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The Reasons I Offer Customized Theatre Lesson Bundles

December 1, 2021 By dhcbaldwin 2 Comments

A FRAZZLED TEACHER

The Reasons I Offer Customized Theatre Lesson Bundles

Recently, I’ve helped several theatre teachers organize their curriculum.  Some states have standards which they press upon their school systems and boy, can you feel it.  Not so for two wonderful teachers I worked with last week. So, let’s talk about the reasons I offer customized theatre lessons bundles. (Ironically, this is the number one mistake people make with me–they don’t ask for customized bundles!)

There’s Amy

One teacher, we will call her Amy,  emailed me desperate for help.  Amy was hired (yes, it’s November) to take over for another theatre teacher who had been out most of the school year. The students survived many substitutes and now finally, they’d have a real theatre teacher. She didn’t really know what she was walking into when she arrived her first day.

Amy knew she’d be teaching middle school students and see them every day for the rest of the year. However, she didn’t know the demographics, number of students in each class (or at least didn’t mention them to me) or seem to know just about anything else you’d like to know when you begin teaching a class.

The Reasons I Offer Customized Theatre Lesson Bundles

The Reasons I Offer Customized Theatre Lesson Bundles

To top it all off, she was given no curriculum or materials.  Now, you would think this was unusual. It isn’t.  You would not believe how many schools I’ve taught for and I began my classes with no school materials having to use only mine instead. (Pssst.  That’s why I have so many prepared.)

I offer customized bundles in my teacherspayteachers.com store (DramaMommaSpeaks) and Amy knew that.  We chatted several times about what she was needing and I put together a bundle specifically for her and I created a plan of teaching them.

Customized Bundles

Customized Bundles are the way to go, friend, irregardless of how many resources you want.  You always receive some sort of discount-10 to 30%.  With large bundles, I give you a free resource I pick especially for you, too.

The Reasons I Offer Customized Theatre Lesson Bundles

(This is not Amy or Joan.)

Then there’s Joan

Another teacher, we will call her Joan, emailed at just about the same time as Amy. Her scenario was different.  She was hired with a provisional license and agreed to take additional college hours to complete the license.  Joan was a mother of two small children as well.

Joan asked to Zoom with me as soon as possible. That’s how much she needed the help.  She used several of my lessons in her classes all ready and the students liked them.

Joan was a bit older, had previously worked as an actress and youth theatre teacher.  She knew her stuff, but in this particular case her materials just weren’t working as well as she’d like them to.  She thought of mine. Want a Creative Dramatics lesson for FREE?

The Reasons I Offer Customized Theatre Lesson Bundles

Joan’s plight

Joan had the most ridiculously disjointed teaching load of which I’ve ever heard.  The core teachers decided how much time their students would spend with the “specials” not the administration. Every teacher wanted a different amount of time. (Can you imagine?)

Her schedule was all over the place.  For instance, at the second level one teacher wanted her once a week, another teacher wanted her twice a week and another three times a week. What is that?

I advised her to speak to her principal about this and request that if she stays next year her schedule needs to be be more uniform. Oh and I forgot to tell you–she starts with kindergarten and first next semester (but of course, only next semester.)

Let’s just make this even more difficult for Joan.

Joan needed materials for second through eighth and she really need my help in organizing the rest of the year for her.  I organized a customized bundle for her with about twenty lessons.  If she follows my plan I included, she can teach all of them the components of theatre before the end of the year and get everyone on the same page.  It sounded like she’d been jumping around and trying different things which may have worked but weren’t very comprehensive.  That’s okay.  It’s not earth shattering.

The students still learn no matter what you teach them.  That’s obvious but man, does that drive a teacher to distraction if they are usually an organized person.

I could write an entire blog post about how the arts are treated in schools, but I’m not going to do so today.  I can say if you are in a similar situation to Joan, either go to your principal and complain about the teaching load or look for another job.  The only way this situation will change is if you are the squeaky wheel.  Also by doing so, you may help the other “specials” teachers in your building.  Maybe you can meet with the principal as a group?

Deborah Baldwin teaching

Some Sage Advice

Amy didn’t know how to begin her first classes. I could help her there, too. There are certain processes you should follow when you begin teaching. In this case, we are obviously teaching theatre so ours are a bit different.

