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drama class

Who Is Springboard to Action and Why It Matters

October 8, 2025 By dhcbaldwin Leave a Comment

Every so often, someone reaches out to me and asks if I can help spread the word about an organization that’s making a real difference in theater education. I’m always willing to consider it.  That’s part of my mission statement.  When I see a program that opens doors for students and inspires teachers, I’m always eager to share it. Today’s spotlight is on one of those opportunities: Who Is Springboard to Action and Why It Matters.

Who Is Springboard to Action and Why It Matters

Who is Springboard to Design and Why It Matters

Springboard to Design encourages and mentors high school students from underrepresented populations to explore the process of theatrical collaboration and the many avenues of American Theatre design. Led by renowned members of the contemporary theatre in the heart of NYC, the Springboard to Design curriculum includes workshops, seminars, and access to important work on and off Broadway.

Springboard to Action

Instructors consist of award-winning artists who create a collaborative environment for students, as they explore costume, set, lighting, projection, hair, makeup, and sound design. How wonderful this is for the students! Knowing that someone who the students can relate to because of their background or culture or ethnicity is important.  Such an approach ensures that the program is not all about teaching and learning—it’s about connection.

Springboard to Design is an initiative by Design Action, an intergenerational coalition of BIPOC and white designers working to end racial inequities in North American theatre. The program was incubated in collaboration with the American Theatre Wing in 2021. In the summer of 2025, Springboard to Design was hosted at The Harvey Fierstein Theatre Lab housed in The New York Public Library for the Performing Arts in the heart of Lincoln Center.

Who Is Springboard to Action and Why It Matters

Benefits of Springboard to Design

In case you want to share this information with your students, here’s a quick list of how this program benefits students:

  • Accessibility – Tuition, housing, and program costs are fully covered, making it possible for all students to attend.
  • Representation Matters – Students work with professional designers who reflect diverse backgrounds and lived experiences.
  • Professional Mentorship – Award-winning artists guide students through real-world design challenges.
  • Hands-On Training – Workshops let students experiment with costume, set, lighting, projection, hair, makeup, and sound design.
  • Career Exploration – Students discover design pathways beyond acting, expanding their vision of what a future in theatre can be.
  • Community Building – The program fosters collaboration, teamwork, and friendships with peers who share the same passions.
  • Networking in NYC – Students gain exposure to Broadway professionals and experience theatre in the cultural hub of the U.S.
  • Recognition – Being part of a nationally recognized program (Anthem Award winner) adds prestige to a student’s portfolio or college application.

Isn’t this is exciting?  I wish I had students that I could introduce to this program.  If you need an answer to the question, “How is theater useful in the outside world”, read: Why Theater Education Matters: Developing Key Life Skills

Who Is Springboard to Action and Why It Matters

Breaking Barriers for Future Theater Artists

The program includes workshops and mentorship from award-winning artists. Students explore costume, set, lighting, sound, hair, makeup, and projection design in the heart of New York City. Here’s the exciting part—the SB2D program is FREE to all students.

Springboard to Design (SB2D) gives students the chance to dive into the world of theatre design and discover new artistic possibilities, no experience required! With housing available and tuition fully covered, this program is built to remove barriers for the next generation of theatre designers. Thus, students expand their sense of community, collaboration, and imagination.

Springboard to Design is all ready a winner!  The program was recognized by the 2022 and 2023 Anthem Awards as a Bronze Winner for Education, Arts, & Culture – Community Engagement.

Who Is Springboard to Action and Why It Matters

Application Details and Deadlines

The applications for the 2026 program are open from September 15th to December 15th, 2025.

The application will include a few short essays, a brief introduction video, and an original piece of artwork.

There is a $25 application fee. If for any reason you are unable to afford the fee, or if it causes stress on family finances. If so, please contact us to receive a voucher. This application fee goes directly back into the program and helps keep the week-long experience free for students.

The Power of Finding Your Community

I can only speak from personal experience.  When I attended college I finally found people who were just like me with the same interests and goal.  I was much more willing to show up for myself.  Sounds to me like Springboard to Action is the opportunity and growth we’d all like to give our students an opportunity to attain.  For more information about the program, go to Springboard for Action.

I give drama teachers advise nearly weekly.  If you have any questions or need some help, just email me at DhcBaldwin@gmail.com

Woman behind DramaMommaSpeaks

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Filed Under: Arts, arts education, Broadway, Christmas memories, community theater, Creativity, Distance Learning, drama education, Education, Education, gifted and talented, immigrants, performing arts, Play, play reading, plays, Radio Theatre, Readers Favorite, readers theater, set design, The Wheel Education, theater, theatre Tagged With: BIPOC, drama class, high school, Middle school, minorities in theater, NC, New York, summer programs for minorities, theater class

How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom

September 27, 2023 By dhcbaldwin Leave a Comment

A sombrero celebrating national HIspanic and Latino culture month

How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom

How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom

In this blog post, let’s discuss How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom. First, I want to share a little memory of mine…When I was in my teens, my father, mother and I traveled to Mexico driving from Kansas.  Needless to say, it was an amazing trip full of wrong turns, teen angst and hilarity.

