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Archives for July 2020

Creative Dramatics Lessons That Kids Love

July 22, 2020 By dhcbaldwin 1 Comment

Creative Dramatics from an Awarding Winning Drama Teache

Creative Dramatics Lessons That Kids Love

Dramamommaspeaks Blog Author Deborah Baldwin

Hello!

Today, I wanted to blog about Creative Dramatics Lessons That Kids Love. You may not know me or be familiar with my work.  I’m Deborah Baldwin (but my friends call me Deb.)  I am a recently retired award-winning drama teacher of thirty-eight years.  In that time, I directed over 250 plays and musicals with students and adults as well.  I taught every grade level, but the bulk of my time was spent with secondary students.

Here is my resume if you’d like to see it:

If you’d like a free guide And lesson plan from me, click here LESSON PLAN

Creative Dramatics Lessons That Kids Love

My Teaching Style

Drama is a hands-on class. To this end, I’m always on my feet, modeling for my students while teaching them a host of concepts. It is not unusual to hear my classroom in chortles of laughter because humor is an outstanding way to gain a student’s attention. I empower students at an early age. Although I am always mindful of my learning objectives, I think it’s vital for students to experiment within the confines of my instruction.

I encourage students to be independent and creative thinkers. Many less confident or reluctant students benefit from my teaching methods as together we hit the challenges they encounter. I am creative, intense, driven and brave–these are qualities I nurture in all my students and generally receive outstanding results.

Creative Dramatics Lessons for Elementary Grades by an Award Winning Drama Teacher

If you need some warm ups for your class, whether a core or drama class check out Theatre Games Guide

Strengthening Reading Comprehension Skills

When I was researching this blog post, I found a wonderful site,  http://www.understood.org.  They discussed the reasons for reading aloud (aka drama class!):

1. Decoding

Decoding is a vital step in the reading process. Kids use this skill to sound out words they’ve heard before but haven’t seen written out. The ability to do that is the foundation for other reading skills.

Decoding relies on an early language skill called phonemic awareness. (This skill is part of an even broader skill called phonological awareness.) Phonemic awareness lets kids hear individual sounds in words (known as phonemes). It also allows them to “play” with sounds at the word and syllable level.

2. Fluency

To read fluently, kids need to instantly recognize words, including ones they can’t sound out. Fluency speeds up the rate at which they can read and understand text. It’s also important when kids encounter irregular words, like of and the, which can’t be sounded out.

Sounding out or decoding every word can take a lot of effort. Word recognition is the ability to recognize whole words instantly by sight, without sounding them out.

3. Vocabulary

To understand what you’re reading, you need to understand most of the words in the text. Having a strong vocabulary is a key component of reading comprehension. Students can learn vocabulary through instruction. But they typically learn the meaning of words through everyday experience and also by reading.

What can help: The more words kids are exposed to, the richer their vocabulary becomes. You can help build your child’s vocabulary by having frequent conversations on a variety of topics. Try to include new words and ideas. Telling jokes and playing word games is a fun way to build this skill.

Creative Dramatics Lessons for Elementary Grades by an Award Winning Drama Teacher

4. Sentence Construction and Cohesion

Understanding how sentences are built might seem like a writing skill. So might connecting ideas within and between sentences, which is called cohesion. But these skills are important for reading comprehension as well.

Knowing how ideas link up at the sentence level helps kids get meaning from passages and entire texts. It also leads to something called coherence, or the ability to connect ideas to other ideas in an overall piece of writing.

What can help: Explicit instruction can teach kids the basics of sentence construction. For example, teachers can work with students on connecting two or more thoughts, through both writing and reading.

Making Connections: Using What They Know to Understand

5. Reasoning and Background Knowledge

Most readers relate what they’ve read to what they know. So it’s important for kids to have background or prior knowledge about the world when they read. They also need to be able to “read between the lines” and pull out meaning even when it’s not literally spelled out.

