• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Join Me in my new Facebook Group! https://www.facebook.com/groups/417126059784261

Menu
  • Meet Deb – The Heart Behind DramaMommaSpeaks
    • Work with Me! 
    • Photo Gallery of DramaMommaSpeaks
    • Directorial Credits
  • I Give Book Talks! 
    • Book Talk Through Skype
    • Books
  • Freebies!
  • Bumbling Bea
  • Teaching Resume
  • Acting Resume
  • Contact Me
  • Blog
    • Drama Education
    • Arts Education
    • Youth Theatre
    • Middle Grades
    • Musical Theatre
    • Teaching
  • Meet Deb – The Heart Behind DramaMommaSpeaks
    • Work with Me! 
    • Photo Gallery of DramaMommaSpeaks
    • Directorial Credits
  • I Give Book Talks! 
    • Book Talk Through Skype
    • Books
  • Freebies!
  • Bumbling Bea
  • Teaching Resume
  • Acting Resume
  • Contact Me
  • Blog
    • Drama Education
    • Arts Education
    • Youth Theatre
    • Middle Grades
    • Musical Theatre
    • Teaching

set design

Discovering Creativity: A Drama Camp Fairy Tale Adventure

April 16, 2024 By dhcbaldwin Leave a Comment

A group of students jumping with joy at a summer drama camp

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Today let’s talk about discovering creativity: a drama camp fairy tale adventure.  I heartily love summer for many reasons, do you?  Before I retired one of my favorite things to do in the summer, was to run a two week summer drama camp. Since I ran summer drama camps for thirty-eight years, this is one thing I really have down.  Are you thinking of running a camp this summer?

 

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Drama campers having a little coloring time break!

Summer is a perfect time for students to learn about subjects that they either do not have available to take in their school, or wish to learn more in depth.  Enter my Summer Drama Fairy Tale Camp Curriculum!

Designed to ignite creativity and foster confidence, this immersive program offers eight dynamic lessons encompassing costume design, set creation, chanting, movement, storytelling, tableau theater, sound effects, and stage properties. Whether you’re planning a short spring break camp or a summer extravaganza, this comprehensive resource is your ticket to a stress-free and engaging experience for campers of all ages.

Summer Camp of Bye Bye Birdie

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Tableau Theater:
Campers kick off their fairy tale adventure by delving into the art of tableau theater. Then, through group exercises and improvisation, they learn how to create striking frozen scenes. These poses cleverly convey emotion and narrative without words. This lesson sets the stage for exploring composition, expression, and storytelling through stillness.

Set Design Masterclass:
In this hands-on workshop, campers discover the magic of set design. From fantastical landscapes to royal castles, students brainstorm and sketch their own designs. At the same time, they  learn how to bring their imaginative visions to life on stage. With the templates provided, they explore the intricacies of set pieces required for each setting, sparking their creativity and transport potential audiences to far-off lands.

A MIDDLE GRADE GIRL POINTING AT THE CAMERA

Pick up my FREE Scope and Sequence Drama Curriculum here.

Lessons During Drama Camp

Chanting and Choral Performance:
Campers harness the power of voice and rhythm as they explore chanting and choral performance techniques. Through vocal warm-ups and group exercises, they develop their vocal skills and create captivating chants. These chants can  be used to enhance the atmosphere of their fairy tale world in the play.  As a result, this adds depth and authenticity to their performances.

Movement and Characterization:
Through movement exercises and character exploration, campers learn how to embody the personalities and traits of their favorite fairy tale characters. From graceful princesses to mischievous trolls, they discover the physicality and nuances that bring characters to life on stage. Ultimately, this  fosters a deeper understanding of character development and expression.

Discovering Creativity: A Drama Camp Fairy Tale Adventure

First day of camp read through

Storytelling:
Campers delve into the art of storytelling, learning how to captivate audiences with their words and imagination. Through interactive games and exercises.  In addition, they explore narrative structure, character development, and audience engagement.  They hone their storytelling skills and unleashing their creativity in the process. Plus, there is a whole day set aside for everyone to tell a story of their own life!

File:Windmaschine (Nachbau).jpg

Wind machine

Creating Sound Effects and Beginning Playwriting:
In this interactive workshop, campers explore the world of sound effects. They do so by learning how to use everyday objects to create magical sounds and immersive audio environments. Working in small groups, the campers experiment with creating sound scenes by incorporating them into a short scene. The student write their own scene  and performing them for their peers. Consequently, they discover how sound can enhance the atmosphere and drama of their performances.

Costume Design Workshop:
Campers unleash their creativity as they explore the art of costume design. From princess gowns to wizard robes, they conceptualize, sketch, and create costumes design. The campers discover how they can bring their own fairy tale character to life. With four design templates provided, they have the freedom to customize their designs and express their unique vision.

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Playing a game during camp

Stage Properties:
Campers get hands-on experience studying stage properties and learning how to categorize props through fun activities. They discover the magic of stage properties, from magical wands to treasure chests, unleashing their creativity and attention to detail in bringing the world of fairy tales to life. If time allows, they can even make a few props for your production!

Discovering Creativity: A Drama Camp Fairy Tale Adventure

https://creativecommons.org/licenses/by/4.0/

Bloom’s Taxonomy of Learning

I’m a student of Bloom’s Taxonomy of Learning. Bloom’s Taxonomy focuses on cognitive development of intellectual abilities and skills. The cognitive learning domain can be classified in declarative and intellectual skills. Intellectual skills  include concepts, principles, procedures and rules which are applied in instances beyond instruction. In other words, it isn’t enough for a student to merely learn about something. They need to apply it for the students to retain the learning. 