The Language Barrier Gone Amok

Anyway, we hadn’t studied the Mexican language prior to traveling there.  Consequently, communicating with the Mexican people was difficult for us. One day, somehow, we ended up in the middle of a car race. My father turned a corner too tightly and put our travel trailer up on a curb where we were stuck for several hours. The racing cars had to slow down because of us.

When the policeman scolded my dad, I remember my mother (who was raised in Japan) and my father (who fought in WWII) began speaking in Japanese and German to him. Of course, he became even more furious.  Needless to say, it was embarrassing and humiliating to poor little fourteen-year-old me. Remember being fourteen?

Fortunately, we were lucky enough to see the Folklorico Ballet of Mexico one evening.  As you would expect, it was absolutely amazing! For me, it was the highlight of the entire trip. That, and the really cute boys hanging out on the Matzatland beach.

Our Family Trip to Mexico

Accordingly, we returned home and that was the end of my education about the Mexican culture.  I studied French in high school, never once considering I might enjoy learning to speak Spanish.  At the time, social studies classes didn’t study different cultures.  Surprisingly, I believe we only studied the United States. Talk about living in a bubble!

However, you and your students can celebrate different cultures right in your drama classroom.  Let’s begin with Hispanic and Latino Heritage Month.  When I began researching this subject, I was pleasantly surprised by the volume of resources available for this celebratory month.  Plus, there are many sources in theater for this celebration.  Therefore, not only do you have an opportunity to study a different culture, albeit briefly, you also can integrate drama (or vice versa) into your class.

How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom

National Hispanic and Latino Heritage Month’s Beginnings

The year was 1970 only two years after President Johnson proclaimed a week-long celebration of Hispanic people and their culture.  However President Reagan expanded the week to a month in 1988 and it was titled National Hispanic Heritage month!

If you are unfamiliar with National Hispanic and Latino Heritage month it is a time to honor and celebrate the rich cultural contributions of Hispanic and Latinx communities in the United States.  September 15 to October 15 gives a teacher  an excellent opportunity to engage their students in a diverse and immersive experience within a drama class. I think you’ll be surprised by how easy it is to celebrate the culture through your drama curriculum.  Additionally, you can foster cultural awareness, appreciation, and creativity in your students. Want to learn more about this subject? Check out another blog post, Celebrate National Hispanic Heritage Month in Your Drama Classroom Tomorrow

How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom

Seven Ways to Celebrate National Hispanic and Latino Heritage Month

  1. Exploring Hispanic Playwrights and Theater

One of the best ways to immerse your drama class in Hispanic culture is by introducing them to renowned Hispanic playwrights and their works. Discussing plays by writers such as Lin Manuel Miranda opens up conversations about the Hispanic experience, identity, and history. If you teach middle school students,  you can study Lin Manuel Miranda through these two resources:  Newspaper Article or pick up this free lesson here. Or pick up a biography lesson and one pager assignment concerning Anthony Ramos here.

  1. Performing Hispanic Plays

Organize a class performance of a Hispanic play or scene. You can select a one-act play or adapt a scene from a famous Hispanic playwright’s work. This hands-on experience will not only deepen your students’ understanding of Hispanic culture but also enhance their acting skills. I suggest purchasing a copy of Esperanza Rising play to use as a read aloud. Want to know more about the theater? Check out: The Seven Reasons I Recommend Plays for New Audiences Scripts

How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom

  1. Guest Speakers and Workshops

If possible, I’d suggest inviting guest speaker or theater professionals with a Hispanic heritage to share their experiences and insights with your drama class. They can discuss their journey in the theater world, the importance of representation, and the cultural significance of their work. Workshops on Latinx theater techniques, dance, or music can also add a dynamic dimension to your drama curriculum. Or maybe you want to show your students what is possible for them if they are of Hispanic descent and interested in a professional career.  Use this video clip to teach about Hispanic American Theatre  Want to know other ways to use video in your classroom?  Check out:  Underestimate the Influence of Teaching with Videos

More Celebration Ideas

  1. Research and Presentations

Another idea is to assign students to complete a short research project focused on a prominent Hispanic actor, director, or playwright. They can explore their contributions to the theater world and the impact of their work on Hispanic culture. Require your students to make a presentation of it.  However, if your students don’t have time to study anyone in depth, check out: Designing Broadway:  On Your Feet!  Costume Designer Emilio Sosa. 

