• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Join Me in my new Facebook Group! https://www.facebook.com/groups/417126059784261

Menu
  • Meet Deb – The Heart Behind DramaMommaSpeaks
    • Work with Me! 
    • Photo Gallery of DramaMommaSpeaks
    • Directorial Credits
  • I Give Book Talks! 
    • Book Talk Through Skype
    • Books
  • Freebies!
  • Bumbling Bea
  • Teaching Resume
  • Acting Resume
  • Contact Me
  • Blog
    • Drama Education
    • Arts Education
    • Youth Theatre
    • Middle Grades
    • Musical Theatre
    • Teaching
  • Meet Deb – The Heart Behind DramaMommaSpeaks
    • Work with Me! 
    • Photo Gallery of DramaMommaSpeaks
    • Directorial Credits
  • I Give Book Talks! 
    • Book Talk Through Skype
    • Books
  • Freebies!
  • Bumbling Bea
  • Teaching Resume
  • Acting Resume
  • Contact Me
  • Blog
    • Drama Education
    • Arts Education
    • Youth Theatre
    • Middle Grades
    • Musical Theatre
    • Teaching

drama lessons

Creative Dramatics for Tweens: Build Confidence First

July 9, 2025 By dhcbaldwin Leave a Comment

Creative Dramatics for Tweens: Build Confidence First

I’ve wanted to blog on this subject for a long time–Creative Dramatics for Tweens: Build Confidence First. It’s easy to assume that the best way to begin a drama class is with scripts in hand or with a monologue or duet scene. After all, that’s what theater is all about—character, dialogue, blocking, memorization. Right?

Creative Dramatics for Tweens: Build Confidence First
Here I am with a former student sitting on the floor, playing the warm-up game with my class

Not quite.

When you’re working with middle school students, traditional scripted drama can be overwhelming. Many students at this age are still learning to navigate their emotions.  Additionaly, they are learning how to communicate effectively, and build trust with their peers. That’s why I believe the best way to start middle school theater is not with a script, but with creative dramatics.

What Is Creative Dramatics?

Creative dramatics is an unscripted, process-centered approach to theater. It includes improvisation, storytelling, pantomime, role play, and drama games. Unlike traditional scripted drama, it emphasizes exploration over performance. Additionally, it is less about perfect delivery and more about self-expression, teamwork, and discovery.

In short—it’s play with purpose.

Creative Dramatics for Tweens: Build Confidence First

Why Traditional Drama Doesn’t Work Right Away

Middle school students come to drama class with a wide range of abilities.  Plus, they join us with different comfort levels, and backgrounds.  Some are eager to perform; others are terrified of speaking aloud. When we hand them a script and ask them to “act,” we’re assuming they already have skills they may not have yet.

As we are aware, times have changed one generation to the next.  I was from the generation where parents said children were, “to be seen and not heard.’ My parents let my teachers deal with me at school–they did not intervene at all. My daughters weren’t raised as strictly but guardedly.  However, we did not ask them for their input in making decisions about and for them.  This latest generation is much more hands-on.

Modern parents are often more involved in their children’s lives than previous generations. They attend more events, know more about their kids’ social-emotional development, and are quicker to advocate in school or healthcare settings. This shift is partly due to greater access to parenting research, a cultural emphasis on emotional intelligence, and a desire to break cycles from their own childhoods.

Creative Dramatics for Tweens: Build Confidence First

How Developmentally Appropriate Drama Builds Success

How does that play out in the drama classroom?  In drama class we deal with our emotions right from the first day.  If a student is uncomfortable sharing emotion, they will shut down on a teacher before they have even begun.

This is the primary reason for beginning the school year or even second semester with creative dramatics and not jumping into more a more traditional theater class.  Take.your.time.

Here are a few reasons traditional methods may fall short:

They’re still figuring out who they are. Think of it–they enter your classroom as basically a 5th grader and leave the school as almost a 9th grader.  That’s huge growth!  Identity is a work in progress at this age. Asking them to take on another character can feel like too much when they’re unsure of themselves to begin with.

Reading aloud is a challenge for some. Not every student is a confident reader. Struggling through a script in front of peers can be a confidence killer.

Performance anxiety is real. Scripts and staged scenes can cause fear of failure, embarrassment, or judgment.

Additionally, they haven’t built ensemble yet. Trust is a crucial part of theater—and it takes time. Without it, collaborative scene work suffers. Students must feel safe in order to take chances and make mistakes in front of their peers.

Creative Dramatics for Tweens: Build Confidence First

What Creative Dramatics Offers Instead

Simply put, creative dramatics gives students the freedom to play, explore, and make choices.

Here’s why it works so well for middle schoolers:

Confidence Grows Naturally
I found that activities like studying movement and storytelling encourage participation without the pressure of “getting it right.” Students learn that all ideas are welcome, and that builds a safer space for risk-taking.

It Emphasizes Play
Middle schoolers need movement and laughter. Games and creative exercises channel their energy in productive ways—and make class genuinely fun. Students have shared with me that the warm-up games are their favorite part of their school day!  One exercise that is always successful is The Three Headed Monster.  Want a copy?  Pick it up here: Three Headed Monster

Creative Dramatics for Tweens: Build Confidence First

Why Creative Dramatics Works for Every Student

It Builds Ensemble
Middle schools are generally as large as a small high school.  That means your students may not be familiar with each other. Several elementaries can funnel into one middle school. Therefore, group work, partner activities, and group-based improvisation help students learn to listen, collaborate, and trust one another. These are the same skills that will serve them when they do move into scripted work. Check out this bundle:  Group Based Improvisation Exercises

 Skills Are Introduced Organically
Voice, body language, emotion, conflict, character motivation—these are all explored through creative dramatics. Often students aren’t even aware that they’re developing them. Because you have focused on participation rather than performance, your timid students have an opportunity to challenge their fears without criticism.

