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creative dramatics

Five Engaging Drama Games to Grab Your Students’ Attention

May 26, 2021 By dhcbaldwin Leave a Comment

Nannofictionary Board Game Display

Five Engaging Drama Games to Grab Your Students’ Attention

Summer is such a wonderful time for our teachers.  Time for them to rest, recuperate and have some fun! It is very richly deserved. But I often considered  subjects such as drama games to grab your students’ attention. Here are five engaging drama games to grab your students’ attention.

But before you know it, it will be August and the first school bell for the 2021-2022 year will ring. Until then, SAVE THIS BLOG POST and check it out later.

Folks who are just beginning to teach often ask me what they might need for their classroom.  Since I taught for thirty-eight years,  I am very experienced with many materials and can recommend some to you which are dynamite to own.

Drama Games to Grab Your Students' Attention

A card game⁣ sharpening one’s  imagination
#1  Nannoficitionary

Nannofictionary is a storytelling game in three rounds. ⁣
⁣
The first round involves the construction of the stories, in which players race to collect the four plot elements of setting, characters, problem, and resolution. ⁣In the next round, the players tell their stories. ⁣After that, the players vote on which were the best stories, with additional votes being added by judges on the sidelines.⁣

Nannofictionary is most suitable for grades 8 and up. ⁣
⁣
I would suggest you purchase several copies of this game for your classroom. It could be used most anytime–as a filler, cool down or warm-up for the day or for a lesson. ⁣
⁣⁣
I especially like its non-threatening nature (students select cards for their story.) The opportunities for differentiation are vast. ⁣Cost is $15.59

Drama Games to Grab Your Students' Attention

Something Physical

Check out my recent Facebook Live with Deb, the Storyteller to hear other exercises for engaging students. Facebook Live

#2 Body Sox

I learned about Body Sox while receiving my Masters in Arts Integration.  Although somewhat expensive, Body Sox are a great addition to your classroom.   Here’s what Amazon.com says about them:

“This stretchable body wrap carefully and comfortably covers your child’s arms, shoulders, legs, and feet in a calming fabric that provides deep pressure stimulation.

 Ideal for kids with ADHD, autism, or other spatial sensory challenges, the Special Supplies sensory body socks can help your child regain a sense of balance and clarity when overwhelmed.

Superior to standard dynamic movement sensory body socks that feature Velcro that comes undone or pulls hair, ours features a safety snap that holds tight without discomfort.

Crafted with a cool Lycra material, these stretchy sensory sacks wraps come in three distinct sizes and three fun colors to better match adults, teens, boys and girls of all ages.” Cost is $15.00

My students have explored movement using Body Sox.  We even included them as part of a play, portraying statues in Oji San and the Grateful Statues unit.  You can check out the unit at: Oji San and the Grateful Statues.

Five Engaging Drama Games to Grab Your Students’ Attention

#3 Be a Broadway Star Board Game

Have a small class and want to do some quiet activity?

Drama Games to Grab Your Students' Attention

Again, from Amazon: “Be a Broadway Star – the brand new board game that puts YOU in the spotlight! This isn’t your typical board game.

This is a Broadway board game! And that means you’ll have lots of chances to show off your stuff along the way, with interactive “make or break” cards that just might have you singing and dancing on your turn! Just remember, at the end of the game, whoever has the most fans wins! Can you make it all the way to the Broadway Hall of Fame? Find out today when you play Be A Broadway Star, the brand new board game for Broadway theater lovers of all ages. ” Cost is $39.99

At the time, I had several small classes in a home school enrichment program through St. Vrain School District.  This game was perfect for a day after a big project or performance. Students learn value information from the game, how an actor hustles for performing gig, etc.

#4 Uberplay Shakespeare “The Bard” Game

Drama Games to Grab Your Students' Attention

If you teach middle and high school students, this is a wonderful board game for them to play. It’s just fascinating.

As a Elizabethan theater entrepreneur in the early 1600’s, your goal is to “pack the house”. In particular, the chase is on to acquire scripts from the greatest living playwright of the time, Will Shakespeare.

To stage these extraordinary dramas, you will need to form a company of actors, acquire all the props that the play requires, find a patron, and acquire large sums of money to enable these productions to go ahead. Every step of the way, the Fates will either help or hinder! * Board * Player Markers (5) * Player Acclaim Markers (5) * Fate Cards (80) * Question Cards and Speech Cards (300) * Tiles: o Scripts (40 large tiles) o Actors (48 square tiles) o Props/Wardrobe (40 circular tiles) o Patrons (10 hexagonal tiles) * Money (30 x 1 shilling, 50 x 5 shillings, 30 x 10 shillings) * 2 Six Sided Dice with Fate Symbol * Rules Booklet

This game ranges in cost of $25.00 on Ebay to $100 elsewhere.  I don’t know why there is such a discrepancy in the price, but my guess is it is no longer published.

If you can get your hands on a copy of this game, it is worth the price.  My students LOVED it!

Five Engaging Drama Games to Grab Your Students’ Attention

#4 Brain Box Shakespeare 10 Minute Brain Challenge

Drama Games to Grab Your Students' Attention

I have not played this game, but I have a feeling it would be very helpful in an Language Arts class studying Shakespeare’s plays.  It is called Brain Box Shakespeare 10 Minute Brain Challenge.

