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Beyond Acting: The Value of Other Art Forms in Theater Class

September 27, 2025 By dhcbaldwin Leave a Comment

Beyond Acting: The Value of Other Art Forms in Theater Class

When I was a young girl, I studied piano and played it for ten years (you’d never know it to hear me now, however). I wanted to perform in theater, but it was discouraged by my parents until they realized I was serious about it. You can read more about that here: How Theatre Saved My Life. That early mix of music and theater reminds me of today’s topic—Beyond Acting: The Value of Other Art Forms in Theater.

In theater, it’s easy for students to think their only job is to act. But drama is one of the most collaborative art forms—it pulls from dance, music, literature, and visual design. When teachers encourage students to step outside acting and experiment with other artistic expressions, both the classroom and the students’ work on stage become stronger.

Beyond Acting: The Value of Other Art Forms in Theater Class

Why Interests Matter as Much as Skills in Theater Class

Even in elementary school, I was a good singer.  Because I played the piano for many years, I could and can easily hear harmony in a song. However, even with all that natural ability I was far more intrigued by acting.   Yet, I wasn’t a triple threat.  My acting and singing talent outweighed my dancing skills though I did my best to catch up once  I attended Stephen College.  What I lacked in skill, I made up for in interest.  I’m one of those people who loves all the art forms. Is that you, too? Nevertheless, not every student realizes this about themselves.  Understanding the value of one’s interest in the other arts is important to your blossoming theater arts students.

Beyond Acting: The Value of Other Art Forms in Theater Class

Beyond Acting: The Value of Other Art Forms in Theater Class

Let’s consider the various reasons I encourage students to study other art forms while they are studying theater.

1. Theater Is Already a Blend of Art Forms

Dance and movement: Actors borrow from choreography to express emotion. Here’s the good news–you don’t have to be the next winner of Dance Off to learn to dance.  Even just learning to move with confidence is a help.

Music and rhythm: Timing, pace, and mood often reflect musicality. Learning how to play an instrument or sing can’t do anything but help you with your acting.  Comic timing can be helped by learning about rhythm.

Visual art and design: Sets, costumes, and props rely on strong visual choices. I’ve never known an actor who didn’t like some other art form.  Many enjoy drawing. Why not show them a video or two of artists who became set designers.  For example, Ming Cho Lee  Often called the “Dean of American set designers,” studied art and architecture before becoming a celebrated Broadway and opera designer. He also taught design at Yale, shaping generations of designers. If you’d like a lesson about Lee, check out:  Ming Cho Lee

Creative writing: Scripts are born from writers who understand character and story. By learning to be a better writer, you can’t help but hone your skills.  If nothing else, you’ll be more aware of the talent it takes to write a script. Plus, you’ll understand the value of learning the script word for word. By dipping into these areas, students see how interconnected the arts really are.

Beyond Acting: The Value of Other Art Forms in Theater Class

Fresh Energy from Exploring New Arts

2. A Cure for Creative Ruts

Students sometimes get frustrated when a scene or role doesn’t click. Pivoting to painting a set piece, choreographing a short movement sequence, or designing a costume can rekindle their excitement. That renewed energy often carries back into acting. This is fascinating to me. Plus, it wouldn’t hurt for a whole cast to do this for one rehearsal.  If you want to know how to direct a youth theater production, check out this post: Ten Steps in a Play Rehearsal in Youth Theater

3. Building Empathy and Respect

When students explore beyond acting, they begin to understand and appreciate the many roles that bring a production to life. Suddenly, the costume designer isn’t just “the one who sews,” and the lighting crew isn’t just “flipping switches.” Students see that every role—whether onstage or behind the scenes—requires creativity, problem-solving, and artistry. When I attended college, the theater department required us to put in 100 hours in the set and/or costume shop. (Me?  I put in 200 hours.)

This realization helps them value their classmates’ contributions. Not to mention, they respect the effort that goes into each part of a production. Over time, that empathy translates into a stronger ensemble spirit. Instead of competing for the spotlight, students begin to celebrate one another’s strengths, which makes the entire performance richer and more unified. I’ve observed it occurring many times.

Beyond Acting: The Value of Other Art Forms in Theater Class

4. Cross-Training Makes Stronger Artists

Just like athletes cross-train, drama students benefit from developing skills in other arts.  I believe it is our job to point that out to our students and encourage them to use their undiscovered talents:

For instance, a student who plays an instrument may develop stronger rhythm in their line delivery. Or a  student who sketches may have a keener eye for stage pictures. That comes in handy when they get a chance to try directing a one act or scene with their peers. Do you have a student who is always writing stories and poems?  They may build more authentic characters., because of their love of the written word.