It Welcomes All Learners
Some students didn’t choose to take drama. Others are English language learners or neurodivergent. Creative dramatics gives everyone a way in—regardless of background or ability. My favorite memories of teaching middle school have always been when a secial needs student get to participate in the performance. Or the ELL students show their classmates that they don’t need to be good English speakers to win at a game! Need something for a substitute teacher to teach?  Check out: Emergency Sub Plan Bundle 

Creative Dramatics for Tweens: Build Confidence First

What It Looks Like in Practice

So, what does creative dramatics actually look like in the classroom?  A middle school drama classroom is joyful, dynamic and always fun!

Here are a few ways to begin your middle school drama class:

  • Tableaux exercises where students freeze in poses to tell a story or capture a scene–pick up Fairy Tales with Tableau
  • Improvisation games like “Yes, And…” or “What Are You Doing?”
  • Story circle activities where students help shape a narrative such as Magic Circle
  • Movement builds expression and clarity without words such as Creative Movement
  • Character walk explorations where students invent physical traits for imaginary people. This first begins with a charater analysis such as Character Analysis

None of these require a script. All of them build foundational theater skills.

Creative Dramatics for Tweens: Build Confidence First

When to Introduce Scripts

Scripts do have a place in middle school drama. They come after the ensemble is built, the fear is reduced, and the students are comfortable in their own creative voices.

When that time comes, try:

  • Class plays where the entire class is involved, such as The Brave Little Tailor
  • Reader’s theater as a gentle transition, such as The Magic Lake
  • Radio theater is non-threatening and requires very little preparation for you or the students, try Bow Wow Blues

Once they’re ready, traditional drama becomes much more successful—and meaningful. It’s worth noting you should also not begin the year delving into theater history.  If you’d like a  free lesson for this subject, check out: The Origin of Theater

Creative Dramatics for Tweens: Build Confidence First

Final Thoughts

Here’s some advice:  don’t be like me and get all caught up in the quality of the performance. When I first started teaching middle schoolers, I was too focused on the final performance.  Some students can only equate a play performance as doing “theater”. They may not come out of their shells until they are standing in front an audience (hopefully, someone else’s class of students are serving as audience).

What is key here is that your students are LEARNING. Once you accept this, your teaching will be much more fun and fulfilling.   Middle school drama is not about putting on a perfect show. It’s about helping students discover who they are, how they express themselves, and how they connect with others. Want more advice about teaching middle schoolers? Check out: How to Make Your Drama Class More Successful –Lessons Learned from 38 Years of Teaching-Middle School

Where Confidence Begins: Creative Dramatics

If we want them to fall in love with theater—and we do—we need to meet them where they are. That starts not with scripts, but with play. With movement, with laughter and 2ith ensemble.

It starts with creative dramatics.

Have you tried creative dramatics with your students?  Drop a comment and share what’s worked for you, or explore my ready-to-use lessons that make the first weeks of drama class engaging and low-stress—for you and your students.

Woman behind DramaMommaSpeaks

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Pocket (Opens in new window) Pocket
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: arts education, arts integration, creative dramatics, creative movement, drama education, drama integration, Education, Education, excellence in teaching, middle grades, Teacherspayteachers, Teaching, teaching strategies, youth theatre Tagged With: 'tweens, bow wow blues, character analysis, class plays, drama education, drama lessons, drama units, growing up, Middle school, movement, radio theater, reader's theater, storytelling, tableau, The Brave Little Tailor, The Magic Lake, The Origin orf Theater

Easy-to-Use Middle School Drama Lessons: Volume 1

June 25, 2025 By dhcbaldwin Leave a Comment

middle school students working together on a drama class project by Dramamommaspeaks

Easy-to-Use Middle School Drama Lessons: Volume 1

My second year of teaching
School photo of my second year of teaching

Today, let’s talk about easy-to-use middle school drama lessons, volume 1, shall we? I bet you’d agree with me–teachers are conscientious people. We are like a dog with a bone–we just don’t give up.  When I began teaching, my first three years of teaching (English) were exhausting and challenging.  In fact, I had never student taught the subject.  Plus, I was on my own  trying to understand the scope and sequence pacing.

Back then, we did not have mentor teachers. A nice, equally young teacher  gave me a huge tome complete with English department standards with outcomes expected by grade level.  It was filled with jargon which I had to translate into laymen terms before I could even consider teaching them! Talk about overwhelm. However, I never gave up and learned tons from teaching English for those three years.

From Grad School to the Classroom: What Really Works with Middle Schoolers

Time went by and I survived those first years of teaching.  Later, when I began teaching a pre-elective drama class for middle schoolers, I had just finished my M.Ed. in Creative Arts Learning. It was perfect timing—I ended up using so many of those teaching methods in the classroom right away.

What I learned over many years is that middle school students need variety and short bursts of learning.  Of course, it’s good if it’s fun, too.  (Trust me, here.  My students and I laugh a lot in a class period.) Looking for a play to direct? Check out: 8 Middle School Plays That Work Every Time

My lessons generally followed this pattern:

  • warm up (15 mins.)
  • teacher lesson (10 to 20 mins.)
  • student application (15 mins.)
  • cool down, exit slip, etc. (5-10 mins.)

What’s Inside Volume 1?

Easy-to-Use Middle School Drama Lessons: Volume 1

Even though this was a pass/fail class, I had the opportunity to teach as much or as little theater information as I liked. The principal left it up to me which was gratifying to way the least.   Also, I taught them the rudimentary concepts of stage geography, stage positions, blocking positions, acting positions, and movement. Most youth theater and school theater programs focus on the actor.  I knew that the concepts of stage orientation would be needed no matter what program or class they enrolled in next time.

Hooked from the Start: Building Excitement and Ownership in Drama Class

Additionally, students learned about the origin of theater (did it begin through myth or ritual?).  We had  lively debates discussing their opinions.  By establishing the class with this resource, a teacher can put their students in the driver’s seat right off the bat.  They learn that their opinions count!

