatre, winning an Obie award as the Best of the Season. Billed as “a new musical about an old operetta,” Little Mary Sunshine gently spoofs such old-time favorites as Rose Marie and Naughty Marietta, but has a personality all its own.

The plot is a little bit of everything: Colorado Rangers led by stalwart Captain Jim; the lovely Mary Sunshine and her “naughty” maid Nancy; a chorus of giggling schoolgirls; and the ominous but benevolent Indian chief. Hearts are won and lost and won again in this delightful, laugh-filled and charming show.

Discovering Melodrama: A Theatrical Adventure for Students

Discovering Melodrama: A Theatrical Adventure for Students

The Rise of Theatrical Melodrama

The melodrama we all think of did not gain traction until the  19th century, especially in Europe and America. However, once it caught on, it became a prominent form of entertainment. It’s big draw! It  captured the attention of a burgeoning middle-class audience.  Because of the The Industrial Revolution and the societal changes it brought, the themes of melodramas were significantly influenced.  Plus, the growing divide between social classes made for excellent story lines.

Melodrama and Characterization

Students enjoy melodramas because of the stark contrasts between good and evil, virtue and vice. Characters were often portrayed in an exaggerated manner, allowing the audience to clearly identify with the hero’s unwavering goodness or the villain’s diabolical intentions. The narratives are often simplistic, so there’s a big plus.

It also emphasizes moral dilemmas and the triumph of virtue over vice. Many of our super heroes movies, although usually considered science fiction, follow the same pattern.  Being familiar with super hero plot lines, students have an easy time understanding and portraying the characters in a melodrama. Speaking of super heroes.  Check out my blog post:Superhero Drama: Captivating Classroom Techniques

ISC.20.Performance

Theatrical Elements of Melodrama

One thing you can always depend upon in a melodrama is its emphasis on spectacle. Elaborate stage designs, dramatic lighting, and exaggerated gestures added to the overall effect, intensifying the emotional experience for the audience. Generally, music plays a pivotal role, heightening the tension and emotions of key moments.

Furthermore, stock characters (the mean villain, the sensitive hero, the persecuted heroine, the simpleton, the faithful friend and the villain’s sidekick)  became a hallmark of melodrama. These characters were archetypes that the audience can easily recognize and of which they can relate.

As most of our theater teachers will tell you, our student actors need permission to exaggerate. You wouldn’t think so, but it’s much easier to clown around in class than to actually do so on the stage.  Students aren’t willing to step out and be vulnerable when everyone is watching them.  Producing a  melodrama allows them to cut their acting teeth,  so to speak, while giving them time to adapt to the stage in general.

Did you know I have the secret to boosting student engagement?  My new book, “We’re Live! Radio Theater #101” explains my journey to implementing this unique tool in the classroom. Check it out here

Discovering Melodrama: A Theatrical Adventure for Students

My Suggestion of Melodramas

If you are considering directing a melodrama, here are a few I’d suggest considering one of these plays.

Only an Orphan Girl(5 F 3M)

The Orphan Girl is a long-suffering young lady who seems destined not only to lose her lover but her life as well. The familiar characters of old-time melodrama here play their roles up to the hilt. The most thrilling scene is that in which dynamite (planted by the villain) is about to blow all the good characters to eternity. Just in time, however, Lucy picks up the dynamite and throws it out the door. On reflection, though, it seems that the thrill just described is actually topped by the even more exciting scene in the sawmill, where Nellie, tied to a log, is approaching the circular saw which in a moment will tear her to pieces. The hero, who has been tied by the villain, is freed just in time to thrust aside the latter who draws a pistol on him and threatens to kill him if he dares touch the lever that will save Nellie. The villain fires. The hero is wounded. And, at this very instant, a friend opportunely appears to snare the villain, and Nellie is safe in the arms of her hero.

A Fate Worse Than Death–(7F 5 M) “Gadzooks! What a beautiful night for a murder!” hisses the villain. Yes, there’s plenty of dirty work going on at the crossroads as that fiendish scoundrel, Cassius Carstairs, pursues the pure Carlotta Flower, the persecuted heroine who is more sinned against than sinning. This wildly funny melodrama gives the audience every chance to hiss the villain and applaud the hero and heroine, and to have the time of their lives. With tongue in cheek it incorporates all of the surefire situations used in the old time melodramas and the result is a wonderfully happy piece of nonsense with laughs tumbling over each other in rapid succession.

Two More Suggestions

The Curse of an Aching Heart— (3 F 9 M) This modern treatment of an old melodrama will have folks hissing, booing and applauding. The sweet heroine is Melody Lane, a self educated and lovely orphan who falls into the hands of scoundrel Windermere Hightower. After Melody and the villain are married, he tells her that he expects her to carry out his criminal schemes. Revolted, she flees a wife in name only. Several months later she is at the None Such ranch where she falls in love with stalwart Lucius Goodenough. When Windermere appears at the ranch, Melody is appalled. He tries to force his attentions on her and Lucius knocks him down. For revenge, Winderemere steals money and plants it on Lucius. His dirty work is discovered and he is unmasked but he gets away and returns to the ranch disguised as a peddler. And once again the virtuous heroine is rescued by guess who?
Yellow Iris–(2 F 7 M) An Agatha Christie gem! A distressed phone call from a mystery woman brings Hercule Poirot to the hotel Jardin des Cygnes, where a man commemorates the four-year anniversary of his wife’s sudden death – a death under very suspicious circumstances that Poirot himself witnessed. Gathered is everyone present on that fateful night and now Poirot must find a killer in the midst, before they strike again.

Discovering Melodrama: A Theatrical Adventure for Students

The Enduring Allure

Audiences enjoy melodramas because they feel familiar. Have you ever seen a melodrama when you were visiting an old western town?  Yup.  They are everywhere.   The everlasting appeal of melodrama lies in its ability to heighten emotions, captivate audiences, and offer a form of escapism. The genre remains a testament to the timeless allure of storytelling through the portrayal of intense emotions and moral conflicts. I don’t plan to direct anymore, although I honestly would re-consider if someone asked me to direct a melodrama. Now, that would be fun!

Have you ever wondered about juke box musicals?  Check out this post:  Exploring the Magic of Jukebox Musicals: When Hits Shape the Stage

This has me so enthused about melodramas, I decided to create a unit for students to study and write their own melodrama.  Now, how’s that?

Here it is!  Pick it up here. 

A 7 day unit concerning playwriting and creating your own Melodrama

Do you follow me on Instagram?  If not, please do.

Pick up a free warm up collection here. Drama Warm-Ups Collection

Are you a teacherspayteachers.com member?  You can follow me here.

What experiences do you have with melodrama?  I’d love to hear about them.  Please feel free to email me here or at DhcBaldwin@gmail.com

Dramamommaspeaks Blog Author Deborah Baldwin

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Filed Under: arts education, community theater, community theatre, drama education, Education, performing arts, plays, theater, theatre, youth theatre Tagged With: acting, high school, melodramas, Middle school

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