Culminating in a Captivating Performance:
As the grand finale of the fairy tale adventure, campers bring the beloved classic “The Brave Little Tailor” to life on stage. With roles for 25+ students, this enchanting one-act play showcases the talents and creativity of young actors, transporting audiences to a world of adventure, courage, and magic.

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Synopsis: “The Brave Little Tailor” follows the journey of a humble tailor who, through his wit and bravery, embarks on a series of daring adventures. From a outsmarting giant to overcoming posses of flies, the tailor’s courage knows no bounds as he proves that even the smallest individual can achieve great things. In the end, even the King and Queen of the kingdom get involved.  And let’s not forget that fun song that’s included. (optional)

Throughout the camp, DramaMommaSpeaks’ resources help directors foster a supportive and inclusive environment where campers can express themselves creatively, build confidence, and forge lasting friendships. With a treasure trove of lessons and a captivating finale, the Fairy Tale Adventure curriculum promises to ignite the spark of imagination and leave a lasting impression on all who participate.

Would you like a preview of the resource?  Click SUMMER CAMP UNIT EBOOK PREVIEW YDP PDF-min.

This unit is valued at $50.00, but you will be paying much less.

Photo Gallery of DramaMommaSpeaks

Group hug at end of camp cast party

Life Lessons Learned at Summer Camp

One website, Simplelocalbillings.com had a nice article about the value of summer camp, “In the safe surroundings of summer camp, you can push yourself past your comfort zones and release your inner child in a judge-free environment. You learn to have faith in both yourself and the people around you, so that whatever seems scary, different, or impossible is often achievable at camp.”

Making New Friends at Camp

Another asset of summer camp is that students make new friends outside of their school.  This is important!  These experience demonstrate to the students that they are more than just the school they attend.  By doing so, it gives them a new and different perspective on themselves and how they fit into the world.
In conclusion, I hope you’ll consider purchasing this 136 page resource. You’ll find it here.  It will not only give you everything you need to be successful in your camp, but help to provide opportunities for students to learn as well as be joyful.
What camps have you created?  I’d love to hear about them.  Contact me at DhcBaldwin@gmail.com

 

Woman behind DramaMommaSpeaks

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: acting, arts education, arts integration, community theater, community theatre, creative dramatics, Creativity, drama education, drama integration, Education, gifted and talented, Teacherspayteachers, theater, theatre, youth theatre Tagged With: costume design, drama camp for grades 3 to 7, dramamommaspeaks, play production, set design, sound effects, stage properties, storytelling, summer drama camp, tableau, teacherspayteachers, The Brave Little Tailor, two week camp

What Everyone Should Know About Selecting a Musical For Their School

July 5, 2023 By dhcbaldwin Leave a Comment

Today, I want to talk to you about what everyone should know about selecting a musical for their school. As much as it is exciting to think about what production would serve your students the best, it’s also a huge challenge to do so.

Before you, the director, do anything you of course must read several scripts and select the one you like the most. This needs to occur at least six months in advance–don’t wait on this decision. (Why?  Because everyone and their dog is getting rights to productions.) I suggest you check out: Music Theater International or  Concord Theatrical, but there are many more just as good. 

First, I’d look over the music and make certain you have students who can sing the roles. Check vocal ranges, too.  Musicals are notorious for having many scene and costume changes, so be on the look out for those needs.  All that will matter when you begin to mount the production.  I have a lot of experience with Music Theater International.  Check out this post concerning my opinion of them:  MTI Junior Musicals– A Dream Come True!

My First Choice for a Musical

People ask for my advice concerning which musical they should select.  Generally, if it’s their first musical I suggest the near classic The Music Man.  It is still my go-to if I have the opportunity to choose the production.

What Everyone Should Know About Selecting a Musical For Their School

Selecting a Musical for Your School

Here’s the synopsis straight from Music Theater International, “By turns wicked, funny, warm, romantic and touching, The Music Man is family entertainment at its best. Meredith Willson’s six-time, Tony Award-winning musical comedy has been entertaining audiences since 1957 and is a family-friendly story to be shared with every generation.

The Music Man follows fast-talking traveling salesman, Harold Hill, as he cons the people of River City, Iowa, into buying instruments and uniforms for a boys’ band that he vows to organize – this, despite the fact that he doesn’t know a trombone from a treble clef. His plans to skip town with the cash are foiled when he falls for Marian, the librarian, who transforms him into a respectable citizen by curtain’s fall.”

This script is written very well.  If you’ve ever seen a play written by Neil Simon, you know that no matter who directs it the script will carry the actors’ performances no matter their quality.  Meredith Willson’s book for The Music Man is the same way.  To think that this gem was written in 1957 and still stands the test of time, never feels dated or old is a testament to its quality.

Looking to teach how to write your own musical to beginning students?  Go here.

File:Meredith willson 1937edited.jpg

Meredith Wilson

Selecting a Musical for Your School

Ever heard the phrase “butts in the seats”? In theatre, one of our biggest challenges is paying the bills for a production.  Some companies mount only musicals because they’ve discovered musicals have wide appeal. They are big money makers which is a good thing, because they cost a fortune to just rent!

So, if you want to fill your venue’s seats with more than just parents and students’ friends, pick something like The Music Man as your first production. If you are the first person to begin a program in your school, you want to wow your audience and establish a strong foundation for the future.  I do not recommend you do the latest and trendiest musical right now, whatever it may be.  Establish your program first and then select something more modern.

I recommend Music Man because the show has been around for many years and people have either seen it many times, on screen and a theater or they’ve performed in it.  It’s a staple of most theater companies, especially community theater.