According to the publisher, Shakespeare Brain Box game is:

  • Each of these stunningly illustrated cards includes a quotation as well as a caption explaining the scene. Put in order, the captions tell the outline of each story.
  • The plays included are A Midsummers Night’s Dream, Hamlet, Julius Caesar, Macbeth, Romeo and Juliet, The Tempest and Twelfth Night.
  • Fun and Learning
  • Visual Memory Game
  • 1 or more players

Cost is $27.98.

#5 101 Drama Games for Children:  Fun and Learning with Acting and Make-Believe. 

Drama Games to Grab Your Students' Attention

I don’t own this book at the moment, but I know I’ll be purchasing it again soon.  It’s terrific help!

From the publisher, “Drama games are not staged plays but a dynamic form in which children explore their minds and the world around them. They can use their play-acting in sensory games, pantomimes, story games with puppets, in creating masks and costumes, and much more.

Drama games allow children to get more in touch with themselves and what they want to be, and are a delightful way to discover the freedom, creativity, and expression of acting- and living.

The SmartFunActivity series encourage imagination, social interaction, and self-expression in children. “

Cost is $13.79

Have you used these games in your classroom?  You know, you don’t need to be a drama teacher to use these.  Every student will appreciate them.  If not, they wouldn’t still be out there to purchase after all these years.  Remember, I told you I’ve been teaching forever. If you’d like some free warm up games, check out DramaMommaSpeaks Theatre Guide

Here is free stuff for you: Free Stuff!

I hope you’ll try these games and book.  If you do, please contact me with your thoughts about them at DhcBaldwin@gmail.com or DeborahBaldwin.net

woman behind DramaMommaSpeaks

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Filed Under: acting, Arts, arts education, arts integration, Back to School, creative dramatics, drama education, Education, excellence in teaching, middle grades, storytelling, teaching strategies, theater, youth theatre Tagged With: drama exercises, drama games, elementary school games, high school games, middle school games

Happy Super Hero Day!

April 28, 2021 By dhcbaldwin Leave a Comment

Girl dressed as a super hero with her arms outstretched

April 28 is Super Hero Day!

Who established Super Hero Day?

National Superhero Day was founded by Marvel Comics in 1995. Now, every year since its birth on April 28, 1995, people come together annually on this day to celebrate all their favorite heroes. No matter if your fav heroes are fictional or real, this is the day to be thankful for them.

Well, how fun!

When I was a child, Superman wasn’t near as popular as he is today.  Now super heroes are everywhere.

CHILD IN SUPER HERO COSTUME

Why should I teach about Super Heroes?

According to Brittanica.com, during the late 1930’s to 1950’s, the Golden Age of Comic Books were created. Modern comic books were first published and rapidly increased in popularity among the masses. The first Super Hero ever was created in 1936? The superhero was named Phantom, and he started with his own comic strip in a U.S. newspaper. This was the first known beginnings of a published superhero, and now there are hundreds of well-known heroes that everyone loves.

The superhero archetype was created and many well-known characters were introduced, including Superman, Batman, Captain Marvel, Captain America, and Wonder Woman. Most superheroes served as a figure who inspired hope. This hero could save us all from dark and difficult times. Superhero stories promote the ideas of peace, safety and freedom. Some experts consider this message a necessary reassurance in difficult times. The message isn’t about a country succeeding, but recognition that there are others with similar hope for a peaceful future.

Many super heroes grouped together

Students love to design a Super Hero costume.  Here are a few pointers:

  • Figure out the color scheme of the costume. Usually, the whole costume should include 3 or fewer colors/shades only. This helps ensure that the costume does not distract from your superhero. It will also make it easier for you to replicate the look in a comic. Think of your superhero’s powers, motivations, and backstory. Lighter colors tend to indicate heroism, while darker colors indicate a conflicted nature; rich colors point toward sophistication, while bright colors tend to reveal youthful energy. If you’d like to read more about costume design, see my post: Your Secret Teaching Allies–Super Heroes
  • Classic superheroes tend to dress in some combination of red, blue, and yellow, which can denote energy and determination. A mix of black, grey, and green, though, could denote mysterious and naturalistic qualities.
  • Nail down the basic costume before accessorizing it.Design the actual outfit first, before figuring out the logo, or whether it will include a mask, cape, etc. Once you have designed your base costume, it gives you a blank slate to work with. Feel free to take cues from iconic superhero costumes, but be sure to refine them into your own creation. Skin-tight, full-coverage bodysuits tend to be the standard base layer for male superheroes, while female heroes often show a bit more skin. You don’t have to follow in this tradition, but body-hugging base layers do provide a clean palette for accessorizing.

What Color Scheme Should I Use?

  • Figure out the color scheme of the costume. Usually, the whole costume should include 3 or fewer colors/shades only. This helps ensure that the costume does not distract from your superhero. It will also make it easier for you to replicate the look in a comic. Think of your superhero’s powers, motivations, and backstory. Lighter colors tend to indicate heroism, while darker colors indicate a conflicted nature; rich colors point toward sophistication, while bright colors tend to reveal youthful energy.
  • Classic superheroes tend to dress in some combination of red, blue, and yellow, which can denote energy and determination. A mix of black, grey, and green, though, could denote mysterious and naturalistic qualities.

What About a Logo?