What can help: Your child can build knowledge through reading, conversations, movies and TV shows, and art. Life experience and hands-on activities also build knowledge.

6. Working Memory and Attention

These two skills are both part of a group of abilities known as executive function. They’re different but closely related.

When kids read, attention allows them to take in information from the text. Working memory allows them to hold on to that information and use it to gain meaning and build knowledge from what they’re reading.

What can help: There are many ways you can help improve your child’s working memory. Skill builders don’t have to feel like work, either. There are a number of games and everyday activities that can build working memory without kids even knowing it.

Creative Dramatics from an Awarding Winning Drama Teacher

Maybe you are researching Back to School lessons. Or you are looking for drama units, lessons and plays for your elementary students. Or you want to save yourself time? 

I can help you. 

Here is my opinion about expectations of our elementary students. My Pet Peeve

Here are a few of my lessons for elementary students:

Birthday cake with puppy wearing a hat

It Could Always Be Worse Readers Theater

  • Tableau, Grades 3 and 4
  • Chanting, Grades 3 to 5
  • Costume Design with Goldilocks and the Three Bears
  • Creative Movement
  • Costume Design with Snow White and the Seven Dwarfs
  • The Little Girl and the Winter Whirlwinds
  • Costume Design with Alice in Wonderland Characters

Each lesson comes with a teacher’s letter, procedure, a warm-up, materials list, teacher’s script and assignments.

Recently, I created fifteen minute radio theater plays for grades 3 to 5.  These are royalty free, too! 

  • Radio Theater Play of The Brave Little Tailor
  • Radio Theater Play of It Could Always Be Worse

Recently, I created fifteen minute radio theater plays for grades 3 to 5.  These are royalty free, too!

I hope you’ll check out my creative dramatics lessons.  My thirty-eight years of teaching drama education serve me well in creating these lessons and/or adapting some which I all ready used in the classroom.

Have you taught creative dramatics with your students?  I’d love to hear about it.  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

Looking for a freebie or two?  Go to:

Free Teaching Resources Blog Hop

Free Stuff!

 

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Filed Under: arts education, Back to School, creative dramatics, creative movement, Creativity, DeborahBaldwin.net, drama education, Education, play reading, Radio Theatre, Reading Literacy, reading skills, teaching strategies, theater, youth theatre Tagged With: arts integration, back to school, costume design, creative dramatics lesson for back to school, drama lessons, dramamommaspeaks, elementary level plays, radio plays for elementary, radio theater for elementary, reading comprehension, teaching style, VIRTUAL LEARNING

Facts You Never Knew about White Theatrical Privilege on the Stage

July 7, 2020 By dhcbaldwin 1 Comment

Facts You never Knew about White Theatrical Privilege on the Stage

I’d never really thought about this until yesterday when in my Facebook feed  this particular meme showed up with facts about white privilege on the stage.

Facts You never Knew about White Theatrical Privilege on the Stage

I’ve been involved with theater for over forty years. I can only think of a few times I’ve cast color blindly.  Several students–Mahogany, Antonio, Cortaiga, Micah, Ayanna, Greg and John come to my mind.  I directed all of these kids and hundred of others. Also, I directed a cast of boys for a play version of Holes comprised entirely of black males and one white one.  Such an awesome experience.

Not many black students participated in my programs, though I don’t know if that was my fault or not.  They certainly enjoyed my classes.

It’s always easy to find a student who is interested in participating on a production.  They nearly shout it or jump in front of you for your attention.

Some students may be interested but don’t know how to cross the bridge to audition or be a part of the technical crew.

Did I make it welcoming to them?

I tried.

Just looking at the above meme startles me and makes me sad. There are several statements in that meme which really speak to me.

Casting for “Diversity’s Sake” 

portrait of a gorgeous black woman

Here’s an example for you.   I observed it in a children’s theater company who was casting a play of Cinderella.

I knew that color played a part in some directors’ casting.

