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Education

How BookTix Turns Theatre Teachers into Confident Producers

October 18, 2024 By dhcbaldwin Leave a Comment

Every so often, I’m fortunate in having a company contact me and ask if I would be willing to recommend them to you.  Today, I’m excited to blog about how BookTix turns theatre teachers into confident producers. I’ve directed, taught and produced for over thirty-eight years. As you might expect, I have many memories of box office fiascos.   About twenty years ago, I administrated a summer theater camp in Missouri.  They were a small company with a large theater venue. Like many of us at the time  they were selling their tickets only at the door prior to performance time.
Their biggest problem wasn’t filling the seats. They had no lobby for the audience to wait prior to curtain or stand in a queue to pick up their tickets.  Invariably, the ticket line snaked out the door and around the building.  What a hassle!

How BookTix Turns Theatre Teachers into Confident Producers

Not only that, but with no box office purchasing system, selling in this manner makes for a late curtain. Consequently, audience members become anxious when they have to wait before a production begins. It can even discourage their applause. I’ve even heard an audience member say,  “Why did we have to wait so long for the show to begin? This better be good!”
Additionally, when people see a line at the door, they often assume the event is sold out. I’ve personally seen attendees leave the theater, believing there were no tickets available, simply because we lacked a system to sell tickets in advance. Yikes!

How BookTix Turns Theatre Teachers into Confident Producers

BookTix is one of the first companies in the country (and the world) to address this issue.
Who is BookTix?  From their owner,  “BookTix helps theatre teachers see themselves as producers – they handle so many roles – fundraising, marketing, ticket sales, etc. We help solve those pieces that become headaches so they can focus on the fun stuff – making art. It’s all about making the lives of teachers easier. We attend many conferences to meet the educators and brainstorm solutions. We pride ourselves helping teachers find loyal audiences and fundraise options so they can have financial and artistic freedom to the work they want to do.”
All ready they sound great, huh?

With BookTix, you will receive access to your own customized selling platform. Your patrons (customers) will be able to click from your website directly to your BookTix portal. This portal is customized to match the branding of your website for a seamless experience for the end user. Your staff will have access to your administrative portal, where they can customize events, items, season passes, donation campaigns and so much more!

Seamless Support and Innovation: How BookTix Elevates Your Production Process

They also provide a platform for you to use and they provide a highly trained customer support team with tons of experience in the event industry. This team can assist you and your staff in setting up & running your portal. If you want to set it up yourself, they include a base of articles or a teacher can sign up for a Webinar to learn how to use the BookTix platform.

BookTix Provides: A state-of-the-art platform that is always updating based on customer feedback and current industry trends; a fully staffed customer support center available by online chat, email, submit a ticket or phone call. We are here for you every step of the way!

What am I expected to provide? As you might expect, you provide the computers, tablets, mobile devices for using the system – as an administrator, box office rep or usher. (We offer support on compatible equipment that is available to purchase.) You provide all staffing and internet for running the system on your end.
How BookTix Turns Theatre Teachers into Confident Producers

BookTix: Simplifying Ticketing with Innovation and Industry Expertise

BookTix is a turnkey system created for the performing arts, and quickly expanded to include all types of events, by individuals that have worked in the industry in various capacities. After building a system for a limited run of an Off-Broadway show, co-owners Jason Goldstein & Tim DiVito knew it was too good to keep to themselves. As producers, they know how complicated ticketing can be. The staff at BookTix is also passionate about the arts and brings many levels of understanding to the development and support offered by the company.

The primary goal of BookTix is to make ticketing easy and affordable. First, BookTix offers a positive patron and brand experience. They are always embracing new technologies to enhance our features. This allows for a diverse array of analytic capabilities and reporting functions. Anticipating the future of ticketing, recently they completely redesigned their  system using 15 years of feedback.  It is their forward thinking and new tech to deliver an unparalleled system that sets them apart from others.

New 2024 Rollout: Affordable, Feature-Rich System Favored Nationwide

This system began rolling out in early 2024. From the feedback that they gathered, the low cost & improved features make this system preferred to other systems on the market. Booktix works with many towns, cities, counties, school districts, performing arts centers. Additionally, they help athletic associations and other organizations that offer a myriad of events throughout the United States and Canada.

How BookTix Turns Theatre Teachers into Confident Producers

Their system utilizes a digital ticket which patrons can scan at the door when attending events. There is also an option for patrons to print at home, or for the box office to print physical tickets and hold at Will Call. BookTix offers easy to understand reporting and real-time updating of tickets purchased both online and at the box office. Plus, they offer general admission ticketing, reserved seating and even a combination of both!

I think this next asset is incredigle! Their team will create a customized seating chart based on your venue and patrons can select their seats with ease, automatically blocking those seats out for others purchasing concurrently. We offer the ability to include sponsors on your tickets and on your ticketing site. Most features are fully customizable based on your organization’s needs.

How BookTix Turns Theatre Teachers into Confident Producers

Comprehensive Support: Expert Guidance from Setup to Sales with BookTix

BookTix not only checks every box for the technical needs in ticketing, but also brings a team of passionate employees who are ready to assist with any issues that may arise. Additionally, their sales & onboarding teams are available for personalized and group demos to help walk your team through the system. They are happy to answer any questions as you begin your ticketing journey with BookTix, too. Do you need some assistance with logos, color selections, etc?  Booktix will help you get set up & make sure your branding is en pointe and will double check that your initial events are all entered correctly and are ready for sales.

Another plus is that their company is their customer support team.  It is available 7 days a week and is actively online any time we have an event running in our system. We also have an emergency support line for urgent matters 24/7. Not only is someone available, but they are eager to help you understand the system and sell more tickets! New to teaching and directing on your own? This post is a must-read for you! Play Production for Newbie Theater Teachers: Expectations Versus Reality

How BookTix Turns Theatre Teachers into Confident Producers

Transparent, Flexible Pricing: BookTix Ensures Smooth, Fee-Free Ticketing

And that brings me to my next point about BookTix. They only make money when you sell tickets, so our goal is to ensure your ticketing process is always smooth. There are zero up front charges (unless you are purchasing equipment) and zero monthly or annual fees. We charge 3.75% plus 90¢ USD ($1.20CAD) per ticket. Cash & comp tickets are always FREE! This fee includes credit card fees processed by our partner, Stripe.