What Everyone Should Know About Selecting a Musical For Their School

Your Objective

It’s important for you to have an objective with your production.  Some questions to ask yourself–Are you trying to establish a new program?  Or establish yourself in the department?  Or do you want a theater program which parents can trust and support?

The selection of your future musicals and plays will address your objective if you first decide upon it. You can always change your mind after a year or two and head a different direction if you aren’t having the success you expect.

The Music

This music has a “toe tappin'” kind of feel.  A lot of the songs are very familiar to people and you will find that your students may not them by having heard them so much.  Songs like “76 Trombones” is the most famous.  Most of the music is easy to learn.

The only difficult is that of the barbershop quartet (aka the School Board) with songs such as “Lida Rose.”  Also, Marion has an exciting one–“My White Knight.” Generally, the music can be learned to sing either unison if you need or several parts or a full out chorus

What Everyone Should Know About Selecting a Musical For Their School

Cast Break down

The show requires thirteen males and females and a chorus.  Your chorus can be as large as you need which in a school setting is so helpful.   Your biggest challenge is finding a male to play Harold Hill, the lead.  If he can act well, but his singing isn’t the best that’s okay.  It’s most important that your female lead, who portrays Marion Paroo, be a lovely singer who sings soprano.

The Music Man is a terrific vehicle for females.  Halleluijah!  If you are producing this at the high school level, you can feature a group of dancers who portray the students in the band at the end of the show.  Also, you need a few younger students.  You can involve elementary students or use students who are small and look younger.

Several of the characters require acting which is comedic and broad. Generally, novice actors  can do this believably.  Directing broad acting is easiest for novice directors as well.  The Mayor, his wife Eulailee,  his daughter Zaneeta, Zaneeta’s boyfriend Tommy, Harold’s friend Nathan.

Plus, some members of the chorus such as the Pick a Little Ladies and the School Board have great moments for comedy.  If the acting becomes too melodramatic, it is easy to direct actors to “pull it back a bit.” I always say if you have a strong Harold Hill and Marion Paroo the show can ride on that!

What Everyone Should Know About Selecting a Musical For Their School

Set Design

Another plus to The Music Man is the set.  There are several settings in the show:  the library, the Paroo home and porch, the school gymnasium and the town square. They can be depicted with the use of flats made into periaktois which display the different places in the story.

If you have room for a turntable, it’s useful in this situation and keeps the production moving along smoothly.  If you have room for platforms, you could use them instead.  And the use of white lattices goes a long way to give the idea of a small town at the turn of the century.

What Everyone Should Know About Selecting a Musical For Their School

Costumes

As we probably know, costumes play a vital role in a production.  This show is set in the early 1900s.  Never you mind about that!  I’ve found that if you have one costume per person for this production you can get by adequately.  The woman need long skirts, long sleeved blouses with high collars.

The girls need calf length skirts and blouses like the ladies. The men and boys need trousers, a long sleeved shirt and a hat.  Generally, my Harold and Marion have several costumes. There is a barbershop quartet which are fun to dress alike and a group of ladies who dress in Grecian togas for one scene.  Everything is up to your concept, so just do the best you can. 

Here’s a secret.  If everyone has the proper shoe wear for the show, you can pull it off.  So, women in heeled lace up boots (which look like the time period), and children in a neutral shoe like a short boot or girls in a black flat are adequate.

A good place to find hats for this musical is Amazon.  I see they have skimmer hats for men.  Or you can purchase  inexpensive simmer hats which are made of  sytrofoam  and paint them with craft paint to look more believable.  In the past, my ladies purchased hats with large brims. They’d get together and have a hat party decorating their hat for their character. I’d suggest a few of these hats. Hot glue some flowers on these babies and you are good to go!

The only big challenge in costuming are the marching band uniforms.  Your solution is to talk with your music departments and see if they keep their old marching band uniforms.  If they do, you can use those.

What Everyone Should Know About Selecting a Musical For Their School

Stage Properties

Most of the stage props are simple to collect though a few are tricky. You need a firecracker or something that makes the sound of a firecracker for the gymnasium scene.  This show requires band instruments for your “kid band” to hold near the end of the musical  They don’t have to work very well.  Your students don’t need to play them so if they are broken but look fine, that’s okay.

I’ll be honest here. I know I’m partial to this musical.  My husband  and I met while he conducted the orchestra for a production of it and I played Marion.  In addition, I’ve produced and directed both the adult version and junior versions four times.

All I can say friend is, it works.  It works. every. time. If you are looking for a Broadway musical to study with your students, check out my Broadway Musical and Unit of The Music Man. It contains everything a busy teacher needs to be successful in teaching it and engaging their students.

So there you have it–what everyone should know about selecting a musical for their school.  What musical do you suggest to new directors?  I have several others I suggest as well.  They are another blog post.

Woman behind DramaMommaSpeaks

 

 

 

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: acting, Arts, arts education, Broadway, community theater, directing experiences, drama education, music education, Musical Theatre, Producing plays and musicals, youth theatre Tagged With: casting, community theater, costume design, directing advice, set design, stage production advice, stage properties, The Music Man Broadway musical, themes

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

June 14, 2023 By dhcbaldwin Leave a Comment

two boys making funny faces for the camera

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

At this time of year, many newly employed teachers are perusing the internet for lessons for their classes.  Today I’m going to discuss unlocking the secrets of elementary theater class: a comprehensive guide.

A little history about me–My first job was as an English teacher in a junior high school.  Bear in mind that I was certified to teach English, but had never taught it or even experienced teaching it as a student teacher. My student teaching was in theater which in the 1970s was almost unheard of in the mid-west.

