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Theater Books Every Drama Teacher Should Own

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Theater Books Every Drama Teacher Should Know

From time to time, I read of teachers having  funds left nearing the end of the year.  They are frantically trying to spend any left over funds in their budget.  If you aren’t familiar with this kind of fervor.   Please know this–many times if a teacher does not use up their budget, it is given to someone else! And we don’t want that to happen, now do we?

Usually, I suggest items such as rehearsal boxes, makeup kits, a light tree, etc.  But today I’m blogging only about books I recommend you collect for your teaching library.  Here is a list of my ” Theater Books Every Drama Teacher Should Own”.

When I began teaching like a hundred years ago, there weren’t too many resources from which to teach.  Of course, we had play anthologies, but nothing much for the day-to-day class.  No one had ventured into teaching young students yet.  I mean, this was 1980!  If you’d like more information about that journey, check out: How to Make Your Drama Class Successful-Lessons Learned from 38 Years of Teaching High School.

Now you can find many books focusing on particular grade levels.  I’ve included several for each grade level here.

Theater Books Every Drama Teacher Should Own

Theater Books Every Drama Teacher Should Own

 Theater Games for the Classroom by Viola Spolin–This theater book is absolutely essential for you (and a personal favorite of mine), especially if you are teaching elementary or middle school students.  This best-selling book by Viola Spolin offers the most comprehensive theater instruction for all types of students, from small children to young adults. It includes over 130 theater games, plus exercises and instructional strategies. First developed by Spolin, the originator of modern improvisational theater techniques, these games have been tried and tested for over fifty years. I’ll tell you a secret–most of the books that are published about warm up games and exercises used this one as a stepping off point for theirs!  In other words, go to the original source.

Theater Books Every Drama Teacher Should Own

2. Multicultural Plays for Children Volume 2 by Pamela Gerke–When I taught middle school students a pre-elective course, I used several plays from this theater book collection. These excellent dramatic adaptations of 10 folktales from various countries and cultures will help fill that void. Most importantly I think each play is based on a story from the oral tradition that has retained.  Consequently through many alterations across time, these plays share a core of truth about human nature and life.

Furthermore, this book includes a substantial introductory section that addresses many concerns: adapting a play for various cast sizes; changing gender, setting, and length; vocal-projection exercises and theater games; plus many useful suggestions for production.

Also, each play has detailed directions for creating sets, props, costumes.  In addition, it includes a realistic timetable for rehearsals and other production needs, and a pronunciation guide. Talk about really helpful for a teacher!  Music is included, as is extensive information about some cultures that will extend and enrich the experience for children. Included:  The Comedy of Errors, Hamlet, Macbeth, The Merchant of Venice, Othello, Romeo and Julie, and The Tempest, etc. 

Theater Books Every Drama Teacher Should Own

Inspire Movement Through Story and Song

3. Lesson Plans for Creative Dance: Connecting with Literature, Arts and Music by Sally Carline–Children love to express themselves through movement—and with this great new resource, you can guide them through a range of actions and dances that will help them develop both physically and mentally. This theater book is a resource for physical educators, classroom teachers, and dance specialists as well as a useful supplement to college level elementary education courses.
Additionally, author Sally Carline has tested and refined the creative movement activities that she has prepared for educators and for preservice teachers. She includes background material that will ground you in understanding how to best teach and incorporate movement activities in a variety of classes and settings. Check out this blog post for more information: Creative Movement: Elementary and Middle School Teachers – Ready to Move?
Beautiful Stories from Shakespeare for Children

  4.Beautiful Stories for Children by Edith Nesbit -When I taught an introduction to Shakespeare course, I used this theater book with  middle schoolers.  We read the stories, minus Shakespeare’s play versions. William Shakespeare is arguably the most pivotal and widely read figure in the history of English literature. This comprehensive collection highlights some of the bard’s best works. Plus, they have been adapted to be more easily read and digestible for children.

Included are the stories of A Midsummer Night’s Dream, The Tempest, As You Like It, The Winter’s Tale, King Lear, Twelfth Night, Much Ado About Nothing, Romeo and Juliet, Pericles, Hamlet, Cymbeline and Macbeth. Also, included are the stories of The Comedy of Errors, The Merchant of Venice, Timon of Athens, Othello, The Taming of the Shrew, Measure for Measure, Two Gentlemen of Verona, All’s Well That Ends Well.

Theater Books Every Drama Teacher Should Own

Acting from the Inside Out: Tools for Voice, Body, and Imagination

5. Building a Character–Building a Character by Constantin Stanislavski is one of the three volumes that make up Stanislavski’s The Acting Trilogy. An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.”

Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control. Plus, it describes the preparation that precedes actual performance. This theater book includes extensive discussions of Gogol’s The Inspector General and Shakespeare’s Othello. Lastly, Sir Paul Scofield called Creating a Role “immeasurably important” for the actor.

Additionally, If you are ready to teach Stanislavski’s methods, check out: Theater of Acting Unit The Konstantin Stanislavski Acting Styles Method Memory

Theater Books Every Drama Teacher Should Own

 

6.  We’re Live! Radio Theater #101 by Deborah Baldwin–Written by me, this theater book is the ultimate resource for drama teachers looking to introduce students to the exciting world of radio theater. Designed for grades 2–12, this book walks educators through the process of creating, rehearsing, and performing radio plays. And with no costumes or sets required!  Inside, you’ll find student-friendly scripts, production tips, voice acting techniques, and simple sound effect ideas that bring stories to life using only imagination and sound.