Here are my suggestions for Amy to teach her students:

  1.  Write a teacher’s letter introducing yourself to the students and their parents
  2.  Quiz your students assessing  how much the students all ready knew.
  3.  Begin with a week of theatre games to see how comfortable the students are in front of each other
  4. Post your expectations around the room and discuss them with your class (involve them in writing them if you feel comfortable doing so)
  5.  Give time each day for the students to share about themselves.  Do this while taking roll.  I like to ask one question each day. Require a quick answer.  For instance, possible questions–what is your favorite candy? your favorite movie?
  6. Be consistent!  If you begin the class with a warm-up and end with a cool down, do the same thing every day as much as possible.  Students thrive with consistency.
  7. Remember that you know more than the students do just by the fact that you have life experiences to bring to the lessons you teach.

The Reasons I Offer Customized Theatre Lesson Bundles

Here are some other teaching tips: You Should Use These Effective Teaching Methods, Part One and Part Two 

8. Find out if you have a budget and how much of it is for particular materials if it is allocated (such as textbooks, art supplies, etc.)

9. If you haven’t done so already, ask for any IEPs or 504 plans which are used in core classes with your students.  You have a right to know about a student’s learning challenges and behavior modifications just as much as a core class teacher.

10. Locate the copier–find out if you can copy as much as you need or you have a limit

11.Locate the computer room incase you want to take the students there to do on line quizzes or lessons

12. Find a teacher friend–that takes a bit of time but there should be someone there who you can eat lunch with (not by yourself in your room) and vent to.  Some of my best friends are my teacher friends even after all these year and now retired.

13. Take time for yourself every day when you arrive home.  Take a walk around the block.  Nap, read or paint.  Do something every day which is just for yourself.  Don’t be like my husband (also a teacher) and retire from your career and realize you have no hobbies or leisure skills because you wouldn’t take the time for yourself.  That’s one of his biggest regrets I only recently found out.

I hope these two teacher scenarios and tips help you as you plan your class.   Remember, you can do this–you just need a process, a procedure, to follow and know the steps to follow.

If you want to check out my customized bundles, go to: DramaMommaSpeaks

Or maybe you just want something pre-selected for you?  In that case, pick up: Bundle Set Design and Choice Boards (Theater Around the World)  or pick up my newest bundle of middle school drama lessons. 

The Reasons I Offer Customized Theatre Lesson Bundles

Please feel free to email me at DhcBaldwin@gmail.com if you have any questions or you, too want a customized bundle.

woman behind DramaMommaSpeaks

 

 

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Filed Under: acting, Arts, arts education, creative dramatics, drama education, Education, excellence in teaching, New Teacher, Teacherspayteachers, Teaching, teaching strategies, theater, theatre, youth theatre Tagged With: drama education, drama lessons, drama units, new teacher, school, teacher newbie, Teaching

How Theatre Shaped My Life Volume Two

September 1, 2021 By dhcbaldwin 2 Comments

Three young women--a nurse, a naval seaman and a student actress

How Theatre Shaped My Life Volume Two

This is the second blog post in my series, “How Theatre Shaped My Life.” Here is the first: How Theatre Shaped My Life

I find it quite intriguing that many people who take theatre classes inspire to be or become community servants.  What is the connection for them? Or is there one at all?

Upon researching this connection, I found an interesting quote from the abstract,  “Toward a Synthesis of Science and Theatre Arts” by Professor, Kay DeMetz, “Science and theatre seek the same goals, in the same way, using the same language. That is, they both seek to understand the natural world through intelligence and insight. Scientists speak of finding“truth”; theatre artists work to present verisimilitude, or similarity to life onstage.” For more information from this abstract, go to https://files.eric.ed.gov

Fascinating, yes?

I asked former students of mine to share how theatre shaped their life. Two of the three women here work as community servants, the third aspires to be one.

Here are their thoughts.

Young woman in black costume with black mask.

Benefits of Theater Education

Want some more help in the classroom? Check out my FREE Guide and ten page lesson Here 

Hannah Matousek 

When I meet new people, they’re usually shocked to learn that I’m both a biology major and an actress. However, I don’t find it strange at all. For me, theatre is actually necessary for my sanity; every single character I’ve played has influenced my own character, which I’m constantly trying to improve. I believe that these characters have even become an extension of myself. A good example of this can be seen during the COVID-19 pandemic.