Anyway,  I remember they gave me this HUGE book with all of the benchmarks or objectives I was to reach.  It was so full of jargon, I had to sit and translate it into layman’s English.  Finally, I got the hang of it.

My Teaching Journey

When I began teaching middle school theater in the mid 90s (yikes), no one seemed to be clear on what they wanted me to cover.  I came into the position with twenty years of teaching and directing experience outside the classroom, so I knew what to do in those circumstances. Continuing in this position for thirteen years, we then moved to Estes Park, CO which was a dream we never thought would occur.  We loved it!

While in Colorado for six years,  I taught a creative dramatics class to second through fifth  grade students in a home school enrichment program called Apex Home School Enrichment.   The classes were fifty-five minutes in length, once a week.  I saw around 175 students a week over three days. Because I came to the position with so much teaching experience, it was very easy for me to create a curriculum , because I knew what worked and what didn’t.  I hope I can pass along some of this experience to you now.

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

To be frank, there are good and not-so-good parts of being the only theater teacher in a school.  The good is that you can make your own decisions as to the content you teach without having to go through a department chair for their approval.  The greatest challenge I believe is that because you are alone in teaching the subject, you don’t have anyone to bounce ideas off of who truly understands what you are teaching.

I know what that’s like.  Having taught for over thirty-eight years, I’ve felt alone many times in my career.  Plus, when you are just starting out its easy to become overwhelmed by all the necessary details.  You probably say to yourself, do I have to create all these lessons all by myself.  The answer is no.

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Where can I find creative dramatics lessons?

You can join some fancy membership website and spend a lot of money buying lessons you may ever need. Maybe you purchase the membership at the beginning of the year because it sounded like a really good deal.  And maybe it is.  Perhaps you discover after assessing your students for a week or so that this website doesn’t offer what you need. You feel stuck because you paid your money and well, the lessons will suffice.

There is nothing worse than the nagging feeling that you are not doing something especially useful for your students. I’ve been there and I understand.  I bet deep in your soul you know these are not the lessons your students need and really, you need to work ala carte! You want to pick and choose what you cover with your students, planning a month or two at a time.  Check out my latest article in One Classroom Over magazine.

Many times when teaching elementary students, in my opinion, there is too much emphasis placed on the wrong aspects of theater. The secret to unlocking curriculum is go right to ala carte! 

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Here are some things you do not need to cover:

  1.  Scene study
  2.  Monologues
  3.  Writing a play
  4.  A comprehensive study of the history of theater
  5.  Memorizing large quantities of lines
  6.  Performing in a play longer than fifteen minutes
  7.  Performing in a musical longer than 30 minutes
  8.  Stock characters–Greek and Roman theater helped flesh out stock characters as a concept, but many of the ones we have now would  not originate until much, much later.

When I taught these creative dramatics  lessons in this particular order I began with the easiest concepts and progressed to the most challenging. This was a pass/fail course.  I gave a daily participation grade as well.

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Here are some concepts they do need to study:

  1. Tableau (1 day)–Tableau is a staple of theater and a non-threatening concept which beginning theater students can learn. Students learn how to make stage pictures (which is one of the basic of directing as well), however they don’t have to say anything. You can find my tableau lessons here:
  2. . Chanting (1 day)–Chanting, (in my TPT store) or a repeated word or phrase used to illicit an effect is the second component I teach novices. Got some questions about teaching middle school? You can also find it in my Made by Teachers store at: Chanting
  3. Movement (2 days)–Just like tableau, students enjoy creative movement because there is no speaking.  Plus, it does a great job of giving students some physical exercise which they sorely need.
  4. Storytelling–(3 days) To learn to tell a story with all of its parts (beginning, middle and end, etc.) is an important skill. You can also find it in my Payhip store at: Storytelling Unit 
  5.  Parts of the stage–(1 day) Students have a difficult time understanding these labels unless they are learned right along with performing. So, keep that in mind.
  6. Improvisation (2 days)–Some advice for you: never begin your year by throwing students into improvisation.  It’s terribly difficult for the novice actor or those who are reluctant about the class.  Build up their trust for at least a month. Take it in baby steps. Try this drama circle for Halloween!
  7. Mask making (2 days)–Students enjoy creating masks and using them in movement pieces or to create a character. My advice?  Use animal masks which are premade or they can create their own.
  8. Costume Design (2 days)–Who doesn’t like costume design?  Depending upon the time of year, I like to teach about costume design with a thematic approach. In this case, it’s Halloween characters or teach with fairy tale characters.
  9. Components of a Stage (1 day) –It’s best to teach these positions as students study set design so they can apply the information you give them.
  10. Set Design (2 days)– Teaching how to draw a rendering of a set is super useful and fun!
  11. Stage Properties (4 days)–Creating and making a stage prop is a magnet for student engagement.  Maybe you can make a prop which is used in the class play, such as snowflakes for a play, Ojisan and the Grateful Statues which is set in winter.
  12. Performance (1 week) You can choose to direct your students in a short one act class play, readers theater or a radio theater play-I liked to switch it up every now and then using something different.   Word of caution–don’t have one class performing a play while the others are studying radio theater.  You will make yourself crazy.
  13. Audience etiquette (weekly)–You can teach how to be a good audience member every day if you like.  Reminding students of what a quiet, attentive audience looks like goes a long way with them.
  14. Warm up Exercises–You can never go wrong with a good warm-up exercise.  Here is one which always works–Firecracker Freeze Tag

If you’d like you can purchase a bundle of them at a discounted cost right here: Theater Arts Lessons for Grades 3 to 5

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

In 2018, I opened my store on Teacherspayteachers.com.  My plan was to recoup the pension I lost by staying home with our daughters when they were very young.  I understood that I would lose half of my pension at the time of my retirement, but to this day I have no regrets.  This was a real privilege and I’m aware that many educators don’t have the luxury to do the same.  To this day, I know our daughters almost as well as they do themselves because I was with them when they were young. I treasure that. The aforementioned words in blue are links to my resources which you are welcome to use in your classroom.

