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Creative Dramatics for Tweens: Build Confidence First

July 9, 2025 By dhcbaldwin Leave a Comment

Creative Dramatics for Tweens: Build Confidence First

I’ve wanted to blog on this subject for a long time–Creative Dramatics for Tweens: Build Confidence First. It’s easy to assume that the best way to begin a drama class is with scripts in hand or with a monologue or duet scene. After all, that’s what theater is all about—character, dialogue, blocking, memorization. Right?

Creative Dramatics for Tweens: Build Confidence First
Here I am with a former student sitting on the floor, playing the warm-up game with my class

Not quite.

When you’re working with middle school students, traditional scripted drama can be overwhelming. Many students at this age are still learning to navigate their emotions.  Additionaly, they are learning how to communicate effectively, and build trust with their peers. That’s why I believe the best way to start middle school theater is not with a script, but with creative dramatics.

What Is Creative Dramatics?

Creative dramatics is an unscripted, process-centered approach to theater. It includes improvisation, storytelling, pantomime, role play, and drama games. Unlike traditional scripted drama, it emphasizes exploration over performance. Additionally, it is less about perfect delivery and more about self-expression, teamwork, and discovery.

In short—it’s play with purpose.

Creative Dramatics for Tweens: Build Confidence First

Why Traditional Drama Doesn’t Work Right Away

Middle school students come to drama class with a wide range of abilities.  Plus, they join us with different comfort levels, and backgrounds.  Some are eager to perform; others are terrified of speaking aloud. When we hand them a script and ask them to “act,” we’re assuming they already have skills they may not have yet.

As we are aware, times have changed one generation to the next.  I was from the generation where parents said children were, “to be seen and not heard.’ My parents let my teachers deal with me at school–they did not intervene at all. My daughters weren’t raised as strictly but guardedly.  However, we did not ask them for their input in making decisions about and for them.  This latest generation is much more hands-on.

Modern parents are often more involved in their children’s lives than previous generations. They attend more events, know more about their kids’ social-emotional development, and are quicker to advocate in school or healthcare settings. This shift is partly due to greater access to parenting research, a cultural emphasis on emotional intelligence, and a desire to break cycles from their own childhoods.

Creative Dramatics for Tweens: Build Confidence First

How Developmentally Appropriate Drama Builds Success

How does that play out in the drama classroom?  In drama class we deal with our emotions right from the first day.  If a student is uncomfortable sharing emotion, they will shut down on a teacher before they have even begun.

This is the primary reason for beginning the school year or even second semester with creative dramatics and not jumping into more a more traditional theater class.  Take.your.time.

Here are a few reasons traditional methods may fall short:

They’re still figuring out who they are. Think of it–they enter your classroom as basically a 5th grader and leave the school as almost a 9th grader.  That’s huge growth!  Identity is a work in progress at this age. Asking them to take on another character can feel like too much when they’re unsure of themselves to begin with.

Reading aloud is a challenge for some. Not every student is a confident reader. Struggling through a script in front of peers can be a confidence killer.

Performance anxiety is real. Scripts and staged scenes can cause fear of failure, embarrassment, or judgment.

Additionally, they haven’t built ensemble yet. Trust is a crucial part of theater—and it takes time. Without it, collaborative scene work suffers. Students must feel safe in order to take chances and make mistakes in front of their peers.

Creative Dramatics for Tweens: Build Confidence First

What Creative Dramatics Offers Instead

Simply put, creative dramatics gives students the freedom to play, explore, and make choices.

Here’s why it works so well for middle schoolers:

Confidence Grows Naturally
I found that activities like studying movement and storytelling encourage participation without the pressure of “getting it right.” Students learn that all ideas are welcome, and that builds a safer space for risk-taking.

It Emphasizes Play
Middle schoolers need movement and laughter. Games and creative exercises channel their energy in productive ways—and make class genuinely fun. Students have shared with me that the warm-up games are their favorite part of their school day!  One exercise that is always successful is The Three Headed Monster.  Want a copy?  Pick it up here: Three Headed Monster

Creative Dramatics for Tweens: Build Confidence First

Why Creative Dramatics Works for Every Student

It Builds Ensemble
Middle schools are generally as large as a small high school.  That means your students may not be familiar with each other. Several elementaries can funnel into one middle school. Therefore, group work, partner activities, and group-based improvisation help students learn to listen, collaborate, and trust one another. These are the same skills that will serve them when they do move into scripted work. Check out this bundle:  Group Based Improvisation Exercises

 Skills Are Introduced Organically
Voice, body language, emotion, conflict, character motivation—these are all explored through creative dramatics. Often students aren’t even aware that they’re developing them. Because you have focused on participation rather than performance, your timid students have an opportunity to challenge their fears without criticism.

It Welcomes All Learners
Some students didn’t choose to take drama. Others are English language learners or neurodivergent. Creative dramatics gives everyone a way in—regardless of background or ability. My favorite memories of teaching middle school have always been when a secial needs student get to participate in the performance. Or the ELL students show their classmates that they don’t need to be good English speakers to win at a game! Need something for a substitute teacher to teach?  Check out: Emergency Sub Plan Bundle 

Creative Dramatics for Tweens: Build Confidence First

What It Looks Like in Practice

So, what does creative dramatics actually look like in the classroom?  A middle school drama classroom is joyful, dynamic and always fun!

Here are a few ways to begin your middle school drama class:

  • Tableaux exercises where students freeze in poses to tell a story or capture a scene–pick up Fairy Tales with Tableau
  • Improvisation games like “Yes, And…” or “What Are You Doing?”
  • Story circle activities where students help shape a narrative such as Magic Circle
  • Movement builds expression and clarity without words such as Creative Movement
  • Character walk explorations where students invent physical traits for imaginary people. This first begins with a charater analysis such as Character Analysis

None of these require a script. All of them build foundational theater skills.