Always I kept it in mind that I wanted my students to enroll in another drama class after mine.  Most importantly, I wanted them to leave my class so in love with theater arts they couldn’t wait to learn more about it.

Easy-to-Use Middle School Drama Lessons: Volume 1

Why Teachers Love It

It is not out of the ordinary for me to receive a positive review.  I’m thrilled that I helped a teacher! 

“My students loved this unit for my theater class.  I have always struggled on how to teach set deisng in this class and your presesntation took me step by step through the procerss! Plus, I was able to modify it for my Behavior Theater class who loved the hands on aspects of this unit. ”

“Thank you for the teacher’s script and details. YOu could easily print and use this in your classroom immediately. SO MUCH DETAILS and SO MANY OPTIONS! I can use it all or in pieces as time allows. Thank you.”

My Favorite Lessons in the Volume

Easy-to-Use Middle School Drama Lessons: Volume 1

One of my favorite units to teach is set design.  Students enjoy it because it’s concrete.  It’s not that scary acting/ emotion stuff! Plus, I focus on fairy tales as the theme.  When I first began teaching this unit, fairy tales hadn’t become as popular as they are at present.  In fact, some students weren’t even familiar with the story of The Three Little Pigs!

However, now that fairy tales are popular in television and film, students nearly jump at the opportunity to create their own set for whatever fairy tale story they choose. The unit includes titles such as Cinderella, Little Red Riding Hood or Jack and the Beanstalk.

Storytelling Japan Student Created Pictures Drama Lesson Kamishibai Drawing

In addition, I enjoy teaching about Kamishibai Storytelling.  If you are unfamiliar with Kamishibai, you’ll enjoy how well it works in the classroom.  Got shy students?  You can encourage to break out of their shell through this unit.  First, you’ll put your students into teams of two to create their stories. They draw their story and finally they perform them in tandem.  Talk about win-win!

How to Use It Throughout the Year

Easy-to-Use Middle School Drama Lessons: Volume 1

Have you picked up a copy of my Scope and Sequence resource of drama lessons?  It’s free to you and will give you a comprehensive and organized plan.  You can find it here: Scope and Sequence, Vol. 1.

When you pick up the scope and sequence guide, you’ll notice that I suggest beginning the learning with the basic components of theater.  They include tableaux, movement, sound effects, improvisation, movement, etc.  Furthermore, there is time for designing a set and costumes, too.  I’ve included everything a teacher may need from teacher’s scripts (so you know what to say) to procedures (with time stamps) to warm-up exercises, live video clip links and a rubric or two.

Drama Class Theater Curriculum Middle School Vol. 1 Acting Improvisation Plays

So, there you have it!  I hope you’ll grab Volume 1 here to take the guesswork out of teaching drama! Or…buy Volume 1 and 2 here: Bundle Volume 1 and 2 Middle School

Looking for more?  Check out my new book, We’re Live! Radio Theater #101–all about how to use radio theater to engage students in any classroom.

Easy-to-Use Middle School Drama Lessons: Volume 1

Got a question or request?  Just email me at DhcBaldwin@gmail.com.  I’d be happy to help you!

Woman behind DramaMommaSpeaks

P.S.  If you all ready own these, check out volume 3!  It’s brand new:  BUNDLE MIDDLE SCHOOL CURRICULUM VOLUME 3

Click here:  We’re Live! Radio Theater #101

 

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Pocket (Opens in new window) Pocket
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: acting, arts education, arts integration, Back to School, creative dramatics, creative movement, drama education, drama integration, Education, Education, excellence in teaching, gifted and talented, performing arts, readers theater, set design, storytelling, Teacherspayteachers, teaching strategies, youth theatre Tagged With: 'tweens, arts integration, costume design, creative dramatics, drama education, drama lessons, drama units, Kamishibai Storytelling, Middle school, radio theater, set design

Unmasking Drama: Engaging Small Classes

February 27, 2025 By dhcbaldwin 2 Comments

A happy teacher calling on a small class of drama students.

Unmasking Drama: Engaging Small Classes

Unmasking Drama: Engaging Small Classes Effectively

Today, let’s discuss Unmasking Drama: Engaging Small Classes. Picture this: You are ready to teach on your very first day of classes. Excited, you double-check the student roster. Hmmm. At last check, there weren’t too many students signed up for your class. However, you knew that in the last days of summer, usually some stragglers sign up. In walk two students. Even though your roster listed these two students’ names, you are certain there are more arriving any minute.

You wait five minutes. The two students look uncomfortable and you are apprehensive. You think, “What can I do with a class of two? How can I still make this class engaging? “ Disappointed, you throw out your plans for the first week of class.

Unmasking Drama: Engaging Small Classes Effectively

Unmasking Drama: Engaging Small Classes

Does this sound like you? I’ve been in this position before. Teaching drama to a small group is a unique challenge. Unlike math or even art, drama thrives on human interaction, group dynamics, and ensemble work. So, what do you do when your “ensemble” consists of just two or three students?

Occasionally, a teacher will email me begging for help with teaching their class. They have a small class of students. The question to me is usually the same: Is it possible to teach drama to a small group of students?

My answer is always a resounding, yes! I’ve taught several classes with only one or two students. These were home school students in a huge enrichment program. Your success depends upon a few things, some of which are somewhat out of your control. However, there are many things you can control, and with a little creativity, you can turn a small class into an enriching experience.


 

Unmasking Drama: Engaging Small Classes Effectively

Unmasking Drama: Engaging Small Classes

1. Limited Ensemble Dynamics

With fewer students, it’s harder to create the rich, spontaneous interactions typical in larger ensembles. Each student’s contribution is magnified, and the diversity of ideas and energy might be more limited. At times, I’ve noticed that when a student receives too much attention, they can become overly dependent on me when struggling with a concept.