A friend asked me to help her cast the production.  Sometimes directors do this so that it lessens the blow if someone isn’t cast as they could be and accuse them of racial bias. However, at the time I didn’t know this was the reason I was asked to help.

Two women auditioned–one a pretty white, blonde haired and talented.  The other was a black woman–beautiful, vibrant and equally talented.

After the auditions were over, I suggested the black girl be cast as Cinderella.  I thought her perspective would make the show unique.  How many Cinderellas have you seen in story books or movies?

Not many.

That’s why I thought she would be a good choice.  Plus, I knew that school groups would see the show and many black students would enjoy and better relate to it.

The black woman was a student in college.  After the production closed, someone asked her about the experience of portraying Cinderella.

She said, ” I never in a million years thought I would ever have an opportunity to play Cinderella.  It was an amazing experience.  I’d look out at the student audiences and see little black girls smiling ear to ear with tears in their eyes. It was incredible.”

Roles Written in Stereotype

In youth theater, I haven’t run into this problem very much.  Probably it’s because I never selected a show which put a minority student in a negative light.

How awful for someone struggling to feel seen and accepted for themselves to have someone pigeon- hole you into the very thing you are trying to fight.

Last February, pre-covid quarantine, a new version of West Side Story was running on Broadway.   If you know West Side Story, you are aware of the typical casting of whites as Jets and Latinos as Sharks.  However, in this version the cast includes black in the Jets, too. How wonderful.

West Side Story_Broadway_2020_Production Photos_X_HR

Never having to adapt our social behaviors for the cast and crew

Honestly, I don’t know what this statement means. Does it mean when a black person laughs loudly at a joke while a white person might not and vice versa? So the black person learns to “blend” to be included.

Image may contain: 2 people, people standing, mountain, sky, outdoor and nature

I asked one of my students, now an adult, what that statement meant to her.  This is some of what Mahogany said, “We often have to minimize black culture for the sake of making white people feel we are no different than them. an example of adapting social behavior is for theme days: when asked to dress in costume or embody a theme for the day, a black person may think twice about what to choose so they make white people feel more comfortable i.e., they may choose to dress as in rode attire over Wakanda for the sake of now drawing attention to one’s blackness for the sake of white people NOT for their own pleasure.”

I’d never thought about it.  Oh my gosh, how tiresome it must be for black people to do this.  I’m sorry, Mahogany.

I just found information about a training program specifically for black actors. It’s called Black Acting Methods.com. Check it out here: https://www.blackactingmethods.com/

How to be aware of my racism

I’d like nothing better than to see a production with an all black cast or Latino cast or even a color blind cast.  Let’s celebrate our differences and acknowledge that we are all different, but we all matter. Because of our differences it puts us in the same in that light in that regard.

The only way I can fix racism is to first be aware of it at all times.  That’s where I’ve started. I hope I grow.

Let’s help our students never go there.  Let’s celebrate the talents of others.  In this case, I am speaking about black people.  I create drama lessons and sell them in my store on Teacherspayteachers.com.

Here is one for you as an example.  Famous Theater Artist-Billy Porter

If you are interested in seeing more about this product, go to:

Famous Theater Artist Billy Porter Biography and One Pager Assignment

I hope you’ll consider your place in the subject of racism and what you can do to make everyone feel equal and included.  I know I am.

Until next time.

DEB BLOG PHOTO600

I’d love to hear from you.  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

If you’d like to read another post about making people feel welcome, check out: This Is What Happens When You Don’t Think Too Much, a Special Kind of Spontaneity

If you’d like to see why I think it’s important for our students to read biographies, check out: Should Students Read Biographies?

 

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Filed Under: arts education, Distance Learning, drama education, Musical Theatre, performing arts, plays, Producing plays and musicals, Professional Theatre, theater, youth theatre Tagged With: Billy Porter, black history, black lives matter, famous american, racial relations, social behaviors between races

What is a Broadway Revival?