5. Teachers See Hidden Strengths

For teachers, encouraging pivots helps uncover talents is exciting and very fulfilling. Personally, I’ve introduced many students who entered my classroom thinking they wanted to perform only to  discover they preferred technical theater once they studied it. Read this post if you’d like to hear about a student of mine who went on to be a set designer.

He attributes his interest in it from building a model of  a set design when he was in middle school.  The Five Reasons Your Students Will Love Set Design Learning to draw a set design of their own choosing, encourages them to explore their own ideas.  They approach researching a time period with a different attitude or outlook because they can see a reasons for doing so. Encouraging them gives them the license to see things differently.  You can’t beat that kind of  affirmation.

Do you have any shy students? They may thrive in sound or light design.  How about a restless one?  Encourage them to audition for the dance squad.   Exploring different art forms ensures that every student finds a way to shine. If you’d like to learn how to encourage students to study technical theater, check out: Ten Ways to Teach Reluctant Students in Your Theater Class

Exploring other art forms doesn’t pull students away from theater. It makes them better theater artists. When teachers provide opportunities to pivot, students gain resilience, creativity, and confidence. My advice?  Let students try on multiple “hats” in the drama classroom. You may discover your actors become better performers precisely because they also became designers, dancers, or writers.

Have you ever encouraged a student to explore another art form to strengthen their acting? I’d love to hear your story—feel free to email me at DhcBaldwin@gmail.com.

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Filed Under: Arts, arts education, arts integration, drama education, drama integration, Education, Education, performing arts, Teacherspayteachers, Teaching, theater, theatre, youth theatre Tagged With: art, Arts, arts integration, choreography, costume design, creative writing, dance, directing, light design, music, play production, play rehearsal, poetry, set design

Three Things A Writer Needs According to Faulkner

April 20, 2018 By dhcbaldwin Leave a Comment

Here are three things a writer needs according to Faulkner.

This is a terrific thought and so very true.  Thanks Mr. Faulkner.

 

 

 

 

 

 

 

 

When I was sixteen years old, I decided I wanted to put to pen my story of a girl who wants to be a Kabuki actor, but couldn’t because she was female.

For over twenty-five years I never got further than the first chapter of the book which was then titled, Two For the Kabuki for as many years.

Experience:

Thank goodness I waited to write it.  I need experience both as a human being on this earth and teacher.  Without the experiences, my book would have been very superficial and not what it became.

I used to blame myself for waiting so long to write it.  As if I didn’t write it, someone else might do so first.  Maybe so.

Observation:

I needed all those years to observe people.  A great place to do so was in my drama classroom. For twenty years, I taught middle school students.  Middle school is the most complex of all the years for a child.  They arrive to you as an eleven year old and leave as nearly a fourteen year old.  Wow.  Think about that!

The middle school years are the ones of the body changing, hormones a moaning, pimples, facial hair, squeaky voices and lack of poise.  Even the greatest athlete of the group can trip over himself on the way to the cafeteria.

I noticed the girl give up their long locks of hair and trying something more daring right around seventh grade.  As if the approaching high school years beckon them to mature in to the young adult they will become.

I listen to people’s conversations a lot, or rather I eaves drop on conversations.  Who needs to write original dialogue? People sometimes express themselves far better than I can.   I keep my ears peaked at all times.

Imagination:

I have quite an imagination.  I’m still afraid of the dark and think strange noises are some alien trying to get me. I won’t put my foot outside the sheets and when I do, it stays on top of the mattress.  No dangling my vulnerable foot over the edge of the bed.

Because of my experience as an actress and director, I rarely have trouble getting the juices to flow once I open the door to them.  Frankly, I have more trouble prioritizing which creative activity I should do first.  I always seem to have several irons in the fire–teacherspayteachers products, this blog, social sites to keep up, a play version of Bumbling Bea and a book or two rolling around in my mind.

I wish I could put one first over the rest, but I simply can’t.

But Mr. Faulkner obviously knows what he’s talking about.  If I could write what he did, maybe I’d be quoted instead of him.

Nah, I doubt it.

Contact me at dhcbaldwin@gmail.com or DeborahBaldwin.net or here.  I’d love to here from you.