2. Individualized Needs

In a small group, differences in skill levels, personality, and confidence become more apparent. This is where the teacher’s level of exhaustion comes into play. You must tailor lessons, provide personalized feedback, and ensure that each student’s unique needs are met without compromising the group’s overall progress.

3. Risk and Vulnerability

Drama often involves improvisation and exposing one’s vulnerabilities. In a small setting, students may feel overly visible or pressured, making it tougher to foster a safe space for experimentation and risk-taking. (If one student resists and you only have two in the class, your chance of success has dropped by 50%!)

4. Building Group Cohesion

Developing trust and a sense of community is essential in drama. With fewer participants, it requires extra effort to ensure that all students connect and collaborate effectively. Absenteeism, students not learning their lines, or unfinished projects can bring your class to a standstill.


Solutions & Strategies for Success

Quick Fixes for Small Classes

  • Lean into one-on-one coaching: Treat it like a personalized drama mentorship.
  • Adjust group exercises for two or three people: Focus on duologues, monologues, and character studies.
  • Expand beyond acting: Let students explore directing, playwriting, and design.
  • Use multimedia tools: Record performances, create podcasts, or study filmed theater.

Now, let’s look at how I put these strategies into action.


Unmasking Drama: Engaging Small Classes Effectively

Emily’s Story: Adapting Drama for One Student

Emily was a wonderful homeschool student in my drama class. Several other students were signed up but dropped at the last minute. Since I had previous teaching experience with Emily and knew that if I canceled the class, she’d be crestfallen.

Inventory the Student’s Interests

To begin, I interviewed Emily to discover which aspects of theater interested her most. Ha! All of it! We discussed book titles that had been dramatized, musicals she liked.  Additionally, we considered whether she wanted to be realistic or fanciful in her set and costume designs. By giving Emily opportunities to choose the differentiation, I knew that we’d be more successful than had we not done so.

Unmasking Drama: Engaging Small Classes Effectively

Creating a Personalized Curriculum

Since I was teaching Emily once a week from August to May, we structured  our plan together. Here’s what it looked like:

Lesson Plan for a One-Student Drama Class

  • August: Icebreaker games and warm-ups that work for two people (e.g., Add a Word storytelling).*
  • September: Read the play version of Peter Pan aloud.
  • October: Studied and designed costumes for Peter Pan. Emily even sewed Peter Pan’s hat!
  • November: Explored set design and built a model of the Peter Pan set.
  • December: Watched the Peter Pan musical and compared it to the play version.
  • January & February: Studied stage properties. Emily designed and built a cardboard broadsword using an instructional video.
  • March: Studied stage makeup and designed a look for Captain Hook.
  • April: Selected a three-person scene from Peter Pan to perform. I invited two girls from another class to rehearse with Emily.
  • May: Performed the scene for Emily’s parents and she wrote a reflection about her experiences during the year of learning.

*Generally, we began each class with a warm-up exercise of some kind that tied to the subject of the day.

If you are in need of particular lessons for this plan, check out:  Dramamommaspeaks Store


Unmasking Drama: Engaging Small Classes Effectively

Alternative Approaches for Small Classes

Rotating Focus Each Class

Another way to teach a small drama class effectively is to structure your lessons to explore different aspects of theater each session:

  • Acting & Performance: Scene study, monologues, improv games.
  • Technical Theater: Costume and set design projects.
  • Theater History & Playwriting: Reading plays, writing scenes.
  • Production Elements: Sound design, lighting concepts, directing techniques.

Creative Drama Exercises for Small Groups

Here are a few engaging activities tailored for 1-3 students:

  • “Mirror, Mirror”: One student mimics another’s movements to build focus.
  • “What are you doing?: Take turns informing each other something they must do that is physical, “I’m mopping the floor.”
  • Table Reads: Read and analyze famous plays.
  • Monologue Swap: Perform the same monologue in different tones/moods.
  • Character Walks: Move around as different characters to develop physicality.

Unmasking Drama: Engaging Small Classes Effectively

Final Thoughts: Reframing Small Classes as an Opportunity

Thus, as you are aware, teaching a small drama class can feel isolating or discouraging. But it also offers a unique opportunity for deep, personalized instruction. Most importantly, the key is to lean into the strengths of a small class, offering students individualized coaching, creative freedom, and opportunities to explore theater beyond acting.

Your Turn!

  • Have you ever taught a small drama class? What creative solutions worked for you?
  • What are your favorite duo or trio scene studies? Drop your recommendations below! Or Email me at DhcBaldwin@gmail.com

I hope this blog post, Unmasking Drama: Engaging Small Classes Effectively has been helpful to you. Need more ideas? Check out my post on How to Use a Hybrid Lesson in Your Drama Classroom Tomorrow.

Woman behind DramaMommaSpeaks

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Pocket (Opens in new window) Pocket
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: acting, arts education, arts integration, Creativity, drama education, Education, Education, excellence in teaching, multiculturalism, set design, Teacherspayteachers, teaching strategies, theater, theatre, youth theatre Tagged With: acting, Broadway musicals, cooperative learning, costume design, drama education, drama lessons, ensemble acting, improvisation, Peter Pan play, reading play, set design, technical theater, theater, warm up exercises

Indie Publishing: Red Flags & My Story

February 21, 2024 By dhcbaldwin 2 Comments

Indie Publishing: Red Flags and My Story

Not all indie publishing companies operate with integrity, and as an aspiring author, it’s essential to be aware of the red flags that may indicate potential risks or challenges in your publishing journey. In this blog post, I will explore the warning signs in detail to empower you to make informed decisions when selecting an indie publisher for your book. Hence the title,  Indie Publishing: Red Flags & My Story.”