Whether you’re tight on time, space, or resources, We’re Live! offers a creative and flexible way to engage students in storytelling, collaboration, and performance. It’s perfect for in-class use, distance learning, or even podcast projects. Lastly, my book guides and empowers teachers to step into the role of radio director and help students shine—mic in hand and voices ready!

7. Curtains Up! Theatre Games and Storytelling by Robert Rubinstein– If you teach students in upper elementary and middle school, this would be one of the first books I’d suggest to you.  I learned about it at a MSTA convention (sponsored by Educational Theatre Association) many years ago. Theatre games help to develop students’ skills in storytelling, improvisation, and public speaking. They also build confidence, teamwork, and vocabulary. This is a collection of theatre games which have been classroom tested. Try the collaborative and fun activity “The Monster with Three Heads.” Pick up a copy of this exercise here: Three Headed Monster. I guarantee you, your students will love it!

Looking for free lessons?  Check out: Free Stuff!

What theater books would you suggest to a theater teacher?  I’d love to include it in a blog post planned for the near future.  Just contact me at DhcBaldwin@gmail.com

Click here:  We’re Live! Radio Theater #101

Woman behind DramaMommaSpeaks

Teach Through the Arts for Healthier Students

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Teach Through the Arts for Healthier Students

If you’re a teacher, you already know how students light up when they’re given the chance to create. I was one of those students. Whether it’s acting out a scene, drawing a character sketch, or composing a soundscape, the arts tap into something deeply human.  But beyond building imagination and collaboration, there’s another reason to champion the arts in your classroom: teach through the arts for healthier students. Creative activities don’t just enrich learning—they support emotional regulation, reduce stress, and promote well-being in ways that traditional methods often can’t.

I jokingly tell friends that, “I’m going to see a live musical tonight to boost my mental health.”  I coined,  “arts vitamins” for these experiences.  Although anecdotal, I can prove how much they help me.  I have a devil of a time sleeping through the night.  However, whenever I attend any sort of arts event I sleep like a little baby that night.  Seeing the arts live always moves me most, but even when I watch a performance on screen—whether in a theater or at home—I still feel uplifted. One of my favorites “arts vitamins” to view at home is: nattheaathome.org

Teach Through the Arts for Healthier Students

In 2019, the World Health Organization reviewed over 3,000 studies exploring the connection between the arts and health. Their conclusion? The arts play a major role in the prevention of illness, the promotion of health, and the management and treatment of disease.

Why Theater Education Matters: Building Key Life Skills Sub Plans Drama

Teach Through the Arts for Healthier Students

For years, the arts were often seen as enrichment—something extra to sprinkle in after the “real” academic work was done. But research continues to prove otherwise: the arts are foundational to student wellness and development.

Creative experiences directly impact the brain and body in ways that support learning and health. When students engage in activities like acting, drawing, singing, or dancing, they’re doing far more than expressing themselves—they’re nurturing their nervous systems and emotional intelligence. Have you ever had to debate why your theater class is important?  Check out this resource.  Why Theater Education Matters

Teach Through the Arts for Healthier Students

The Art of Feeling Better

Here’s how the arts support student health:

  • Lower cortisol levels: Engaging in creative activities can reduce the stress hormone cortisol, leading to calmer, more focused students—especially important in high-pressure school environments.

  • Improve emotional regulation: Artistic expression gives students safe ways to explore and manage emotions. Acting out scenes, drawing feelings, or writing monologues helps them process big feelings in a constructive way.

  • Enhance communication and social connection: Group projects, performances, and critiques all help students develop empathy, active listening, and collaboration skills. These are critical for both classroom success and life beyond school.

  • Strengthen the immune system: When students are less stressed and more engaged, their bodies respond positively. Lower stress levels have been linked to better immune function and overall well-being.

As a teacher, you’re not just boosting creativity—you’re giving students tools for healthier lives. Every artistic moment in your classroom is a step toward a more balanced, resilient learner. Looking for a FREE lesson from me?  Pick up my FREE Nicole Scherzinger Biography Lesson here.
Teach Through the Arts for Healthier Students

When Art Becomes Medicine: A Swiss Town’s Prescription for Creativity

If you need proof that the arts are more than just enrichment, look to the small town of Biel/Bienne, Switzerland, where doctors are literally prescribing museum visits to patients dealing with stress, depression, or burnout.

In a groundbreaking pilot program launched in early 2024, patients can receive a “cultural prescription” as part of their treatment plan. These prescriptions allow free access to local art museums, encouraging individuals to explore creativity and beauty as a form of healing. Inspired by similar programs in Canada and Belgium, this initiative is a bold recognition of what many educators already know: art heals.

Additionally, patients reported improvements in mood, motivation, and perspective—just by spending time in creative spaces. The program doesn’t just serve as a mental health intervention; it also builds connection, curiosity, and engagement with the community.

Teach Through the Arts for Healthier Students

Classroom Connection: What This Looks Like in Action

Students who are struggling with anxiety might find solace in writing a monologue or performing a scene. Or you can play it safe and do a group performance  which can build confidence in shy students. Also, reflective art journals help process emotions. Even a simple daily sketch or a “freeze frame” tableau can reset the tone of a restless classroom. Want a resource for this purpose?  Check out:  Tableau for the End of the School Year

These aren’t just fun activities—they are tools that support mental and emotional health.