Most importantly, you never have to worry about any other fees. When you set up your tickets in the system, you will be able to see what their fees are and adjust your patron fees accordingly.  This ensures you receive exactly what you need per ticket. BookTix is 100% cloud based and each organization is provided with their own customizable URL. Patrons use this URL to find information about the organization and all of the events for which they are selling tickets.

Flexible Ticketing and Packages: Simplifying Sales for Any Event or Venue

Do you require package deals for a production such as group rates? Not a problem.  The site allows for the unlimited sale of tickets, packages, items and donations for multiple departments.  If that isn’t enough for you, they can provide tickets for multiple events at multiple venues all simultaneously. Events can be scheduled for a single date/time or for a range of dates/times.

How BookTix Turns Theatre Teachers into Confident Producers

Introducing the Worry-Free Queue: Stress-Free Ticket Sales Management

One of their newest features is our Worry Free Queue! This new upgrade puts your buyers in a dynamic line to reduce stress on the system and give customers more effective seat selection. You will never have to worry about overloading the system when tickets go on sale!

Additionally, they’ve recently rolled out a new Fundraising Suite. Talk about stress free! You can stay on top of donations, track your goals and thank donors easily with their new array of features designed to make fundraising easier for your organization.

BookTix: A Trusted Leader in Ticketing for Schools and Theaters Across North America

BookTix operates remotely, primarily out of New Jersey, USA. They are pleased to be the de facto ticketing system for school and performing arts organizations across the US and Canada. I can tell they take a lot of pride in being the top choice for many schools and theaters. As you might expect, they have an international footprint and are endorsed and partnered with many industry organizations.
In 2024, BookTix was honored with the Organization of the Year award from the Virginia Thespians for our expertise in online ticketing for their annual event. Moreover, they continue to be a proud member and supporter of the Association of School Business Officials (ASBO) as well as the Educational Theatre Association (EdTA). Lastly, they receive the   American Association of Community Theater Corporate Award presented to businesses and corporations for significant financial support of community theatre on a regional or national basis.
In conclusion, because of my extensive personal experiences as producer, director and teacher I can recommend BookTix to you with my utmost support. In today’s world, it’s rare to find a company as excellent, helpful and trustworthy as BookTix.
Do you use a platform to handle your box office needs? Looking for something better?  I’d love to hear about it.  Email me at DhcBaldwin@gmail.com
Woman behind DramaMommaSpeaks

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Filed Under: arts education, community theater, community theatre, drama education, Education, High School, Producing plays and musicals, Production Questions, youth theatre

Why Theater Education Matters: Developing Key Life Skills

August 8, 2024 By dhcbaldwin Leave a Comment

White drama masks demonstrating Why Theater Education Matters: Developing Key Life Skills

Why Theater Education Matters: Developing Key Life Skills

Why Theater Education Matters: Developing Key Life Skills

Today, I want to blog about why theater education matters:  developing key life skills.  Recently, I read a Facebook post by a theater teacher who was frantic for help.  She taught drama in middle school.  Her sixth grade classes were a reasonable size, but that’s where the good news end.

More Typical Scenario Than You Would Think

Her seventh and eighth grade classes had been mixed up, so she no longer had an intermediate (7th) and experienced class (8th). Get this-when she inquired for the reasons for this cluster, her questions weren’t addressed. Unfortunately, she was informed that she would have to do the best she could. She should sharpen up her classroom management skills.   And if that’s not enough–her classes were 50 to 60 students in number.  What?!?

As I consider this enormous problem for her, I’m struck with a thought.  This is one time that it is more important to teach key life skills to her gigantic and potentially unsafe classes than to actually study theater. My suggestion?  Focus on life skills through her lessons and though they will still pertaining to theater, the students will feel less threatened.

Why Theater Education Matters: Developing Key Life Skills

Theater education is often seen as an extracurricular activity.  Some people consider it a hobby for those interested in acting or the arts. However, the benefits of theater education extend far beyond the stage. Engaging in theater can play a crucial role in developing essential life skills. These are skills which are tantamount to success in one’s personal and professional life. Here’s a closer look at why theater education should be an integral part of every student’s learning experience.

Why Theater Education Matters: Developing Key Life Skills

1. Enhancing Communication Skills

One of the most apparent benefits of theater education is the improvement of communication skills. Through acting, students learn to express themselves clearly and confidently. They practice articulation, projection, and the importance of non-verbal cues. These skills are not only vital for performing on stage but are also crucial in everyday interactions and professional environments.

By memorizing lines from plays or musicals, student absorb a variety of sentences and phrasing.  If they are like me, it carries over into your every day speech. Furthermore, you naturally know how to use a particular phrase or word  without even having to think about it.  You communicate with ease and confidence.  My suggestion:  teach students how to memorize a short paragraph from a play.  

Why Theater Education Matters: Developing Key Life Skills

2. Fostering Teamwork and Collaboration

Theater is inherently a collaborative art form. From rehearsals to performances, students must work closely with their peers, directors, and crew members. This collaboration teaches them how to work effectively in a team. A cast must listen to others’ ideas, and contribute constructively.

I can always tell if students have been directed by a knowledgeable teacher who understands the value of everyone’s talents and abilities.  The entire cast and crew carries about them a sense of ownership.  They help one another and are willing to sacrifice their ego for the sake of the production.   These teamwork skills are highly sought after in almost every career field. My suggestion:  Teach set design, having students work with a buddy.  

Why Theater Education Matters: Developing Key Life Skills

3. Developing Empathy and Emotional Intelligence

By stepping into different characters’ shoes, students gain a deeper understanding of diverse perspectives and emotions. This experience fosters empathy. It allows them to relate better to others’ feelings and experiences. Additionally, theater education helps students develop emotional intelligence by encouraging them to recognize and manage their own emotions, as well as understand and influence the emotions of others.

As we are aware, our students are suffering from bullying not only in the classroom and hallways, but on-line as well.  Students who have portrayed villains or down-trodden characters know what that feels like.  I do not have any proof to expound here. However, my personal experiences with this issue lead me to believe that your arts students are the least likely students to intimidate anyone. Check out this post-–Drama Student, I Recognize You a Mile Away

Arts students are usually immensely clever and generally have differing viewpoints from the study body as a whole.  Consequently, often time they suffer being left out of social circles.  Theater gives them a “home” at school.  My suggestion? Write a monologue speaking as the animal.  (You won’t believe how well this works for students.)

Looking for a bundle of units concerning acting styles?  Check out this one:  Acting Styles of Stanislawski, Adler, Strasberg and Hagen. 