I was devastated when live theatre had to be cancelled, but luckily my school theater was able to resume live shows with limited audiences in fall 2020. The very first show I was in post-lockdown was The Living, a show about the Black Plague that struck London in the 17th century. My character, Sarah Chandler, dealt with confusion, death, and loss, just as I was trying to deal with the stress surrounding the public health crisis we found (and still find) ourselves in. Throughout the show, though, I began to see bits and pieces of Sarah’s character that I wanted to adopt as my own in order to support my own character.

When I am on the stage, I am both myself and the character. But in real life, I am wholly myself. I adopt the traits of my characters as my own and mold them to fit my own real-life situations.

I am not a professional actress. I am not even a theatre student. But I know that my experience with theatre and character work will be a huge part of each and every one of my successes in my personal and professional life in the future.

Maybe someday I’ll be a doctor in some prestigious hospital. Maybe I’ll be at the bed of a patient who is on their way out of this life. My strength in that moment will come from Sarah Chandler.

Benefits of Theater Education

Young woman dressed in her nursing scrubs and PPC mask

Katharine Atwood

This is Katharine Atwood,  my oldest daughter. If there is anyone who can share her thoughts on this subject, it is she.⁣
⁣
A nurse friend of mine said to me the other day, “We’re like ducks. Most people just see our calm faces and think that’s all that’s happening, but beneath the surface, we’re paddling hard.”⁣
⁣
I first learned to do this on stage. You have to keep track of what’s currently going on in the script while anticipating what comes next. All the while making sure you don’t give it away before it’s time for the laugh, the joke, or song. ⁣

As a nurse, this skill now translates to a mental list of checked boxes related to vital signs, consent forms, alarm sounds, and a myriad of other details pertaining to the current patient or one down the hallway. While all of this buzzes away in my head, I smile as I walk in the door and sweetly say “Hi! My name is Katharine. I’ll be your nurse today.”⁣
⁣

No photo description available.
When I was a kid, I was somewhat shy. I didn’t like speaking to strangers. I had trouble with self confidence. Drama helped me to feel comfortable with what I was capable of in a safe place. Playing a character instead of myself, I was able to buffer my shyness. And over time, my extroverted and more confident self began to emerge.⁣
⁣
Thanks to theater, I don’t panic when things get off course or start to downward spiral. “The show must go on,” or so they say. I have looked into the frightened eyes of many patients in critical situations and told them as I’m hiding my own fears or insecurities, “You fight like heck. Don’t give up yet.” ⁣
⁣
I truly believe that if I hadn’t been involved in theater I wouldn’t be the nurse that I am today. I would have never thought that so many skills I learned both on stage and behind would be transferable to healthcare. But they are. ⁣
⁣
So for my pic I chose the perfect mash up of nurse and actor: me in all my PPE just as the world began to go nuts last year. As I say on the floor, “the theater is leaking again.” I bet you can see it too. ⁣


⁣

Benefits of Theater Education

Ruth King

My name is Ruth King.  I currently have the honor of serving in the United States Navy as a Nuclear Field Machinist Mate and a Sub Vol. This job is known throughout all branches as being a significantly difficult and rigorous profession.
⁣
The performing arts and, in particular, Musical Theatre, were instrumental in allowing me to experience the mental and emotional healing I needed to pursue my dream of serving in the military.  And every day it helps me renew my strength and zest for life while I am here.  I thank God for blessing me with the chance to get to know and practice the performing arts.  It honestly helped me become a better and happier human and from there influenced everything in my life I did after.  ⁣
⁣
Doing a difficult or somewhat distasteful task?  ⁣
⁣
Sing!  Dance! Afraid of reaching for your dreams?  Take a leap of faith!  As a very good friend of mine once said, “Everything will still be alright after you audition, even if you fail.  There will still be sunshine and trees and oxygen outside.  I promise.”  ⁣
⁣
Need to make friends or want to touch people’s lives?  Reach out and take a risk!  Build touch touchstones and draw others in…include them.  Feel as though your world has just ended?  Sing! Speak! Write! Act! Dance! Play music!

⁣No photo description available.
⁣
Express yourself through art!  ⁣
⁣
Art of any kind, especially theater and music, assists the participant in validating and processing through emotion and the human experience.  Performing Musical Theater and other art forms is still my ultimate dream.  ⁣
⁣
Meanwhile, every day I wake up happier and more thankful knowing that art, the dramatic and otherwise, is out there, readily available for your active participation and/or delighted spectation!  To all who read this, be well and safe.⁣
⁣

Thank you Hannah, Katharine  and Ruth!