July 1, 2020 By dhcbaldwin 1 Comment

What is a Broadway Revival?

 

What is a Broadway revival?

Today, I want to think about what is a Broadway revival? When I was a student, I thought a Broadway revival meant the musical was horrible when it first opened, so later someone else tried making another version of it.

Thankfully, I was incorrect!

What is a Broadway revival?

A revival of a production means the play or musical is produced again living up to its original glory. However, the production is viewed at as though it has never been produced on the stage.  Many new ideas emerge when the production is considered from that perspective.  In a musical, musical numbers may be cut, the choreography altered in some fashion or even the characterizations of the characters are re-worked. One time our favorite NYC tour guide told the kids, “They look at the play or musical with fresh eyes, as though it has never been produced before.”

Kelli O’Hara says, “When doing a revival, you have a lot of people asking you questions about someone who played it before, and to me that’s neither here nor there – it has no bearing on the material that I have to use. The material that is written down in a score and script that the writers originally used is what I use.”

What is a Broadway revival?

When I was research this topic, I found a list of the top 16 Broadway revivals.  So interesting.

Here are the top 16 Broadway Revivals:

16. Brigadoon
Premiered in 1947
Revivals in 1950, 1957, 1963, and 1980

15. Gypsy
Premiered in 1959
Revivals in 1974, 1989, 2003, and 2008

14. Hello, Dolly!
Premiered in 1964
Revivals in 1975, 1978, 1995, and 2017

13. The King and I
Premiered in 1951
Revivals in 1977, 1985, 1996, and 2015

12. Man of La Mancha
Premiered in 1965
Revivals in 1972, 1977, 1992, and 2002

What is a Revival?

11. My Fair Lady
Premiered in 1956
Revivals in 1976, 1981, 1993, and 2018

What is a Broadway Revival?

10. Pal Joey
Premiered in 1940
Revivals in 1952, 1963, 1976, and 2008

9. Carousel
Premiered in 1945
Revivals in 1949, 1954, 1957, 1994, and 2018

8. Fiddler on the Roof
Premiered in 1964
Revivals in 1976, 1981, 1990, 2004, and 2015

What is a Broadway revival?
A scene from Guys and Dolls

More Musical Revivals

7. Guys and Dolls
Premiered in 1950
Revivals in 1955, 1965, 1976, 1992, and 2009

File:Oklahoma 8e07920v.jpg

6. Oklahoma!
Premiered in 1943
Revivals in 1951, 1953, 1979, 2002, and 2019

5. Peter Pan
Premiered in 1954
Revivals in 1979, 1990, 1991, 1998, and 1999

4. West Side Story
Premiered in 1957
Revivals in 1960, 1964, 1980, 2009, and 2020

What is a Broadway Revival?
A scene from West Side Story

3. Show Boat
Premiered in 1927
Revivals in 1932, 1946, 1948, 1954, 1983, and 1994

2. The Threepenny Opera
Premiered in 1933
Revivals in 1954, 1955, 1966, 1976, 1989, and 2006

Porgy and Bess

1. Porgy and Bess
Premiered in 1935
Revivals in 1942, 1943, 1944, 1953, 1976, 1983, and 2012

Amazing, huh?

Revivals and the Tony Awards

Do they ever win Tony Awards?  You bet.  From my research, I found out some interesting tidbits.

  • Musical Revival with the most Tony awards: South Pacific (7)
  • Musical Revival with the most Tony award nominations: Kiss Me Kate (12)

Additionally, I’ve seen several revivals and enjoyed all of them–Oklahoma!, Kiss Me Kate, Porgy and Bess and South Pacific.  They were all tremendous. For instance, one young man I directed when he was a student was in the revival of Oklahoma. A young woman I directed for many years was in the revival of South Pacific. She’ll soon be one of the cast members of you guessed it–the revival of 1776!  It will be an all female cast, too.

Let me tell you how cool it is to see your students perform professionally on the Great White Way.  

What is a Broadway revival?