Why Theater Education Matters: Developing Key Life Skills

4. Building Confidence and Self-Esteem

Performing in front of an audience can be a daunting task, but it is also an excellent confidence booster. Theater education provides a safe and supportive environment for students to take risks, make mistakes, and learn from them. Over time, this process builds self-esteem and a sense of accomplishment. Accordingly, confident individuals are more likely to take on leadership roles and tackle challenges head-on.

As adults, we continue to grapple with taking risks in our lives.  Some people are so afraid of risk, they become stagnant and don’t grow. I’ve witnessed this in my extended family and it saddens my heart.  Their spouse, on the other hand, who studied theater and dealt with self esteem issues as a young person continues to challenge herself in her profession.

I know, without a doubt, it is because she learned from being on stage and facing risks, that she knows how to advocate for herself. My suggestion?   Give them a pre-performance and post performance exit slip and ask them to be candid about themselves. 

Why Theater Education Matters: Developing Key Life Skills

5. Encouraging Creativity and Problem-Solving

Theater is a creative endeavor that requires thinking outside the box. For example, whether it’s coming up with an innovative set design or interpreting a script in a unique way, students are constantly challenged to be creative. This creative thinking extends to problem-solving skills, as students must navigate unexpected issues that arise during rehearsals and performances. Check out this blog post if you need reasons to include drama integration in your core classes: How to Excite Students With Drama Integration

Through trial and error, students build their problem-solving skills and learn that making mistakes doesn’t mean failure.  Mistakes signify that the particular issue wasn’t solved or completed. That is all, period. My suggestion?  Teach with  my Famous Theater Artists Growth Mindset Unit. 

Why Theater Education Matters: Developing Key Life Skills

6. Strengthening Academic Performance

Research has shown that students involved in theater tend to perform better academically. Theater education enhances literacy and reading comprehension through script analysis and character study. Also, it improves memory and concentration, which are beneficial across all subjects. Moreover, the discipline and time management skills learned in theater can translate to better study habits and academic success.

In the beginning, novices will try to beat the system and paraphrase their lines.  Hence, they never truly learn them. By the time they are in high school, they’ve convinced themselves that, “I can’t learn lines.” I know this is not true.  Plus, I know what they need is a system that works.

Once I demonstrate to them the various methods for line memorization, they try again.  When they have success using one of those methods, their entire attitude changes. But it still takes self discipline!  If you want more information for line memorization, read Three Ways to Memorize Lines for a Play or Musical

Why Theater Education Matters: Developing Key Life Skills

7. Preparing for Future Careers

While not all students will pursue careers in theater, the skills gained from theater education are transferable to numerous professions. Additionally, theater education equips students with a versatile skill set that can enhance their career prospects and success.

Here are a few careers where having theater skills are useful:

Public Relations Specialist–Skills Used: Communication, presentation, creativity, adaptability.
How Theater Helps: Understanding audience engagement and crafting compelling narratives.

Event Planner–Skills Used: Organization, time management, creativity, problem-solving.
How Theater Helps: Managing events and performances teaches you how to coordinate logistics and handle unexpected issues.

Marketing Professional–Skills Used: Creativity, communication, storytelling, audience analysis.
How Theater Helps: Developing marketing campaigns requires the same creative storytelling skills used in theater.

Educator/Teacher–Skills Used: Communication, presentation, adaptability, creativity.
How Theater Helps: Theater teaches how to engage and hold the attention of an audience, which is essential in the classroom.

Future Careers Utilizing Theater Skills

Human Resources Manager–Skills Used: Communication, conflict resolution, empathy, teamwork.
How Theater Helps: Theater experiences foster a deep understanding of human behavior and group dynamics.

Sales Professional–Skills Used: Persuasion, communication, presentation, relationship building.
How Theater Helps: Performing helps build confidence and the ability to convey messages effectively.

Lawyer–Skills Used: Argumentation, public speaking, critical thinking, research.
How Theater Helps: Theater provides practice in presenting arguments persuasively and thinking on one’s feet.

Psychologist/Counselor– Skills Used: Empathy, communication, analysis, problem-solving.
How Theater Helps: Understanding characters and motivations in theater aids in understanding and helping real people.

Other Career Examples

Journalist–Skills Used: Research, storytelling, communication, adaptability.
How Theater Helps: Writing and interpreting scripts in theater helps journalists craft compelling stories.

Film and Television Production–Skills Used: Creativity, technical skills, teamwork, problem-solving.
How Theater Helps: The technical and creative aspects of theater production are directly applicable to film and television.

Corporate Trainer–Skills Used: Communication, presentation, adaptability, teaching.
How Theater Helps: Theater training provides techniques for engaging an audience and conveying information effectively.

Nonprofit Manager–Skills Used: Communication, organization, fundraising, storytelling.
How Theater Helps: Effective storytelling and presentation skills are crucial for fundraising and advocacy work.

Entrepreneur–Skills Used: Creativity, risk-taking, problem-solving, adaptability.
How Theater Helps: The improvisational nature of theater helps entrepreneurs navigate the uncertainties of starting and running a business.

See?  The list for skills learned in a theater class is immense.  If you are a theater teacher and must defend the reasons for keeping your class, quote from this list! 

Empowering Students with Creativity, Confidence, and Collaboration

Theater education is much more than learning to act; it’s a comprehensive learning experience that develops critical life skills. By incorporating theater into the curriculum, educators can provide students with invaluable tools. Most importantly, these tools that will benefit them throughout their lives.

Whether a student dreams of a career on Broadway or in a corporate office, the lessons learned in theater education will help them shine in any role they choose to play. Looking for a teacher guidebook to teach you how to boost student engagement?  Pick up We’re Live! Radio Theater #101 on Amazon.com

Plus, I’m a featured author in OneClassroomOver magazine this month.  Check it out here.

Have you ever defended the need for your class or department? I’d love to learn about it.  Contact me at DhcBaldwin@gmail.com

Woman behind DramaMommaSpeaks

 

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Filed Under: acting, Arts, arts education, drama education, Education, Education, excellence in teaching, High School, middle grades, Teaching, theater, theatre, youth theatre Tagged With: careers using theater skills, entrepreneus, film and television production, journalist, marketing professional, psychologist, salesman, Teacher, theater skills

Five Tips for Writing an Engaging Book Review

July 11, 2024 By dhcbaldwin Leave a Comment

photo of hands holding a cell phone with 5 stars in front of that--concerning how to write a book review

How to Write an Engaging Book Review

Sometimes I select topic for the blog which I know very little about in hope that I can learn something new and share it here with you.  However, I know a lot about this particular subject.  I’ve written two books,  one a fiction--“Bumbling Bea” and a non-fiction, “We’re Live! Radio Theater #101.   If you think writing the book is challenging, just wait until you try to obtain reviews of the book! Today, I want to discuss five tips for writing an engaging book review.

