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Creative Dramatics for Tweens: Build Confidence First

July 9, 2025 By dhcbaldwin Leave a Comment

Creative Dramatics for Tweens: Build Confidence First

I’ve wanted to blog on this subject for a long time–Creative Dramatics for Tweens: Build Confidence First. It’s easy to assume that the best way to begin a drama class is with scripts in hand or with a monologue or duet scene. After all, that’s what theater is all about—character, dialogue, blocking, memorization. Right?

Creative Dramatics for Tweens: Build Confidence First
Here I am with a former student sitting on the floor, playing the warm-up game with my class

Not quite.

When you’re working with middle school students, traditional scripted drama can be overwhelming. Many students at this age are still learning to navigate their emotions.  Additionaly, they are learning how to communicate effectively, and build trust with their peers. That’s why I believe the best way to start middle school theater is not with a script, but with creative dramatics.

What Is Creative Dramatics?

Creative dramatics is an unscripted, process-centered approach to theater. It includes improvisation, storytelling, pantomime, role play, and drama games. Unlike traditional scripted drama, it emphasizes exploration over performance. Additionally, it is less about perfect delivery and more about self-expression, teamwork, and discovery.

In short—it’s play with purpose.

Creative Dramatics for Tweens: Build Confidence First

Why Traditional Drama Doesn’t Work Right Away

Middle school students come to drama class with a wide range of abilities.  Plus, they join us with different comfort levels, and backgrounds.  Some are eager to perform; others are terrified of speaking aloud. When we hand them a script and ask them to “act,” we’re assuming they already have skills they may not have yet.

As we are aware, times have changed one generation to the next.  I was from the generation where parents said children were, “to be seen and not heard.’ My parents let my teachers deal with me at school–they did not intervene at all. My daughters weren’t raised as strictly but guardedly.  However, we did not ask them for their input in making decisions about and for them.  This latest generation is much more hands-on.

Modern parents are often more involved in their children’s lives than previous generations. They attend more events, know more about their kids’ social-emotional development, and are quicker to advocate in school or healthcare settings. This shift is partly due to greater access to parenting research, a cultural emphasis on emotional intelligence, and a desire to break cycles from their own childhoods.

Creative Dramatics for Tweens: Build Confidence First

How Developmentally Appropriate Drama Builds Success

How does that play out in the drama classroom?  In drama class we deal with our emotions right from the first day.  If a student is uncomfortable sharing emotion, they will shut down on a teacher before they have even begun.

This is the primary reason for beginning the school year or even second semester with creative dramatics and not jumping into more a more traditional theater class.  Take.your.time.

Here are a few reasons traditional methods may fall short:

They’re still figuring out who they are. Think of it–they enter your classroom as basically a 5th grader and leave the school as almost a 9th grader.  That’s huge growth!  Identity is a work in progress at this age. Asking them to take on another character can feel like too much when they’re unsure of themselves to begin with.

Reading aloud is a challenge for some. Not every student is a confident reader. Struggling through a script in front of peers can be a confidence killer.

Performance anxiety is real. Scripts and staged scenes can cause fear of failure, embarrassment, or judgment.

Additionally, they haven’t built ensemble yet. Trust is a crucial part of theater—and it takes time. Without it, collaborative scene work suffers. Students must feel safe in order to take chances and make mistakes in front of their peers.

Creative Dramatics for Tweens: Build Confidence First

What Creative Dramatics Offers Instead

Simply put, creative dramatics gives students the freedom to play, explore, and make choices.

Here’s why it works so well for middle schoolers:

Confidence Grows Naturally
I found that activities like studying movement and storytelling encourage participation without the pressure of “getting it right.” Students learn that all ideas are welcome, and that builds a safer space for risk-taking.

It Emphasizes Play
Middle schoolers need movement and laughter. Games and creative exercises channel their energy in productive ways—and make class genuinely fun. Students have shared with me that the warm-up games are their favorite part of their school day!  One exercise that is always successful is The Three Headed Monster.  Want a copy?  Pick it up here: Three Headed Monster

Creative Dramatics for Tweens: Build Confidence First

Why Creative Dramatics Works for Every Student

It Builds Ensemble
Middle schools are generally as large as a small high school.  That means your students may not be familiar with each other. Several elementaries can funnel into one middle school. Therefore, group work, partner activities, and group-based improvisation help students learn to listen, collaborate, and trust one another. These are the same skills that will serve them when they do move into scripted work. Check out this bundle:  Group Based Improvisation Exercises

 Skills Are Introduced Organically
Voice, body language, emotion, conflict, character motivation—these are all explored through creative dramatics. Often students aren’t even aware that they’re developing them. Because you have focused on participation rather than performance, your timid students have an opportunity to challenge their fears without criticism.