If you need defenses for your lessons, check out National Core Arts Standards: A Conceptual Framework for Arts Learning

Do you have any questions?  One feature of my business is that I am available for any teacher who needs a bit of advice or direction for their theater class, no matter the grade level.  You can find me at DhcBaldwin@gmail.com

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

 

 

 

 

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: arts education, arts integration, creative dramatics, creative movement, drama education, drama integration, Education, elementary, performing arts, Radio Theatre, readers theater, storytelling, Teacherspayteachers, Teaching, youth theatre Tagged With: chanting, costume design, movement, mulicultural plays, readers theaterplay production, set design, storytelling

The Five Reasons Your Students Will Love Set Design

August 10, 2022 By dhcbaldwin 2 Comments

The Five Reasons Your Students Will Love Set Design

The Five Reasons Your Students Will Love Set Design

One of the things I appreciate about the subject I teach is its varied subjects within it. However as we know, not all students think the same way as I. I thought you might appreciate the five reasons your students will love set design–or at least that’s my hope.

If you are teaching theater and have reluctant students, I’d suggest teaching them about set design.  I’ve yet to find a group of students who did not enjoy learning about it.

Many students love theater, but they are unwilling to perform and consequently they quit studying it and take another class instead.  The reason?  They just can’t find a place for themselves within it.  Technical theater is a wonderful place for inclusion!

The Five Reasons Your Students Will Love Set Design

The Five Reasons Your Students Will Love Set Design

Truthfully, I think teaching set design is crucial for a student’s studies in theater arts. Let’s face it–a set design can make or break a production. Understanding its value and encouraging your students to appreciate it too will not only enrich their learning, but make them a more rounded arts person.

Think about it.  The audience sits and looks at the set for the entire performance.  Sometimes the set doesn’t change.  That’s a loooong time to imagine the place.

I could wax poetic about my love for teaching set design.  I am that much of a cheerleader for it.  But here are some reasons your middle and high school students will love set design:

  1.  It’s highly creative–The sky is the limit when one is learning about set design.
  2.  It’s immediately gratifying–When you design a set and create a model of it (either with paper or through a set design software app.) you can watch your idea take shape right in front of you
  3.  Themes and motifs can be explored effortlessly–your ELA teacher will appreciate that you teach these concepts to your students
  4.  It’s a great way to learn cooperatively–If you have your students work in pair or teams, the design process is eye opening to them.  As in life, everyone has an idea. They should all be heard and incorporated into the design if at all possible.  Students learn to listen, adjust their opinions and consider others.
  5.  Set design skills can carry over into other subjects such as math or social studies.  What a terrific way to apply what you learn.  Design a set, measuring, ratios, etc. come into use.  Researching a local such as France for a set design can be a super integration for a social studies or geography class.

The Challenges of Set Design

The Five Reasons Your Students Will Love Set Design

For Your Gifted Students

I used to challenge my students who needed something more difficult to design their set using a turntable in the center.  Wow, that’s a great challenge!  Not only is it tough to build, but will it work sufficiently?

Or what about a staircase?  Students quickly learn that designing a staircase to scale is much more complex than just label a rectangle a set of stairs.  Once a model is built the student sees the error of their measurements and that’s helpful, too.

How about a bridge?  Again, it’s easy to design but difficult to execute.

A Little Trivia Break

  • Did you know Judy Dench wanted to be a set designer when she was young?
  • Or that Maurice Sendak (author of Where the Wild Things Are) became a set designer after his career as an author? (Me neither!)
  • How about the fact that real-life historical locations provided inspiration for the Hamilton musical set design? While the set isn’t literal, it draws inspiration from actual places. “One of the cool things about Hamilton is almost every single location is one that you can research and find actual visual support for, whether it’s on the internet or in history books, or if the actual location still exists,” says David Korins, the set designer. “We did a lot of research in my office, getting everything from what the Schuyler Home actually looked like to what it looked like in New York City in 1781 and 1776. And we put it all up on a big huge board on a wall in my office, and we picked and chose.”
  • If you want more information about the history of set design, check out this blog post, Past Present and Future Set Design 

The Five Reasons Your Students Will Love Set Design

Teaching students that “less is more” can be easily demonstrated through set design.  In the photo above, you see a simple set from the 2018 revival of Carousel.  It contains a cyclorama with a cloudy night sky projected upon it and four miniature sail boats are part of the ground row.  The rest of the set is wood pallets. Students understand this concept that’s why it’s one of the five reasons students love set design.  Isn’t it effective? If you are need advice concerning selecting a production, check out this blog post: Critical Steps in Selecting a Play or Musical: Budget & Royalties

Permit me to brag a little

This is Brandon Davis.  He was a student of mine when he was in middle school.  He’s really made a great name for himself as a set designer.  When I had Brandon in my drama class in sixth grade, he was quiet, creative and loved theater.  You can see his work below and  at www.brandonptdavis.com

 

 

If you aren’t aware, I have a store with Teacherspayteachers.com.  In it, I sell drama education resources. In this particular case, let’s discuss my set design unit.

There are two–one for middle school and another a bundle of technical theater units  for high school.