Writing a fiction or non-fiction book review can be both enjoyable and rewarding. By sharing your thoughts and insights, you can help others decide whether the book is worth their time. If you’d like to know more about Bumbling Bea, check out: Surprising Bumbling Bea Reviews and a FREE Chapter

According to BrightLocal.com ,a website that tracks local searches, citations and monitors on-line reviews, the percentage of consumers ‘always’ or ‘regularly’ reading online reviews has held fast over the last three years (75% in 2024 against 76% in 2023).

Five Tips for Writing an Engaging Book Review

Five Tips for Writing an Engaging Book Review

Here are five essential tips to guide you through writing an effective and engaging book review.

1. Summarize the Content
When starting your review, it’s important to provide an overview of the book’s main topics and arguments. To begin with, explain the subject matter and the scope of the book without revealing too much detail. This summary should be short and give your readers a clear understanding of what the book is about and what they can expect to learn from it.

An example for my new book, “We’re Live! Radio Theater #101”   In “We’re Live!  Radio Theater #101” Deborah Baldwin explores her journey from being a frazzled teacher to an enthusiastic one by using a unique teaching tool–drama integration, in this case radio theater.   Through compelling stories, history and research, Baldwin delves into the subject with passion and an expansive knowledge of the subject.

2. Assess the Author’s Expertise
Next, the reviewer should evaluate the author’s qualifications and expertise on the topic. Mention any relevant background information or credentials that establish their authority and credibility. Additionally, this helps readers understand why the author is a reliable source of information.

Example: “We’re Live! Radio Theater #101, Baldwin brings a wealth of knowledge and first hand experience to this unique teaching tool.  Additionally, her extensive tips as as video clips to demonstrate the qualities of a good radio theater show production and lend significant credibility to the book’s insights.”

Is the Book Well Organized?

3. Analyze the Structure and Organization
It’s important for the reviewer to discuss how the book is organized. First, are there clear and logical sections? Does the structure enhance the reader’s understanding of the topic? Also, comment on the flow and readability of the text. A  well-organized book can significantly impact the reader’s experience.

Example: “The book is divided into eleven chapters from rationale of teaching with radio theater to a three-week unit for teachers to use to teach their own students about the subject. in addition, the book includes video clips, diagrams, checklists, a do-it-yourself live sound effects, etc.  Plus, she gives step by step directions on how to adapt a story into a radio play.   One of the most important items it includes is a video demonstrating the hand signals one uses when directing radio theater! This clear structure helps readers easily navigate through different aspects of habit formation and change, making complex concepts more digestible.”

Speak to the Author’s Experience

4. Evaluate the Research and Evidence
Examine the quality and depth of the research. Most importantly, are the arguments well-supported by evidence? Does the author cite reputable sources? Remember to consider the balance and fairness of the presentation of information.  This research is crucial for the credibility of non-fiction work.

Example: “Baldwin’s arguments support a wealth of research. She includes studies from experts in the drama integration and  leading experts. Furthermore, she meticulously cites her sources, providing a robust foundation for her claims.”

5.  Reflect on the Impact and Relevance
Finally, remember to share your personal thoughts on the book’s impact and relevance. Furthermore, how does it contribute to the field or topic? Is it thought-provoking, informative, or groundbreaking? Additionally, offer your personal perspective on the book’s strengths and any areas where it may fall short.

Example: “We’re Live! Radio Theater #101″  is not only informative but also incredibly practical. Baldwin’s insights into the importance of teacher’s scripts and warm up exercises are applicable to both the core class teacher and theater arts ones, too.   Not surprisingly, this book is a jam packed with information for the reader to consider and reflect upon. It even includes a reflection sheet at the end of each chapter.  In conclusion, it is a valuable read for anyone looking to understand and improve their teaching habits.”

Five Tips for Writing an Engaging Book Review

Just be Yourself

If all of these suggestions seems daunting, you can just write, “Great book!  I can’t wait to use it in my classroom.” Honestly, although these five suggestions are worthwhile, but it isn’t required that you go to such lengths if you are reviewing a book.  That’s up to you.

When I was researching this topic, I happened upon a site, Buildbookbuzz.com with a  terrific explanation of the reasons readers don’t review books:

  • The process is intimidating. They don’t know how or where to start, or what they should even share in a review.
  • They think writing a review will take too much time.

Now I have a PDF for book reviewers to use when they review my books.  Talk about helpful.

Five Tips for Writing an Engaging Book Review

Two Excellent Examples of Book Reviews

Below, I’ve quoted two strong reviews written about my new book.  I hope they help you!

Here is a recent review of “We’re Live! Radio Theater #101” by Douglas P. :

Great Tool for the Teacher Toolbox

 

“We’re Live! Radio Theatre 101” is a valuable tool that has now been added to my teacher toolkit. As a Theatre and English teacher, I now have the knowledge to incorporate Radio Theatre into my classes. Baldwin includes many resources in her work to assist with getting teachers started using radio theatre. Her passion for this art shines through in her stories and writing and provided the motivation I needed to start planning out a unit and production for my classroom. Baldwin also provides ideas on how to incorporate radio theatre across the curriculum and embrace AI technology with this historical art form. Truly, a great tool that you won’t regret taking a look at!
Here is another review of We’re Live! Radio Theater #101 this time by Tiffaney W.:
Engaging, Entertaining, Enlightening
I enjoyed learning about the history of radio theater. The author shares her own personal love affair with theater and then gives practical tips of preparing students for productions. I love the tongue twisters, games, and tips on sound effect creation. It’s like the author predicted my questions and prepared answers. The scripts and QR codes are valuable, and I appreciate the modern recommendation of using AI to develop scripts, too. Wow! What a detailed resource…I feel I’m radio-ready! Let the Action begin!

In conclusion, writing a book review involves more than just summarizing the content. By assessing the author’s expertise, analyzing the book’s structure, evaluating the research, and reflecting on its impact, you can provide a comprehensive and engaging review. Happy reading and reviewing!