Teach Through the Arts for Healthier Students

The ‘Art for Everyone’ Movement: Expanding Access, One Step at a Time

When I was researching this topic, I learned about this movement on  CBS Sunday Morning.  The Art for Everyone movement reminds us that art isn’t just for professional artists or elite programs—it’s for everyone. Similarly, this growing initiative advocates for accessible, inclusive arts education in schools, libraries, hospitals, and communities. It partners with artists, educators, and civic leaders to make sure students—no matter their background—get a chance to create and express. I’ve blogged about this subject in the past from a different perspective.  You can read it here: This is What the Arts do for You 

You’re part of that movement every time you make space for creativity in your classroom. Don’t know how to do so?  Check out:  How Do I Use Arts Integration in the Classroom?

Teach Through the Arts for Healthier Students

The Research Is In: Arts Build Confidence and Well-Being

As an arts advocate for over forty years, I have first hand experience at the positive results the arts encourage in our students. In fact, I’ve never known them not to boost a student’s confidence.   However, in a recent study from China focused on college students found something powerful: students who participated in fine arts classes reported higher levels of psychological well-being. But that’s not all—what made the biggest difference was the boost in creativity and self-confidence those classes sparked.

In other words, the more students engaged with the arts, the more they believed in their ability to create and solve problems—and the better they felt mentally and emotionally. Yahoo!

Furthermore, this matters at every level of education. As teachers, when we teach through the arts, we give students space to explore their creativity, we’re also helping them grow into more confident, resilient individuals. It’s not just about developing artistic skills—it’s about supporting the whole person.

Final Thoughts for Teachers

When you teach through the arts, you don’t need a separate arts budget.  Nor do you need a black box theater to bring the benefits of the arts into your students’ lives. Start small. Try:

  • A short scene reading on a Friday afternoon

  • A visual reflection poster after a book unit

  • A “soundtrack” assignment for a character study

  • Or simply asking, “How can we express this concept creatively?”

When you integrate the arts, you’re not just teaching your subject—you’re nurturing your students’ health, confidence, and humanity. And that is something worth celebrating.

What arts activities do you include in your lessons?  Did you know that my masters is in creative arts learning, or arts integration?  I am very willing to create for you the lesson you need for this express purpose.  Just email me at DhcBaldwin@gmail.com

Woman behind DramaMommaSpeaks

Women Who Shaped Theater: Sarah Bernhardt to Audra McDonald

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Women Who Shaped Theater: Sarah Bernhardt to Audra McDonald

Theater has long been a space for storytelling, creativity, and performance. Yet, for much of history, women struggled to claim their rightful place on stage and behind the scenes. Despite these challenges, countless women have shaped the theatrical world, pushing boundaries and redefining the art form. In this post, we’ll explore the women who shaped theater: Sarah Bernhardt to Audra McDonald.

As a woman myself, I am always aware of women’s contribution to theater. In particular, I want to focus not only Sara and Audra, but also Lorraine Hansberry, Ethel Merman, Julie Taymor, Rita Moreno and Sarah Bareilles. Each of these trailblazers changed the industry in profound ways, leaving a lasting impact on performers, playwrights, and audiences alike. If you’d like to learn about other theater artists, check out: Teaching Stage Legends: Burnett, Andrews, Jones, and Van Dyke 

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Women Who Shaped Theater: Sarah Bernhardt to Audra McDonald

Sarah Bernhardt

My mother used to call me “Sarah Bernhardt” and at the rip age of twelve I didn’t know who she was.  I think in my mother’s own way, she was trying to tease me.  But now that I know about Ms. Bernhardt, I’m flattered! Before Broadway, before Hollywood, there was Sarah Bernhardt (1844–1923). A French actress renowned for her dramatic flair and commanding stage presence, Bernhardt became one of the world’s first global celebrities.

  • She was known as “The Divine Sarah” and performed in roles traditionally played by men, including Hamlet.
  • Bernhardt toured internationally, bringing high art to audiences around the world.
  • She defied expectations by continuing to perform even after losing her leg in her later years.
  •  Bernhardt originally planned to become a nun but instead enrolled in the Paris Conservatory when she was 16. However with the support and encouragement of her mother’s wealthy lover, her prolific theatrical career was ignited

Bernhardt’s daring choices and larger-than-life persona set the stage for future actors to embrace their individuality and take risks in their careers.

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Ethel Merman: The Queen of Broadway

If you think of Broadway belters, one name comes to mind first: Ethel Merman (1908–1984). Known for her powerful voice and impeccable comedic timing, Merman became one of the most influential musical theater performers of all time.

  • She originated some of Broadway’s most famous roles, including Annie Oakley in Annie Get Your Gun and Reno Sweeney in Anything Goes.
  • Her strong, brassy voice set the standard for musical theater vocalists.
  • She worked with legendary composers like Cole Porter, George Gershwin, and Irving Berlin—many of whom wrote songs specifically for her.
  • She was a favorite of Cole Porter, who wrote Anything Goes and DuBarry Was a Lady specifically for her.

Merman proved that musical theater could be just as electrifying as a dramatic play, paving the way for powerhouse performers like Patti LuPone and Idina Menzel.

Lorraine Hansberry: A Playwright Who Changed History

While many women made their mark on stage, Lorraine Hansberry (1930–1965) changed theater history with her words. Her groundbreaking play A Raisin in the Sun (1959) was the first play written by a Black woman to be performed on Broadway. When teachers ask of a recommendation for someone to teach about during Black History month, I always suggest Lorraine Hansberry.