Indie Publishing: Red Flags & My Story

In the vast world of publishing, indie publishing companies have emerged as an alternative route for authors seeking to share their stories with the world. Isn’t that terrific? While the prospect of independently publishing your book may seem enticing, it’s crucial to approach the process with vigilance and discernment.

Indie Publishing: Red Flags & My Story

Before delving into the red flags and my personal experience, it’s essential to grasp the fundamentals of indie publishing. Unlike traditional publishing, which involves established publishing houses, indie publishing allows authors to bring their books to market without the backing of major publishing companies. Instead, authors collaborate with smaller publishing firms or utilize self-publishing platforms to produce and distribute their works independently.

Indie publishing offers greater creative control and flexibility. However, it also requires authors to navigate various aspects of the publishing process themselves–from editing and formatting to marketing and distribution. Additionally, an indie author may think they’ve found a solution to saving themselves time by hiring an indie publishing company.  They may discover  it takes much more time to publish independently.  At least this was my experience.

Note:  I have published independently two books.  My first experience using CreateSpace (now Amazon KDP) was excellent.

However, my second experience is less so. I wanted someone to publish my book as well as do the marketing.  I think that is where I made my first mistake.

Indie Publishing: Red Flags & My Story

Indie Publishing: Red Flags & My Story

1. Lack of Transparency:

Transparency is paramount in any business relationship, including publishing. A reputable indie publishing company should be forthcoming. They should advertise their processes, fees, and distribution channels. Beware of publishers who are evasive or vague when discussing these critical details. It may indicate a lack of integrity or potential hidden agendas.

When I began the steps to publishing my book, my experiences with my book’s manager were positive. However, over the next seven months our emails and phone calls became progressively more agitated.

Once I declined their additional services for my book (extra press release distribution, podcast interviews, etc.) my book appeared to receive less attention. In fact, there were several weeks when I’d speak to my manager and she’d say she’d get back to me at the end of the week and I’d not hear from her for another week.  No explanation, no apology.

Indie Publishing: Red Flags & My Story

2. Unrealistic Promises:

While every author dreams of achieving success with their book, it’s essential to be wary of publishers who make lofty promises or guarantees of instant fame and fortune. I selected one of three publishing/marketing programs.

I was guaranteed 10,000 followers on my media platforms (Facebook and Instagram). This has not occurred as of this writing. The followers number is stopped growing, especially on Facebook but considering it’s been on Facebook for several months (less than 800 followers). I’d expect higher numbers.

Nevertheless, the company continues to use the exact same hashtags (of which I collected for them) with my Instagram posts. They never changed them.  That’s a sure sign for problems with Instagram, because they’ll consider my page to be a bot. Again, I asked for this to be changed. (As of this updated post, they finally switch them out after three months of my requesting for this to be edited.)

Publishing is a competitive industry, and success is never guaranteed. Be cautious of publishers who promise unrealistic outcomes without providing a solid plan or evidence to support their claims.

Indie Publishing: Red Flags & My Story

3. Poor Editing and Production Quality:

Quality matters when it comes to publishing your book. A reputable publisher should uphold high standards of editing, formatting, and cover design to ensure that your book is polished and professional. You may encounter a publisher that cuts corners on quality or prioritizes quantity over craftsmanship. Trust me, it will diminish the credibility and marketability of your book.

Primarily my problems with this particular company stem from their lack of attention to detail. I did as they asked of me (promptly, I might add).   I sent corrections or editions in the form of an email. They told me they received my instructions.

Time passed. They would send my book back to me with the supposed changes I required–however, nothing had been changed in the book. Or only one issue of several would be fixed. Shockingly, this issue occurred many times. Finally in desperation, I took back the editing and proofreading responsibility from them and made the changes myself. I couldn’t trust them.

Indie Publishing: Red Flags & My Story

4. Hidden Fees and Rights Grab:

Beware of publishers who lure authors in with low upfront costs only to impose hidden fees. Or they may try to mislead you or slip in contractual obligations later on. It’s essential to thoroughly review any publishing contracts and seek clarification on terms related to royalties, rights, and additional charges.

Author’s Rights

Avoid publishers who demand exclusive rights to your work. Especially if the rights do not offer  fair compensation or transparency regarding rights ownership. This particular company did made it clear to me that I owned the book and would received all the royalties. That’s the good part.

Nevertheless, what they failed to make clear to me is that I could beef up the marketing on the book if I paid more money. They’d say, “The press release on your book is doing amazingly! We’d like to place the press release elsewhere. ” First, I’d ask them how they knew that people were reading the release.  There was no answer.  Friend, that is not honest.

Manipulation Tactics

Secondly, I’d ask them if there was a cost for the additional press release coverage. They’d avoid answering me. Only after I agreed to more marketing will they divulge the price.  Interestingly, the cost of this “extra press release” marketing was about the same as what I paid initially. In other words, “Let’s just bump her costs up and get her to pay a higher cost without her actually realizing it.”

Do you see what is going on here?  I want to make this clear to you–they’d say it cost X amount of money for my initial signing with their program, but then they’d try to manipulate me into paying extra. This occurred several times.

Did you know I have the secret to boosting student engagement?  My new book, “We’re Live! Radio Theater #101” explains my journey to implementing this unique tool in the classroom. Check it out here

Indie Publishing: Red Flags & My Story

5. Lack of Author Support and Communication:
A supportive publisher should provide ongoing assistance and communication throughout the publishing process. Consequently,  if you encounter difficulties reaching your publisher or receive inadequate support, it may indicate a lack of commitment to your book’s success.

Generally, I would send an email with an itemized list of what needed to be fixed on the book (such as eliminating a video clip link which was housed on my blog).  I asked for this to be edited for two months.  Nothing changed.  As an author, you deserve to feel supported and informed every step of the way, from manuscript submission to book promotion.

Indie Publishing: Red Flags & My Story

6. Negative Reputation or Reviews:
Before committing to an indie publishing company, conduct thorough research to assess its reputation and track record. Look for reviews and testimonials from other authors who have worked with the publisher in the past. Pay attention to any red flags or warning signs that may indicate a history of unprofessionalism, poor customer service, or unethical business practices.