Do you review a book?  Do  you worry about what to say?  I’d love to hear about it.  Email me at DhcBaldwin@gmail.com

 

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Filed Under: arts integration, Book giveaway, Book Reviews, Bumbling Bea, drama education, drama integration, Education, Education, Teacherspayteachers, Teaching, teaching strategies, theater, theatre Tagged With: arts integration, book review, drama integration, radio theater in the classroom

Jimmy Awards: Honoring High School Musical Theatre Talent

June 26, 2024 By dhcbaldwin Leave a Comment

Jimmy Awards: Honoring High School Musical Theatre Talent

When I was a high school student I discovered my love for musical theater.   Several years later and a whole lot of training, I gained the confidence to audition for the musicals. While in college, I worked my way to portraying lead roles in college. However, there was no such thing as the Jimmy Awards.  I would have jumped at the chance to audition for this amazing award!  Today, my blog post is, Jimmy Awards: Celebrating High School Musical Theatre Talent.

If you’re a fan of musical theatre, you might already know about the Tony Awards. However, like me you may have never heard of the Jimmy Awards. It is officially known as the National High School Musical Theatre Awards (NHSMTA).  The Jimmy Awards shine a spotlight on the best and brightest high school musical theatre talent in the United States.

Named in honor of Broadway impresario James M. Nederlander, this annual event is a testament to the dedication, passion, and talent of young performers across the country. Check out this blog post if you are interested in the history of musical theater: Showtime Chronicles: History of Musical Theater Unveiled.

Jimmy Awards: Honoring High School Musical Theatre Talent

Honoring High School Musical Theatre Talent

Although I’d heard of Mr. Nederlander, I didn’t actually know why he was important., often referred to as Jimmy Nederlander, was a prominent American theatre owner and producer. Born on March 31, 1922, and passing away on July 25, 2016, Nederlander was a key figure in the Broadway community. Serving as the head of the Nederlander Organization, he was one of the most influential theatre operators and producers in the world. He is credited with overseeing a vast network of theatres, including nine Broadway venues. Wow!

Under his leadership, the Nederlander Organization produced numerous successful Broadway shows, including hits like Rent, Wicked, and The Lion King. His contributions to the theatre industry were immense, and he played a significant role in shaping modern Broadway.

Jimmy Awards: Honoring High School Musical Theatre Talent

The History of the Jimmy Awards

The Jimmy Awards were established in 2009 to recognize and celebrate outstanding achievement in high school musical theatre. Students from regional theatre awards programs participate in a week-long intensive in New York City, where they receive training from industry professionals and compete for scholarships and awards. The experience culminates in a dazzling showcase at a Broadway theatre, where the top performers are selected as finalists and given the chance to perform solos and group numbers. Two main awards are given each year, Best Performance by an Actress and Best Performance by an Actor.

Jimmy Awards: Honoring High School Musical Theatre Talent

The Journey to the Jimmy Awards

To make it to the Jimmy Awards, students must first excel in their local or regional theatre competitions. These regional awards programs, known as “Theatre Awards,” exist in various cities and states across the country. Winners of these regional programs then advance to the national level—the Jimmy Awards. The program impacts over 140,000 students annually who participate in high school musical theatre competitions sponsored by over forty professional theatres throughout the US. Amazing! 

The Jimmy Award nominees travel to New York City for a week in June.  I’m certain that  the opportunity to travel to NYC is exciting enough for the young people.  The week culminates with a live show in which the winners are determined. During the week, the nominees rehearse their performances for the award show and receive coaching from industry professionals.

The Jimmy Awards Show

The show begins with an opening number (typically a “mega-mix of contemporary Broadway hits”) involving all nominees, followed by a series of “showcase medleys”, in which several nominees appear in costume in the role they performed in their high school’s musical, each in turn singing a short solo, while the remaining performers act as backup singers and dancers. These medleys have gained a cult following, with fans appreciating the crossover between disparate popular musicals.Since 2016, due to an increasing number of nominees and time limitations, only a portion of nominees have participated in showcase medleys, with the remainder instead performing in a group number. 

Judging at the Jimmy Awards

During an intermission, a panel of experts selects about eight finalists. During the show’s second half, the finalists each perform a solo, and the winners are announced. All finalists also receive a $3,000 scholarship toward their future education. In addition to the main awards of Best Performance by an Actress and Best Performance by an Actor, other awards are given out with smaller prizes. In 2023, awards were given for Best Dancer, Rising Star, Best Performance in an Ensemble, and Spirit of the Jimmys.  Additionally, each  of these aforementioned awards include a $2,000 scholarship. 

The week-long program  is rigorous and transformative. Participants attend masterclasses, workshops, and rehearsals led by Broadway professionals. Also, they have the opportunity to meet and learn from peers who share their passion for theatre. As you would expect, they become part of a  a supportive and inspiring community. If you’d like to teach your students about the Tony awards, check out: Drama Class Tony Awards Study and Game 

Eva Noblezda
Eva Noblezda, winner of Jimmy Awards, 2019

The Impact of the Jimmys

The Jimmy Awards make a profound impact on the lives of young performers. Many past participants go on to successful careers in theatre, film, and television. Notable alumni include Eva Noblezada, who starred in Miss Saigon and Hadestown on Broadway, and Andrew Barth Feldman, playing the title role in Dear Evan Hansen.

The exposure and training provided by the Jimmys can open doors to prestigious performing arts colleges and professional opportunities. In addition to the invaluable experience, students also compete for significant scholarships, helping to ease the financial burden of pursuing a career in the arts. If you are looking for an excellent theatre program in a small college, check out my Alma Mater, Stephens College.  

Why the Jimmys Matter

Perhaps this is the best reason for the Jimmy Awards.  They not only recognize and reward talent but also highlight the importance of arts education in schools. With school systems making cuts to the arts almost on a daily basis, this award is hugely important.  Musical theatre programs provide students with a creative outlet.  Additionally, they  teach valuable life skills, and foster a sense of community. The Jimmy awards celebrate the hard work of students, teachers, and schools, encouraging the continued support and development of arts programs nationwide.

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How to Support the Jimmy Awards

There are several ways to support the Jimmy Awards and the young performers they celebrate. As simple as it sounds, please attend local high school musical productions.  Or you can donate to arts education programs. Or help spread the word about the importance of the arts in schools. Additionally, watching the Jimmy Awards ceremony you can help raise awareness and appreciation for these talented young artists. There are plenty of theater teachers desperate for funds.  

In conclusion, as you can see here, the Jimmy Awards are more than just a competition. They are a celebration of the future of musical theatre. The Jimmy awards play a crucial role in ensuring that the magic of Broadway continues to thrive for generations to come.