 

The Five Reasons Your Students Will Love Set Design      The Five Reasons Your Students Will Love Set Design

The Five Reasons Your Students Will Love Set Design

Here is my middle school design unit description:

During this eight-day unit over set design students learn about the history of set design, famous designers, develop a critical eye about what makes up an award- winning set design, create a ground plan for a fairy tale story of their choosing and draw a rendering. If you’d like a free lesson concerning set design, click here. Set Design, the Rendering

Here’s a added benefit–the students must work with ratios and measuring. (Hello math class!) The first two assignments are completed individually, but then the fun begins! The students are paired up to create a model working together towards the goal. There is even room for parents to celebrate the end of the unit with your students.

Included in the unit:

  • An overview of the unit for the teacher
  • Rationale for teaching design
  • History of scenic design
  • Set designer’s responsibilities
  • Teacher’s Script–what I say and how I say it!
  • Warm-up for day one
  • Procedures for each day (8)
  • Lecture notes including links
  • Information about the message color conveys
  • Rendering examples
  • Stage curtain sheets for rendering–one vertical, one horizontal
  • Step-by-step directions for model building including photo examples
  • Cheat sheet for various set pieces
  • Assignment sheet for each step of the design process
  • Exit slip prompts for 4 days
  • Grade sheet EDITABLE in a separate folder
  • Source page

The Five Reasons Your Students Will Love Set Design

High School Set Design and Others

As you would expect, my high school unit is more challenging.  It includes studying three styles of theater–modernism, expressionism, surrealism.  After reading a play of their choosing, the students select one style and design the set for that production.   They build a model of their design or use software to design it in three dimensions.

Additionally if you want to take this idea even further, I have a theater artist biography and one pager assignment available. I  have several planned, but for now I can offer you Ming Cho Lee.

The Five Reasons Your Students Will Love Set Design

If you are looking for advice a production’s design, check out this blog post: Critical Steps in Producing a Play or Musical: Set Design

In particular, I appreciate this quote from  George C. Wolfe, playwright and director of Angels in America: Millenium Approaches who said:

“I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it’s a chance for me as a director to figure out what I’m thinking and to explore how the space is going to actually be activated.”

I hope I’ve convinced you to teach design to your students.  Maybe your students will become a set designer as mine did!

If you want more advice concerning set design, check out: Critical Steps in Producing a Play or Musical: Set Design

Need something for a substitute?  Check out Exploring Theater Professions Video and Class Discussion Lesson.

What technical theater lessons have your students enjoyed learning?  I’d love to know.  Contact me at DhcBaldwin@gmail.com

The Five Reasons Your Students Will Love Set Design

 

 

 

 

 

 

 

 

 

 

 

 

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: arts education, Creativity, drama education, drama integration, e-learning, Education, excellence in teaching, Teacherspayteachers, teaching strategies, youth theatre Tagged With: high school, Middle school, reluctant performers, set design, technical theater, theater class

Three Lessons to Engage Your Drama Class Using Differentiation

February 3, 2021 By dhcbaldwin 2 Comments

Three Lessons to Engage Your Drama Class Using Differentiation

Three Lessons to Engage Your Drama Class Using Differentiation

Today I want to talk with you about three lessons to engage your drama class using differentiation.

I wasn’t a very good math student when I was a child.  I made it okay to third grade but then Mrs. Gibson had to take off the rest of the school year.  Mrs. Butterfield tried to teach me, but I got behind during division and then fell through the cracks. Of course, we only learned from textbooks–no cute clipart, certainly nothing thematic and blah, blah blah.

Our daughters were great math students.  That was some thirty years later and students were using manipulatives and calculators.  Wow, what a difference! Observing them utilizing various methods of learning to arrive at an answer, I know I could have done it, too.  My math skills would be much better than at present.

Three Lessons to Engage Your Drama Class Using Differentiation

What does “differentiation” mean to you?

“Differentiation means tailoring instruction to meet individual needs. Whether teachers differentiate content, process, products, or the learning environment, the use of ongoing assessment and flexible grouping makes this a successful approach to instruction.”

I can’t imagine a drama teacher not using differentiation, can you? It’s just what we do~ 

When I was researching this topic, I found some great information and suggestions.  One in particular from the Ontario Ministry of Education shared a tremendous example.  You really should check this out: edugain.ca

The best point made was that differentiation can offer many choices for students in their learning.  Throughout this terrific lesson the students were instructed to change their groupings, involve other classmates, shuffle themselves while continuing to learn.

Want some more help in the classroom? Check out my FREE Guide and ten page lesson Here 

Oh, I do that naturally!  I don’t know about you, but I like changing the group chemistry.  Have you ever worked on a problem with student learning groups and they solve it one way and another group solves it a different way?

Three Lessons to Engage Your Drama Class Using Differentiation

Number One:  Creative Movement

After reading this cool lesson from the Ontario Ministry of Education, I was reminded of a movement warm-up exercise from Viola Spolin’s book, Theater Games in the Classroom.

The warm up is called Freeze and Melt.  It’s not an easy warm-up (best with middle grades and older.)   Usually students need to be fairly comfortable with each other and/or willing participants.

Basically, they create a statue.

Here is my version–I encourage them to put themselves in unusual positions–twists, bent over, one arm stretched out, etc. One requirement is absolutely a must– They must be physically connected to their partner.  Usually, I suggest they connect foot to foot because it’s the least threatening contact.

As always, the lights are turned low in the classroom which helps them feel less vulnerable and exposed.  Classical music is played in the background to encourage a calm and relaxed feeling.