Creative Dramatics for Tweens: Build Confidence First

When to Introduce Scripts

Scripts do have a place in middle school drama. They come after the ensemble is built, the fear is reduced, and the students are comfortable in their own creative voices.

When that time comes, try:

  • Class plays where the entire class is involved, such as The Brave Little Tailor
  • Reader’s theater as a gentle transition, such as The Magic Lake
  • Radio theater is non-threatening and requires very little preparation for you or the students, try Bow Wow Blues

Once they’re ready, traditional drama becomes much more successful—and meaningful. It’s worth noting you should also not begin the year delving into theater history.  If you’d like a  free lesson for this subject, check out: The Origin of Theater

Creative Dramatics for Tweens: Build Confidence First

Final Thoughts

Here’s some advice:  don’t be like me and get all caught up in the quality of the performance. When I first started teaching middle schoolers, I was too focused on the final performance.  Some students can only equate a play performance as doing “theater”. They may not come out of their shells until they are standing in front an audience (hopefully, someone else’s class of students are serving as audience).

What is key here is that your students are LEARNING. Once you accept this, your teaching will be much more fun and fulfilling.   Middle school drama is not about putting on a perfect show. It’s about helping students discover who they are, how they express themselves, and how they connect with others. Want more advice about teaching middle schoolers? Check out: How to Make Your Drama Class More Successful –Lessons Learned from 38 Years of Teaching-Middle School

Where Confidence Begins: Creative Dramatics

If we want them to fall in love with theater—and we do—we need to meet them where they are. That starts not with scripts, but with play. With movement, with laughter and 2ith ensemble.

It starts with creative dramatics.

Have you tried creative dramatics with your students?  Drop a comment and share what’s worked for you, or explore my ready-to-use lessons that make the first weeks of drama class engaging and low-stress—for you and your students.

Woman behind DramaMommaSpeaks

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Filed Under: arts education, arts integration, creative dramatics, creative movement, drama education, drama integration, Education, Education, excellence in teaching, middle grades, Teacherspayteachers, Teaching, teaching strategies, youth theatre Tagged With: 'tweens, bow wow blues, character analysis, class plays, drama education, drama lessons, drama units, growing up, Middle school, movement, radio theater, reader's theater, storytelling, tableau, The Brave Little Tailor, The Magic Lake, The Origin orf Theater

Easy-to-Use Middle School Drama Lessons: Volume 1

June 25, 2025 By dhcbaldwin Leave a Comment

middle school students working together on a drama class project by Dramamommaspeaks

Easy-to-Use Middle School Drama Lessons: Volume 1

My second year of teaching
School photo of my second year of teaching

Today, let’s talk about easy-to-use middle school drama lessons, volume 1, shall we? I bet you’d agree with me–teachers are conscientious people. We are like a dog with a bone–we just don’t give up.  When I began teaching, my first three years of teaching (English) were exhausting and challenging.  In fact, I had never student taught the subject.  Plus, I was on my own  trying to understand the scope and sequence pacing.

Back then, we did not have mentor teachers. A nice, equally young teacher  gave me a huge tome complete with English department standards with outcomes expected by grade level.  It was filled with jargon which I had to translate into laymen terms before I could even consider teaching them! Talk about overwhelm. However, I never gave up and learned tons from teaching English for those three years.

From Grad School to the Classroom: What Really Works with Middle Schoolers

Time went by and I survived those first years of teaching.  Later, when I began teaching a pre-elective drama class for middle schoolers, I had just finished my M.Ed. in Creative Arts Learning. It was perfect timing—I ended up using so many of those teaching methods in the classroom right away.

What I learned over many years is that middle school students need variety and short bursts of learning.  Of course, it’s good if it’s fun, too.  (Trust me, here.  My students and I laugh a lot in a class period.) Looking for a play to direct? Check out: 8 Middle School Plays That Work Every Time

My lessons generally followed this pattern:

  • warm up (15 mins.)
  • teacher lesson (10 to 20 mins.)
  • student application (15 mins.)
  • cool down, exit slip, etc. (5-10 mins.)

What’s Inside Volume 1?

Easy-to-Use Middle School Drama Lessons: Volume 1

Even though this was a pass/fail class, I had the opportunity to teach as much or as little theater information as I liked. The principal left it up to me which was gratifying to way the least.   Also, I taught them the rudimentary concepts of stage geography, stage positions, blocking positions, acting positions, and movement. Most youth theater and school theater programs focus on the actor.  I knew that the concepts of stage orientation would be needed no matter what program or class they enrolled in next time.

Hooked from the Start: Building Excitement and Ownership in Drama Class

Additionally, students learned about the origin of theater (did it begin through myth or ritual?).  We had  lively debates discussing their opinions.  By establishing the class with this resource, a teacher can put their students in the driver’s seat right off the bat.  They learn that their opinions count!

Always I kept it in mind that I wanted my students to enroll in another drama class after mine.  Most importantly, I wanted them to leave my class so in love with theater arts they couldn’t wait to learn more about it.

Easy-to-Use Middle School Drama Lessons: Volume 1

Why Teachers Love It

It is not out of the ordinary for me to receive a positive review.  I’m thrilled that I helped a teacher! 

“My students loved this unit for my theater class.  I have always struggled on how to teach set deisng in this class and your presesntation took me step by step through the procerss! Plus, I was able to modify it for my Behavior Theater class who loved the hands on aspects of this unit. ”

“Thank you for the teacher’s script and details. YOu could easily print and use this in your classroom immediately. SO MUCH DETAILS and SO MANY OPTIONS! I can use it all or in pieces as time allows. Thank you.”

My Favorite Lessons in the Volume

Easy-to-Use Middle School Drama Lessons: Volume 1

One of my favorite units to teach is set design.  Students enjoy it because it’s concrete.  It’s not that scary acting/ emotion stuff! Plus, I focus on fairy tales as the theme.  When I first began teaching this unit, fairy tales hadn’t become as popular as they are at present.  In fact, some students weren’t even familiar with the story of The Three Little Pigs!