How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom

  1. Bilingual Performances

Although this is a little difficult to do, it would be very interesting for your students to perform a scene or monologue in both English and Spanish. This exercise not only improves their language skills but also allows them to connect with the material on a deeper level.

Most importantly, it emphasizes the importance of language as a bridge between cultures. Here are some you could use: Quiara Alegría Hudes: Barrio Girl. Dramatic Publishing. Luis Alfaro. Black Butterfly, Jaguar Girl, Piñata Woman and Other Superhero Girls, Like Me. Playscripts, Coleman A. Jennings: Nine plays by José Cruz González (anthology). Dramatic Publishing. or Karen Zacarías: Cinderella Eats Rice and Beans. How the Garcia Girls Lost their Accent. Looking for Roberto Clemente. Magical Piñata. Frida Libre. Dramatic Publishing.

  1. Cultural Immersion

To truly celebrate Hispanic culture, consider organizing a cultural immersion day. This could include a screening of a Hispanic film, a salsa dancing lesson or perform a readers theater script. Any of these activities will engage your students.  By immersing students in the sights, sounds, and flavors of Hispanic culture can be a memorable and enjoyable experience. Check out these units:  The Magic Lake (Peruvian Legend), The Legend of the Poinsettia (Mexican Legend) or In the Heights Broadway Musical Unit (Latino culture).

How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom
How to Celebrate Hispanic and Latino Heritage Month in the Drama Classroom

Collaborative Projects

Lastly, students enjoy learning with a partner. Additionally, they enjoy costume design.  How about assigning students to design costumes for a Hispanic version of  the story of Cinderella in play form  using Vogue magazine fashion design sketching app.? Or creating a stage property with a Latin theme using an app. like Tinkercard.com?

The Hispanic Culture and Heritage is Deserves Our Respect

I’ve only scratched the surface as far as the resources available to use when celebrating this terrific culture.  Just remember that celebrating Hispanic and Latino Heritage month in drama class is not only educational but also a celebration of the rich tapestry of American culture.  Lastly, I hope you embrace this month as an occasion to broaden horizons, encourage empathy, and promote the importance of diversity and inclusion in the world of theater. Because as I always say…there’s no better place to learn than through theater! 

What celebrations do you have planned for your students?  I’d love to hear about them.  Contact me at DhcBaldwin@gmail.com and we’ll chat!

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Filed Under: acting, Arts, arts education, community theater, drama education, drama integration, Education, excellence in teaching, High School, middle grades, Teacherspayteachers, Teaching, teaching strategies, theater, theatre Tagged With: Barrio Girl. Dramatic Publishing. Luis Alfaro. Black Butterfly, drama class, Dramatic Publishing, high school theater, Hispanic American Theatre, Hispanic culture, In the Heights Broadway Musical, Jaguar Girl, Like Me. Playscripts, Lin Manuel Miranda, Middle school, Piñata Woman and Other Superhero Girls, The Legend of the Poinsettia Readers Theater Unit, The Magic Lake Readers Theater Unit

Drama Games for the Introvertive Student

March 16, 2021 By dhcbaldwin 6 Comments

Drama Games for the Introvertive Student

Drama Games for the Introvertive Student

Drama Games for the Introvertive Student

Is that possible?  Drama students can be shy? I know it’s tough to believe, because we are a noisy bunch. So let’s talk about drama games for the introvertive student.

For various reasons, the answer is a resounding “yes!”

Recently, I read a post from a teacher lamenting about this on a Drama Teachers Group Facebook.  Her shy students wouldn’t budge from their seats no matter what she tried–and these were fifth and sixth graders.

What Do You Do with Reluctant Students?

After teaching for thirty-eight some years, as you might imagine, I taught all types of students from the most enthusiastic class to the smallest and most shy. Honestly, I can figure out a class dynamic fairly fast, because of my experiences.

Do you need help?

Like adults, students are primarily afraid of the unknown.  Aren’t we all?  Additionally, I’ve had adults who desperately want to participate in a play but scare themselves off before they even sign up for an audition.  Students might have older siblings telling them embarrassing stories about their experiences in a drama class.

Drama Games for the Introvertive Student

Everyone Makes Mistakes

Or they’ve seen bloopers on Youtube.com and put themselves in place of the performers and suddenly “everyone” sees the mistakes.  Little do they know the performers actually shared their bloopers for the express purpose of getting likes. You never know what your students think a drama class looks like.

My advice is to dispel any myths about drama class which they might have accepted as truth. Myths of drama class are:  we always act, lines must always be memorized, classmates will laugh and ridicule our performance, we will be asked to do something embarrassing, etc.  Generally, students worry about their image at all times whether they are in a drama class or in the hallway.  The last thing the teacher wants to do is feed that anxiety.