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Filed Under: Book Talks, Bumbling Bea, drama education Tagged With: creative writing, writers, writing

Do You Wanna Dance? I do! Introducing: Juke Box Musicals, A Review

November 18, 2016 By dhcbaldwin Leave a Comment

Do You Wanna Dance?

Do You Wanna Dance?  I do!

Are you looking for a musical with lots of roles so all your students can be involved? One that is entertaining, fast moving and light?  One with “ear worm” songs and hip, dancing beats?  Then Juke Box Musical’s Do You Wanna Dance is for you!

juke-box-musical

When I saw this musical advertised on Facebook, I asked the advertising firm if they were looking for pre-launch reviews.  They were and I accepted.

After directing productions for nearly forty years and creating a national playwriting contest, I can call myself an expert in both fores.

 I’m a tremendously experienced drama teacher, too.  I have read countless scripts and directed over 250 productions. I’m the gal you want for this job, that’s for sure.

There are many positives to this cute musical:

  • Twelve leading roles with an even split of female and male. (Hooray!) Plus a chorus of indeterminate size portrays many different characters.  Kids like to be busy on stage, not bored backstage.  This is a real plus.

  • At least twelve “catchy”  popular songs that encourage the listener to reminisce of latter days when they listened to a jukebox

  • List of characters with noted vocal ranges and brief character descriptions

  • Appropriate singing range for younger students (my advice– the production is mountable by middle school students and younger)

  • Simple plot, somewhat easy to project its outcome but moves along nicely and has a good message– Don’t let anyone stop you from the joy of dancing and singing. Everyone can dance.

  • Set description per scene (useful when planning production)

  • Stage directions, indepth (novice directors will appreciate these)

  • Simple costuming that most groups can create (another PLUS in my book)

  • Prop list with no difficult props to secure

  • Projection package of the various locales so that an erected set is not needed (this is a separate cost to the renter)

  • Suitable story for the whole family

Co-writers Mark Brymer and John Jacobsen are qualified and experienced musicians who can easily take on the challenges of writing a musical.  Mark Brymer has been a leading choral writer/arranger for the educational and church choral music markets for many years.

John Jacobson is known as a music educator, choreographer and author.  Both gentlemen are prolific creators.  Their resumes attest to their expertise.

boy-158152_1280-2girl-158151_1280 (1).png

Do You Wanna Dance seems like a musical review. I think that’s what the writers were aiming for in writing it. I did a little research online and found a youtube video of the co-writers discussing the show.  John Jacobson called the show “campy fun.”

I’d agree with him. Kids love to dance and sing and surprisingly, they will sing songs from other time periods with no qualms or embarrassment.

“Walking on Sunshine” was released in 1979. That was over thirty years ago.  That doesn’t matter with music-a popular song continues to be popular long after its time.

Think about it… A family is sitting around the dinner table and their student begins humming one of the songs he’s hearsing from  Do You Wanna Dance. Before you know it, the parents recognize the song, begin singing along and the little sister jumps up and dances with a broom.

 (Sorry, I got a little carried away there…) if you ask me, that’s a pretty clever way to involve the whole family and the show hasn’t even opened yet.

Most importantly, Do You Wanna Dance doesn’t talk down to students and that’s a plus for me. Next time, I would challenge the writers to create another jukebox musical with a more difficult plot–our kids can handle it these days.  They are quite sophisticated and love a good challenge.

Other than the junior musicals through Music Theatre International, there aren’t many musicals appropriate for younger students to perform. Or they are insipid and not worth anyone’s time. If nothing else, Do You Wanna Dance is just plain fun! A church youth group, Scout troop or an after school drama club could produce Do You Wanna Dance quite successfully.

kids-dancing[1]

 

 

 

 

Who doesn’t like to sing and dance? (Now I’ve got Walking in Sunshine stuck in my head…)

Which is your favorite?  Singing or Dancing?

Contact me at dhcbaldwin@gmail.com or DeborahBaldwin.net I’d love to hear from you.

Do you have a budding musical composer in your home?  Or maybe you have a class full of students who love writing and music?  

I have a lesson which they may enjoy:  Create Your Own Musical

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Filed Under: drama education, Producing plays and musicals, youth theatre Tagged With: creative writing, dancing, family time, juke box musicals, musical composition, musical creating, musical lyrics, musicals, school, singing, vocal music

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