  • Nail down the basic costume before accessorizing it. Design the actual outfit first, before figuring out the logo, or whether it will include a mask, cape, etc. Once you have designed your base costume, it gives you a blank slate to work with. Feel free to take cues from iconic superhero costumes, but be sure to refine them into your own creation. Skin-tight, full-coverage bodysuits tend to be the standard base layer for male superheroes, while female heroes often show a bit more skin. You don’t have to follow in this tradition, but body-hugging base layers do provide a clean palette for accessorizing.
  • Consider if a cape is right for your hero. While capes are often considered synonymous with superheroes, plenty of famous ones — like Iron Man and Wolverine, for instance — go without them. Capes can help accentuate motion or indicate flight (think Superman), or add a layer of mystery (as with Batman). However, they can also be an unnecessary complication for a well-designed costume. If you can’t think of a good reason why your hero should have a cape — either for practical (e.g., concealment, protection) or expressive (e.g., flair, royalty) purposes — it may be best to exclude it.
  • Create a memorable logo or other distinctive element. Superman, Batman, and Spider-Man are arguably the three most famous superheroes, and each has a simple chest emblem — the ‘S’ shield, bat, and spider — that immediately identifies them. Don’t obsess over the small details of a totally-awesome costume before you’ve nailed down the iconic logo, symbol, color, etc. Make sure it’s easy to recognize and repeat, and that it can adapt to variations on your design. Brainstorm logo ideas based on the hero’s name, origins, or powers: in the last case, for instance, consider the lightning bolt used for the Flash.

My Super Hero Drama Lessons

If you’d like some drama lessons with super heroes as the focus, I have several here: DramaMommaSpeaks and also in my Payhip store at: Super Heroes

One lesson I developed focuses on storytelling.  Using postcards as a springboard for a story, students take elements from the postcards they randomly choose.  But, there is a secret requirement which is LOADS of Fun.  You can learn about Storytelling with Super Heroes here: Storytelling with Super Heroes Postcards

Another lesson students enjoy is Costume Design with Super Heroes.  In this lesson, students study costume design and learn a bit about the characteristics of a super hero costume.  Then they design one costume plus write a letter explaining their choices.  You can find this lesson here:  Costume Design with Super Heroes

Costume Design Product with Super Hero Assignments on the Front

If you want further study, try movement with Super Heroes! These movement exercises are a great way to begin or end your class celebrating national super hero day.  Word of warning–your student may leave class with a “zap” so if you are okay with that, you are good! Tableau and Movement with Super Heroes

I think Super Heroes  and Super Heroes Day is here to stay.  It does me good to see children imitating them, especially our girls.  Here are my two granddaughters having fun as Super Heroes.  I doubt either of them have seen many television shows or movies with Super Heroes in them since they are so young, but they know enough to understand super heroes protect people and try to make the world a better place.  At this point in their short lives, I think that’s a good start.

Two little girls dressed in super hero capes.

Have you taught with a super hero theme?  How did it go for you?  I’d love to hear about it.  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

 

 

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Filed Under: arts education, arts integration, community theater, community theatre, creative dramatics, creative movement, Creativity, drama education, Education, Education, elementary, excellence in teaching, middle grades, Musical Theatre, performing arts, Teacherspayteachers, Teaching, teaching strategies, theater, theatre, youth theatre Tagged With: Bat Man, National Super Hero Day, Spider Man, Superman, Wonder Woman

Frequently Asked Questions the DramaMommaSpeaks List

March 31, 2021 By dhcbaldwin Leave a Comment

Frequently Asked Questions the DramaMommaspeaks List

Frequently Asked Questions the DramaMommaspeaks List

Recently, I had a wonderful opportunity to chat with a first year teacher as he planned the rest of his school year.  He began the year with the students all learning from home, then his school went to hybrid (which means half were at home and half were in the classroom) and soon he’d have them all in the classroom together.

His questions were standard ones I receive which made me think of some other questions which are frequently asked.  Here are some:

1. Do you always warm-up your students? Why?  

Warming-up your students will help in two ways–it gives the student a minute to shake off whatever occurred in the hallway or last class and also helps him to focus on your lesson to come.

2.  What is a good musical for high school students to perform?

The first thing I need to know is how your administration looks at the theater program?  If they are very supportive and want the best for their students (and they TRUST you), then you can take some chances with more adult musicals–with musicals such as West Side Story and Les Mis’ (know that there are very few roles for females in LM, however.)

By and large, I suggest the classics–The Sound of Music, Oklahoma!, Music Man and so forth.  Why?  They are guaranteed crowd pleasers and families will attend because they are familiar with them. Good for everyone’s ego and the box office sales.

3.  Can you recommend a good play for middle school students to perform? 

I like to produce adaptations of classic books such as Anne of Green Gables, Tom Sawyer, The Miracle Worker, Diary of Anne Frank, Bridge to Terabithia or Shakespeare’s Midsummer Night’s Dream. Find out the reasons I suggest Anne of Green Gables here Ten Reasons Why Everyone Produces Anne of Green Gables

4.  What do you think of improvisation exercises?

I was trained as a professional actress and at that time we did not merely improv. for the sake for fun.  Improvisation was used to develop characters or create new art pieces.  I don’t dispense improvistion like candy.  I like it to mean something (a theme) or practice some particular skill like voice and articulation, for instance.

Frequently Asked Questions the DramaMommaspeaks List

5.  My students are learning from home. Can your lessons be used in distance learning?

Yes, many of my lessons can be used in distance learning.  We have this new cool program on Teacherspayteachers.com called Eastl and it will make any lesson into a digital format.