  • A Raisin in the Sun tackled themes of racial injustice, family struggles, and the pursuit of dreams, resonating with audiences of all backgrounds.
  • Hansberry was the first Black woman to win the New York Drama Critics’ Circle Award.
  • She used her platform to advocate for civil rights, influencing both the arts and activism.
  • Her close friend Nina Simone wrote the song “To Be Young, Gifted and Black” in Hansberry’s honor after her passing.

Hansberry’s work opened doors for future generations of playwrights, including Lynn Nottage, Suzan-Lori Parks, and Dominique Morisseau, whose works continue to challenge and inspire audiences today. Pick up a FREE biography lesson about Cynthia Erivo!

File:Julie Taymor 2 Shankbone 2009 Metropolitan Opera.jpg

Julie Taymor: A Visionary Director

Women have historically been underrepresented in directing and design, but Julie Taymor (b. 1952) shattered expectations with her revolutionary approach to theater.

  • She became the first woman to win a Tony Award for Best Direction of a Musical with The Lion King (1997).
  • She designed over 230 puppets for The Lion King, blending African and Asian theatrical traditions.
  • Taymor has directed not only on Broadway but also in opera and film, proving that theatrical storytelling transcends mediums.
  • In 1991, she received the MacArthur Fellowship, recognizing her innovative approach to theater.

In addition, her work paved the way for other female directors like Diane Paulus, Rachel Chavkin, and Liesl Tommy, showing that women can lead bold, visually stunning productions.

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Audra McDonald: A Record-Breaking Star

No list of influential women in theater is complete without Audra McDonald (b. 1970). She is known for her astonishing vocal range and acting talent.  And get this:  McDonald has won more Tony Awards than any other performer—six and counting!

  • She is the only performer to win a Tony in all four acting categories (Best Actress and Featured Actress in both plays and musicals).
  • Her roles range from classic musicals (Carousel, Ragtime) to powerful dramas (Master Class, Lady Day at Emerson’s Bar & Grill).
  • First Black Woman to Play Mother Abbess in The Sound of Music Live! (2013) and Bess in Porgy and Bess on Broadway.
  • She has used her platform to advocate for diversity and inclusion in theater, supporting young artists and underserved communities.

McDonald continues to redefine what it means to be a Broadway star, inspiring new generations of performers to pursue excellence on their own terms.

File:Rita Moreno (78th Peabody Awards) 2 (cropped).jpg

Rita Moreno: A Trailblazing Triple Threat

It’s important to mention that women from many backgrounds and cultures blazed the trail for females. Few performers can match the versatility and longevity of Rita Moreno (b. 1931). One of the few EGOT (Emmy, Grammy, Oscar, and Tony) winners, Moreno has influenced generations of actors in both film and theater.

  • She made history as Anita in the 1961 film version of West Side Story, winning the Academy Award for Best Supporting Actress—the first Latina to do so.
  • On stage, she starred in Broadway productions such as The Ritz (for which she won a Tony) and The Odd Couple.
  • She appeared in both the 1961 and 2021 versions of West Side Story—winning an Oscar for playing Anita in the original and portraying Valentina in the remake.
  • Moreno has long been an advocate for Latinx representation in entertainment, paving the way for performers like Lin-Manuel Miranda and Daphne Rubin-Vega.

At 90+ years old, Moreno continues to perform, proving that great artistry knows no age.

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Sara Bareilles: A Modern Broadway Powerhouse

One of my personal favorite creators if Sarah Bareilles.  While many know Sara Bareilles (b. 1979) for her pop hits like Love Song and Brave, she has become a major force in modern musical theater.

  • She composed and wrote the lyrics for Waitress (2016), becoming one of the few female composers to write a full Broadway score.
  • She later stepped into the lead role of Jenna, proving her talent as a performer as well.
  • Her song “King of Anything” was a response to people constantly giving her unsolicited advice—especially about her music career.
  • Bareilles has continued her Broadway career with projects like Into the Woods and Girls5eva, inspiring more women to pursue composing and writing in theater.

Bareilles represents the future of musical theater, where women are not just stars but also creators shaping the stories we see on stage.

Preview of Drama Musical Theater Empowering Women Study Guides History Tony Awards 1

If you want to celebrate National Women’s Month in March, check out this bundle.  It’s full of information about four musicals which had women at the forefront and helm.

How have you celebrated National Women’s Month in your classroom?  Please share. You can email me at DhcBaldwin@gmail.com

Woman behind DramaMommaSpeaks

Exploring Modern Theaters: A Global Journey in Performance

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Exploring Modern Theaters: A Global Journey in Performance

As you might expect, I’ve attended theater all around the world–from Marcel Marceau in 1961, Kabuki theater in 1973 to an Innuit play in 2001.  Additionally, I’m aware that most of our students are not as fortunate as I. However, I think there is one way we can remedy this for our students.  Simply put, introduce to them theater around the world. Modern theater is a mix of old traditions and new ideas. Around the world, theater is growing and changing, showing the creativity of different cultures. This post, “Exploring Modern Theaters: A Global Journey in Performance,” takes a look at how theater is done in various places and what makes each unique.

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Creativity and Diversity

United States: The U.S. is known for its amazing theater, especially Broadway in New York City. Big musicals like Hamilton and The Lion King are huge hits, but there’s also smaller, more creative theater happening Off-Broadway and in places like Chicago. These smaller theaters often tell new stories and try out bold ideas. Perhaps more importantly, we have theater opportunities for people of different abilities, welcoming everyone to participate!