If you’d like to know about my moment when theatre not only shaped but saved me, go to: How Theatre Saved My Life

Did theatre shape your life? Maybe it was another art form?  I’d love to hear about and maybe down the road, I’ll feature you too!

Looking for a FREE lessons, posters, etc?  Check out my  Free Stuff!

Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

woman behind DramaMommaSpeaks

 

 

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Filed Under: acting, arts education, arts integration, Creativity, drama education, Education, Education, excellence in teaching, performing arts, Teaching, theater, youth theatre Tagged With: College Student, college students, drama education, Navy, Nurse, school, science and theater connection

The Blended Learning Classroom is Here to Stay

May 28, 2020 By dhcbaldwin Leave a Comment

The Blended Learning Classroom is Here to Stay

Two years ago, I taught a blended classroom model for a community college. The dean called it a hybrid classroom. You can read more about it here:

 Thirteen Days to Creating a Successful Hybrid College Class, Day Two

Thirteen Days to Creating a Successful Hybrid College Class, Day Five

Deborah Baldwin, Dramamommaspeaks

I taught in public and private schools for the thirty-eight years of my career.  A blended classroom was very different for me, although I was enthusiastic about trying it.

Primarily, I had to think backwards with everything I wanted the students to learn.  Many hours and days later, I realized the value of the blended classroom.

I think we may see more and more of it as the pandemic continues.  

The good news is that our students appreciate differentiated instruction.  Who doesn’t?  I know I like to learn by myself and I also like to learn from a qualified instructor.

Plus, some parts of a lesson can be better expressed by viewing a video clip. Or taught by running through basic concepts on digital flashcards.  Of course, the most important part should be instructed by the teacher.

Because of the pandemic, most of our school have gone on-line.  We hear a lot about people pivoting, but folks, you have no idea how difficult that has been for our teachers.

They are best in their classroom. You just can’t stop a top notch educator!

Career, Business, Woman, Silhouette, Office, Worker

(I have to say this photo is rather comical.  What teacher wears high heels to teach?  Not this one, that’s for sure.)

I discovered more than half of my products could be tweaked for distance learning.  Since then, hundreds were purchased.  That’s thrilling for me for obvious reasons, but more importantly I was relieved I helped someone in a tough predicament.  However, I sensed they wanted something more than what I could offer at the moment. So I began researching the blended classroom.

Because of my recent experience,  it was necessary to blog about the blended classroom.   I truly believe it is here to stay.  As I always do when putting together a blog post, I looked around to see what I could find in the way of research on the subject.  This post very helpful, “The Seven Most Important Benefits of Blended Learning” from KnowledgeWave.com. KnowedgeWave is a business software company who develops products using Microsoft Office.

 The Blended Learning Classroom is Here to Stay

1. Flexibility

A blended learning approach provides ultimate flexibility in presenting content. Complex topics can be presented in the classroom, while other subject matter can be available online. With an online component, you’ll also increase flexibility and convenience over how and when your employees participate in training.

“In studies contrasting blends of online and face-to-face instruction with conventional face-to-face classes, blended instruction has been more effective.”
US Dept of Education, 2010

2. Effectiveness

Garrison and Kanuka (and I’m sure countless other academics) have studied blended learning. Their research concludes that “blended learning … has the proven potential to enhance both the effectiveness and efficiency of meaningful learning experiences.”

3. Efficiency

With a well-planned blended learning strategy, you can efficiently and quickly deliver training to a broad audience. And with digital assets such as videos and recordings and eBooks, the potential for re-use is huge. You can easily help more people get up-to-speed after the initial rounds of training have passed.

4. Cost-effectiveness

Most of us like strategies that can save our organization money. And blended learning is one of them! Including more online options in your training program saves on travel and missed work. When you are hosting live events online, you eliminate employee and instructor travel costs. When the venue is your own desk, that’s clearly a savings over large rooms!

5. Personalization

Any training that is not well implemented can create an isolating, cookie-cutter, impersonal learning experience. But the good news is that a well-crafted blended solution can provide a seamless transition from classroom to computer or vice-versa. You can design ways of continuing discussion themes and personalizing content to a person’s specific job or interests.

6. Extended reach

Almost always, creating a blended learning strategy reduces classroom teaching time. By digitizing the expertise of talented instructors or subject-matter experts, you can reach more people with high-quality content at a fraction of the cost. That frees up knowledgeable instructors to offer more classes, or create more training content, or work on other things.

