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An Amazing Play That Most Theater Teachers Never Produce

May 2, 2023 By dhcbaldwin Leave a Comment

An Amazing Play That Most Theater Teachers Never Produce

An Amazing Play That Most Theater Teachers Never Produce

There’s an amazing play written by Playwight Aurand Harris that most theater teachers never produce. It’s name?  Orphan Train. Busy theater teachers/directors have no time to consider plays other than those from their past successes. They simply don’t have the brain space left to do so. That’s where I come in.

The Orphan Train published by Dramatic Publishing.

An Amazing Play That Most Theater Teachers Never Produce

An Amazing Play That Most Theater Teachers Never Produce

Synopsis

The play tells the story of nine orphans on an “orphan train” that left New York City on May 28, 1914. The train travels to Midwestern towns in search of homes, any homes, anywhere for the orphaned and unwanted children. There’s Mary, Evie, spunky Pegeen, Annie and Little Lucy, a quiet one.
Other orphans include Frank (who later becomes Frankie, a small girl), Raymond, Lucky and Danny the song-and-dance boy. And there are the men and women hoping for children. The lonesome whistle wails as the train chugs between encounters of anxiety, laughter, wistfulness, rejection and acceptance. Eight stories unfold, each a memorable surprise.  Cast size: 6m., 7w., 6 boys, 6 girls, or 11 (1m., 1w., 3 boys, 6 girls) with doubling.
An Amazing Play That Most Theater Teachers Never Produce

An Amazing Play That Most Theater Teachers Never Produce

Probably the first reason a teacher/director might not consider The Orphan Train is the size of the cast–13. There is a way around this issue.  Have you ever double cast a production?  Although it appears as extra work for you, long term it is a Godsend.  Usually, one of the two actors double cast in a role will always be in attendance so you can progress through your rehearsal calendar as planned. Also, if you are short on males, a female can portray one of the male characters. Or vice versa.
If you’d like more information about double casting, check out: Double Casting a Show? Here’s Advice
or help with directing– Ten Important Elements to Consider When Directing a Youth Theater Production.

Technical Requirements of The Orphan Train

I directed The Orphan Train with middle school students.  One reason I selected it is that there is no need for a set.  We legged several platforms and placed them together making different levels. Stage pieces consisted of black boxes and several wooden chairs.
The necessary stage properties are minimal as I recall.  That’s another plus to selecting this production for your season.
An Amazing Play That Most Theater Teachers Never Produce

Costume Design for The Orphan Train

Usually, I designed the costumes for my middle school plays partly because I have an intense interest in costume design. However, I took a chance with this play and did something completely different–I asked the students to find their own costumes. My budget paid for those students who could not afford it.

My color palette for the production was black and white hopefully denoting a black and white photograph.  To this end, I asked the students to bring in costume pieces for their character of either black, white or even gray. I guessed that most of the students could find what they needed quite easily and I was correct.  It worked great!  When they created a tableaux at the end of the show, they looked like a vintage photograph.

Did you know I have the secret to boosting student engagement?  My new book, “We’re Live! Radio Theater #101” explains my journey to implementing this unique tool in the classroom. Check it out here

An Amazing Play That Most Theater Teachers Never Produce

(We used this photo as a template for our show tee shirts! )

Light Design for The Orphan Train

I was fortunate.  My principal at the time was very supportive of the arts (in fact, all of the principals I worked for were supportive of the arts), and purchased lighting equipment for us.  Lighting the show was fairly simple–I used the stage lights (on little dimmers if you can imagine) and then our light board, trees and several ellipsoidal and fresnel.

 

Sound Design for The Orphan Train

My husband and I are avid music lovers.  We listen to all types of music.  Consequently, we knew of music which would be perfect for pre-show, intermission and post show.  We used period music such as Popular Roaring 1920s Music from the Year 1926.  The sound of trains was another thing we used between scenes–steam engines puffing, rolling around, train whistles, etc.

An Amazing Play That Most Theater Teachers Never Produce

Historical Significance of The Orphan Train

When I began researching the play, I found this entry in Wikipedia.com, “The Orphan Train Movement was a supervised welfare program that transported children from crowded Eastern cities of the United States to foster homes located largely in rural areas of the Midwest. The orphan trains operated between 1854 and 1929, relocating from about 200,000 children.