The best way to de-mystify their worries is by starting very slowly.  Use drama games and exercises in which everyone can have success. Or if that seems too much for them, start with technical theater lessons first.

Drama Games for the Introvertive Student

Drama Games for Shy Students

Here are a few of my go-to games for the introvertive or reluctant student:

  1.  “Alliteration Name” Game--A lot of teachers use this game, however in drama class, we are a bit more expressive.  I expect students to come up with word which describes you realistically or unrealistically.  They must add a gesture of some kind and they can choose the rate of delivery for the line (fast or slow), add an accent and certainly choose some emotion to convey through the line.  I demonstrate first that gives the students an example of what their interpretation should look like.  If a student is stumped when their turn comes up, I direct them and even demonstrate an idea.  Usually, that’s all the reluctant needs.  Once they have a little success with the exercise, they see where they can fit into the class.
  2.  “Copy Me”–I like this game because it’s a simple premise: the student copies the tone, inflection and body position of the person before them.  Then they do their own version of the same line.  Suddenly, the worry about performing is minimized.  How hard is it to imitate someone?  We do it all the time whether we realize it or not.  We pick up vocal inflections, a person’s delivery and even their gestures.  Think you don’t?  Have you ever mocked someone or demonstrated to someone how something was said to you?  Yup.

Drama Games for the Introvertive Student

More Games and Exercises for Shy Students

  1.   “This is not a hanger”-–This exercise relies on a person’s imagination, however the challenge is very focused.  We just come up with something which is the same shape as a hanger.  It could be large (pyramid) or small (earring), used (an iron) or enjoyed (a martini.) You do need a hanger for the students to see.  Go around the class and when they are ready to participate, instruct them to say, “This is not a hanger, it’s a _____________.” There is only one rule– once that thing is suggested, no one can suggest it a second time.
  2.  “Lean and Leave”—This exercise strengthens the imagination and uses the body for demonstration.  Person A pretends to lean on something such as a wall and must be able to hold the position indefinitely. Person B goes to Person A and leans against Person A in some particular way. (For instance,  if Person A is pretending to lean on a wall with one hand, Person B might rest their elbow on the back of Person A.  Person A asks Person B, “Are you ready?” because Person B must be able to lean indefinitely without Person A there.  Person A steps away.  Person C goes to Person B and leans against them in another unusual way (for instance, they lean with their back against Person B).  Person B asks the same question of Person C and so forth. Everyone can participate in this exercise. It’s very engaging and different. I always challenge students to lean on different planes—high, medium or low, or putting their feet up on the other person and so on. I’m known to instruct the new leaning person to turn his head or bend an arm to show the difference in the look—just like those sculpture people.
  3.  “Tableau”—Though not a game, any student can have success with tableau.  Furthermore, it takes very little investment on the part of the student.  Students work in a group (that’s a real plus), they choose a story to demonstrate (for instance they show the beginning of the story, its middle and end) and there are no spoken lines. Ultimately, they merely freeze in place as part of the tableau. If the students are feeling comfortable, take this exercises a little farther by tapping each student and allowing them to say something as the character.  Again, keep it nice and friendly.

Drama Games for the Introvertive Student

Building Connections Through Play: Mind Meld & Drama Circles

  1. “Mind Meld”—The goal is for two people to say things together until they reach the same word. It begins by one person saying “one,” the second person saying “two,” and then both people counting to three together. They then say anything at all – a person, place, idea, concept, phrase: anything.
    Then we think what the common thing between those two things or associated with those two things would be. We repeat the one, two, three and try to use the two previously stated things to arrive at a third, common one. We keep trying each time until we say the same word.When we finally arrive at the same word we sing and dance to “It was a mind meld, it was a mind meld, it happens all the time, it was a mind meld.”Sometimes it is played with the same pair of people all the way through until they connect on a word. Sometimes the group can opt in and out and it is played between the team.
  2. Drama Circles—Drama circles are a wonderful way to involve your more shy or reluctant students.  Please your students in a circle (usually we sit on the floor).  Pass out a card to each student.  Each card tells them a part of a story.  Their job is to tell it to the rest of the circle.  You can even give one card for a small group who dramatize the story with movement, sound or tableaux.  Pick up this resource for an example: Drama Circle 
  3. Group Based Improvisation Exercises–Once your students appear comfortable with your class, you might try these improvisation exercises.  If it were me and this was the beginning of the year, I would try one the second week of classes.  Grab it here. 

If you are looking for more warm up exercises or games, check out my Instagram page @dramamommaspeaks

Drama Games for the Introvertive Student

Where Do I  Go From Here?