7. Covers all learning styles

It’s always important to take learning styles into account then designing training for adults. Effective blended learning is a “best of all worlds” solution that can help you cater to all learning styles through a variety of mediums and techniques.

Here’s something I did not know–the blended classroom approach has been around since 1960 when the first mini computers emerged.  WHAT?!?

Innovative Teaching Methods

As a teacher – author I am constantly on the look out for successful, innovative and new methods teachers are using so I can provide products for them. In particular, I develop drama education units and lessons.

One of the newest methods is one pager assignments.  One pager assignments are a terrific way for students to take notes over what they learn.

One Pager Assignment

Here is one for you to check out : Hugh Jackman One Pager Biography Lesson

HUGH JACKMAN ONE PAGER COVER

A Blended Classroom Drama Lesson:  Costume Design with Fairy Tale Characters

We are hearing in the news that many schools are considering distance learning in the fall term. Lately, I considered how I could be of help to more teachers. Watching them navigate their way through these challenging times is hard.  Trust me, it is difficult enough to be a teacher in the classroom but these times compound everything.

I created nearly 220 drama education products (lessons, units, posters, quizzes, word walls, etc.) for my Dramamommaspeaks Store through Teacherspayteachers.com

Here is my recent costume design product for the blended classroom.

This unique and innovative lesson is the best of both worlds giving students an opportunity to learn individually and additional tools for the teacher to instruct through distance learning or in the classroom. #distancelearningTPT

How do I use this in my classroom?

It’s a three-step process. First, the teacher assigns the student to view a portion of a video which demonstrates the costume design concepts. Next, she assigns the Boom Cards! for the student to study prior to the assignments. Finally, the teacher charges the student to design a costume for a fairy tale character and complete the creative writing assignment. This lesson can last one or two days.

Included in the PDF product:

  • Letter to Teacher
  • Rationale for Teaching Costume Design
  • Costume Design Template (Female)
  • Costume Design Template (Male)
  • Writing Assignment Sheet
  • Writing Assignment Sheet Examples
  • Sources
  • Video Links

Included in the Boom Cards! product:

  • 16 Boom Cards which include the history of costume design
  • True/false questions to secure the learning as the student progresses through them

If you’d like more information about this Blended Classroom Lesson, go to:

Drama Lesson:  Boom Cards! Costume Design

The Blended Learning Classroom is Here to Stay

The Blended Learning Classroom is Here to Stay

NEW!  Here’s my first hybrid Broadway musical lesson.  Check it out: Wicked, the Broadway Musical with Boom Cards

I’m no sooth sayer, but from my many years of teaching experience and observation, I think I’m right bout the blended classroom of the future.

What experiences do you have with the Blended Classroom?  I’d love to hear about them.  Contact me at DhcBaldwin@gmail.com or DeborahBaldwin.net

 

 

 

 

 

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Filed Under: arts education, college teaching, DeborahBaldwin.net, Distance Learning, drama education, Education, excellence in teaching, High School, middle grades, Teacherspayteachers, Uncategorized Tagged With: Arts, blended classroom, costume design distance learning, DISTANCE LEARNING, drama education distance learning, dramamommaspeaks, grade 6, grade 7, grade 8, school

Student-Centered Learning: An Optimal Approach

November 27, 2018 By dhcbaldwin Leave a Comment

girls on desk looking at notebook
Photo by Pixabay on Pexels.com

Let’s talk about student-centered learning: an optimal approach.

Recently, I was given the opportunity to guest blog on another teacher’s website. I always appreciate whenever I have these opportunities because I invariably discover something I hadn’t expected to learn.

It was an enlightening experience for me because the subject seemed unfamiliar to me at first.

Did I know what student-centered learning was?

Had I taught using the method?

What were my assessments of it?

As I penned the post, I began to remember times I have used this teaching method with excellent and enlightening results.

Sometimes in life you learn about yourself when you when you weren’t expecting it. This is one of  them.