6.  If you could only teach one musical theater unit, which one would you choose?

For obvious reasons, I would teach Hamilton.  I mean, how can you go wrong with it?  My Hamilton musical lesson is fifty pages and includes everything a teacher might need:  procedure, history of the musical, list of song titles, biographies over creative staff, questions and teacher’s key, trivia and ends with enrichment activities which can be done individually or in groups.

7.  If you could only teach one radio theater unit, which one would you choose?

It depends upon my mood, but I’m pleased with how all of them came out.  The most difficult one is The Frozen Pirate which is best for high school students.  It it set in two different ships and has a narrator who is sometimes a character in the story and sometimes merely narrates.

Another one which I’m proud of is my own–Bow Wow Blues.  BWB is about a group of bumbling bank robbers in the 1930’s who are outsmarted by some quick witted detectives and a couple of dogs who help them.  The characters are broad and easy for middle school students to convey.

8.  Do you charge royalties for your scripts?

No, I don’t.  I only ask that the person producing the script send me a recording and/or photos of their production for my personal uses in marketing. Bookeeping who is producing which script would be a nightmare for me to track at this point in my business.

9.  Do you update your resources?

Yes, constantly!  For instance, let’s say it’s announced Lin Manuel Miranda will be performing in a new movie.  I go in to all the products where he is included and update the information to include a mentioned of the new movie.  Or, a link breaks or vanishes–I go in and find a new one.  Or I add a page to a resource which upon second thought makes the produce more useful to the teacher.

10.  On average, how many new lessons do you create a month?

I create about two new lessons a month and several new bundles.

Frequently Asked Questions the DramaMommaspeaks List

11.  I want to follow you. Do you have an email list I could join?

You bet!  I’m getting ready to glam up my newsletter in the near future and I think you’ll want to be a part of it.  You can join here on this page up above on the right.

d

12.  Are you on Instagram?

Yes, I am very active on Instagram.  I speak about different topics there than on the blog.  You can find me at DramaMommaSpeaks on Instagram.

13.  How about Facebook?

Yes, I am.  I share various arts subjects there.  Check me out https://www.facebook.com/Dramamommaspeaks

14.  Are you ever interviewed on podcasts?

You can learn about them here The Top Reasons to Listen to Podcasts

15. I know Clubhouse is a big thing now.  Would I find you there?

Yup!  Just search Deb Baldwin.

16. Where could I see some reviews of your products?

You can find review of my products here Dramamommaspeaks

Frequently Asked Questions the DramaMommaspeaks List

17.  On average, how pages are your lessons?

Most lessons are around 15 pages in length.

18.  On average, how days’ long are your units?

Some units are three days in length and several are three weeks long.

19.  Do you have drama lessons for elementary students?

Yes, although not as many as I’d like.  I create lessons where the interest is–meaning if a lot of products which are purchased for the month seem to be for middle school, I will make another middle school lesson that month.

20.  Do you have drama integration units?

Yes, I have readers theater and play scripts which are perfect for drama integration. Here’s a blog post about drama integration, too.  How Do I Use Arts Integration in the Classroom?

21.  Who writes the music for your short plays?

My husband of thirty-eight years composes the music.  He is an award-winning instrumental music teacher, taught for forty years and composes as well.

22.  What is the price range of your materials?

Some products are $3.50.  The most expensive product I have are bundles which lasts a semester or even a year.  They are around $100.00

23.  Do accept suggestions?

For things to add to a product or if something needs more clarification?  Yes, but I’d rather the person emailed me than put it in a review.  It confuses the next buyer.

24.  If a teacher wants a particular lesson which you have not created, will you develop it for them?

Yes, I create lessons for teachers on occasion.  The lesson becomes my sole property, but I give the person acknowledgement in the lesson for their idea.

25.  How long does it take to create a radio theater script?

It takes about sixty-five hours to write a script. There is no playwriting template for a radio theater script, so I must set up every page by hand.

26.  Do you have any lessons about people of color?

My Famous Theater Artist Biographies and One Pager Assignment include many people of color–Denzel Washington, Audra McDonald, August Wilson, Camille A. Brown, etc. Here is a blog post concerning my thoughts

27.  Do you have lessons about technical theater?

Of course!  Everything from costume to set design. Here is one: Set Design Fairy Tales

28.  What’s next for you?

Oh…..I can’t tell you yet!  Just make sure you join my email list, look for my free products coming out soon and some other great plans.

I hope these answers help you.  Please feel free to contact me at DhcBaldwin@gmail.com or my website at DeborahBaldwin.net

Deborah Baldwin of DramaMommaSpeaks

 

 

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Filed Under: acting, arts education, arts integration, Broadway, community theater, creative dramatics, creative movement, drama education, Education, excellence in teaching, middle grades, Musical Theatre, performing arts, Play, storytelling, Teacherspayteachers Tagged With: drama curriculum, drama lessons, drama units, elementary drama, frequently asked questions, high school drama, middle school drama, play scripts, radio theater srripts, theater biographies

The Reasons We Need Girls to Be Heroes in Stories

March 17, 2021 By dhcbaldwin 3 Comments

The Reasons We Need Girls to Be Heroes in Stories

My husband and I watched Mulan last night.  Wow! I especially enjoyed the terrific plot twists in the film. And those costumes! It made me think of the reasons we need girls to be heroes in stories.