If you are seeking more advice from an experienced drama teacher and director, read some other posts of mine:

The Ultimate Guide for Drama Teachers: Creative Movement? Are you Kidding Me?

Three Lessons to Engage Your Drama Class Using Differentiation

Drama Lessons for Middle Grades from an Award Winning Drama Teacher

Come join my monthly newsletter!  I give advice, tips, suggestions, announce new drama resources I’ve created in the month and a FREE warm-up exercise.  You can join here  DramaMommaSpeaks newletter

Need a lesson you can use tomorrow, check out this one Drama Class: A Playwriting Unit or How to Help Your Students Feel Seen

Click here:  We’re Live! Radio Theater #101

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Filed Under: acting, arts education, arts integration, creative dramatics, creative movement, Creativity, drama education, Education, elementary, excellence in teaching, High School, middle grades, performing arts, Teacherspayteachers, Teaching, teaching strategies, theater, theatre Tagged With: arts education, drama class, drama exercises, drama games, drama lessons, drama teaching, imaginative play, improvisation exercises, introvertive student, movement, reluctant student, storytelling, tableau

Why is it Important to Create a Lesson Plan?

September 9, 2020 By dhcbaldwin 5 Comments

Why is it Important to Create a Lesson Plan?

Why is it Important to Create a Lesson Plan?

Today, let’s discuss why is it important to create a lesson plan. I studied education about a million years ago when I was in college. My teacher was terrific!  I thought I was prepared. I could write a lesson plan.

Consequently, her instruction provided invaluable.  It’s not always that I think I’m prepared to do something.  For instance, I didn’t think I was trained enough to become a professional actress when I graduated from college.  But teaching?  I was ready.

I remember my student teaching experience as if it was yesterday.  Considering it was over 43 years ago, that’s saying something.  Don’t you think?Also, yikes!  That was a long time ago.

When it became time for student teaching, I student taught at a junior high school called West Junior.  It was a typical junior high school, grades seven to nine. Ironically, many years later my husband taught there and both of our daughters attended West.  When I was student teaching, I never would have imagined such a scenario.

Expect Not to Have a Lesson Plan When You Substitute

My cooperating teaching was awesome and we became quick friends.  Because she knew what to say to me to get through to me, I turned to her for advice when I began teaching and directing.  She passed away many years ago, but I still think about her advice to me, “Deb, you can not to make everything a priority at once'” (What? You should do that?)

However, the only thing I still haven’t forgiven her for was when she was absent for two days in my second week of student teaching.  A substitute was brought in, but Jackie asked that I teach the class instead.

Now, I’m quick on my feet and can jump into a situation and improvise.  Except a couple of the classes I was to substitute teach, I’d never even been introduced to yet.  She taught those in the afternoon while I observed.  She left very little in the way of lesson plans for them. Other than a couple of boys tried to act out a dirty joke to try to embarass me, I did fine.

What did I learn?  Always leave a lesson plan for a substitute.  It’s difficult enough to be thrown into a class with students whose names you don’t know, but not to have a lesson plan is nothing short of torture.

Why is it Important to Create a Lesson Plan?

Five Reasons to Use a Lesson Plan

I was looking around for some information about the importance of a lesson plan and ran on to preservearticles.com.

I thought their reasons for having a lesson plan were good ones:

“The lesson plan is a guideline through the help of which a teacher can teach well and reach his desired goal. Making use of these guidelines the teacher can deliver the good materials to students in a logical se­quence.

In the absence of a lesson plan the progress of the class is hampered.  For good teaching we have to use a good method of teach­ing. Thus, the only best way of good teaching is possible is by making use of integrated teaching of content and methods. The teaching through better methods is definitely superior to teaching con­tents. Because of these advantages planning of lessons is considered essential for  becoming a good teacher.”

In another article about lesson planning, I found this from preservearticles.com:

  • Lesson- Planning gives the teacher greater assurance and greater freedom in teaching. The teacher who has planned his lesson wisely, enters the class-room without anxiety, ready to embark with confidence upon a job he understands and prepared to carry it to a work­man like conclusion.
  • It provides for adequate lesson summaries, ensures a definite assignment for class, and availability of materials for lesson when needed.
  •  It stimulates the teacher to introduce pivotal questions and illustrations.
  • Since lesson planning establishes proper connections between different lessons or units of study, it provides and encourages continuity in the teaching provides and encourages continuity in the teaching process.
  • It ensures association between various lessons in the same main, unit, the selection and organisation of subject-matter, materials and activities.

Simply put, a lesson plan is basically an outline for the class.  It includes the objective, procedure (including time allotments), space requirements, materials list, assessment.  Within the procedure, it includes a hook, study and application of the learning. Also, it contains enrichment activities. Want to know more advice of mine?  Check out: Never Underestimate the Influence of Teaching with Videos

Why is it Important to Create a Lesson Plan?