Check out the post here: https://studentcenteredworld.com/learner-centered-teacher/

 

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Filed Under: arts education, drama education, Education, excellence in teaching, Teaching, teaching strategies, Uncategorized Tagged With: Blog post, school

The Unofficial Fortune Teller’s Guide to Becoming a Fantastic Teacher in 12 Steps

June 22, 2018 By dhcbaldwin 2 Comments

girl holding crystal ball

 

fortune teller's guide

Here it is—the unofficial fortune teller’s guide to becoing a fantastic teacher in 12 steps. Although, I speak specifically about teaching drama, this post will relate to any teacher.

rubistar.4teachers.org

If you don’t know about rubistar.4teachers.org you need to!  (This is a side note for you. It isn’t really a step, but do check them out for quick, efficient, comprehensive rubric templates.) rubistar.4teachers.org

People don’t ask me for the guide to becoming a fantastic drama teacher.

They never directly ask me. They ask around the question.  I think they are afraid of what I might say.  Teehee….I’m known for being honest.

So they say, “I was thinking I would like to do something in life that uses my love for theatre.” Or “I don’t think I would make it on Broadway, but I’d still like to be involved in theatre and make a living from it.”

They look at me with a smile hopeful for the answer they desire.

No pressure there….

I’m not a fortune teller, although one time for a radio commercial,  I portrayed the fortune teller, Madame Zula, a  wacky woman who extolled important facts about crop fertilizer. (My producer won a regional award for it, BTW.)

You’re laughing, I know.

fortune teller's guide

Although I might think you have the talent to succeed on Broadway, that isn’t something I can promise or even prophesy. Nor can I project whether you’ll be successful as a teacher.

There are many factors which create your success in the field of professional theatre, many of which you and I have no control. Any worthwhile pursuit has the same challenges.

If you listen to many successful performers, they will tell you that some of it is a.being at the right place at the right time b. fortitude in the face of many rejections c. a willingness to do anything and everything to make it happen and maybe d. talent.

Technical theatre artists will share the same experiences with you.  They worked at it.  They created a resume.  They worked for little pay and so on.

Here’s a secret:  If someone tells you it was easy to become wildly successful in a certain profession, (doctor, lawyer, counselor, nurse, banker, actor or teacher) they are lying. 

fortune teller's guide

As your unofficial fortune teller, here is a guide with twelve steps which will help you become a successful drama teacher over time:

1. Attend a college or university with a strong theatre AND education program and enroll for classes in both.  If you desire to teach in a traditional school setting, you’ll need your state teachers license.  Just like many other professions, teachers must study certain pedagogy from basic theory of education classes to student teaching.

The same will be expected of you if you want to receive a theatre degree.  Study as many facets of theatre as you can then you are an easy hire for someone.  If you only focus on technical theatre or performing, you are less likely to be hired in a school or maybe a theatre company.  You want to be versatile.

2. Participate in professional organizations in theatre, drama education and general education.  You need to be versed in the latest trends in all areas.

3. Participate in your school’s productions.  This is such a duh.  Some schools require backstage hours for their performing majors.  My college did, Stephens college, and I am forever grateful to them for this.  I learned heaps.  Some thirty-eight years later, I still use the lessons I learned in my college classes when I teach or direct.

An employer wants to hire someone who is very knowledgeable, not someone who spent all his or her time socializing rather than broadening their horizons.

fortune teller's guide

4. Get involved in a community theatre.  They will welcome you with open arms, because they need volunteers to support their productions– running lights, designing costumes, acting or serving on staff as a stage manager or even a director. Accept the job even if you are not offered a stipend.  Think of the work like interning.

Build your resume with various experiences.

5.  Volunteer your time to a school mentoring students through an after school program or an organization such as Scouts or 4H.  This gives you insight about how best to work with students.  It also helps you become accustomed to their latest social behaviors and slang.  This is invaluable experience.  I can’t stress this enough.

If you can, volunteer for different organizations with a diverse community.  Our classrooms are multicultural.  There is an art to teaching students simultaneously from all walks of life.  If you have never helped a disadvantaged student or an immigrant, you’ll have a  bigger learning curve to overcome.  Their lives are very different from yours and it’s your job to figure out how to support them.

6.  The best teachers are passionate about their subject matter and sincerely interested in bettering the world through teaching young people. So be that!  Please do not become a teacher because you didn’t know what else to do with your degree (or you thought you’d have your summers off-hahahaha!).  There is nothing worse than a bitter teacher. You know the kind who mumble how she wishes she had been a professional actor and are stupidly arrogant? Yeah, we won’t need that kind of person in our classrooms.

Trust me, teaching is difficult enough on its own.  Compounding your classroom challenges with apathy is a crime in my book.