However, now that fairy tales are popular in television and film, students nearly jump at the opportunity to create their own set for whatever fairy tale story they choose. The unit includes titles such as Cinderella, Little Red Riding Hood or Jack and the Beanstalk.

Storytelling Japan Student Created Pictures Drama Lesson Kamishibai Drawing

In addition, I enjoy teaching about Kamishibai Storytelling.  If you are unfamiliar with Kamishibai, you’ll enjoy how well it works in the classroom.  Got shy students?  You can encourage to break out of their shell through this unit.  First, you’ll put your students into teams of two to create their stories. They draw their story and finally they perform them in tandem.  Talk about win-win!

How to Use It Throughout the Year

Easy-to-Use Middle School Drama Lessons: Volume 1

Have you picked up a copy of my Scope and Sequence resource of drama lessons?  It’s free to you and will give you a comprehensive and organized plan.  You can find it here: Scope and Sequence, Vol. 1.

When you pick up the scope and sequence guide, you’ll notice that I suggest beginning the learning with the basic components of theater.  They include tableaux, movement, sound effects, improvisation, movement, etc.  Furthermore, there is time for designing a set and costumes, too.  I’ve included everything a teacher may need from teacher’s scripts (so you know what to say) to procedures (with time stamps) to warm-up exercises, live video clip links and a rubric or two.

Drama Class Theater Curriculum Middle School Vol. 1 Acting Improvisation Plays

So, there you have it!  I hope you’ll grab Volume 1 here to take the guesswork out of teaching drama! Or…buy Volume 1 and 2 here: Bundle Volume 1 and 2 Middle School

Looking for more?  Check out my new book, We’re Live! Radio Theater #101–all about how to use radio theater to engage students in any classroom.

Easy-to-Use Middle School Drama Lessons: Volume 1

Got a question or request?  Just email me at DhcBaldwin@gmail.com.  I’d be happy to help you!

Woman behind DramaMommaSpeaks

P.S.  If you all ready own these, check out volume 3!  It’s brand new:  BUNDLE MIDDLE SCHOOL CURRICULUM VOLUME 3

Click here:  We’re Live! Radio Theater #101

 

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Filed Under: acting, arts education, arts integration, Back to School, creative dramatics, creative movement, drama education, drama integration, Education, Education, excellence in teaching, gifted and talented, performing arts, readers theater, set design, storytelling, Teacherspayteachers, teaching strategies, youth theatre Tagged With: 'tweens, arts integration, costume design, creative dramatics, drama education, drama lessons, drama units, Kamishibai Storytelling, Middle school, radio theater, set design

Boost Drama Class with These 5 Teacher Favorites

June 9, 2025 By dhcbaldwin Leave a Comment

A wooden figure leaning up against a stack of books

Boost Drama Class with These 5 Teacher Favorites

To begin with, as theater teachers, we often face a familiar set of challenges: limited prep time and diverse student needs. Plus, these are coupled  with th desire to build a strong classroom community while still hitting learning goals. How can we do that? What resources will it require?  Let’s discuss how to boost drama class with these five teacher favorites!  Whether you’re just starting out or looking to refresh your curriculum, the right resource can make all the difference.

Over time, I’ve created and refined dozens of drama education materials that aim to solve these challenges. These aren’t just popular—they’ve been tested by real teachers and praised for how well they support classroom success. (Proof of Concept?  To date, over 23,000 teachers have purchased from my Dramamommaspeaks store.)

Boost Drama Class with These 5 Teacher Favorites

Boost Drama Class with These 5 Teacher Favorites

1. Drama Ice Breakers and Ensemble Builders

Why it helps:
A strong ensemble is the heartbeat of any theater classroom. These ice breakers and team-building games are more than just “fun activities”.  They teach students how to collaborate, listen actively, and take creative risks in a low-pressure environment. I’ve used these same  for questions for years to help my students become confident and connected performers.

What’s included:

  • Engaging warm-ups for all experience levels
  • Games that promote trust and communication
  • Easy-to-follow instructions for quick implementation

As a result, this is a teacher favorite because:
They save you time and get your students up and moving—essential in the first few weeks of school.

One reviewer wrote, “These helped my students open up immediately and created a supportive classroom culture.”

Boost Drama Class with These 5 Teacher Favorites

Boost Drama Class with These 5 Teacher Favorites

Daily Drama That Delivers: Engage Every Student, Every Day

2. Morning Meeting Bell Ringers: Tony Award-Winning Plays

Why it helps:
These 24 bell ringers bring Broadway into your classroom through bite-sized lessons that celebrate Tony award-winning plays. Each includes a brief synopsis, the awards it won, and a thoughtful question to encourage discussion or journal writing. In addition, they’re great for daily warm-ups or as part of a broader curriculum on theater history.

What’s included:

  • 24 ready-to-use slides
  • Tony-winning play summaries and awards
  • Video clip links for reference
  • Critical thinking questions to prompt student reflection

Teacher favorite because:
They introduce important theatrical works without adding to your prep load. Consequently, students get exposed to a wide range of plays, and teachers love the simplicity and depth. “These were a great way to start my class and got my students talking about theater right away,” one educator said.

Boost Drama Class with These 5 Teacher Favorites

3. Radio Theater Unit

Why it helps:
This unit taps into the often-overlooked world of radio drama.  It is ideal for classrooms with limited space or performance anxiety. Students learn about sound effects, vocal inflection, and character development. Lastly, they create and perform their own radio commercials. Pick up one of my radio play scripts and you’ve got three weeks of learning!

What’s included:

  • A full unit guide with daily procedures for 12 days
  • Warm-ups and vocal exercises
  • Radio play scripts and sound design activities

Altogether, this is a teacher favorite because:
It combines performance, technical design, and storytelling into one seamless unit. One teacher shared, “My class LOVED this! It allowed even shy students to shine and brought a new energy to our drama time.”