This was partly my own fault-–I did not check the company as thoroughly as I should have.  I liked their plan of publishing and marketing the book.  I was more interested in saving time than anything else. They looked good, had an excellent track record (or so I thought) and said what I needed to hear. (Isn’t that what all manipulators do?)

Something Else Suspect with This Indie Publisher

I revisited their reviews on their website and reviews elsewhere. Surprisingly, I found that all of them were glowing on their website. Hmmm.  All of them?  Not even one rated lower than 5/5. That’s suspect. Sadly, it was too late for me to request a refund.

I’m sure this is illegal.  They have posted books from other publishers on their website.  Books such as Charlottes Web, Pete the Cat, The Foot Book by Dr. Seuss and many others are listed.  When you check out these “portfolio” books on Amazon, their publishers are not this company but others such as Penguin books. That’s another red flag. 

My Story: Red Flags in Indie Publishing

7. No Clear Marketing Strategy:
Publishing your book is just the beginning.  Additionally, effective marketing and promotion are essential for reaching your target audience and generating sales. A reputable publisher should have a well-defined marketing strategy tailored to your book’s genre.

They should understand your target audience, and distribution channels. If a publisher lacks a clear marketing plan or demonstrates a reluctance to invest in promotional efforts, it may hinder your book’s visibility and commercial success.

Although they may have a clear marketing plan, I was never informed of exactly what that plan would look like.  My book is a guidebook for teachers to teach them how to use a unique tool to boost student engagement in their classroom.

Surprisingly, I spent well over eight months explaining myself to my book managers. Every time they’d send me something to okay for marketing, they chose the slant that was not for teachers.  Every time.  No matter how many times I explained it to them it would be incorrect.

Indie Publishing: Red Flags & My Story

Indie Publishing: Red Flags & My Story

Recently, I saw a reply to a Facebook post asking for names of publishing companies that are best with books by teachers.  In truth, I was unaware that there were companies such as this. Personally, I think the company I used should not have gone into business with me if they truly did not understand education.

For instance, one day my marketing managers (yes there ended up being two working with me) mentioned that they were unfamiliar with education’s standards. “What are benchmarks?”, they ask.  Really?  Another red flag. I’d think if you’d accepted to work with me you’d  have  prior experience with a book of this subject.

Indie Publishing: Red Flags & My Story

Another Negative Review of This Company

I found one person who had written a 1/5 review about this company.  Her review stated that the company had terrible communication with her.  A lot of what I’ve gone through since August could have been abated if only someone had truly listened to me. I was patronized more times than I can count! Friend, if I could sit with you and tell you about the entire experience from August to late February, you would not believe it.

Recently, I  laughingly told my husband that I should have titled this book, “Three Steps Forward and Eight Steps Back. No, Cancel That–Just Eight Steps Back” because that’s been my experience in a nutshell. Please know this–as of the writing as this post, my book has still not been published.

My Advice

Indie publishing is very trendy now.  In fact, I believe that publishing companies all have an arm of their business for indie books.  It didn’t used to be that way. My advice?  Take your time, be thorough in checking out a company and read the fine print.    Remember, your book is a reflection of your passion and dedication as an author. So, choose your publishing partner wisely and embark on your publishing journey with confidence and clarity.

Lastly, you may ask about the quality of the book–it’s excellent.  Why?  Because I basically published it all by myself.

If you’d like to learn about my other book, Bumbling Bea, go to Surprising Bumbling Bea Reviews and a FREE Chapter

Have you published a book independently?  What is your experience?  I’d love to hear about it.  Email me at DhcBaldwin@gmail.com and I’ll be happy to give you the name of the company.  

Woman behind DramaMommaSpeaks

 

 

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Pocket (Opens in new window) Pocket
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: Uncategorized Tagged With: author, author's writing process, Blue Mount Publisher, contracts, drama lessons, Indie Publishing, publishing companies marketing, refunds, self publishing

How to Teach Play Production to Your Students

April 26, 2022 By dhcbaldwin Leave a Comment

How to Teach Play Production to Your Students

How to Teach Play Production to Your Students
DIRECTING THE MIRACLE WORKER

Let’s consider how to teach play production to your students today.  As I’ve mentioned previously, I was thrown into directing my first production when I was quite young–twenty three years old to be exact. This is how to teach play production to your students.

Ten years and an umpteen amount of me directing productions later, I began producing for the theater company.  Let me tell you, I had NO idea what I was doing but after having directed and experienced that side of it, producing wasn’t all that difficult for me. You can read about my directing experiences here:  Eighteen Ways To Make Your Directing Experience Less Stressful, Part One or Eighteen Ways to Make Your Directing Experience Less Stressful, Part Two

In fact, I discovered I was good at it!

Many times in an educational setting, our students only learn about the “fun stuff”– acting and improvisation.  But there is a whole big world of other facets of theater which are not only essential but interesting! Plus, reluctant performers may find themselves in the other aspects of theater.

How to Teach Play Production to Your Students

How to Teach Play Production to Your Students

By teaching play production to your theater class, students are given an opportunity to dip their toes into various responsibilites.  One responsibility which is largely overlooked is the job of the producer. Check out this resource if you want your students to have a comprehensive look at play production.

If we can give our students opportunities to learn through play production, then by all means let’s do it!

The Ten Steps in Play Production

How to Teach Play Production to Your Students

So, let’s consider this idea for your class. Here are ten steps for play production.