7.  Teaching is rigorous work.  It is very tiring and all consuming.  Unless you’ve had previous experience teaching twenty bursts of energy and emotion all at once, you’ll never understand it. You gotta get in there and try it–at least for three years.     Like those professional actors that you can’t tell are acting, good teachers make it seem easy to do.  It. is. not.

fortune teller's guide

8.  Once employed, although you may think your career has finally begun your education has not ended.  Now, you’ll learn about the inner workings of your school, bureaucracy, policies, regulations, etc.  You’ll  practice becoming more organized, keep yourself healthy,  juggle your professional and personal time, become a shoulder for others to cry on, learn to listen to your superiors and to a student who has lamented continuously for several months to you about their life.  That’s okay.  It’s part of the deal.

9.  You want to be good at teaching?  Buy clothes in your school colors.  Wear them. Buy the school spirit wear.  If your cast buys cast tee shirts, you do so, too.

10.  Attend other school sponsored activities–football games, fundraisers, band concerts and TGIF’s for staff.

11.  Help other teachers and staff members.  Take their lunch shift if you observe a teacher who needs a break.  Take out your own trash for your janitor once in a while and THANK THEM for their work to keep your room tidy.  Get to know your school head secretary.  They can make or break you.  Trust me, if there is anyone who knows the school’s scuttle butt, it’s the head secretary.

12.  Finally, be the teacher you wanted when you were a student.  I liked my teachers who were organized, funny, clever, innovative, challenging, held high expectations and sincere.  Guess what?  I’ve become that teacher, too.

If you look at your life as a journey, you’ll appreciate and accept that any journey takes a long time to prepare, depart, travel and arrive at your destination. Teaching is much the same way.

fortune teller's guide

I promise you, it can be a wonderful journey.

Bon voyage!

Contact me at dhcbaldwin@gmail.com or my website DeborahBaldwin.net

Following me on Twitter at https://twitter.com/DeborahHBaldwin

on Facebook at BumblingBea

 

 

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Filed Under: arts education, drama education, Teaching, youth theatre Tagged With: becoming a drama teacher, school

Student Survival: The Importance of Pleasure Reading for a Kid

April 15, 2018 By dhcbaldwin Leave a Comment

So, let’s talk about pleasure reading for a kid.

Recently, I was looking for a  pleasure reading book to purchase for my upcoming trip over seas. I was having a difficult time finding one. I saw a child who was nearly eating a book while he read it–in the time I looked over one aisle of books, he read three (all right, they were short, but still…)

 

books

Some people are selective about the genres they read.  I usually gravitate toward books with quirky characters in ordinary appearing plots. I say “ordinary appearing” because it is always intriguing to find the characters going somewhere else than you expected.

However, I am known to cheat and read the last chapter of a book if a. the story is moving too slowly for me or b. I’m dying to know what happens. When I was a child, my mother would scold me for doing so–still haven’t kicked the habit.  Sorry, Mom.

I worry about kids’ reading preferences. It seems many writers write for whatever trend is popular the time. A few years ago, it was zombies and time travelers. Not every child wants to read fantasy or graphic novels.  That’s why I penned Bumbling Bea.  If you haven’t picked up my book, you might want to try it.  I promise you, it isn’t your run of the mill plot! Check it out here: http://tinyurl.com/n5at3oh

I ran on to an article concerning this concern and I thought you’d be interested, too.

Indie Book

Promoting the Pleasures of Reading: Why It Matters to Kids and to Country

June 10, 2017

Advocacy, Inquiry, Literacy, Reading, Teachingpleasure reading

by Lu Ann McNabb

This post is written by member Jeffrey Wilhelm.

Reading Unbound: Why Kids Need to Read What They Want and Why We Should Let Them was this past year’s winner of the NCTE David H. Russell Award for Distinguished Research in English Education.

The research findings that we report in Reading Unbound have profound implications for us as teachers, for our students, and for democracy.

In our book, we argue that pleasure reading is a civil rights issue. Why? Because fine-grained longitudinal studies (e.g., the British Cohort study: Sullivan & Brown, 2013; and John Guthrie’s analysis of PISA data, 2004, among many others) demonstrate that pleasure reading in youth is the most explanatory factor in both cognitive progress and social mobility over time.

pleasure reading

Pleasure reading is more powerful than parents’ educational attainment or socioeconomic status.

This means that pleasure reading is THE way to address social inequalities in terms of actualizing our students’ full potential and overcoming barriers to satisfying and successful lives.