When Sam’s son, who has developmental disabilities, asked, “When is it my turn to act on stage?” she took action. As the theater arts coordinator at Phoenix Day School for the Deaf, Sam created Detour Company Theatre to provide performance opportunities for individuals with cognitive and physical disabilities. Detour, with about 50 actors, stages double features like Shrek The Musical and Legally Blonde The Musical.  Consequently, this allows our members to shine in lead and ensemble roles. “We take detours, but we all arrive at the same destination—entertainment and joy,” says Sam.

Canada: Canada’s theater reflects its mix of cultures. The Stratford Festival in Ontario.  This festival focuses on Shakespeare and classic plays.  Additionally, Indigenous playwrights like Tomson Highway tell important stories about First Nations. In Quebec, French-language plays bring another layer to Canada’s theater scene.

Exploring Modern Theaters: A Global Journey in Performance

Latin America: Theater in Latin America often combines art and activism. In Brazil, Augusto Boal’s Theatre of the Oppressed is a groundbreaking method that uses theater as a tool for social change. This technique encourages audience participation, turning spectators into “spect-actors”. This gives the audience a chance to engage with the performance and suggest solutions to real-life problems. Not only is that engaging, but of course topical.  It includes forms like Forum Theatre, where audience members step into roles to explore different outcomes, and Image Theatre, which uses body language to communicate complex ideas without words.

Boal’s work has inspired activists and educators worldwide to use theater to address inequality, oppression, and social justice issues. In Mexico, street theater is very popular, turning public spaces into stages and making theater fun and easy to access.

File:'The broken pot' Kleist Ukrainian National Theatre Dostoevsky "Brothers Karamazov" Yaroslavl Volkov theatre Directing Roman Markholia Stage design Vladimir Kovalchuk Costumes Natalia Rudiuk-6.jpg

Europe: Old and New Come Together

United Kingdom: The UK has a wide variety of theater, from the famous West End to interactive shows by companies like Punchdrunk. London’s National Theatre and Shakespeare’s Globe perform both old and new works, while smaller theaters introduce exciting new playwrights.

Punchdrunk Theatre Company, founded in 2000 by Felix Barrett, revolutionized immersive theater by placing audiences directly in the action. Known for their acclaimed production Sleep No More, a film noir-inspired take on Macbeth that’s captivated audiences in London, New York, and Shanghai, Punchdrunk creates non-linear narratives in sprawling, interactive spaces. Their latest, The Burnt City, explores the mythological Trojan War in a vast London venue.

Exploring Modern Theaters: A Global Journey in Performance
Berlin’s Schaubühne

Germany: Germany is known for its creative and experimental theater. Directors like Thomas Ostermeier at Berlin’s Schaubühne. Furthermore, this company makes bold choices, using technology and powerful visuals to connect with audiences in new ways.

France: French theater is often cutting-edge. The Avignon Festival is famous for blending theater, dance, and technology. Groups like Théâtre du Soleil explore global and political themes, attracting audiences from around the world.

Eastern Europe: Theater in Eastern Europe is shaped by its history. Puppetry and physical theater are common, with groups like Poland’s Teatr Piesn Kozla using music and movement to tell moving stories.

Exploring Modern Theaters: A Global Journey in Performance
Kathakali play

Asia: Mixing Old and New

India: Indian theater combines ancient traditions with modern issues. The Rangashankara theater in Bangalore encourages new writing.  Likewise, traditional forms like Kathakali inspire today’s plays. Writers like Mahesh Dattani focus on topics like gender and identity.

Japan: Japan’s theater keeps its classics alive, like Noh and Kabuki, while also pushing boundaries. Groups like Tokyo Metropolitan Theatre bring together artists from around the world, and playwright Toshiki Okada uses minimalist styles to talk about modern life.

Exploring Modern Theaters: A Global Journey in Performance
Tokyo Metropolitan Theatre

China: Chinese theater is a mix of traditional opera and modern techniques. For instance, cities like Beijing and Shanghai host performances that include drama, music, and digital effects.

Southeast Asia: Countries like Indonesia, Thailand, and the Philippines show a blend of tradition and modern theater. Shadow puppetry, like Wayang Kulit, inspires new works, while writers explore global and cultural themes.

Exploring Modern Theaters: A Global Journey in Performance
South African Theatre Festival

Africa: Stories of Strength and Change

African theater is deeply connected to storytelling and tradition. In Nigeria, Wole Soyinka’s plays explore the mix of old and new cultures. Moreover in South Africa, productions like Woza Albert! use humor to talk about serious topics like apartheid. Across the continent, theater reflects themes of identity and resilience, with festivals like South Africa’s National Arts Festival showcasing these works.

Exploring Modern Theaters: A Global Journey in Performance
Bangarra Dance Theatre

Australia and Oceania: Cultural Bridges

In Australia, Indigenous theater is very important. Groups like Bangarra Dance Theatre tell stories through dance and music, celebrating Aboriginal culture. Playwrights like David Williamson write sharp, funny plays about modern society. In New Zealand, theater mixes Maori myths with current issues to create unique performances.