So, to the Disney production company —

  • Thank you for not having a passionate kiss between Mulan and Chen Honghui, the romantic lead (sort of).  It wasn’t needed. It was far more interesting to think they became friends.
  • Thank you for demonstrating a female can be just as fearless as a male.
  • Thank you for allowing her to be her own person.
  • Thank you for giving Mulan a persona so large it was difficult for her to hide it.

The Reasons We Need Girls to Be Heroes in Stories

Women’s History Month

in this day and age, especially during March the designated Women’s History Month, it only seems appropriate to celebrate women who have been heroes.

Everywhere around us (at least at present), there are little video snippets about women in history. This is terrific.

I believe what we need now more than ever is more stories like Mulan. The reasons we need girls to be heroes in stories is because it is difficult for them to relate to a male’s story.  Our young daughters and nieces need role models near their age even if they are imaginary. Although I think we are more aware of the pressure put on our young women, it has not faded away.

Getting Lost in Social Media

Trust me, it’s very easy for our girls to get lost in social media and social pressure to conform.  What kind of messages are they hearing–one is to have beautiful  long luxurious hair.  What about young girls climbing a mountain and covered in bumps and bruises?  We don’t see those so much, but we want our daughters to not only have choices but good ones which will benefit their lives not just their face.

Of course, girls need to learn about women who have made scientific discoveries, blazed frontiers, etc.  They are inspiring to study, however when you are young it is difficult to admire someone as old as your grandmother or auntie. We need more stories whether fiction or nonfiction about young women or girls.

The Reasons We Need Girls to Be Heroes in Stories

There are many folk tales with girls as the heroine. I’d begin with a folk tale such as Swamp Angel.  Swamp Angel is a tall tale about a girl  (who got her name from saving passengers of a wagon train that “got mired in Dejection Swamp”) who competes against the Tennessee men in trying to kill Thundering Tarnation, a huge bear who ate all of the settlers’ food. It’s funny and worth dramatizing.

Molly Whuppie

Or how about Molly Whuppie?  Molly is a female trickster, an underdog who outsmarts her adversary, the giant. She saves her two sisters who she protects from the giant.  The English folk tale describes how she feels the sad abandonment by her parents and becomes resilient, willing to take on and complete the three quests set by the king.

For example, this is Mary Anderson, a rising star in the British theater.  No one has heard much about her, yet her story is fascinating and rather tragic as well.

The Reasons We Need Girls to Be Heroes in Stories 

Young Women in the Arts

Another route would be to make films about young women doing amazing things such as Amanda Gorman, the poet laureate, is more of what we need. As most of us are aware, Amanda took the world by storm with her poem for the presidential inauguration of Joe Biden.

Who else is there?  Oh, my gosh—plenty!

I have to admit it has been tough to find women under the age of thirty years who are being celebrated like Amanda.  I know they are out there, however.

Young Arts Foundation

Upon researching this blog post, I found the Young Arts Foundation.  I’m embarassed to say I’ve never heard of it.

Their mission: National Young Arts Foundation  identifies the most accomplished young artists in the visual, literary and performing arts, and provides them with creative and professional development opportunities throughout their careers.

I was pleased to see Viola Davis and Camille A. Brown are alumni of the program.  Here is a blog post about studying theater artists (Viola and Camille are included) which might come in handy for you:  Should Students Read Biographies?

The National Young Arts Foundation has an entire program whose express purpose is nurturing young artists.

Now this is what I’m talking about!

DramaMommaSpeaks Play and Readers Theater Scripts

The Reasons We Need Girls to Be Heroes in Stories  is because our girls need our support however we can provide it.

As a teacher I was always on the lookout for young women who demonstrated talent in the arts.  Now that I’m retired, I miss the opportunities to nurture their talents.

I can nurture young girls in the arts, however.

I’ve adapted several multicultural folk tales into plays and readers theater scripts.  You can find them here: Dramamommaspeaks

In the meantime, I’d love to share with you about them.

Li Chi Slays the Serpent

Li Chi Slays the Serpent appears like many folk tales of a different time, namely several thousand years ago.  What I especially enjoy about it is the fearless heroine.  Li Chi takes it upon herself to kill the serpent who descends upon her village every few years to snatch up a young girl to devour.  She disobeys her parents after they inform her she is not permitted to go fight the serpent and sneaks out to the mountains where the serpent lives.  Using her wits and expert planning, she lures the serpent out with food and ultimately kills him.

The Little Girl and the Winter Whirlwind

This folk tale from Bulgaria features a female as the hero.  (Oh, I know there is a female version of heroine, but I’m kinda partial to “hero.”)

The story reminds me a bit of Li Chi. A wicked Winter Witch decides to stop Spring from coming on time and make Winter the only season on Earth. She hides the Sun behind dark clouds and covered the Earth with heavy snow.

One morning the people from a small mountain village woke up and found their houses burried under the snow up to the roofs. They started digging tunnels from their own to the neighboring houses, and gathered in small groups to decide what they could do.

They finally decided that the best thing to do is to send someone on the highest mountain peak, where the good wizard Father Frost lived in his palace of ice and ask him for help. The Little Girl volunteers to go because she has very little to hold her back.  She believes her warm heart and love for everyone will melt the snow and bring spring.  It’s another dramatic story worth telling and performing.