Boost Drama Class with These 5 Teacher Favorites

Connect with Culture and Creativity

4. The Story of Lin-Manuel Miranda: Read-Aloud Biography Unit

Why it helps:
Students are always more engaged when they can relate to the subject. This biography of Lin-Manuel Miranda—complete with prompts and journaling ideas—makes for a great literacy integration!  Plus, it’a super jumping-off point for conversations about creativity, diversity, and perseverance. 

What’s included:

  • A read-aloud biography concerning his life, education, journey to Broadway and accolades he’s won
  • Student discussion questions
  • Journal writing prompts for reflection and connection

Teacher favorite because:
It inspires students with a story they care about while encouraging thoughtful writing. Additionally, teachers often use this during Hispanic Heritage Month, literacy blocks, or between units. One teacher remarked, “My students really enjoyed this lesson. The resources were great and they loved putting together the rap!”

Check out this blog post for other famous Broadway actor biographies: Teaching Stage Legends: Burnett, Andrews, Jones, and Van Dyke

Boost Drama Class with These 5 Teacher Favorites

5. Costume Design for Beginners

Why it helps: Costume design is a fantastic entry point into technical theater.  Furthermore, it helps students think critically about character, mood, and time period. This beginner-friendly unit introduces students to the basics of costume design through research, drawing, and hands-on activities.

What’s included:

  • Introduction to costume design principles
  • Guided drawing and analysis assignments
  • Creative prompts for designing original character costumes

Teacher favorite because: It taps into visual learning and creativity while supporting script analysis and design thinking. One teacher noted, “This was a perfect way to engage students who love art and fashion while still connecting back to theater concepts.”

Pick up a FREE holiday parade costume design lesson here:

In Conclusion

Lastly,  you’re looking for materials that are trusted, easy to implement, and designed with teachers in mind, give these a try. Check out this post for additional resources which can help you:  5 Easy Drama Games for Emergency Sub Plans

Have a favorite you’d like me to feature next? Drop me a message—I love hearing how these resources work in your classroom. Also, I’m so pleased to announce that my blog is one of the top 5 for drama teachers in the world. 

Learn more here:

This may contain: the top drama teacher blog badge with gold stars on it and text reading top drama teacher blog

Deborah Baldwin of Dramamommaspeaks
When I portrayed MIss Prism in The Importance of Being Earnest

Deb

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Filed Under: acting, arts education, arts integration, drama education, drama integration, Education, Education, English Language Learners, excellence in teaching, Free Products, gifted and talented, High School, middle grades, Radio Theatre, Teacherspayteachers, Teaching, teaching strategies, theater, theatre, Tony Awards, youth theatre Tagged With: ice reaker exercises, Lin Manuel Miranda, morning meeting Tony awards, radio theater, teaching tools introduction to costume design

Theater Books Every Drama Teacher Should Own

May 8, 2025 By dhcbaldwin Leave a Comment

A puppy with reading glasses perched on his nose as if he is reading the theater book before him.

Theater Books Every Drama Teacher Should Know

From time to time, I read of teachers having  funds left nearing the end of the year.  They are frantically trying to spend any left over funds in their budget.  If you aren’t familiar with this kind of fervor.   Please know this–many times if a teacher does not use up their budget, it is given to someone else! And we don’t want that to happen, now do we?

Usually, I suggest items such as rehearsal boxes, makeup kits, a light tree, etc.  But today I’m blogging only about books I recommend you collect for your teaching library.  Here is a list of my ” Theater Books Every Drama Teacher Should Own”.

When I began teaching like a hundred years ago, there weren’t too many resources from which to teach.  Of course, we had play anthologies, but nothing much for the day-to-day class.  No one had ventured into teaching young students yet.  I mean, this was 1980!  If you’d like more information about that journey, check out: How to Make Your Drama Class Successful-Lessons Learned from 38 Years of Teaching High School.

Now you can find many books focusing on particular grade levels.  I’ve included several for each grade level here.

Theater Books Every Drama Teacher Should Own

Theater Books Every Drama Teacher Should Own

 Theater Games for the Classroom by Viola Spolin–This theater book is absolutely essential for you (and a personal favorite of mine), especially if you are teaching elementary or middle school students.  This best-selling book by Viola Spolin offers the most comprehensive theater instruction for all types of students, from small children to young adults. It includes over 130 theater games, plus exercises and instructional strategies. First developed by Spolin, the originator of modern improvisational theater techniques, these games have been tried and tested for over fifty years. I’ll tell you a secret–most of the books that are published about warm up games and exercises used this one as a stepping off point for theirs!  In other words, go to the original source.

Theater Books Every Drama Teacher Should Own

2. Multicultural Plays for Children Volume 2 by Pamela Gerke–When I taught middle school students a pre-elective course, I used several plays from this theater book collection. These excellent dramatic adaptations of 10 folktales from various countries and cultures will help fill that void. Most importantly I think each play is based on a story from the oral tradition that has retained.  Consequently through many alterations across time, these plays share a core of truth about human nature and life.

Furthermore, this book includes a substantial introductory section that addresses many concerns: adapting a play for various cast sizes; changing gender, setting, and length; vocal-projection exercises and theater games; plus many useful suggestions for production.

Also, each play has detailed directions for creating sets, props, costumes.  In addition, it includes a realistic timetable for rehearsals and other production needs, and a pronunciation guide. Talk about really helpful for a teacher!  Music is included, as is extensive information about some cultures that will extend and enrich the experience for children. Included:  The Comedy of Errors, Hamlet, Macbeth, The Merchant of Venice, Othello, Romeo and Julie, and The Tempest, etc. 