This year’s Master of Ceremonies for the evening was Josh Groban, star of the recent revival of Sweeney Todd: the Demon Barber of Fleet Street. Talk about a talent!  If you are interested in teaching your students about Josh Groban, pick up this Dramamommaspeaks resource: Josh Groban Biography Lesson and One Pager Assignment.

Are you and your students familiar with The Jimmy Awards?  I’d love to hear about it. Email me at DhcBaldwin@gmail.com

 

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Filed Under: acting, Arts, arts education, Broadway, drama education, Education, Education, High School, music education, Musical Theatre, performing arts, Teacherspayteachers, Tony Awards, youth theatre Tagged With: Broadway, Eva Noblezda, James M. Nederlander, Jimmy Awards, Josh Groban

The Resonance of Stereophonic: A Tony Award Nominee

May 28, 2024 By dhcbaldwin Leave a Comment

Blog post concerning Stereophonic, a new Broadway musical

The Resonance of Stereophonic: A Tony Award Nominee

Humans like to reminisce. Currently, the 1970s are popular. Did you know the 1970s fashion is a throw back in 2024? Clothes such as bell bottoms, flowy dresses.  In fact, even the furniture and housewares remind me of the 1970s.  How fortuitous for a new musical, Stereophonic, set in the 1970s to have opened on Broadway recently. Let’s discuss the resonance of Stereophonic: a Tony Award Nominee.

Stereophonic falls into the genre of a play with music.  Although they are considered musicals, they are different from most musicals.  However, they are just as important as others. First, let’s dive into what makes Stereophonic a standout production and why it has garnered such prestigious recognition.

The Resonance of Stereophonic: A Tony Award Nominee

This is my good friend and R and B player @kelleyhuntmusic, circa 1979.

I am part of the Baby Boomer echo generation. The term “Baby Boomer echo” refers to the demographic phenomenon that followed the post-World War II baby boom generation. Baby boomers are those born roughly between 1946 and 1964, a period characterized by a significant increase in birth rates. 

My generation saw many changes in our society which were reflected in the music of the times as well.  Groups such as Fleetwood Mac, Journey and America were extremely popular bands of the times. The 1970s saw hard rock get harder, soft rock get softer, and artists frustrated with standard musical forms tossing them aside and starting their own styles.  This phenomena is part of the mystique of a new play with music, Stereophonic.

The Resonance of Stereophonic, a Play with Music

Stereophonic stands out with its unique blend of music, storytelling, and innovation. Set in the 1970s,  Stereophonic has captivated audiences and critics alike. It has all ready earned its place among the most celebrated theatrical works of the season.

The Resonance of Stereophonic: A Tony Award Nominee

Stereophonic, a Symphony of Sound and Story

At its core, Stereophonic is a celebration of music and its profound impact on our lives. What makes Stereophonic different from other musicals is the way the play ingeniously intertwines an evocative narrative with a rich, immersive soundscape.  This intertwining creates an experience that is both sensory and emotional. The story follows a group of characters whose lives are intricately connected through music, exploring themes of love, loss, and the search for identity.

Stereophonic is the inside story of a Fleetwood Mac-style band Stereophonic, which tracks the volatile creation of a rock and roll album over the course of a year in the 1970s. The title, Stereophonic, itself hints at the dual nature of the story – one that resonates on multiple levels. The use of stereophonic sound technology within the production adds a unique layer of depth.  The score makes the audience feel as though they are part of the musical journey. This innovative use of sound design is one of the reasons Stereophonic stands out in a season filled with remarkable productions.

 

The Resonance of Stereophonic: A Tony Award Nominee

Stellar Cast and Direction

As you might expect, a production is only as strong as its cast and crew.  Stereophonic boasts some of the finest talents in the industry. The ensemble cast delivers powerful performances that bring the intricate characters to life. Each actor’s ability to convey the emotional depth and complexity of their role adds to the overall impact of the story.

The direction of Stereophonic is masterful, seamlessly blending the elements of music and narrative. I viewed a video clip of the production which was on Jimmy Farrell’s Late Night Show.  It’s fascinating, because although we know they are acting it feels like you are sitting in on a band’s recording session. The cast appears unaware of the audience–that’s so intriguing. The director, Daniel Aukin’s vision to create an immersive experience has paid off, with audiences often describing the play as a visceral and transformative journey. The meticulous attention to detail in both the staging, a recording studio, and the sound design is evident.

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Critical Acclaim and Audience Reception

Stereophonic mines the agony and the ecstasy of creation as it zooms in on a music studio in 1976. Here, an up-and-coming rock band recording a new album finds itself suddenly on the cusp of superstardom. The ensuing pressures could spark their breakup — or their breakthrough. As someone who lived during the 1970s when the production is placed, I hear my high school days in their music!

Not surprisingly, Stereophonic has received rave reviews from critics, who have praised its innovative approach and emotional depth. Many have noted the seamless integration of the musical and narrative elements.  The production pushes the boundaries of traditional theater. The critical acclaim is matched by audience reactions. Reports from media say that many theatergoers describing the show as an unforgettable experience. And the show hasn’t even been featured on the Tony awards yet!

The production’s nomination for multiple Tony Awards is a testament to its excellence. Categories include Best Play, Best Direction, Best Sound Design, and several acting nominations, reflecting the all-around strength of the show. Winning a Tony is one of the highest honors in the theater world, and Stereophonic’s multiple nominations underscore its impact and quality.

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The Musical Play Genre: Other Noteworthy Examples

You may not have realized that Stereophonic is part of a rich tradition of plays that incorporate music to enhance storytelling.

Here are some other notable examples:

  • Fela! – This vibrant musical play tells the story of Fela Kuti, the Nigerian musician and political activist. Known for its dynamic choreography and powerful music, Fela! immerses the audience in the world of Afrobeat and Kuti’s fight against oppression.
  • Once – Based on the Academy Award-winning film, Once is a poignant love story set in Dublin. The play features actors who double as musicians, playing instruments live on stage, creating an intimate and immersive experience that highlights the power of music in bringing people together.
  • The Band’s Visit – This Tony Award-winning musical tells the story of an Egyptian police band stranded in a small Israeli town. Through its hauntingly beautiful score and heartfelt narrative, The Band’s Visit explores themes of connection and the universality of human experience.
  • Passing Strange – A semi-autobiographical musical by Stew, Passing Strange follows a young African American’s journey to find “the real” through music and art. The play is noted for its rock concert-like atmosphere and its exploration of identity and self-discovery.
  • Spring Awakening – This rock musical adaptation of Frank Wedekind’s 1891 play tackles the struggles of adolescence and sexual awakening. The integration of modern rock music with a period setting creates a powerful and resonant experience for contemporary audiences.