The Magic Lake

The Magic Lake is an Inca legend about a little girl (hmmmm, seems to be a theme here) who leaves her home to travel to the Magic Lake to bring back magical water for the prince who is sick and dying.  On her journey, she travels with her trusted llama and two maccaw birds who protect her.  She outwits a giant rattlesnake, a huge red scorpion and swarm of ferocious army ants and finds the magic water just in time.  Exciting?  You bet.

If you’d like more information about this and other stories with girls as the hero, check out my store  Dramamommaspeaks 

or Distance Learning with Reader’s Theater Scripts.

Gotta go–I just found two more folk tales that I simply must dramatize.  I can’t wait to begin!

What stories do you appreciate?  I’d love to hear about them.  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

Deborah Baldwin of DramaMommaSpeaks

 

 

 

 

 

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Filed Under: arts education, arts integration, community theater, creative dramatics, drama education, elementary, middle grades, Teacherspayteachers, theater, youth theatre Tagged With: British Theater, folk tales about girls, girl heroes, Girl Scouts, Mary Anderson, Molly Whuppie, plays, reader's theater, Swamp Angel, women in history, women super heroes, womens history month

Drama Games for the Introvertive Student

March 16, 2021 By dhcbaldwin 6 Comments

Drama Games for the Introvertive Student

Drama Games for the Introvertive Student

Drama Games for the Introvertive Student

Is that possible?  Drama students can be shy? I know it’s tough to believe, because we are a noisy bunch. So let’s talk about drama games for the introvertive student.

For various reasons, the answer is a resounding “yes!”

Recently, I read a post from a teacher lamenting about this on a Drama Teachers Group Facebook.  Her shy students wouldn’t budge from their seats no matter what she tried–and these were fifth and sixth graders.

Why Drama Games Help Students Feel Safe Enough to Participate

After teaching for thirty-eight some years, as you might imagine, I taught all types of students from the most enthusiastic class to the smallest and most shy. Honestly, I can figure out a class dynamic fairly fast, because of my experiences.

Do you need help?

Like adults, students are primarily afraid of the unknown.  Aren’t we all?  Additionally, I’ve had adults who desperately want to participate in a play but scare themselves off before they even sign up for an audition.  Students might have older siblings telling them embarrassing stories about their experiences in a drama class.

Drama Games for the Introvertive Student

Everyone Makes Mistakes

Or they’ve seen bloopers on Youtube.com and put themselves in place of the performers and suddenly “everyone” sees the mistakes.  Little do they know the performers actually shared their bloopers for the express purpose of getting likes. You never know what your students think a drama class looks like.

My advice is to dispel any myths about drama class which they might have accepted as truth. Myths of drama class are:  we always act, lines must always be memorized, classmates will laugh and ridicule our performance, we will be asked to do something embarrassing, etc.  Generally, students worry about their image at all times whether they are in a drama class or in the hallway.  The last thing the teacher wants to do is feed that anxiety.

The best way to de-mystify their worries is by starting very slowly.  Use drama games and exercises in which everyone can have success. Or if that seems too much for them, start with technical theater lessons first.

Drama Games for the Introvertive Student

Drama Games for Shy Students

Here are a few of my go-to drama games for the introvertive or reluctant student:

  1.  “Alliteration Name” Game--A lot of teachers use this game, however in drama class, we are a bit more expressive.  I expect students to come up with word which describes you realistically or unrealistically.  They must add a gesture of some kind and they can choose the rate of delivery for the line (fast or slow), add an accent and certainly choose some emotion to convey through the line.  I demonstrate first that gives the students an example of what their interpretation should look like.  If a student is stumped when their turn comes up, I direct them and even demonstrate an idea.  Usually, that’s all the reluctant needs.  Once they have a little success with the exercise, they see where they can fit into the class.
  2.  “Copy Me”–I like this game because it’s a simple premise: the student copies the tone, inflection and body position of the person before them.  Then they do their own version of the same line.  Suddenly, the worry about performing is minimized.  How hard is it to imitate someone?  We do it all the time whether we realize it or not.  We pick up vocal inflections, a person’s delivery and even their gestures.  Think you don’t?  Have you ever mocked someone or demonstrated to someone how something was said to you?  Yup.

Drama Games for the Introvertive Student

More Games and Exercises for Shy Students

  1.   “This is not a hanger”-–This exercise relies on a person’s imagination, however the challenge is very focused.  We just come up with something which is the same shape as a hanger.  It could be large (pyramid) or small (earring), used (an iron) or enjoyed (a martini.) You do need a hanger for the students to see.  Go around the class and when they are ready to participate, instruct them to say, “This is not a hanger, it’s a _____________.” There is only one rule– once that thing is suggested, no one can suggest it a second time.

2. “Lean and Leave”—This exercise strengthens the imagination and uses the body for demonstration.  Person A pretends to lean on something such as a wall and must be able to hold the position indefinitely. Person B goes to Person A and leans against Person A in some particular way. (For instance,  if Person A is pretending to lean on a wall with one hand, Person B might rest their elbow on the back of Person A.  Person A asks Person B, “Are you ready?” because Person B must be able to lean indefinitely without Person A there.  Person A steps away.  Person C goes to Person B and leans against them in another unusual way (for instance, they lean with their back against Person B).  Person B asks the same question of Person C and so forth.