Theater Books Every Drama Teacher Should Own

Inspire Movement Through Story and Song

3. Lesson Plans for Creative Dance: Connecting with Literature, Arts and Music by Sally Carline–Children love to express themselves through movement—and with this great new resource, you can guide them through a range of actions and dances that will help them develop both physically and mentally. This theater book is a resource for physical educators, classroom teachers, and dance specialists as well as a useful supplement to college level elementary education courses.
Additionally, author Sally Carline has tested and refined the creative movement activities that she has prepared for educators and for preservice teachers. She includes background material that will ground you in understanding how to best teach and incorporate movement activities in a variety of classes and settings. Check out this blog post for more information: Creative Movement: Elementary and Middle School Teachers – Ready to Move?
Beautiful Stories from Shakespeare for Children

  4.Beautiful Stories for Children by Edith Nesbit -When I taught an introduction to Shakespeare course, I used this theater book with  middle schoolers.  We read the stories, minus Shakespeare’s play versions. William Shakespeare is arguably the most pivotal and widely read figure in the history of English literature. This comprehensive collection highlights some of the bard’s best works. Plus, they have been adapted to be more easily read and digestible for children.

Included are the stories of A Midsummer Night’s Dream, The Tempest, As You Like It, The Winter’s Tale, King Lear, Twelfth Night, Much Ado About Nothing, Romeo and Juliet, Pericles, Hamlet, Cymbeline and Macbeth. Also, included are the stories of The Comedy of Errors, The Merchant of Venice, Timon of Athens, Othello, The Taming of the Shrew, Measure for Measure, Two Gentlemen of Verona, All’s Well That Ends Well.

Theater Books Every Drama Teacher Should Own

Acting from the Inside Out: Tools for Voice, Body, and Imagination

5. Building a Character–Building a Character by Constantin Stanislavski is one of the three volumes that make up Stanislavski’s The Acting Trilogy. An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.”

Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control. Plus, it describes the preparation that precedes actual performance. This theater book includes extensive discussions of Gogol’s The Inspector General and Shakespeare’s Othello. Lastly, Sir Paul Scofield called Creating a Role “immeasurably important” for the actor.

Additionally, If you are ready to teach Stanislavski’s methods, check out: Theater of Acting Unit The Konstantin Stanislavski Acting Styles Method Memory

Theater Books Every Drama Teacher Should Own

 

6.  We’re Live! Radio Theater #101 by Deborah Baldwin–Written by me, this theater book is the ultimate resource for drama teachers looking to introduce students to the exciting world of radio theater. Designed for grades 2–12, this book walks educators through the process of creating, rehearsing, and performing radio plays. And with no costumes or sets required!  Inside, you’ll find student-friendly scripts, production tips, voice acting techniques, and simple sound effect ideas that bring stories to life using only imagination and sound.

Whether you’re tight on time, space, or resources, We’re Live! offers a creative and flexible way to engage students in storytelling, collaboration, and performance. It’s perfect for in-class use, distance learning, or even podcast projects. Lastly, my book guides and empowers teachers to step into the role of radio director and help students shine—mic in hand and voices ready!

7. Curtains Up! Theatre Games and Storytelling by Robert Rubinstein– If you teach students in upper elementary and middle school, this would be one of the first books I’d suggest to you.  I learned about it at a MSTA convention (sponsored by Educational Theatre Association) many years ago. Theatre games help to develop students’ skills in storytelling, improvisation, and public speaking. They also build confidence, teamwork, and vocabulary. This is a collection of theatre games which have been classroom tested. Try the collaborative and fun activity “The Monster with Three Heads.” Pick up a copy of this exercise here: Three Headed Monster. I guarantee you, your students will love it!

Looking for free lessons?  Check out: Free Stuff!

What theater books would you suggest to a theater teacher?  I’d love to include it in a blog post planned for the near future.  Just contact me at DhcBaldwin@gmail.com

Click here:  We’re Live! Radio Theater #101

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Filed Under: acting, arts education, Broadway, creative movement, drama education, drama integration, excellence in teaching, gifted and talented, High School, middle grades, performing arts, Radio Theatre, Teacherspayteachers, Teaching, teaching strategies, theater, theatre, youth theatre Tagged With: acting skills, Constantin Stanislavski, creative movement, improvisation, multicultural plays, radio theater, theater games for the classroom, Viola Spolin

We’re Live! Radio Theater #101: Ignite Student Engagement

March 19, 2024 By dhcbaldwin Leave a Comment

A bucket of blue paint splashed on a walls with a yellow book, We're Live! Radio Theater #101

We’re Live! Radio Theater #101: Ignite Student Engagement

We're Live! Radio Theater #101: Ignite Student Engagement

Finally! I’m excited to share about my book with you–“We’re Live! Radio Theater #101”: Ignite Student Engagement! In the era of digital entertainment and on-demand streaming, the timeless allure of radio theater often gets overlooked. However, I’ve discovered that  its magic lies not only in its nostalgic appeal but also in its ability to captivate students’ imaginations through the power of sound alone.

Here’s a recent podcast interview concerning the book:  Thedtalkspodcast.com

Here’s a recent review of it:

Tiffaney Washington
5.0 out of 5 stars Engaging Entertaining Enlightening
I enjoyed learning about the history of radio theater. The author shares her own personal love affair with theater and then gives practical tips of preparing students for productions. I loved the tongue twisters, games, and tips on sound effect creation. It’s like the author predicted my questions and prepared answers. The scripts and QR codes are valuable, and I appreciated the modern recommendation of using AI to develop scripts, too. Wow! What a detailed resource…I feel I’m radio-ready! Let the Action begin!
And Another! 
Angela Howard
5.0 out of 5 stars If you are teaching radio, this is the book!