We think that our data explain why pleasure reading leads to cognitive growth and social mobility.

The major takeaway for teachers is to focus on pleasure in our teaching. Pleasure has many forms: play pleasure/immersive pleasure, when you get lost in a book—this is a prerequisite pleasure and we can foster it in various ways, such as teaching with an inquiry approach, using drama and visualization strategies, etc.; work pleasure, where you get a functional and immediately applicable tool for doing something in your life; inner work pleasure, where you imaginatively rehearse for your life and consider what kind of person you want to be; intellectual pleasure, where you figure out what things mean and how texts were constructed to convey meanings and effects; and social pleasure, in which you relate to authors, characters, other readers, and yourself by staking your own identity.

Kids (like all other human beings!) do what they find pleasurable. You get good at what you do and then outgrow yourself by developing new related interests and capacities.

Book

Play pleasure develops the capacity to engage and immerse oneself, to visualize meanings and relate to characters. It is the desire to love and be loved. Work pleasure is the love of getting something functional done. Work pleasure is about the love of application and visible signs of accomplishment. Readers engaging in this pleasure cultivate transfer of strategies and insights to life.

Inner work pleasure involves imaginatively rehearsing what kind of person one wants to be. As our informant Helen asserted: “It’s not really learning about yourself, it’s learning about what you could be . . . .” and “Characters are ways of thinking really . . . They are ways of being you can try on.”

Inner work is the love of transformation—of connecting to something greater, of striving to become something more. When our informants engaged in this pleasure, they expressed and developed a growth mindset and a sense of personal and social possibility.

 pleasure reading

Intellectual pleasure is pursued for the joy of figuring things out; it develops the capacity to see connections and solve problems. Our informants developed resilience, grit, and proactivity through the exercise of this pleasure. Erik Erikson argued that staking one’s identity is the primary task of early to late adolescence and that this is achieved through evolving interests and competence.

Social pleasure involves this human developmental project because it involves relating to authors, characters, other readers, and the self in ways that stake identity. Social pleasure is the love of connection—to the self, others, community, and to doing significant work together.

This pleasure develops social imagination: the capacity to experience the world from other perspectives; to learn from and appreciate others distant from us in time, space, and experience; and the willingness to relate, reciprocate, attend to, and help others different from ourselves.

In other words, it promotes cognitive progress, wisdom, wholeness, and the democratic project. In fact, all of the pleasures were found to do this.

Our data clearly establish that students gravitate to the kinds of books they need to navigate their current life challenges, and that many ancillary benefits accrue in the realms of cognition, psychology, emotional development, and socialness. So much so that we developed the mantra: Kids read what they need!

 

This finding led us to be more trusting of kids’ choices and to ask them about why they chose to read what they did, and eventually to championing these choices. We likewise found that each of the marginalized genres we studied (romance, horror, vampire, fantasy, and dystopia) provided specific benefits and helped students navigate different individual developmental challenges.

Our data also establish that young people are doing sophisticated intellectual work in their pleasure reading, much of it just the kind of work that the Common Core and other next generation standards call for. So making pleasure more central to our practice is not in conflict with working to achieve standards.

girl reading

Standards and all the other significant goals described here can be achieved if teachers value interpretive complexity as much as they do textual complexity, if they create inquiry contexts that reward entering a story world and doing psychological and social work in addition to more traditional academic goals, and if they provide opportunities for choice and meaningful conversation.

Given the benefits of each pleasure, we are convinced that pleasure reading is not only a civil right, it is a social necessity of democracy.

That is why we urge you to promote pleasure reading in your classroom and school, and it is why our book is filled with practical ideas for how to do so while promoting each of the five pleasures. It is monumental work—and it is work we must undertake with the greatest urgency—particularly at this moment in history.

books

What are some of your favorite genres to read? Perhaps you have a child who might enjoy reading my book, Bumbling Bea simply for the fun of it.  I think they’ll enjoy it!

Check it out here:  https://www.amazon.com/Bumbling-Bea-Deborah-Baldwin/dp/1500390356/ref=sr_1_1?ie=UTF8&qid=1516988757&sr=8-1&keywords=Bumbling+Bea

I’d love to hear from you.

Contact me at dhcbaldwin@gmail.com or DeborahBaldwin.net

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Filed Under: Book Talks, Bumbling Bea, Teaching, Uncategorized Tagged With: family time, kids reading for fun, pleasure reading, pleasure reading for kids, school

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