Something else I found while I was researching this topic were these facts about the musical, Chicago!

“The original Chicago production opened in 1975 and ran for 936 performances. After the break in 1977 , it was revived on Broadway and started running again in 1996. Chicago now ranks as Broadway’s longest running revival, having played in 24 countries in 12 languages. As of 2019, more than 9,000 performances have been clocked in at Broadway.“

Wow!!

In fact, there are several musicals which have lasted longer on Broadway in revival than originally!  WHAT?!

If you’d like to learn more about the history of musical theater, go here.

Included in this list is West Side Story, She Loves Me, Zorba, Pal Joey, Porgy and Bess and several others.  You can read about them here: Revivals That Ran Longer Than Their Original Production

There was a revival of Music Man a few years ago. Here is my unit concerning it: The Music Man

Cover of a unit about The Music Man musical

What is a Broadway Revival?

Here is a list of other musicals fans think should be revived: Titanic, Light in the Piazza,  Aida (which was planned to open soon until the pandemic), City of Angels, Grand Hotel, Chess, Mame, Kiss of the Spider Woman, Secret Garden and Dream Girls.

If you are interested, I  have a Broadway Musical Lesson about Once on this Island, the revival.  You can find it here: Once on this Island

A Perfect Musical Revival Lesson for You

This two-day lesson focuses on the Tony award winning musical revival of Once on this Island. Once on this Island tells the story of a peasant girl who falls in love above her class and this is told around a fire by a group of Caribbean peasants as they wait out a terrible storm. Students have an opportunity to study its journey to Broadway, composers, plot, trivia, etc.

The lesson can stand alone or be combined with one of my Famous Artist Biographies (Lin Manuel Miranda or Sarah Bareilles for example) or other musical lessons (Hamilton or Wicked)

HOW DO I USE THIS LESSON IN MY CLASSROOM? A drama, music, social studies or a language arts class would enjoy this lesson. Study its music, story line, elements, cultural references–you name it!

Cover of Broadway musical unit, Once on this Island.

This Product includes:

  • Letter to Teacher
  • A Fun Warm Ups–My Own Version
  • Teacher’s Script–What I Say and How I Say it!
  • Photos of Once on this Island
  • Synopsis of the Musical
  • Plot of the Musical
  • Short Biography about the creative team of Lynn Ahrens, Steven Flaherty, Michael Arden and Cameille A. Brown
  • Explanation of how a revival of a production comes about
  • Separate File of Photos for Teacher’s Use in Lecture
  • History about the Origination of the Production
  • AND a Mini-Lesson on What are the Tony Awards?
  • List of Tony Awards
  • New York City Map with Competing Theaters Labeled
  • Student Note Page for Musical
  • Teacher Note Page Key
  • Trivia about Broadway and Once on this Island
  • Songs List
  • Pinterest Board Link Specifically about Once on this Island
  • Extension Activities– SEVEN Terrific Suggestions of Ways to Secure the Learning and Enrich the Experience either Individual or Group
  • Two costume design templates for one of the extension activities
  • Sources & Links to Film Clips from the Show
  • And More!

 

Looking at the list above, have you performed or directed one of these musicals?  Even though I’ve directed over 250 plays and musicals, I have only directed two of the aforementioned productions–Oklahoma! and Fiddler on the Roof. You know what?  These are some of my favorite musicals to direct. I guess it only makes sense.

Have you performed in or directed any show which has been in revival?  I’d love to hear about your experiences.  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

Until next time.

Deb

Dramamommaspeaks Blog Author Deborah Baldwin

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Filed Under: Broadway, community theater, drama education, excellence in teaching, Tony Awards Tagged With: Broadway musicals, Carousel, Fiddler on the Roof, Hans Christian Andersen, Kelli O'hara, Man of La Mancha, multicultural folk tales, My Fair Lady, Pal Joey, REVIVALS, revivals of musicals, revivals of plays, The King and I

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