A Lesson Plan Template for Drama Class

To begin with, I am a member of several drama Facebook groups and nearly every day someone posts a plea for help creating a lesson plan.  There are many openings throughout teaching because older teachers or have left teaching all together.  Enter the less experienced but enthusiastic newbees!

If you’d like a free guide And lesson plan from me, click here LESSON PLAN

If you are one of those just starting out on your journey, I am so glad you are teaching students about theater this year.  First person of I advice– I promise you, you all ready know more about the subject than the students do because of your life experiences and age. That’s important to remember.

As you would expect, a lesson plan for a drama class is pretty much the same as anyone else’s.  (Except we’re more fun. Tee hee!)

Why is it Important to Create a Lesson Plan?

This is how I put a lesson together. Everyone is different, but this was how I was taught to do it, so I keep to the old school version.

Date:

Class:

Hour:

Duration:

Lesson:  (Title)

Objective:  (What do you want the students to learn. Be fairly specific.) The students will learn about:   In this example…The students will learn about the origin of theater, a time line of the origin of civilization and examine three ways it may have begun.  They will take notes by drawing a picture of the various ways it began.

Standards:  This will depend upon what state standards you are expected to cover and the grade level.  Each state is different.  Currently, I am using the Dramatic Arts/ Theatre-Fine Arts Georgia Standards of Excellence to create lessons for a teacher.  They look like this: https://www.georgiastandards.org/Georgia-Standards/Pages/Fine-Arts-Dramatic-Arts-Theatre.aspx

Materials:  (video project,  overhead, white board, laptop, ipads, etc.)

Procedure:

  1.  Warm Up Title (for instance–Freeze Frame)

Duration:  (in minutes)

2.  Lesson–The Origin of Theater

  •      Hook–what question, video clip, object will you use to engage the students? “How did theater begin?” (10 minutes)
  •      Show time line and discuss (5 minutes)
  •      Terms–vocabulary you want to cover
  •      Hand out Origin of Theater papers and read aloud (10 minutes)
  •      Assignment–Using the information the students just learned, they draw a picture of the various ways theater may have begun (10 minutes)
  •     Turn in assignment

3.  Cool Down–(another exercise which either secures this learning e.g. Drawing slips out of a hat, students are grouped and pantomime one of the ways theater began except there are several ways acted out which are not true. (15 minutes)

4.  Assessment:  Will this be a participation grade?  Will you grade the assignment? Will you have a rubric which the students understand and follow?

That’s pretty much it.  Does a teacher create one of these for every class?

Probably teachers do. However, I can’t answer that question for others. Usually  I have a lesson plan for every lesson until I become familiar with all of the  the information, memorize important facets of it or I can just look at my notes and know what to say and cover. If you are interested in some other experiences of mine, check out: The Lessons I Learned from Working as a Drama Teacher

Energize Your Classroom with Laughter

Looking for some tried and true lessons you can depend upon?  Pick up this Lin Manuel Miranda biography and one pager assignment.

Who taught you how to make a lesson plan?  I’ve love to hear about it.  Contact me at DhcBaldwin@gmail.com

Deborah Baldwin of DramaMommaSpeaks

 

 

 

 

 

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Filed Under: arts education, college teaching, drama education, Education, elementary, excellence in teaching, middle grades, Teaching, teaching strategies, theater, youth theatre Tagged With: creating a lesson plan, creative dramatics class, drama class, drama lesson plan, dramamommaspeaks, lesson plan suggestion, lesson plan template, new teacher help

How to Use a Hybrid Lesson in Your Drama Classroom Tomorrow

May 31, 2020 By dhcbaldwin Leave a Comment

How to Use a Hybrid Lesson in Your Drama Classroom Tomorrow

Brain, Mind, Psychology, Idea, Hearts, Love, Drawing

I’m a creative and imaginative person.  If you follow my blog, you’ll know that when I was ten years old I decided I would direct Mary Poppins in my backyard and have my father hire a helicopter to fly me into the yard near the forsythia.

Yes, I’m that kind of creative.

I get an itch in my fingers if I’m not creating something.  Usually, I can appease this creative itch by cooking something new or coloring in a coloring book or developing a new product for drama teachers.

Author Susan Vreeland thinks, “Painting feeds the eye just as poetry feeds the ear, which is to say that both feed the soul.”

I agree. Without being creative and imaginative, I am pretty unhappy.

Yet, even with this new interest of mine in developing drama education resources, I was becoming a bit stale.