Once the students create their “statue”, I give them instructions about the different places the imaginary sun would be warmest on their body.  Their job is to melt very slowly focused on that part of their body where the sun is warming them.  I give each melting movement about five to ten seconds. I coach them as they move, so they don’t rush by counting them down. At this point, I ask them to freeze again. Observing them, I point out interesting shapes which occurred for them. We try a different place for the sun to warm them.  They melt and freeze when I direct them.

Three Lessons to Engage Your Drama Class Using Differentiation

Now they understand the warm up.

We end the exercise.  They shake out.  I give them a second to chat with their friend and take a new position.

We begin again and go through the same steps.  I encourage them to remember their face can express a particular emotion.  This deepens the experience for them as they realize the value of facial expression.  However, this time, the exercise lasts at least a minute (which sounds like a short time, but is actually quite long when you consider what I’ve asked of them to do.)

Now for differentiation--the group brings in two more people.  I give them very little time to make this new group, because I don’t want them to think too much.

The third time I push them to freeze in unusual positions.  At the very end of the exercise, I charged the students slowly “ooze” to the floor. We do this very slowly–on a ten count.   I encourage them to take unusual, ugly positions.  This is absolutely fascinating to watch!

If the class is very comfortable with the exercise, I’ve been known to have all of them create a statue together.  I like to push my students because I know if they trust me and they are relaxed and having fun, anything is possible. Check out this blog post for more movement suggestions: The Ultimate Guide for Drama Teachers: Creative Movement? Are you Kidding Me?

or check out this Thanksgiving themed creative movement lesson 

Number Two: Set Design

Three Lessons to Engage Your Drama Class Using Differentiation

It is very infrequent for me that I do not give students choices.  I mean, don’t you like it when you get to select the size of drink you’d like instead of someone just slapping down a huge soda when you thought it would be of a reasonable size? Me too.

My set design unit gives allows for differentiation.  First, they can study it in parts.  For instance, the set design rendering lesson gives them a chance to take their ideas and draw them.

Do you teach grades two to five?  Pick up this free guide and ten page lesson Here:

Three Lessons to Engage Your Drama Class Using Differentiation

Set Design Lesson

After they study set design, they have many choices. For instance, high school students are required to read a play of their choice.  Middle grade students might read aloud a play they are studying, but they’ll design a set for it which they choose.  In one set design unit, students design sets of their school.  Again, choice!

When it comes time to build a scale model of their set, they find a partner. Additionally, this gives them an opportunity to make a decision as to who they would work best with and could work cooperatively with for several days.  I like this requirement because it teaches them to consider their own learning styles while carefully considering their classmates’. Check out this blog post for more information Critical Steps in Producing a Play or Musical: Set Design

Did you know I have the secret to boosting student engagement?  My new book, “We’re Live! Radio Theater #101” explains my journey to implementing this unique tool in the classroom. Check it out here

Number Three: Improvisation

Three Lessons to Engage Your Drama Class Using Differentiation

No matter the class or grade level, I give students who are new to a drama class an opportunity to learn at their own pace. However, this does not mean we can wait until next year to try improvisation.

If a class is extremely reluctant, I’ll seek out the least worried student and demonstrate with them.  If the students are ELL and language is a barrier for us, I will stay with theater games until I see them relax and begin enjoying the experiences.  Again, this gives students another method of differentiation.

Check out this lesson:  Theater Professions

Sometimes I will group students by the color of their shirt, shoes or season in which they were born.  They never know how I will group them, because it depends upon their willingness to “play” along with me. Other times, they group themselves.

In most situations students write, read, listen, speak and demonstrate their learning to me.   You might say I’m thorough, but I’m not pedantic–I ignore the small stuff and concentrate on the big picture.  There is time enough to be perfectionistic down the road. Besides, no one is perfect. For more information about me, check out this blog post The Lessons I Learned from Working as a Drama Teacher

Here’s a brand new lesson which uses differentiation and cooperative learning–Norman Rockwell Paintings Creative Writing Play Dialogue Theater Arts lesson.

Three Lessons to Engage Your Drama Class Using Differentiation

I’d never really thought about the ways I use differentiation in my classroom. Wow, I use it a lot.  This was a good exercise for me to do! I hope it helps you, too!

How do you use differentiation in your classroom?  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

Deborah Baldwin of DramaMommaSpeaks

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: acting, arts education, creative dramatics, creative movement, drama education, Education, High School, middle grades, Teacherspayteachers, teaching strategies, theater, youth theatre Tagged With: acting exercises, acting warm-up, differentiation, elementary drama class, high school drama class, improvisation exercises, middle school drama class, movement, set design, tableau, using differentiation in the drama classroom

How Do I Use Boom Cards in My Drama Class?

August 3, 2020 By dhcbaldwin 1 Comment

How Do I Use Boom Cards in My Drama Class?

Teachers are creative beings and love an intriguing teaching method.  They are busy searching out new ways to reach students on a day-to-day basis. “To build a better mouse trap.” I always say. 

When the pandemic closed our schools, teachers scrambled for digital lessons.  Folks, they were amazing!  While everyone is extolling the virtues of our front line workers (and they are amazing), teachers should almost be included with them!

Did anyone even notice how quickly, smoothly and expertly the teachers pivoted to on-line learning? I even shifted gears in record time and I’m not in the classroom.  See how: Drama Lessons for Home-Bound Students or During the Corona Virus Quarantine

Teachers are rock stars!

What are Boom Cards?

Boom cards are self-grading that are gamified and provide teachers and parents the data they want. A teacher can use them for remedial instruction, review for a test or direct instruction.  They are awesome.  If you haven’t seen Boom Cards, check them out here: Boomcards.com

What are their strengths?