War Horse, the play

Global Trends in Modern Theater

Theater today shares some common trends across the world:

  • Diversity and Representation: More playwrights and directors from different backgrounds are sharing their stories, creating fresh perspectives.
  • Technology on Stage: Shows are using virtual reality, projections, and other technologies to create amazing effects. Productions like The Encounter use 3D sound to make the audience feel part of the story.
  • Eco-Friendly Practices: Many theaters are trying to be greener by reusing sets and cutting down on energy use.
  • Interactive Shows: Some theaters let the audience take part in the story. Additionally, plays like Sleep No More create immersive experiences where viewers explore the performance space.
Exploring Modern Theaters: A Global Journey in Performance
Theatre Du Soleil

The Future of Modern Theater

John Steinbeck said, “The theater is the only institution in the world which has been dying for four thousand years and has never succumbed.” Every time I hear about a new production opening or a theater announcing its next season, I get a lump in my throat thinking about how “theater is dying”, not!

Modern theater keeps changing to stay exciting and relevant. As technology grows and new ideas emerge, theater will continue to reflect the world’s challenges and successes. That is exciting, yes? By mixing old traditions with new innovations, theater remains a powerful way to bring people together and share stories.

Whether it’s on big stages like Broadway or in small, experimental spaces, modern theater shows us what it means to be human. It connects us across cultures and reminds us of the power of storytelling.

Preview of Emergency Sub Plan! VERY Popular Theater Around the World Video Lessons Drama 1

Theaters Around the World Resource

Are you teaching middle and high school students about modern theater?  Check out my Theaters Around the World unit. It contains a series of video clips with questions pertaining to various theater companies around the world not mentioned here. Have any questions?  Please feel free to email me with them at DhcBaldwin@gmail.com

 

Deb

Woman behind DramaMommaSpeaks

The Power of Creativity: Nurturing Innovation in Students

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The Power of Creativity: Nurturing Innovation in Students

I worry about our students.  Specifically, as a drama teacher and working with all things theater, I’m concerned about our students’ creativity.  So let’s consider that today–the power of creativity: nurturing innovation in students. In a world increasingly shaped by rapid technological advancements and complex global challenges, creativity has never been more essential.

Schools are not just places where students learn facts and figures. They are incubators for innovative thinkers, problem solvers, and dreamers. I believe that nurturing creativity in students is not only a vital aspect of their development but also an investment in the future.

The Power of Creativity: Nurturing Innovation in Students

Why Creativity Matters

This is a generality–many people believe they are not creative. One of my friends, who has a beautifully decorated home told me, “I’m not creative like you.”  What? Of course,  I disagree with her. Creativity is not just about art, music, or theater. It is the foundation of critical thinking, adaptability, and innovation. When students learn to think creatively, they develop skills that help them approach problems from new perspectives. They explore unconventional solutions, and express their individuality. Since this is a drama education blog, I’m going to consider creativity from that standpoint.

The Power of Creativity: Nurturing Innovation in Students

Creativity in Action: Building Skills Through the Arts

For example:

  • Problem-Solving: Creativity helps students develop resilience and resourcefulness when facing challenges, fostering a mindset of possibilities rather than obstacles. Set design is an excellent example of problem solving.  Students envision their design, draw and build a model of it.
  • Innovation: Many of today’s most groundbreaking advancements come from those who think outside the box, whether in science, business, or technology. The War Horse play is wildly innovative using life size puppets of horses to tell the story.
  • Emotional Growth: Creativity allows students to express their feelings, build confidence, and develop empathy by exploring diverse narratives and perspectives. Writing a monologue, a form of playwriting, about a Christmas gift a student is given is non-threatening and something they can relate to quite easily.

The Power of Creativity: Nurturing Innovation in Students

Strategies to Cultivate Creativity in the Classroom

  1. Encourage Open-Ended Exploration Let students experiment with ideas and projects without fear of being “wrong.” Open-ended assignments promote originality and allow them to explore their interests. Several times in a semester, I give students an opportunity to improv. a particular theme using tableaux or movement like the Tricicle Theater Company.
  2. Incorporate Arts into the Curriculum Theater, music, visual arts, and creative writing engage students in ways that traditional lectures cannot. These disciplines help students develop a broader range of cognitive and emotional skills. Teaching students about building a mood through sound effects and music is always fun.
  3. Provide Opportunities for Collaboration Group projects encourage students to build on each other’s ideas, learning how to synthesize diverse perspectives into something greater than the sum of its parts. For example, if students create their own juke box musical they must work together to create a dynamic and finished product.
  4. Value the Process Over the Product Celebrating effort and experimentation reduces the pressure to “succeed” and helps students take risks, an essential part of creative growth. Designing a costume and using only newspaper and painter’s tape to secure it nurtures ingenuity.  
  5. Model Creativity Teachers who demonstrate their own creative processes—whether through storytelling, problem-solving, or innovation in teaching methods—instill a sense of curiosity and possibility in their students.  When teaching storytelling, I always model a story for my storytelling unit.
  6. If you’d like to learn about the importance of drama education to a student’s life, check out my Litpick.com article.

The Power of Creativity: Nurturing Innovation in Students

The Long-Term Impact

Are you a day dreamer? Sometimes I daydream when I’m create new resources such as the Sonologue unit.  According to the American Psychological Association, “Studies indicate that creativity involves the interaction of multiple neural networks. For instance, the default mode network, associated with mind-wandering and spontaneous thinking, collaborates with the executive control network, responsible for focused attention, during creative tasks. This interplay allows individuals to generate original ideas and critically evaluate them.