I’ve been making drama lessons and adapting some of my former lessons for two years.  Two years and 220 products later, I have created quite a library for the busy drama teacher to use.  If you are interested in checking them out, grades second to twelve, go here:  Dramamommaspeaks Store

Enter Boom Learning

Among the many resources I used in my classroom in the past, recently I’ve learned how to make word walls,  growth mindset posters, one pager assignments, word searches, short biographies, Broadway musicals units, Google slides, etc.

Lately, I’ve been interested in digital task cards.  These puppies are HOT in the education market.  There’s great interest in using them in the classroom because I think we all know our students are going to have at least six months to a year of distance learning.

Because of this, I thought about what I could create for distance learning in particular hybrid learning.

Boom Learning is a website of digital task cards for all subjects and grade levels.  They are called Boom Cards.  Here is their description,

“Boom Cards are interactive lessons created by teachers like you. Using our platform, you can easily create Boom Cards to use in your class, or sell them in our marketplace. made for teachers and parents Teachers can use Boom Cards in the classroom or parents can use them at home.”

I have to say these digital task cards are really cool.  Teachers assign the cards and the students work through a set. Without them realizing it, the students grasp a concept (through short games) or practice a skill.

Hybrid Learning and Differentiation

As I mentioned, I’m a creative person.  I got to thinking………………is there some way to teach both through digital task cards AND through instruction from the teacher?

Of course!

As usual  whenever I blog, I searched the internet and found this helpful definition of Hybrid Blended Instruction from Schoology.com says:

“Beyond differentiation in terms of content, process, product, or modifying the traditional learning environment, blended hybrid learning combines face-to-face instruction with some form of “computer-mediated instruction.” Blended hybrid learning “has the opportunity to provide personalized instruction with some element of student control over path, pace, time, and place.” Thus, it is a mode of instruction that adds a significant amount of student agency to learning that is not otherwise possible through in-person differentiation, which still occurs synchronously and, in practice, largely at the direction of the teacher.”

How do I use hybrid blended instruction in my drama classroom?  

Primarily, this hybrid blended instruction could be used with drama subjects which could be best taught with limited but not limited to topics such as the  history of scenic design, stage properties, lights, costumes, etc.

The first hybrid  lesson I developed was my Costume Design with Fairy Tale Characters. I adapted parts of my PDF lesson to make it.

Drama Lesson:  Costume Design with Boom Cards!

COSTUME DESIGN MIDDLE GRADE BOOM CARDS COVER400 (1)

For Distance Learning–

It’s a three-step process. First, the teacher assigns the student to view a portion of a video which demonstrates the costume design concepts. Next, she assigns the Boom Cards! for the student to study prior to the assignments. Finally, the teacher charges the student to design a costume for a fairy tale character and complete the creative writing assignment. This lesson can last one or two days.

Included in the PDF product:

  • Letter to Teacher
  • Rationale for Teaching Costume Design
  • Costume Design Template (Female)
  • Costume Design Template (Male)
  • Writing Assignment Sheet
  • Writing Assignment Sheet Examples
  • Sources
  • Video Links

Included in the Boom Cards! product:

  • 16 Boom Cards which include the history of costume design
  • True/false questions to secure the learning as the student progresses through them

For the Blended Classroom

This is a definite paradigm shift for a drama teacher.  We are used to doing all the teaching ourselves. However, if other teachers in a school are using digital learning  in their classes the students may adapt quickly to our use of them.

What are the benefits for the teacher?

  • It frees up your time to take attendance, speak to individual students about their progress in class, take a break for! a few minutes!
  • The digital task cards are self grading. A teacher checks the students’ knowledge on a subject without having to grade another set of papers.  Yet, they are continuing to teach the students.

What are the cons to the Hybrid Blended Classroom?

According to Schoology.com

“….the blended hybrid classroom must bring true computer-mediated instruction into the mix, creating learning outcomes that aren’t possible through traditional methods. It takes technology infrastructure, planning, and hard work to make that ideal a reality.”

In other words it is going to take some time to prepare the lesson, accept the paradigm shift and conquer! In the long run, I think you’ll be glad you did. Until then, lean on me for help.

Hey, if I can do it then so can you?

If you would rather use just the digital task cards without the hybrid lesson, you can find them here:

Here are three sets of digital task cards which may come in handy for you.  (Tap on them to see their entire description.)

BUNDLE DRAMA VOCAB. COVER      ROMEO AND JULIET BOOM CARDS TPT COVER300 (1)

COSTUME DESIGN MIDDLE GRADE BOOM CARDS COVER

Here is my newest hybrid lesson. Costume Design Halloween Characters and Boom Cards!