  • Digital task cards (in this case Boom Cards) build a skill base for the twenty-first century learning tools.
  • Digital task cards are flexible.
  • They can be used on a wide variety of devices.
  • They are a paperless resource–save those trees and ink.
  • They are similar to all other digital task cards or digital apps.–they are easy to use and understand.
  • Digital task cards are easy to share, give feedback and grade.

Teaching with Games

How Do I Use Boom Cards in My Drama Class?

How Do I Use Boom Cards in My Drama Class?

While I was researching this post, I found this rationale for teaching with games from ACD.org a website for administrators, principals and teachers says:

In classrooms showing the greatest gains, teachers did specific things. To get similar results, teachers should games for these reasons.

Use inconsequential competition. In general, students like to compete as long as the stakes are not high. During a two-week unit of instruction, a teacher might organize students into teams of four students each. Teams might play games four or five times during that unit. Each time they play, the first three teams to complete the game receive points (for example, 3 points for the first team to finish, 2 points for the second team, and 1 point for the third team). At the end of the unit, the teacher adds up the points for each team, and the three teams with the highest number of points get some inconsequential but fun reward, such as coupons to buy juice from the vending machines in the cafeteria.
Throughout the year, the teacher should reorganize the teams so all students have the experience of winning and losing. However, teachers must not factor game points into students’ grades for the unit. The points and rewards are simply for fun.

Target essential academic content. If games do not focus on important academic content, they will have little or no effect on student achievement and waste valuable classroom time. The most efficient way to maintain an academic focus is to organize games around important terms and phrases. For example, during a unit on dance moves, a dance teacher might identify terms and phrases such as axial movement, line of gravity, movement phrase, and nonlocomotor movement. Questions and answers would involve information important to these terms and phrases.

How Do I Use Boom Cards in My Drama Class?

How Do I Use Boom Cards in My Drama Class

Debrief the game. The most common error teachers make when using games is to add up team points and move on. The whole point of playing academic games in the classroom is to provide opportunities for students to examine important content in a lively and enjoyable venue. To stimulate analysis of important terms and phrases, a teacher can ask students which questions were difficult to answer and why.
For example, suppose that during a game of Pictionary in a mathematics class, students had difficulty drawing an image to represent the Fibonacci sequence. At the conclusion of the game, the teacher would ask students about their difficulties with this item. The discussion would serve as a brief review of the defining characteristics of a Fibonacci sequence.

Have students revise their notes. One generalization that applies to learning all types of content is that students must have opportunities to revise their understanding of the content as time goes by. When a game has ended and the class has discussed difficult terms and concepts related to the content, the teacher should give students time to revise their notes. A teacher might ask students to look over what they have previously written about this content in their notes and make any necessary changes. This might involve correcting misconceptions or adding new information that the students were unaware of.

Pretty wonderful, huh? Here is another post about using games in the classroom: Games + Teaching Method= Our Students Win!

HOW DO I USE BOOM CARDS IN MY DRAMA CLASSROOM?  If I were you, I’d assign Boom Cards for distance learning or use them as differentiated instruction in the classroom. These are suitable for middle grade students.  You could introduce the unit with the Boom Cards, assign them as homework for those with WiFi access or make them part of the lesson for the day.

As of this writing, I have nine sets of Boom Cards and hybrid blended classroom lessons.

 

Boom Cards
Drama Vocabulary

Each set includes:

  • 20-40 Cards
  • Questions for Each Section

The hybrid boom cards PDF include:

  • Letter to Teacher
  • Rationale
  • Warm up
  • Procedure
  • Links
  • Enrichment Activities and more!

I was a little hesitant to embark on the digital task card wagon.  Theater is usually taught in real time on a stage.  Plus, it’s very experiential.  We learn on our feet so to speak.

When I discovered Boom Cards I really had to think outside of the box and consider how a drama teacher could use digital card instruction.  Honestly, it wasn’t difficult to see how to use them–there are a myriad of ways as I mentioned above.

As a student, I would have enjoyed and appreciated learning through Boom Cards, especially with math concepts.  Beginning at about third grade, I was rotten at math. Our teacher became sick and the substitute who finished the school year took over.  When I didn’t understand multiplication, she left me in the dust pretty fast.  I understand why, though.  She was overwhelmed with the responsibility of finishing the year for someone.

Just think what these Boom Cards might have done for me?

Bookmark this post, because if you know me, you know I’ll add more sets as I have time.  

Have you taught with Boom Cards?  I’d love to hear about it.  Contact me DhcBaldwin@gmail.com or DeborahBaldwin.net

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: arts education, Boom Cards, Broadway, creative dramatics, Distance Learning, drama education, e-learning, Education, middle grades, reading skills, Teacherspayteachers, youth theatre Tagged With: blended classroom, Boom Cards, costume design, digital task cards, DISTANCE LEARNING, Drama Lessons for Distance Learning, grade 7, grade 8, Grade6, Halloween Costume Design, History of Set Design, hybrid blended classroom, hybrid drama lessons, Middle Grade Boom Cards, set design

« Previous Page
Next Page »

Footer

Follow Us

logo3.png

FOLLOW US

Facebook X-twitter Pinterest Instagram Envelope Rss

Goodreads: read

Malibu Rising
Malibu Rising
by Taylor Jenkins Reid
People We Meet on Vacation
People We Meet on Vacation
by Emily Henry
The Last Thing He Told Me
The Last Thing He Told Me
by Laura Dave
Faking It
Faking It
by Cora Carmack
Losing It
Losing It
by Cora Carmack

goodreads.com
Copyright © 2024 · Wellness Pro on Genesis Framework · WordPress.com.Log in
 

Loading Comments...
 

    %d