 Everyone can participate in this exercise. It’s very engaging and different. I always challenge students to lean on different planes—high, medium or low, or putting their feet up on the other person and so on. I’m known to instruct the new leaning person to turn his head or bend an arm to show the difference in the look—just like those sculpture people.

Using Drama Games to Break Through Student Hesitation

3.”Tableau”—Though not a drama game per se, any student can have success with tableau.  Furthermore, it takes very little investment on the part of the student.  Students work in a group (that’s a real plus), they choose a story to demonstrate (for instance they show the beginning of the story, its middle and end) and there are no spoken lines. Ultimately, they merely freeze in place as part of the tableau. If the students are feeling comfortable, take this exercises a little farther by tapping each student and allowing them to say something as the character.  Again, keep it nice and friendly.

Drama Games for the Introvertive Student

Building Connections Through Play: Mind Meld & Drama Circles

  1. “Mind Meld”—The goal is for two people to say things together until they reach the same word. It begins by one person saying “one,” the second person saying “two,” and then both people counting to three together. They then say anything at all – a person, place, idea, concept, phrase: anything.

Then we think what the common thing between those two things or associated with those two things would be. We repeat the one, two, three and try to use the two previously stated things to arrive at a third, common one. We keep trying each time until we say the same word. When we finally arrive at the same word we sing and dance to “It was a mind meld, it was a mind meld, it happens all the time, it was a mind meld. ” Sometimes it is played with the same pair of people all the way through until they connect on a word. Sometimes the group can opt in and out and it is played between the team.

Warm-Up Games for Quick Engagement

2. Drama Circles—Drama circles are a wonderful way to involve your more shy or reluctant students.     Please your students in a circle (usually we sit on the floor).  Pass out a card to each student.  Each card tells them a           part  of a story.  Their job is to tell it to the rest of the circle.  You can even give one card for a small group who                   dramatize the story with movement, sound or tableaux.  Pick up this resource for an example: Drama Circle 

3. Group Based Improvisation Exercises–Once your students appear comfortable with your class, you might try   these improvisation exercises which are still a type of drama game.  If it were me and this was the beginning of the         year, I would try one the second week of classes.  Grab it here. 

If you are looking for more warm up exercises or games, check out my Instagram page @dramamommaspeaks

Drama Games for the Introvertive Student

Where Do I  Go From Here?

If you are seeking more advice or drama games from an experienced drama teacher and director, check out these posts of mine:

The Ultimate Guide for Drama Teachers: Creative Movement? Are you Kidding Me?

Three Lessons to Engage Your Drama Class Using Differentiation

Drama Lessons for Middle Grades from an Award Winning Drama Teacher

Come join my monthly newsletter!  I give advice, tips, suggestions, announce new drama resources I’ve created in the month and a FREE warm-up exercise.  You can join here  DramaMommaSpeaks newletter

Need a lesson you can use tomorrow, check out this one Drama Class: A Playwriting Unit or How to Help Your Students Feel Seen

Click here:  We’re Live! Radio Theater #101

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Filed Under: acting, arts education, arts integration, creative dramatics, creative movement, Creativity, drama education, Education, elementary, excellence in teaching, High School, middle grades, performing arts, Teacherspayteachers, Teaching, teaching strategies, theater, theatre Tagged With: arts education, drama class, drama exercises, drama games, drama lessons, drama teaching, imaginative play, improvisation exercises, introvertive student, movement, reluctant student, storytelling, tableau

Three Lessons to Engage Your Drama Class Using Differentiation

February 3, 2021 By dhcbaldwin 2 Comments

Three Lessons to Engage Your Drama Class Using Differentiation

Three Lessons to Engage Your Drama Class Using Differentiation

Today I want to talk with you about three lessons to engage your drama class using differentiation.

I wasn’t a very good math student when I was a child.  I made it okay to third grade but then Mrs. Gibson had to take off the rest of the school year.  Mrs. Butterfield tried to teach me, but I got behind during division and then fell through the cracks. Of course, we only learned from textbooks–no cute clipart, certainly nothing thematic and blah, blah blah.

Our daughters were great math students.  That was some thirty years later and students were using manipulatives and calculators.  Wow, what a difference! Observing them utilizing various methods of learning to arrive at an answer, I know I could have done it, too.  My math skills would be much better than at present.

Three Lessons to Engage Your Drama Class Using Differentiation

What does “differentiation” mean to you?

“Differentiation means tailoring instruction to meet individual needs. Whether teachers differentiate content, process, products, or the learning environment, the use of ongoing assessment and flexible grouping makes this a successful approach to instruction.”

I can’t imagine a drama teacher not using differentiation, can you? It’s just what we do~ 

When I was researching this topic, I found some great information and suggestions.  One in particular from the Ontario Ministry of Education shared a tremendous example.  You really should check this out: edugain.ca

The best point made was that differentiation can offer many choices for students in their learning.  Throughout this terrific lesson the students were instructed to change their groupings, involve other classmates, shuffle themselves while continuing to learn.

Want some more help in the classroom? Check out my FREE Guide and ten page lesson Here 

Oh, I do that naturally!  I don’t know about you, but I like changing the group chemistry.  Have you ever worked on a problem with student learning groups and they solve it one way and another group solves it a different way?

Three Lessons to Engage Your Drama Class Using Differentiation

Number One:  Creative Movement

After reading this cool lesson from the Ontario Ministry of Education, I was reminded of a movement warm-up exercise from Viola Spolin’s book, Theater Games in the Classroom.