  1.  Class reads several plays (I suggest you check out: Don Zoldis plays.  They are terrific for something like this.)
  2. After discussing the pros and cons, the play is selected
  3. Order the scripts
  4. After scripts arrive, read thru again, students volunteer for the responsibility of which they show most interest
  5. Set a budget
  6. Hold auditions and cast production
  7. Begin rehearsals
  8. Hold several run thrus, a cue to cue (if need be) and dress rehearsals
  9. Perform
  10. Process the experience

Tips and Reminders for Play Production

How to Teach Play Production to Your Students

When setting the budget, you may need to teach your students how to approximate their ticket sales if you are charging for the performance.  Make sure you include any monies the department has ear marked for the play. You are the authority on what needs to be included such as scripts and royalties.  Not all students are aware of these expenditures. Looking for something free to use in your class tomorrow?  Check out:  Lin Manuel Miranda Biography and One Pager Assignment. 

I’d suggest you do everything you can to streamline this learning experience.  Nailing down your expectations for each part of the production is key here.  Create checklists for each responsibility will help with this challenge.

If the student actors aren’t rehearsing their role, they are helping the design chairs to complete their checklists. Need some checklists to de-stress opening night?  Pick up my FREE ones here:  Director’s Helper Checklists

How to Teach Play Production to Your Students

If you are presenting a one-act play, I’d suggest two or three week daily rehearsal period. If a full length play, four or five weeks of daily rehearsal will be needed.  You may need to be more liberal with this rehearsal period, however.

What is a Play Producer?

How to Teach Play Production to Your Students

Although a production would not follow this pattern in the professional world, allow your producer to lead the production.

This term can have many meanings within theater, but it usually refers to a person who manages all aspects of a production, from overseeing the budget to hiring the director and other artists. Producers have to understand both the creative and business sides of theatre.
Who is best to be a producer?  Anyone an learn how, however the students with the leadership qualities are most successful–communicative, diplomatic, fair, “big picture” people.  Do allow your producer to watch over everything–provide feedback, communicate with chairs, oversee the budget, etc.

How to Teach Play Production to Your Students

How to Teach Play Production to Your Students

There is such power in cooperative learning.  Unfamiliar with this phrase? Cooperative learning is the instructional use of small groups so that students work together to maximize their own and each other’s learning.

In a recent study through the Journal of Effective Teaching,  students taught with cooperative learning strategy performed better than those taught with th individualistic learning strategy. The experimental group obtained a higher mean score of 89.91 as compared with the mean of 79.75 for the control group. The difference between the means scores of both groups is significant.

Please know the first time you attempt this, it could be difficult  with lots of starts and stops.  However, over time the students will embrace the experience and ask for more. You may end up stepping in as an actor if someone is conveniently “sick” the day of the performance or maybe the costume designer never comes through.  Who knows?

If you stay engaged with the students as they experience a class production experience, help them navigate the twists and turns while they learn and act as supervisor, this could be the highlight of your year!

My Producer Unit

How to Teach Play Production to Your Students

You may not be aware, but I have a Producer unit.  You can find it here: Drama Producer Unit

This unit includes:

This 7 day unit about the theater producer is suitable for high school students and perhaps gifted middle graders. Students read a play or musical, choose a theater scenario, study the responsibilities of a theater producer, examine style, metaphor, create and set up a budget/income for their production and finish with sharing their ideas on a concept board. Through this unit, students develop a keen eye for what it takes to be a producer and critique their peer’s work as well.

Producer Product Preview

 

The product includes:

  • Warm-Up Exercise
  • The Rationale Teaching the Unit
  • Teacher Script to Introduce the Unit –what I say and how I say it!
  • Quora article with questions to answer
  • Blog Post about Broadway Tricks of the Trade
  • How to Use Metaphor in Design
  • Questions to Consider when Producing a Production
  • Procedure for Each Day
  • Photocopying List
  • Musical and Play List Titles of Most Popular Productions in High Schools
  • Three Theater Scenarios for the Students to Choose From
  • List of Publishing Companies of Plays and Musicals
  • Sources & Live Video links list including clip suggestions
  • Two Assignments–one a short essay and another creating a concept board
  • Assignment Rubric
  • Peer evaluation activity

I hope you’ll consider planning a class play production in the near future.  I’ve found it to be one of the most gratifying experiences of teaching.  Observing my students as they learned how to work with one another, see their exhilaration when they show finally comes together and listening to their “aha” moments is a wonderful thing. Maybe you just want to start small and teach your students about costume design?

What class play productions have you produced?  I’d love to hear about them.  Contact me at DhcBaldwin@gmail.com!

How to Teach Play Production to Your Students

 

 

 

 

 

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Pocket (Opens in new window) Pocket
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: arts education, arts integration, community theater, drama education, excellence in teaching, High School, Producing plays and musicals, Teacherspayteachers, Teaching, youth theatre Tagged With: costume design, drama education, drama lessons, drama units, high school, play production, theater class, youth theater

Learn How to Teach Creative Dramatics in Your Lunch Hour

March 30, 2022 By dhcbaldwin Leave a Comment

A male teacher having lunch and looking at another person in the foreground.

Learn How to Teach Creative Dramatics in Your Lunch Hour!

I’m worried about our teachers and you should be too.

Recently, I read an article from http://www.nea.org that approximately fifty-five per cent of our teachers are seriously considering quitting teaching at the end of this year.  That’s up from thirty-seven per cent last year.  Yikes!

You can imagine the reasons they are considering leaving–exhaustion, demoralized, uninspired, understaff and underappreciated. Not to mention, the global pandemic! (That doesn’t even include underpaid which has been an ongoing problem for year and really a sad statement about the country, in my opinion.)

I can’t fix the schools, but I can help teachers.

Learn How to Teach Creative Dramatics in Your Lunch Hour!

Year 5~Day 45 +16/365 AND Day 1506: Eating Sunday Lunch

Let’s say you and I are eating lunch together in the teacher’s lounge.

I say to you, “How’s the day going?”

“Terrible!” you say.

“What seems to be the problem” I ask.

“The students are not engaged.  They are rowdy, disrespectful and negative.”