The co-founders of the Orphan Train movement claimed that these children were orphaned, abandoned, abused, or homeless, but this was not always true. They were mostly the children of new immigrants and the children of the poor and destitute families living in these cities. Criticisms of the program include ineffective screening of caretakers, insufficient follow-ups on placements, and that many children were used as strictly slave farm labor.

Charitable Institutions Aid to Orphans

Three charitable institutions, Children’s Village (founded 1851 by 24 philanthropists ), the Children’s Aid Society (established 1853 by Charles Loring Brace) and later, New York Foundling Hospital, endeavored to help these children. The institutions were supported by wealthy donors and operated by professional staff. The three institutions developed a program that placed homeless, orphaned, and abandoned city children, who numbered an estimated 30,000 in New York City alone in the 1850s, in foster homes throughout the country.

The children were transported to their new homes on trains that were labeled “orphan trains” or “baby trains”. This relocation of children ended in 1930 due to decreased need for farm labor in the Midwest. The phrase “orphan train” was first used in 1854 to describe the transportation of children from their home area via the railroad. However, the term “Orphan Train” was not widely used until long after the Orphan Train program had ended.

An Amazing Play That Most Theater Teachers Never Produce

Interviewing An Orphan 

We lived in Missouri at the time in which I directed the play. We’d heard there were several people still alive who rode the Orphan train many years prior.  With a little extra work, a parent volunteer found one of the children (now adult) who was an orphan and traveled by Orphan Train.  

This lovely lady came and spoke to our cast about what it was like to ride the train.  Although that was many years ago, I recall she said that the family she ended up with were not very nice to her but she grew up with them.

You always want a story like this to have a happy ending, don’t you?  However, it’s important that our students see life as it can be sometimes, especially in a case such as this one.

An Amazing Play That Most Theater Teachers Never Produce

Maybe you found this blog because you are interested in integrating drama into your core class.  I found a terrific site with plenty of information and teaching suggestions–The Orphan Train.  Start here to build your unit around The Orphan Train.  

Additionally, you could purchase a class set of this play to use as a read aloud. (Make sure you check it out before you purchase for your entire class–you don’t just want to take my word for it.  I remember there are several swear words which you may want to switch out with others not as flowery.)

The cover of a costume design lesson.

Use the script to study set or costume design.  This particular lesson would be helpful to you if you study costume design accompanying the play.  Or use this unit to study set design to accompany the play.

Have I convinced you to check out The Orphan Train play?  If hope so.  If you have any questions about directing this play or any other questions, please feel free to email me.  I receive emails every week from teachers needing a veteran teacher to give them advice.  That’s what I’m here for. Want a FREE lesson great for middle grade students?  Go here:  Lin Manuel Miranda

 

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Filed Under: acting, arts education, arts integration, community theater, directing experiences, drama education, drama integration, Education, Education, middle grades, plays, Production Questions, Teacherspayteachers, Teaching, teaching strategies, theater, theatre, youth theatre Tagged With: double casting, early 1900s, historical events, Middle school, orphan trains, orphans

The Reasons to Teach Broadway Musicals to Your Students

May 24, 2020 By dhcbaldwin 4 Comments

The Reasons to Teach Broadway Musicals to Your Students

There is a phenomena I can’t quite explain.

It used to be people weren’t all that excited about musicals.

Well, some people weren’t. I always liked them.  In fact, I remember the first musical I attended.  I saw Pearl Bailey in Hello Dolly! on Broadway.  That was a really amazing production.  My parents took me to see George M. Cohan as well and all I remember (because I was 10) was the tap dancing and lots of it.

Those of us who are eat-sleep-breathe-drama-and music love all of them.  Although I have several favorites.

Learn about them here: The Reasons These Shows are My Favorite Broadway Musicals 

Movies Adapted From Broadway Musicals– All right!

The Reasons to Teach Broadway Musicals to Your Students

Broadway Musical Lessons

I began creating Broadway musical lessons about two years ago and to date I have over twenty lessons. They are very popular and I’m so glad I created them.