Reviewed in the United States on July 30, 2024

I have been teaching theatre in middle school for the past two years (this is year 20 of teaching for me, but I was teaching language arts), so moving to middle school has been a challenge. I had directed “It’s a Wonderful Life” as a radio show, complete with two foleys doing the sound effects for a local community theatre, which was a great learning experience.
I had read a post by this author that radio theatre is great for our 6th graders because we only get them for 9 weeks. Additionally, 6th graders are notorious for not wanting anyone looking at them. Radio theatre to the rescue! This book has it all, how to do and build the sound effects, script ideas, theatre games, how to use the mics – I feel like everything I was trying to teach myself is contained right here. If you haven’t taught radio and are interested in trying it, get this book. It is fun and the students really enjoy the challenge. Definitely worth the money!
Recently, I was interviewed on Trina Deboree Teaching and Learning’s podcast show talking about the book. Take a listen.
Here’s another just published July 4, 2025!   Review

We’re Live! Radio Theater #101

Recognizing this potential, educators have long turned to radio theater as a unique and effective tool for fostering creativity, enhancing communication skills, and sparking a love for storytelling among students. Now, with the release of my new book, “We’re Live! Radio Theater #101”,  teachers have a comprehensive daily guidebook at their fingertips to unlock the full potential of this art form in the classroom. You can find it here.

To give you a taste of the book, I’ve included its introduction below.

The Waltons Television Show By CBS Television

“We’re Live! Radio Theater #101”: Ignite Student Engagement

In high school, I had a fan girl crush on John Boy of “The Waltons” television show. For me, part of the mystique of the show was the Depression Era in which the show was set. Admittedly, life was simpler then for various reasons. People were hard pressed for money and looking for ways to escape the daily reminders of life. Radio was an inexpensive outlet and most households owned some type of radio.

I was the youngest child in a family of six. There are ten years difference between me and the next youngest sibling. Consequently, by the time I was eight I became an only child of sorts since my siblings grew up and moved away. Once I was the only child in the household, I was lonely much of the time. I yearned for a family like the Waltons. I fantasized my whole family sitting around the radio listening to a radio theater show just like did. Little did I know that in its own gentle way, “The Waltons” birthed my love of radio theater and not John Boy.

Late Night Radio Shows

At the same time, I discovered old radio shows from the 1930s and 40s broadcast on a radio station out of Chicago  were aired at 10:00 p.m. They played for an hour or two. Needless to say, I had a tough time waking the next morning.  I’d been super engaged while listening to these wonderful old shows. I’m not usually a night owl, but for these radio shows it was worth it!

During my second year as a middle school theater instructor, I rediscovered the enchanting realm of radio theater. Part of my responsibilities was to produce a class performance with the students. Since this was a pre-elective, I saw over 400 students each year. The job was a lot of work! I taught the varied elements of theater to these students. You can find my book here.

The teaching was always fun and the students enjoyed my lessons. However, the lesson planning was a bear to accomplish. As a creative person, I need variety in all aspects of my life. Teaching the same thing repetitively every twenty-five days to another seventy-five students was exhausting. Plus, it depleted my imagination.

We're Live! Radio Theater #101: Ignite Student Engagement

On line Radio Theater Assistance

Desperate for my personal sanity, I took to the brand-new internet (at the time) and began searching for short plays with large casts. There were none. Suddenly, I experienced an aha moment! I remembered my late nights in high school while listening to the radio shows.

Could radio theater be useful in my classroom? Would it be difficult to prepare and produce? Additionally, would my students stay engaged the entire time as we rehearsed and performed? Could students finish my class believing they had a comprehensive learning and genuine theatrical experience? Most importantly, would my reluctant students enjoy it?

I took a chance and emailed (which was a really big deal then) asking the Museum of Radio and Television if I could have a copy of one of the radio play scripts they used for workshops. They were so kind and sent me six! I embarked on my first radio show using their script of The Lone Ranger. Our greatest challenge was how to create  the sound of gun shots (use a clipboard and snap its clip). As I expected, the show was successful and the students appreciated its novelty. Over the course of the next few years, I began to adapt short stories as scripts. In fact, I even wrote one of my own, Bow Wow Blues, which is popular with middle schoolers. Who woulda’ thunk it?

My Love Affair with Radio Theater

Thus began my love affair with radio theater. Thirty-eight years later, I can say without a doubt that radio theater engages students, no matter if they are in upper elementary, middle, or high school. When teachers have students who are disengaged in their classes, radio theater is my first suggestion to them. I can hear the teacher’s excitement in their five-star reviews of my radio theater resources as they breathe a sigh of relief that they discovered a teaching tool they’d never tried. And it works every time. You can find my book here. 

Can I guarantee to you that radio theater will engage your students? No, but you are going to be much more prepared for trying to do so with the help of this book. So, get ready for some fun and great learning!

My Comprehensive Guidebook

Educators have long turned to unique and effective tools for fostering creativity, enhancing communication skills, and sparking a love for storytelling among students. Now, with the release of my new book, “We’re Live! Radio Theater #101,” teachers have a comprehensive daily guidebook at their fingertips. I think you’ll easily see how it will unlock the full potential of this art form in the classroom.

We're Live! Radio Theater #101: Ignite Student Engagement

“We’re Live! Radio Theater #101” is not just another resource.  The thirteen chapters address everything from the history of radio theater, warm up exercises, amplification. If that isn’t enough I’ve included a chapter over directing a radio play, script publishers, and much more. Foremost, my goal was to collect a treasure trove of practical strategies, creative activities, and insightful tips tailored specifically for educators.

As a seasoned drama educator, director and radio theater enthusiast, I’ve written this guidebook to demystify radio theater, empowering teachers to confidently integrate its magic into their classrooms.

So Much to Share

To begin, the guidebook includes an overview of radio theater’s rich history and its relevance in contemporary education. This sets set the stage for its integration into various curricular areas.  Most importantly, I instruct how to create your own radio play to teach your subject matter utilizing AI. From language arts to social studies, and even STEM subjects, this teacher guidebook demonstrates how this medium can enhance learning across disciplines. And do it effortlessly!