Plays with Music for Students to Perform

If you are looking for a play with music for your students to perform.  I suggest checking out:

  • Bridge to Terabithia–-This powerful adaptation, supported by a lyrical score, focuses the humor, warmth and emotional intensity of Katherine Paterson’s Newbery Award winning novel. Jesse, alienated from the pragmatism of his family and rural Virginia culture, draws and dreams of becoming something special. Leslie, the new girl from the city and the ultimate outsider, opens a world of imagination, art and literature for him. Together they create Terabithia, a fantasy kingdom where they are safe from those who don’t understand them. Their friendship grows as Jesse’s world expands.

Looking for a lesson concerning the Tony awards?  Go here.

 The Future of Theatrical Innovation

I had never heard Stereophonic ‘s music until recently when I was listening to the Sirius station, Broadway.  Wow!  Whenever a theatrical production is unique, it paves the way for others to do the same.  It sort of whets a potential audience’s appetite,  demonstrating how traditional storytelling can be enhanced through modern technology and creative sound design. As audiences continue to seek out new and immersive experiences, productions like Stereophonic encourage others to follow.

As I mentioned previously, the 1970s are all the rage again.  It’s fun for me to reminisce about that important time in my life.  If for no other reason, I’d like to see Stereophonic and watch it winds its way through my memories.   As we await the results of the Tony Awards, one thing is clear: Stereophonic has made an indelible mark on the world of theater, and its influence will be felt for years to come.

Were you a student in the 1970s?  If not, do you enjoy listening to 70s music?  I’d love to hear from you.  Just email me at DhcBaldwin@gmail.com

The Transformative Power When Students Apply Stage Makeup
Graduation photo, 1974

Dramamommaspeaks** is dedicated to exploring the vibrant world of theater, offering insights and reviews on the latest productions, trends, and industry news. Stay tuned for more updates and in-depth analyses of your favorite shows and emerging talents.

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Filed Under: arts education, Broadway, drama education, Education, Education, music education, Musical Theatre, plays, Teacherspayteachers, theater, theatre, Tony Awards Tagged With: 1970s, baby boomer echo, broadway musical, musical theater, plays with music, theater, tony award

8 Middle School Plays That Work Every Time

April 23, 2024 By dhcbaldwin Leave a Comment

8 Middle School plays that work every time

8 Middle School Plays That Work Every Time

Teachers often ask me for  middle school play titles.  So, let’s talk about this today, 8 middle school plays that work every time.  I hope this list will help you as you consider what you’d like to direct in the next school year.  Having directed hundreds of play and musical for over 38 years, I have a vast experience in this subject. It is my goal to provide all the details and links that lead you to purchasing a preview of the scripts. 

Before you begin reading this post, please know that I am a purist.  I don’t do direct cute bunny or zombie storis, if you know what I mean.  Frankly, I think a teacher shouldn’t cater to the emotional level of the students but have high expectations of them.  What could be better than a play based on a classic novel or one with historical significance?

Here are a few I recommend you read and consider. I’ve listed these scripts in no particular order. 

8 Middle School Plays That Work Every Time

8 Middle School Plays That Work Every Time

Anne of Green Gables adapted by Sylvia Ashby.

  • Drama/Comedy
  • 9 M and 7 F plus extras
  • 120 minutes in length

Synopsis: A refreshing, contemporary telling of the classic story. Stern Marilla and her warm-hearted brother Matthew hoped to adopt a boy to work on their farm. But the orphanage sends young, befreckled Anne by mistake, and their lives will never be the same. Her warmth and wit affect everyone around her – even, eventually, the cold Marilla. We follow Anne through her rebellious years, her transformation into a young woman, and her romantic pairing with Gilbert. This play has been charming audiences around the world. Read more about this script here: Ten Reasons Why Everyone Produces Anne of Green Gables

8 Middle School Plays That Work Every Time

Tom Sawyer adapted by Tim Kelly

  • Drama/ Comedy
  • 9 to 11M., 12F  plus extras
  • 90 minutes in length

The child in all of us never gets tired of reliving again and again the antics and adventures of Tom, Huck, Becky Thatcher and all the rest of Mark Twain’s beloved characters. All the familiar characters are here—Huckleberry Finn, Aunt Polly, Becky Thatcher, Widow Douglas, Muff Potter, Cousin Mary and menacing Injun Joe. The action flows well, and scenes fly by in a lively fashion: the classic “fence-painting” scene, the school lessons from strict Mr. Dobbins, the eerie murder of Doc Robinson in the graveyard at midnight, the pirate journey to Jackson’s Island where buried treasure proves very dangerous, Tom’s side-splitting “funeral,” Tom’s courtship of Becky and other scenes from the immortal classic. If you want a study guide for Tom Sawyer which includes a set design lesson, check out: Drama Lesson Tom Sawyer

8 Middle School Plays That Work Every Time

8 Middle School Plays That Work Every Time

Number the Stars  adapted by Douglas Larche

  • Drama
  • 7 M and 7 F, extras
  • 80 minutes in length

During the German occupation of Denmark in World War II, the Nazis closed down Jewish-owned businesses and began to round up the Jews for relocation to concentration camps for the final solution. Danish freedom fighters of all ages risked everything in daring, hurried attempts to rescue the entire Jewish population. In this stirring play, young Annemarie and Kirsti Johansen face soldiers, interrogations, fierce dogs, personal danger, the loss of loved ones and their own fears as they try to help their friend Ellen Rosen escape across the ocean to Sweden and safely.

Courage, faith, ingenuity and even their fledgling acting skills eventually win the day. All the drama, pathos, adventure, terror and humor that have made Number the Stars a national best seller (and winner of the Newberry Award and the American Library Association Book of the Year Award) come to life in this powerful adaptation.