COSTUME DESIGN HALLOWEEN LESSON PLUS BOOM CARDS400

 

What lessons have you created which lend themselves to Hybrids?  I’d love to hear about them?  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

 

 

 

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Filed Under: arts education, Boom Cards, creative dramatics, Distance Learning, drama education, e-learning, Education, excellence in teaching, Teaching, teaching strategies, theater, youth theatre Tagged With: Boom Learning, costume design, DISTANCE LEARNING, drama class, drama vocabulary, e-learning, hybrid blended classroom, middle grades, Middle school

Drama Student, I Recognize You a Mile Away

November 15, 2016 By dhcbaldwin 5 Comments

I wanted to write about the fourth part of this series, dear drama students, i recognize you a mile away. This one is near and dear to my heart! This is a four part series of posts (this is part one). Click here for the other posts: Dear Music Student, I Recognize You a Mile Away,  Dear Music Student,  I Recognize You a Mile Away 

Drama Student, I Recognize You a Mile Away

I love arts students. They are fun to be around and never fail to entertain you, that’s for sure. Dear Music Student, I Recognize You a Mile Away  Honestly, they are pretty easy to spot. These are generalizations and just for fun, to be honest. I asked for a little help from the people who know–teachers, artists, dancers, musicians and directors. These are just tongue-in-cheek descriptions.  Let’s see if you agree with us.

Drama Student, I Recognize You a Mile Away

 

 

 

 

 

 

 

 

Drama student, I can recognize you a mile away

  • are expressive and look  for a “stage” everywhere (Our daughter used our front porch, small kitchen between the sink and the stove, the four and a half feet right in front of the television and even  performed at the end of  our bed.)
  • carry their script with them wherever they go and practice any time they can find or even when they are told not to
  • girls wear stage makeup as their street makeup, defending it because “It is the BEST quality makeup ever made!”
  •  everyday clothes are a kind of character–they like to make a statement (it could be a logo from a musical or maybe their current show shirt or a vintage skirt from the fifties)
  • perform an audition for you even when there are no auditions ( actors are always “on”)
  • speak as different characters, use accents, change their posture and gait to suit the character they are performing at whim
  • carry several plays to read whenever they have a chance or even when they are told not to
  • speak as different characters, use accents, change their posture and gait to suit the character they are performing at whim
  • carry several plays to read whenever they have a chance
  • lug around character shoes, rehearsal skirts or jackets, pencils, hi-lighters, water bottle
  • techies’ pockets carry nails, glow tape, screws, hot glue gun, left over gels for lighting equipment
  • clothing  is splattered in a recent set’s paint colors and left over saw dust is permanently engraved in the creases of their jeans
  • own A LOT of black clothing
  • change their hair color several times each year–usually something bright and bold
  • many love literature or language arts class (that only makes sense)
  • look at themselves in any window reflection or mirror whenever there is an opportunity
  • LOVE attention

Drama Student, I Recognize You a Mile Away

 

 

 

 

 

 

 

 

 

These kids are very busy and like it that way.

What is most interesting about arts students is their popularity hierarchy within themselves.  For instance, if a guy is a tenor and he can sing as high as a female, that makes points for him.  The same goes for a girl who can climb a tall ladder and focus a light on a set.  Additionally, if you are first chair violinist, you are popular, too or at the very least, respected. If a guy is a bass singer and he can dance, that’s another biggie.  If a girl can tap the heck out of a combination, you are considered “cool”. You get the idea.

However, if you are too serious about your art, the opposite is true.  Although revered, your friends may not even think to invite you to social events because they assume you are more interested in dancing or rehearsing than a pizza. My daughter was so busy in theater and music while in high school, a lot of her friends forgot about her–it was tough to maintain friendships during that time.

And anyone who is comical or can make everyone laugh automatically accrues popularity points with everyone no matter which art form they love.

Like most interests, there is a fine line to balance.  What is too much and what is not enough?

No Small Parts

To be honest, I appreciate this hierarchy somewhat, because it makes room for everyone in the arts. This popularity has nothing to do with beauty or brawn.  It’s all about talent and hard work. Everyone is an artist if they allow themselves to be.  Look for them. You’ll see.

Which art do you enjoy the most? I’d love to hear from you dhcbaldwin@gmail.com or DeborahBaldwin.net

Purchase my new book, We’re Live! Radio Theater #101 here.

Drama Student, I Recognize You a Mile Away

Or Bumbling Bea on Amazon here:

Bumbling Bea book review

Do you recognize your drama students in this description? I’d love to hear about them.  Contact me at DhcBaldwin@gmail.com.

Woman behind DramaMommaSpeaks

Information on this website may be copied for personal use only. No part of this website may be reproduced, stored, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the author. Requests to the author and publisher for permission should be addressed to the following email: dhcbaldwin@gmail.com

 

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Filed Under: arts education, drama education, Uncategorized, youth theatre Tagged With: arts student, drama class, growing up, popularity, school, school life, students

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