Radio program put on by children of Junior Artists Club Federal Art Project

“We’re Live! Radio Theater #101: Ignite Student Engagement

Exploring the rich history of sound effects, the guidebook additionally delves into their evolution from humble beginnings to indispensable tools in radio theater. From early broadcasts’ inventive use of everyday objects to modern digital techniques, students explore the artistry of crafting immersive auditory experiences.

Extras I’ve Included

The unit portion of the book (after chapter ten), your students will delight in hearing the stories of some of the original sound engineers (Foleys). Moreover, they’ll have an opportunity to try out creating a sound effect for themselves.   This three-week unit concludes with a performance of a radio play! You can find my book here.

Furthermore, by understanding the historical context and technological advancements, students can appreciate the role of sound effects in shaping the dramatic narrative and bringing stories to life in the theater of the mind.

“We’re Live! Radio Theater #101: Ignite Student Engagement

One of the standout features of the guidebook is its collection of teacher-friendly scripts suitable for daily use.  Additionally, these scripts to make it easier for any teacher or any subject matter to be successful right from the start. In the unit portion of the book, these scripts are crafted to fit seamlessly into the lesson plan.

Whether it’s a ten-minute warm-up activity or listening to current show or a radio show from days gone by, these teacher’s scripts offer flexibility and adaptability. Consequently, they suit the unique needs of every classroom.

Detailed Guidance

Moreover, each script is accompanied by detailed guidance on performance techniques, sound effects, warm up exercises, and exit slip prompts.  Also, these scripts make it easy for teachers to facilitate engaging and interactive experiences for their students. From tongue twisters to collaborating on a mini-commercial with fellow classmates, these teacher’s scripts are designed to promote active listening, creative expression, and collaborative learning. Simultaneously, they reinforce key curriculum objectives.

We're Live! Radio Theater #101: Ignite Student Engagement

Directing Radio Theater

One of the most challenging and potentially intimidating aspects of directing radio theater is just that.  How do you direct a radio play?  I’ve included a video which demonstrates all of the sound effects hand signals a floor director (that’s you) can use.  As a result, you will be surprised by how quickly you and your students pick up these hand signals and their meaning.  All you need is a little practice and you will have them learned in no time at all. Also, your students enjoy learning these signals-it’s sort of like you all have your own language to share amongst you. You can find my book here.

Take it From Me

“We’re Live! Radio Theater #101” doesn’t stop at theoretical concepts and hypothetical scenarios. It’s grounded in real-life examples and practical advice drawn from my own experiences as an educator. However, these are not examples that might work, they always work! Throughout the guidebook, I share anecdotes, success stories, and lessons learned from implementing radio theater projects especially in diverse classroom settings.

These insights not only inspire fellow teachers but also provide valuable guidance.  Furthermore, this book helps teachers to  overcome common challenges and maximizing the impact of radio theater in daily instruction. In addition,  I’ll teach you how to utilize this unique teaching tool for your classroom needs, too. Interested in more information concerning the strength of drama integration? Check out: How to Excite Students With Drama Integration

File:Radio program put on by children of Junior Artists Club Federal Art Project WPA Phoenix AZ 1935.gif

Live Links

Additionally, this guidebook encourages teachers to utilize live links to vintage radio shows and programs (such as War of the Worlds)  or YouTube clips.  These links  offer students a visual and auditory reference to grasp the feeling of radio theater. By immersing students in authentic performances, they can better understand the dynamics of sound effects, voice modulation, and storytelling techniques. Thus, this enhances their appreciation and proficiency in this timeless art form.

“We’re Live! Radio Theater #101” is more than just a teacher’s guidebook; it’s a daily companion for educators seeking to infuse their classrooms with creativity, excitement, and the transformative power of drama integration. Whether you’re looking to kickstart your morning with an energizing lesson or wind down the day with a captivating storytelling session, this guidebook offers a wealth of resources and inspiration to make every lesson memorable.

Teacher’s Guide: Radio Theater in Education

With its user-friendly scripts, practical tips, and real-life examples, “We’re Live! Radio Theater #101” invites educators to embark on a daily journey into the world of radio theater. The only limit is the imagination of their students. Pick up a copy of the paperback, hardback or e-book at Amazon Books or Barnes and Noble. 

Or download a sample!

Got any questions?  Please email me at DhcBaldwin@gmail.com

Woman behind DramaMommaSpeaks

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Filed Under: acting, Uncategorized Tagged With: curriculum, engaging students, radio theater, teacher guidebook, teacher reflection, teaching scripts, units, warm up exercises, We're Live! Radio Theater #101

Scary Radio Plays for High School Students to Perform

January 18, 2024 By dhcbaldwin Leave a Comment

Blog post cover with scary hands reaching for the camera.

Adapting spooky radio plays for high school students to perform is a skill in which I excel. I’ve adapted short stories, folk tales and even original works for over thirty-eight years. In that time, I found that high school love to scare themselves and others.  However, before we do so, let’s talk about royalties.  There are no royalties to pay if you use my scripts.  I’d appreciate either a resource review or mention in your program if you produce this for the public.

Did you know I have the secret to boosting student engagement?  My new book, “We’re Live! Radio Theater #101” explains my journey to implementing this unique tool in the classroom. Check it out here or pick up a FREE sample here.

Now let’s get to the scoop-

Frankenstein’s Mystery

Scary Radio Plays for High School Students to Perform

Frankenstein’s Mystery is an electrifying radio play that resurrects Mary Shelley‘s timeless tale in a mesmerizing audio experience,  combining classic storytelling with the dynamic world of radio theater. This production offers a comprehensive package that not only delivers a riveting performance but also provides valuable resources for directors, actors, and educators. If you decide to perform for the public, there are no royalties to pay.