As a teacher, one of the best things you can do is praise your students when they are creative, no matter the quality of their project.  When creativity is nurtured, students carry these skills far beyond the classroom. They learn at an early age that having creative ideas will pay off for them.  They become innovators in their fields. Additionally, they are compassionate leaders, and individuals who view the world through a lens of possibility. My advice?  Be as free with them as you possibly can and just watch them light up! 
The Power of Creativity: Nurturing Innovation in Students
Here’s a new warm-up exercise which I think will help you and your students greatly as they hone their creativity: Exploration Game
Moreover, creative education helps students develop a lifelong love of learning, which is critical in an ever-changing world. Learn about my former student, Brandon Davis and how he used set design as a student and turned it into a professional career. The Five Reasons Your Students Will Love Set Design
The Power of Creativity: Nurturing Innovation in Students

The Link Between Personality, Creativity, and Joy

Personality traits such as openness to experience have been consistently linked to higher creativity. Individuals high in this trait tend to be more imaginative.  Additionally they are curious, and open to new experiences.  These quality all contribute to creative thinking. in a recent study sponsored by YouGov which surveyed 700 children, “Creative activities help children recognize their unique talents and develop a deeper belief in their abilities—giving children an incredible sense of joy and accomplishment,” says Cheri Sterman, senior director of education for Crayola. For more information, check out: www.parents.com 

Final Thoughts

I hope my friend re-considers her creativity.  It would be sad to think someone stunted their creativity and imagination just because they don’t think they are capable.  And here’s another thing–creativity has nothing to do with talent! Whoa, that’s a heady thought.  Someone can be talented and not creative.

For instance, your student is a math wizard–that takes analytical thought and problem solving.  That doesn’t necessarily take talent.  Or your teacher is an incredible singer–they are expressive and skilled. Her prowess was probably built through much hard work and practice. I would argue that both people are creative. Do you agree? 

Investing in creativity in education is about more than preparing students for careers—it’s about preparing them for life. When schools make room for creativity, they  enrich students’ academic experiences. Furthermore, they empower them to shape a better future. As educators and mentors, we hold the key to unlocking the potential of the next generation. Let’s use it to inspire a world filled with imagination, innovation, and boundless opportunities.

How do you nurture creativity in your classroom? Share your strategies and success stories in the comments below!

Woman behind DramaMommaSpeaks

Exploring Social Issues Through Plays: A Guide for Middle School

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Exploring Social Issues Through Plays: A Guide for Middle School

Today, I want to reflect on the my blog post title,  exploring social issues through plays: a guide for middle School. Theater is a powerful tool for middle school students to explore and discuss social issues. By stepping into the shoes of characters dealing with real-world challenges, students develop empathy, critical thinking, and teamwork. Plays such as The Yellow Boat, Ama and the White Cranes, and The Third Wave provide age-appropriate ways to delve into complex topics, making them ideal for young performers.

The Power of Theater in the Classroom: Inspiring Change Through Stories

I believe one of our missions as teachers is to make the world a better place.  As theater teachers, we have an incredibly useful tool at our fingertips–plays or musicals.  No other art form can do what theater can do!  I think you’d agree with me that the best way to reach people is through a story. Theater is non-confrontational and provides important universal themes.

In our classrooms, students can read or perform plays just for the sure fun or experience of it.  Consequently, students can experience diverse perspectives and learn to understand others’ emotions and struggles. Plus, plays can structure an environment for discussing sensitive topics. Additionally,  theater challenges students to examine societal issues in-depth and consider their roles in creating change.

Exploring Social Issues Through Plays: A Guide for Middle School

Here are a few plays I recommend to you.  Your students could read one of these plays in your class or better yet, produce it for the public.  (That’s the real elixir.)

Exploring Social Issues Through Plays: A Guide for Middle School

My Recommendations for Middle School Reading

 1. Peer Pressure, Authority, and Group Dynamics

—The Third Wave Based on a true story, this gripping play explores the dangers of groupthink and authoritarianism. It recounts a high school teacher’s experiment to demonstrate how easily individuals can be drawn into totalitarian systems. The Wave provides a thought-provoking look at peer pressure and critical thinking, making it highly relevant for middle schoolers.

Exploring Social Issues Through Plays: A Guide for Middle School

2. Illness, Resilience, and Family

– The Yellow Boat by David Saar. This deeply moving play is based on the true story of Benjamin Saar, a young boy born with congenital hemophilia. Through his vivid imagination and artistic talent, Benjamin navigates the joys and struggles of his life, including his battle with HIV/AIDS, contracted from a blood transfusion. His journey, filled with creativity, resilience, and love, celebrates the power of art and human connection. The play is a poignant exploration of hope, loss, and the enduring spirit of a child, offering audiences a heartfelt and uplifting experience. A heartwarming and imaginative story about a young boy living with a terminal illness. This play offers an opportunity for students to explore themes of resilience, creativity, and the bonds of family.

Exploring Social Issues Through Plays: A Guide for Middle School

3. Cultural Identity and Environmental Awareness

– Ama and the  White Cranes  This is a poignant play that blends Japanese folklore with contemporary themes of resilience and tradition. It follows Ama, a skilled pearl diver, who finds herself at odds with her village’s changing ways. When a mysterious white crane begins appearing during her dives, Ama discovers it is the spirit of her late mother, guiding her to protect the ocean and its treasures from exploitation. Ama struggles to reconcile her personal desires with her duty to her heritage. The story unfolds into a beautiful tale of sacrifice, love, and the enduring bond between humanity and nature. This is a  beautiful play that introduces Japanese culture while exploring themes of courage, family, and environmental responsibility.