At this point, that I nod and say, “I can help you.”

You look at me with an expression of disbelief. “How, Deb?  You can’t be in there with me.”

I answer, “No, but I can give you some drama integration ideas which will help.  In fact, my masters in education is focused on creative arts learning.”

Turning, I dive into my files and pull out several lessons which I tailored specifically for the classroom.

You take one look at them and say, “But I’m not a creative dramatics teacher. I can’t do this.”

“Oh yes, you can.  Using creative dramatics to teach your class is nothing more than making a few changes in your perspective and teaching methods. Let me show you how.”

We talk for a few minutes, you smile and say “Okay, I’ll try it!”

As we leave the lounge, we hug. I watch you walk down the hallway with a little spring in your step because you know how to turn your unhappy class into a happy one in an afternoon.

Note:  This is an actual conversation I had with a teacher on IG in the last week. Her students were being impossible.  I suggested she try doing a lot of physical movement with them and it worked!

The Benefits of Creative Dramatics in the Classroom

I found this wonderful website, The Gaiety School of Acting, which explains the benefits of creative dramatics:

“Of all the arts, drama involves the participant the most fully: intellectually, emotionally, physically, verbally, and socially. As players, children assume the roles of others, and they learn about becoming more sensitive to the problems and values of persons different from themselves. At the same time, they are learning to work cooperatively, for drama is a communal art; each person is necessary to the whole.”

When integrating creative dramatics, we are not concerned with what an audience receives from a performance but what the child does. In fact, it would be best if you and your students are the only people in your classroom when you integrate drama.

This is Easier than You Think

These five lessons will engage them right from the beginning.  It’s all in the approach you take to presenting them. (I can help you here.  I include a teacher’s script with most of my lessons.)

  1.  Warm-ups–warm-up exercises can be adapted to the subject you are teaching or you can use them as they are.
  2.   Creative Movement–students need a lot of physical exercise.
  3.   Storytelling–if you are teaching a particular book, use Kamishibai storytelling as a way to check your students’ understanding of  the plot
  4.  Tableau–a frozen stage picture is a fantastic way to demonstrate a math problem, moment in history, show something in science such as a volcano and its stage before errupting, etc.
  5.  Readers’ Theater–this is a powerful teaching method which can be adapted for a particular lesson about social studies, science or a story in reading.

Learn How to Teach Creative Dramatics in Your Lunch Hour!

Want a FREE lesson you can use tomorrow?  Click here: Creative Dramatics Lesson

Pick up a copy of this blog post at: FarrahHenleyEducation.

Do I need a lot of extra materials?

19 Essential Materials that Every Teacher Needs in the Classroom | Teach For America

Most teachers probably have the materials they’d need to integrate drama in your classroom.  But beware! Try to avoid being a purist about this–a scarf can work as a belt, a box can be a trunk or three students’ desk chairs can make a bridge.  It’s all in how you look at it.

I suggest:  construction paper, paper plates, glue, scissors, colored pencils, markers, aluminum foil, newspapers, masks (you can purchase them at S and S Art Supply )

Collect clothing such as hats, caps, scarves, capes, eye glasses, pillow cases, masks, etc.  A large plastic bin can hold all of these pieces. A trip to a local thrift store will have a lot of these items for an inexpensive price.

How do I Assess my Students’ Learning?

Talk about outcome education!  Using creative dramatics in your teaching gives you an opportunity to model for your students and them to demonstrate right back to you.

Here’s an example for you– your objective today is to teach Common Core Standard L4.1e “Form the use of prepositional phrases”.

Easy!  Make up a bunch of cards with prepositional phrases on them with phrases such as “on the, over the, around the”.  Hand out a card to each student to physically demonstrate the phrase.

Learn How to Teach Creative Dramatics in Your Lunch Hour

Maybe you are teaching Next Generation Science stanDard concerning gravitational force.  Would it be so difficult as to have two students tell a story about  gravitational force and how it affects us on earth? Maybe you’d give them particular facts to use in the story? This blog post might help too! How Do I Use Arts Integration in the Classroom?

As you can see, using drama integration in your class is a no brainer.  Word to the wise–refrain from using it every day as it will lose its uniqueness.  I know it takes many teaching methods to engage your students.  This is just one method.

But it’s a good one. 😉

Want a free drama integration lesson?  Check out:  Hire Me for Your Classroom Tomorrow! 

Have you used drama integration in the past?  How did it go for you?  Do you have any questions I can answer? Contact me at DhcBaldwin@gmail.com or check out my website at DeborahBaldwin.net

woman behind DramaMommaSpeaks

 

 

 

 

Share this:

  • Share on Tumblr (Opens in new window) Tumblr
  • More
  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Pinterest (Opens in new window) Pinterest
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Email a link to a friend (Opens in new window) Email
  • Share on Reddit (Opens in new window) Reddit
  • Share on Pocket (Opens in new window) Pocket
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp

Like this:

Like Loading...

Filed Under: acting, Arts, arts education, arts integration, community theater, community theatre, creative dramatics, creative movement, drama education, Education, elementary, excellence in teaching, middle grades, Teacherspayteachers, Teaching, teaching strategies, youth theatre Tagged With: drama education, drama lessons, drama units, elementary, middle grades, successful teaching methods

Next Page »

Footer

Follow Us

logo3.png

FOLLOW US

Facebook X-twitter Pinterest Instagram Envelope Rss

Goodreads: read

Malibu Rising
Malibu Rising
by Taylor Jenkins Reid
People We Meet on Vacation
People We Meet on Vacation
by Emily Henry
The Last Thing He Told Me
The Last Thing He Told Me
by Laura Dave
Faking It
Faking It
by Cora Carmack
Losing It
Losing It
by Cora Carmack

goodreads.com
Copyright © 2024 · Wellness Pro on Genesis Framework · WordPress.com.Log in
 

Loading Comments...
 

    %d