When I taught at a school in Colorado, our musical theater students chose a musical they wanted to share with the rest of the class. They’d share its synopsis, a song and a bit of trivia.

At the time, I thought it would be a super experience for students to learn about these over the course of the school year.  Maybe every Friday could be Broadway Musical Day? In that particular case, I only saw the students once a week (they were basically home schooled the rest of the week) so I couldn’t take the time for my idea.

However, I thought a drama or vocal music teacher might find these of use.

The Reasons to Teach Broadway Musicals to Your Students:

  1.  It is always very entertaining.
  2.  Musical theater is a fabulous blend of music and theater–you get a little of both and never too much of either.
  3.   The action in a musical moves along fairly quickly because it’s peppered with song and/or dance, hence it keeps everyone engaged.
  4.   It is an excellent example of cooperative learning and creative problem solving–it incorporates every other arts medium–dance, art, music and theater!
  5.   Songs allow for interpretation of moments that a monologue can not explain so easily.
  6.   An entire moment in a story can be demonstrated through a song and dance which is much more interesting than  merely using dialogue.
  7.   In a school environment, most school musicals involve more than just the drama department–the music department participates which includes band and orchestra students.   Talk about involving the school!
  8.   Musicals are an excellent way to teach about current or historical events–Hamilton, Ragtime, Les Mis, 1776, The Scottsboro Boys, Bloody Bloody Andrew Jackson, Parade, Come From Away to name a few.
  9. Musicals teach about social issues–Rent, Cabaret, Dear Evan Hansen, Fun Home, Newsies, South Pacific, The book of Mormon, Hairspray, West Side Story, Falsettos, Newsies, Next to Normal, etc. 
  10.  Plus, as my husband said, “They are just fun!”

At least once a month or two, I create a new Broadway musical lesson.  Here is what they include:

(Here is an example from Hairspray, the Broadway Musical and pair it with Costume Design with Hairspray Characters

Broadway Musical Lessons for You to Use Tomorrow!

The product includes:

  • Letter to Teacher
  • Two Warm Ups–Dance Tutorials from the Actual Production
  • Teacher’s Script–What I Say and How I Say it!
  • Photos of Hairspray
  • Synopsis of the Musical
  • Plot of the Musical
  • Short Biography about Marc Shaiman composer and choreographer Jerry Mitchell
  • Separate File of Photos for Teacher’s Use in Lecture
  • History about the Origination of the Production
  • AND a Mini-Lesson on What are the Tony Awards?
  • List of Tony Awards
  • New York City Map with Competing Theaters Labeled
  • Student Note Page for Hairspray
  • Teacher Note Page Key
  • Trivia about Broadway and Hairspray
  • Songs List
  • Pinterest Board Link Specifically about Hairspray
  • Extension Activities– SEVEN Terrific Suggestions of Ways to Secure the Learning and Enrich the Experience either Individual or Group
  • Two costume design templates for one of the extension activities
  • Sources & Links to Film Clips from the Show
  • And More!

Comprehensive? You bet.

How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom
Hadestown Broadway Musical unit cover

Did you know that Wicked is being made into a film with Cynthia Erivo and Ariana Grande?

How can I use these in my classroom?  It depends upon the musical lesson, but teachers have used them in elementary through high school grades in classes of drama, vocal music, language arts and American history.  These lessons can be as short as one day or up to three days in length depending upon what the teacher requires.

All of the musicals in the gallery are available in my store here: Dramamommaspeaks Products

Plus, they are great with substitutes!

I hope you consider teaching with a Broadway musical lesson in the near future.  Do check back often, because as I mentioned, I’m always adding another to the store.

Want some free stuff?  Check out my page FREE Stuff.

What do you like about musicals?  I’d love to hear from you.  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

Deborah Baldwin, author of Dramamommaspeaks

 

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Filed Under: acting, arts education, Broadway, creative dramatics, Distance Learning, drama education, Education, excellence in teaching, Musical Theatre, performing arts, Teacherspayteachers, theater, Tony Awards, youth theatre Tagged With: Broadway musicals, elementary to high school, historical events, history, language arts, lessons about Broadway musicals, social issues, social studies, world issues

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