8 Middle School Plays That Work Every Time

Bringing History to Life

If you are looking for a week’s worth of drama class lessons for the first week of school, check out: First Week of School Drama Lessons

Dramamommaspeaks resource for middle school drama teachers

Orphan Train by Aurand Harris

  • Drama/Comedy
  • 6m., 7w., 6 boys, 6 girls, or 11 (1m., 1w., 3 boys, 6 girls) with doubling.
  • 65 minutes in length

The play tells the story of nine orphans on an “orphan train” that left New York City on May 28, 1914. The train travels to Midwestern towns in search of homes, any homes, anywhere for the orphaned and unwanted children. There’s Mary, Evie, spunky Pegeen, Annie and Little Lucy, a quiet one. Other orphans include Frank (who later becomes Frankie, a small girl), Raymond, Lucky and Danny the song-and-dance boy. And there are the men and women hoping for children. The lonesome whistle wails as the train chugs between encounters of anxiety, laughter, wistfulness, rejection and acceptance. Eight stories unfold, each a memorable surprise. The Orphan Train is a charming heart-warmer and all we expect from one of legendary playwrights for children, Aurand Harris. The staging creates a highly theatrical story, moving, amusing and always tellingly human.

8 Middle School Plays That Work Every Time

More Middle School Plays

The Princess Who Became King 

  • Drama
  • 6w, 14m, 5 any gender (youth)
  • 90 minutes in length

From the author of the very popular Anne of Green Gables. Freely adapted from an Indian tale, this spritely comedy serves up a blend of love, adventure and intrigue. On the eve of their wedding, Ravi and Parijata flee from their homes because their fathers are feuding — due to the schemes of an ambitious Guru. Parijata’s father is the terrible tempered Raja; Ravi’s father is the foolishly superstitious Sultan. On a dangerous forest journey, the Princess loses her amazing performing monkey, Zmarti, and is kidnapped by Gumba, a cloddish thief. After numerous chases and mistaken identities, the play ends in happy reunion and reconciliation and a surprise coronation! This play can be produced with colorful, elaborate scenery, or with almost no scenery at all.

8 Middle School Plays That Work Every Time

 

Story Theater stories from Grimm Brothers and Aesop adapted by Paul Sills.

  • Drama/Comedy
  • When I direct this play, I split up the stories and used as many students as I needed for each one.
  • 90 minutes in length

Mr. Sills started in New Haven and wound up on Broadway with this group of famous fables from the Grimm Brothers and Aesop. Here you will meet again Henny Penny, the Golden Goose, Venus and the Cat, the Fisherman and His Wife, the Robber Baron, the Bremen Towson Musicians, and other favorites. The fables require talented actors with expressive bodies. And make no mistakes about the quality: this is top-drawer adult theatre.

8 Middle School Plays That Work Every Time

8 Middle School Plays That Work Every Time

The Little Princess adapted by June Walker Rogers

  • Drama
  • 6m 13F
  • 90 minutes in length

Sara Crewe is one of the most beloved fictional heroines, and June Walker Rogers has brought her to life in this funny, sad, wonderfully imaginative adaptation. Audiences will identify with Sara as she begins her adventures in “Miss Minchin’s Select Seminary for Young Ladies”; laugh with her as she brings happiness to others; weep with her as her fortune changes from rich girl to poor orphan; and rejoice with her when strange events bring still another reversal of her destiny. This is a lovely play!

8 Middle School Plays That Work Every Time

The Emperor’s New Clothes

  • Comedy
  • 11 actors, flexible (many of the roles can be played by men or women).
  • 50 minutes

A bright, crisp, well-tailored dramatization of the Hans Christian Andersen tale. Snip and Tuck, two swindlers posing as tailors, weave a jolly trick on Emperor Velvet, who is willing to sacrifice his castle, friends—even his Empress Velveteen and their children, Prince Terry Cloth and Princess Polly Ester—to buy the most luxurious new clothes available. As you might expect, the “tailors” pull the wool over everybody’s eyes until a homespun boy has the courage to speak the unadorned truth, and all the fools are uncovered at last—and the swindlers are turned over to Shroud, keeper of the (shh-whisper) dungeon. The cleverly patterned characters and silky smooth plot will keep your audiences in stitches. Sharon A. Cole brought the characters to life with strong but humorous personalities that your cast members will love playing. Every role is a gem.

8 Middle School Plays That Work Every Time

The Bridge to Terabithia Adapted by author, Katherine Patterson

  • Drama
  • 3 Male 6 Female
  • 90 minutes in length

This powerful adaptation, supported by a lyrical score, focuses the humor, warmth and emotional intensity of Katherine Paterson’s Newbery Award winning novel.

Jesse, alienated from the pragmatism of his family and rural Virginia culture, draws and dreams of becoming something special. Then the new girl, Leslie, who just moved in from the city and the ultimate outsider, opens a world of imagination, art and literature for him

Together they create Terabithia, a fantasy kingdom where they are safe from those who don’t understand them. Their friendship grows as Jesse’s world expands. However, when tragedy strikes, the strength gained in Terabithia takes Jesse forward on his own and lets him share the magic of his dreams

Lastly, I wanted to include one of my favorites to direct around Halloween.  It’s just fun!

8 Middle School Plays That Work Every Time

It’s a Howl! by Tim Kelly

  • Comedy
  • 8 M and 14W
  • 90 minutes in length

Teenager Jane Hastings inherits remote and creepy Wolfbane Abbey. It’s a combination school and clinic for students who have trouble “adjusting.” No wonder – they’re werewolves! To begin with, the doctor who runs the Abbey decides Jane must be driven out of her mind so he can be trustee. This isn’t as easy as it sounds – even though the place is filled with more horrors than a wax museum. With two friends, Jane does her best to sort out the Abbey’s problem and “curse.” The characters are great fun to play in this fast-paced spoof, including bewildered police, a werewolf hunter, weird students, a gypsy who spends most of her time in a scary laboratory, and a reporter from a scandal magazine. And that’s just for openers…don’t forget the vampire. Not surprisingly, laughs collide with screams and the ending has plenty of bite.

Looking for a few other plays that might be successful with your students? Check out: The Ten Reasons Everyone Produces The Best Christmas Pageant Ever

Looking for bundles of drama lessons for middle school?  You know I’ve got you covered. Bundle Volume 3 Middle School Drama Units

Whew!  That’s quite a list.  Have you directed any of these plays?  I’d love to hear about your experiences. Email me at DhcBaldwin@gmail.com

Click here:  We’re Live! Radio Theater #101

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Filed Under: arts education, community theater, community theatre, drama education, drama integration, Education, gifted and talented, middle grades, plays, Teacherspayteachers, theater, theatre, youth theatre Tagged With: 'tweens, acting, Anne of Green Gables, books adapted into plays, Bridge to Terabithia, Middle school, plays, The Little Princess, Tom Sawyer

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