The warm up is called Freeze and Melt.  It’s not an easy warm-up (best with middle grades and older.)   Usually students need to be fairly comfortable with each other and/or willing participants.

Basically, they create a statue.

Here is my version–I encourage them to put themselves in unusual positions–twists, bent over, one arm stretched out, etc. One requirement is absolutely a must– They must be physically connected to their partner.  Usually, I suggest they connect foot to foot because it’s the least threatening contact.

As always, the lights are turned low in the classroom which helps them feel less vulnerable and exposed.  Classical music is played in the background to encourage a calm and relaxed feeling.

Once the students create their “statue”, I give them instructions about the different places the imaginary sun would be warmest on their body.  Their job is to melt very slowly focused on that part of their body where the sun is warming them.  I give each melting movement about five to ten seconds. I coach them as they move, so they don’t rush by counting them down. At this point, I ask them to freeze again. Observing them, I point out interesting shapes which occurred for them. We try a different place for the sun to warm them.  They melt and freeze when I direct them.

Three Lessons to Engage Your Drama Class Using Differentiation

Now they understand the warm up.

We end the exercise.  They shake out.  I give them a second to chat with their friend and take a new position.

We begin again and go through the same steps.  I encourage them to remember their face can express a particular emotion.  This deepens the experience for them as they realize the value of facial expression.  However, this time, the exercise lasts at least a minute (which sounds like a short time, but is actually quite long when you consider what I’ve asked of them to do.)

Now for differentiation--the group brings in two more people.  I give them very little time to make this new group, because I don’t want them to think too much.

The third time I push them to freeze in unusual positions.  At the very end of the exercise, I charged the students slowly “ooze” to the floor. We do this very slowly–on a ten count.   I encourage them to take unusual, ugly positions.  This is absolutely fascinating to watch!

If the class is very comfortable with the exercise, I’ve been known to have all of them create a statue together.  I like to push my students because I know if they trust me and they are relaxed and having fun, anything is possible. Check out this blog post for more movement suggestions: The Ultimate Guide for Drama Teachers: Creative Movement? Are you Kidding Me?

or check out this Thanksgiving themed creative movement lesson 

Number Two: Set Design

Three Lessons to Engage Your Drama Class Using Differentiation

It is very infrequent for me that I do not give students choices.  I mean, don’t you like it when you get to select the size of drink you’d like instead of someone just slapping down a huge soda when you thought it would be of a reasonable size? Me too.

My set design unit gives allows for differentiation.  First, they can study it in parts.  For instance, the set design rendering lesson gives them a chance to take their ideas and draw them.

Do you teach grades two to five?  Pick up this free guide and ten page lesson Here:

Three Lessons to Engage Your Drama Class Using Differentiation

Set Design Lesson

After they study set design, they have many choices. For instance, high school students are required to read a play of their choice.  Middle grade students might read aloud a play they are studying, but they’ll design a set for it which they choose.  In one set design unit, students design sets of their school.  Again, choice!

When it comes time to build a scale model of their set, they find a partner. Additionally, this gives them an opportunity to make a decision as to who they would work best with and could work cooperatively with for several days.  I like this requirement because it teaches them to consider their own learning styles while carefully considering their classmates’. Check out this blog post for more information Critical Steps in Producing a Play or Musical: Set Design

Did you know I have the secret to boosting student engagement?  My new book, “We’re Live! Radio Theater #101” explains my journey to implementing this unique tool in the classroom. Check it out here

Number Three: Improvisation

Three Lessons to Engage Your Drama Class Using Differentiation

No matter the class or grade level, I give students who are new to a drama class an opportunity to learn at their own pace. However, this does not mean we can wait until next year to try improvisation.

If a class is extremely reluctant, I’ll seek out the least worried student and demonstrate with them.  If the students are ELL and language is a barrier for us, I will stay with theater games until I see them relax and begin enjoying the experiences.  Again, this gives students another method of differentiation.

Check out this lesson:  Theater Professions

Sometimes I will group students by the color of their shirt, shoes or season in which they were born.  They never know how I will group them, because it depends upon their willingness to “play” along with me. Other times, they group themselves.

In most situations students write, read, listen, speak and demonstrate their learning to me.   You might say I’m thorough, but I’m not pedantic–I ignore the small stuff and concentrate on the big picture.  There is time enough to be perfectionistic down the road. Besides, no one is perfect. For more information about me, check out this blog post The Lessons I Learned from Working as a Drama Teacher

Here’s a brand new lesson which uses differentiation and cooperative learning–Norman Rockwell Paintings Creative Writing Play Dialogue Theater Arts lesson.

Three Lessons to Engage Your Drama Class Using Differentiation

I’d never really thought about the ways I use differentiation in my classroom. Wow, I use it a lot.  This was a good exercise for me to do! I hope it helps you, too!

How do you use differentiation in your classroom?  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

Deborah Baldwin of DramaMommaSpeaks

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Filed Under: acting, arts education, creative dramatics, creative movement, drama education, Education, High School, middle grades, Teacherspayteachers, teaching strategies, theater, youth theatre Tagged With: acting exercises, acting warm-up, differentiation, elementary drama class, high school drama class, improvisation exercises, middle school drama class, movement, set design, tableau, using differentiation in the drama classroom

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