The Story:

Frankenstein’s Mystery begins where the original story leaves off. Victor Frankenstein brings to life his monster much to the surprise of his beautiful fiancé, Elizabeth, and a party of scientists and esteemed professors. Everyone is impressed and this makes Frankenstein proud.  However, there is one fatal flaw in the monster which Frankenstein hadn’t considered–the monster is lonely and will do anything to get a friend.

Scary Radio Plays for High School Students to Perform

The Product

A Note to the Director: Immerse yourself in the director’s guide, providing insights into the creative vision, thematic exploration, and directorial tips to bring the production to life.

Mary Shelley – A Short Bio: Gain a deeper understanding of Shelley, the prolific author whose works have inspired this radio play. Explore the background that shaped her literary contributions.

Adapted Specifically for the Classroom: Having taught and directed for over thirty-eight years, I know a teacher’s challenges when needing a script for a large number.

Sound Effects List and Suggestions: Access a curated list of live sound effects crucial for creating an immersive audio experience. Receive expert suggestions on how to effectively integrate these sounds to enhance the drama. Many a reluctant students has enjoy participating by using the live sound effects.  Need a lesson about sound effects? Check it out here.

Cover of free checklist of radio theater live sound effects.

More Handouts in the Radio Play Resource

Music Suggestions with Links: Elevate the auditory experience with carefully selected music suggestions accompanied by links. Explore the synergy between soundscapes and storytelling.

How to Stage a Radio Play with Floor Plan: Navigate the logistics of radio theater production with a detailed floor plan guide. Maximize the potential of your space while adhering to the unique requirements of staging a radio play.

Radio Theater Terms: Familiarize yourself with essential radio theater terminology, including terms like “up and under.” Enhance your understanding of the technical aspects that contribute to a seamless production.

20-Page Radio Play Script: Immerse yourself in a captivating script, meticulously crafted by an award-winning author. The script includes sound and music cues, providing a comprehensive framework for a compelling performance.

Corny Commercials: Inject humor and authenticity into the play with three corny commercials. Alternatively, customize the commercials by incorporating your students’ own creations, adding a personalized touch to the production.

“Frankenstein’s Mystery” is not just a radio play; it’s a complete theatrical package designed to empower directors, engage actors, and captivate audiences through the artistry of radio theater. Dive into a world where the lines between imagination and reality blur, and the power of sound reigns supreme.

The Monkey’s Paw

Scary Radio Plays for High School Students to Perform

How about a radio drama script adapted from W.W. Jacob’s class, gothic story, The Monkey’s Paw? 

This twenty-five script has 23 +roles (including crew) and was adapted especially for the classroom. Strengthen your students’ listening, speaking, and reading skills all at once. It’s a one stop shop!

“The Monkey’s Paw” is a horror short story by English author W. W. Jacobs, first published in the collection The Lady of the Barge in 1902. In the story, three wishes are granted to the owner of The Monkey’s Paw, but the wishes come with an enormous price for interfering with fate.

Like the Frankenstein resource, this resources everything you’d need to be successful.  Would it be nice to ease your burden knowing you’ve got a lesson which works every time?

The Cast of Amontillado

The Cask of Amontillado radio theater unit adapted by Deborah Baldwin

Adapted from Edgar Allen Poe’s classic, gothic story, The Cask of Amontillado, this script has 15 + roles (plus crew) and was written especially for the upper middle school classroom!

The Cask of Amontillado is a story of revenge, deceit, and murder, as Montresor tricks a drunk Fortunato by trapping him inside an ancient catacomb. Poe’s story uses irony in the writing elements of his characters and setting.

I like to include information in my resources which students may not be aware. This resource includes information about the catacombs.  If you’d like to learn more about how to use radio theater effectively, check out: Ten Facts About Radio Theater That Will Blow Your Mind

Scary Radio Plays for High School Students to Perform

Why do we like to frighten ourselves?

According to an article in Forbes.com, “You get an adrenaline rush. Experiencing fear triggers the body’s fight, flight or freeze response, leading to the release of adrenaline. This can be exhilarating and pleasurable for many people, as it can make them feel more alert and alive.”

“The gene associated with the reward neurons in the amygdala is involved in dopamine signaling — and dopamine is the neurotransmitter responsible for pleasure. It is not just dopamine and oxytocin that contribute to the post-scare high. People also experience a rush of endorphins following a scare.” Thanks to Medicalnewstoday.com for this bit of wisdom.

Scary Radio Plays for High School Students to Perform

Looking for something FREE from Dramamommaspeaks?  Pick up this handy  free checklist of live sound effects websites.

Still not convinced? 

Dramamommaspeaks

Read what others think:

This is such a wonderfully funny script! My students absolutely loved acting out this play as a class! Fun, engaging, and very well written!
— Madison M.
Rated 5 out of 5
Thank you for these fun activities. My students are really going to enjoy acting out this Radio Play. You are my one-stop shop for all things drama!
— Jodie N.
Rated 5 out of 5
This was a super resource (Radio Theater Unit)  that provided an engaging drama activity. I appreciated that all links were included! Different and engaging!
— Stacey W.
Rated 5 out of 5
I adapted this Bow Wow Blues Unit  for the last 2 weeks of class so we mostly worked with the sound effects, but they really liked it. It was especially helpful for my EL students because they can participate without anxiety. I plan to use the full unit next semester. Great resource!
— Mary Angela H.
Rated 5 out of 5
Lastly, I challenge you to surprise your students with a radio theater unit! I think you’ll be surprised by their engagement and enjoyment in using their imaginations.
What radio theater plays have you produced?  How did it work for you?  I’d love to hear from you.  Just email DhcBaldwin@gmail.com

 

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Filed Under: acting, arts education, arts integration, drama education, drama integration, Education, English Language Learners, excellence in teaching, Play, plays, Radio Theatre, Reading Literacy, Teacherspayteachers, Teaching, teaching strategies, youth theatre Tagged With: gothic literature, horror, listening skills, Mary Shelley, radio theater, reading skills, writing skills

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