Timeless Stories: Exploring Empathy and Justice Through Adapted Plays

4. Bullying and Kindness

–The Hundred Dresses: This play adapted from the book of the same name,  centers on Wanda Petronski, a Polish-American girl who is ridiculed by her classmates for wearing the same faded blue dress daily. In response to the teasing, Wanda claims to own one hundred beautiful dresses at home, a statement that becomes a focal point of the narrative. The book explores themes of bullying, empathy, and the consequences of prejudice. First published in 1944, this book and story survive the test of time.

-Holes– by Louis Sachar. This play adaptation of the book of the same name, is the story of Stanley Yelnats who is wrongly accused of theft.  Stanley Yelnats is sent to Camp Green Lake, where boys dig holes daily as part of their punishment. As Stanley uncovers secrets about the camp, his family’s past, and the outlaw Kissin’ Kate Barlow, themes of justice, fate, and friendship come to light. (It seems to be out of printing as of this writing, but do check back to see if it’s re-appeared.)

Exploring Social Issues Through Plays: A Guide for Middle School

5. Leadership and Community

– The Giver: Based on Lois Lowry’s novel, this play encourages students to reflect on freedom, individuality, and the responsibilities of leadership. Set in a seemingly utopian society where pain, conflict, and choice are eliminated. Jonas, a 12-year-old boy, is chosen to inherit the role of the Receiver of Memories. The Receiver is the only individual who holds the truth of the world’s past. As he learns from The Giver, Jonas begins to see the dark truths behind his community’s controlled existence. Confronted with the weight of memory and emotion, Jonas questions whether to accept the status quo or risk everything to bring freedom and individuality back to his world. For more information, read my post–The Reasons I Love The Giver Play

Exploring Social Issues Through Plays: A Guide for Middle School

Cultivating Community and Resilience: Plays That Inspire Connection

– Seedfolks: This is a touching play adaptation of Paul Fleischman’s novel, weaving together the stories of diverse individuals in a struggling urban neighborhood. When a young girl plants a handful of beans in a vacant lot, her small act inspires others to transform the space into a thriving community garden. Each character contributes their unique voice, sharing personal struggles.  Most importantly, while they share cultural perspectives, unexpected connections arise. As the garden grows, so does the sense of hope, unity, and understanding among the neighbors. This poignant story celebrates the power of small acts to foster change and build community.

-Esperanza Rising–  This play is a heartfelt adaptation of Pam Muñoz Ryan’s acclaimed novel, following Esperanza Ortega, a privileged young girl in 1930s Mexico. When her family’s fortunes are shattered by tragedy, Esperanza and her mother are forced to flee to California.  There they work as migrant laborers. Facing the hardship of poverty, prejudice, and back-breaking labor, Esperanza learns the value of resilience, community, and hope. This powerful coming-of-age story celebrates the strength of the human spirit and the importance of staying rooted in love and compassion during times of great change.

Discussing Social Issues in the Middle School Classroom

 

Exploring Social Issues Through Plays: A Guide for Middle School

6. Diversity and Acceptance

—The Watsons Go to Birmingham--1963: Ten-year-old Kenny narrates a life-changing summer for his family. Hoping to reform troublemaking Byron, the Watsons travel to Birmingham, Alabama.  They face the tragic 1963 church bombing. This moving and humorous story, based on Christopher Paul Curtis’ novel, explores family and resilience during a pivotal moment in history.

—Bud Not Buddy–-Set in 1930s Michigan, 10-year-old Bud Caldwell, an orphan fleeing abusive foster homes, embarks on a journey to find his father. Guided by a flier for a jazz band, Herman E. Calloway and the Dusky Devastators of the Depression, Bud travels to Grand Rapids.  He believes Calloway to be his father. Along the way, Bud encounters trouble, humor, and wisdom, using his “Rules and Things” to navigate a challenging world.

Exploring Social Issues Through Plays: A Guide for Middle School

 

The Third Wave: A Powerful Lesson in Authority and Responsibility

At this point in our country’s history, it is vitally important that we dramatize stories whose themes are especially powerful to our students.  We are at a real crossroads.  It is up to us to stand and be counted.

The Third Wave is particularly impactful for middle school students. Foremost, it dives into the issues they can relate to, such as peer pressure, the influence of authority figures, and the need to belong. The play demonstrates how quickly groupthink can take over.  Additionally, it encourages students to think critically about their choices and the importance of standing up for what’s right.

By dramatizing this real-life experiment, The Third Wave helps middle school students understand the dangers of blindly following authority or succumbing to social pressures. It’s a powerful conversation starter about history, psychology, and personal responsibility. Lastly, I challenge you to select this play for production at your school–you won’t regret it!

Incorporating These Plays into the Classroom

Wondering how to introduce students to the themes and moments in history or cultural contexts? If you’re using the play in your middle school classroom,  encourage students to write reflections. For example, they could be written from their characters’ perspectives to deepen their engagement. Additionally,  you can facilitate a discussion about the play’s messages and how they relate to students’ lives.

Ready to inspire your students and tackle these critical topics? The stage is waiting!

What plays do you read aloud in your middle school classroom or have staged that held important themes and messages?  I’d love to learn about them.

Email me at DhcBaldwin@gmail.com

Woman behind DramaMommaSpeaks