It Welcomes All Learners
Some students didn’t choose to take drama. Others are English language learners or neurodivergent. Creative dramatics gives everyone a way in—regardless of background or ability. My favorite memories of teaching middle school have always been when a secial needs student get to participate in the performance. Or the ELL students show their classmates that they don’t need to be good English speakers to win at a game! Need something for a substitute teacher to teach?  Check out: Emergency Sub Plan Bundle 

Creative Dramatics for Tweens: Build Confidence First

What It Looks Like in Practice

So, what does creative dramatics actually look like in the classroom?  A middle school drama classroom is joyful, dynamic and always fun!

Here are a few ways to begin your middle school drama class:

  • Tableaux exercises where students freeze in poses to tell a story or capture a scene–pick up Fairy Tales with Tableau
  • Improvisation games like “Yes, And…” or “What Are You Doing?”
  • Story circle activities where students help shape a narrative such as Magic Circle
  • Movement builds expression and clarity without words such as Creative Movement
  • Character walk explorations where students invent physical traits for imaginary people. This first begins with a charater analysis such as Character Analysis

None of these require a script. All of them build foundational theater skills.

Creative Dramatics for Tweens: Build Confidence First

When to Introduce Scripts

Scripts do have a place in middle school drama. They come after the ensemble is built, the fear is reduced, and the students are comfortable in their own creative voices.

When that time comes, try:

  • Class plays where the entire class is involved, such as The Brave Little Tailor
  • Reader’s theater as a gentle transition, such as The Magic Lake
  • Radio theater is non-threatening and requires very little preparation for you or the students, try Bow Wow Blues

Once they’re ready, traditional drama becomes much more successful—and meaningful. It’s worth noting you should also not begin the year delving into theater history.  If you’d like a  free lesson for this subject, check out: The Origin of Theater

Creative Dramatics for Tweens: Build Confidence First

Final Thoughts

Here’s some advice:  don’t be like me and get all caught up in the quality of the performance. When I first started teaching middle schoolers, I was too focused on the final performance.  Some students can only equate a play performance as doing “theater”. They may not come out of their shells until they are standing in front an audience (hopefully, someone else’s class of students are serving as audience).

What is key here is that your students are LEARNING. Once you accept this, your teaching will be much more fun and fulfilling.   Middle school drama is not about putting on a perfect show. It’s about helping students discover who they are, how they express themselves, and how they connect with others. Want more advice about teaching middle schoolers? Check out: How to Make Your Drama Class More Successful –Lessons Learned from 38 Years of Teaching-Middle School

Where Confidence Begins: Creative Dramatics

If we want them to fall in love with theater—and we do—we need to meet them where they are. That starts not with scripts, but with play. With movement, with laughter and 2ith ensemble.

It starts with creative dramatics.

Have you tried creative dramatics with your students?  Drop a comment and share what’s worked for you, or explore my ready-to-use lessons that make the first weeks of drama class engaging and low-stress—for you and your students.

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Filed Under: arts education, arts integration, creative dramatics, creative movement, drama education, drama integration, Education, Education, excellence in teaching, middle grades, Teacherspayteachers, Teaching, teaching strategies, youth theatre Tagged With: 'tweens, bow wow blues, character analysis, class plays, drama education, drama lessons, drama units, growing up, Middle school, movement, radio theater, reader's theater, storytelling, tableau, The Brave Little Tailor, The Magic Lake, The Origin orf Theater

The Power of Creativity: Nurturing Innovation in Students

January 8, 2025 By dhcbaldwin Leave a Comment

The Power of Creativity: Nurturing Innovation in Students

I worry about our students.  Specifically, as a drama teacher and working with all things theater, I’m concerned about our students’ creativity.  So let’s consider that today–the power of creativity: nurturing innovation in students. In a world increasingly shaped by rapid technological advancements and complex global challenges, creativity has never been more essential.

Schools are not just places where students learn facts and figures. They are incubators for innovative thinkers, problem solvers, and dreamers. I believe that nurturing creativity in students is not only a vital aspect of their development but also an investment in the future.

The Power of Creativity: Nurturing Innovation in Students

Why Creativity Matters

This is a generality–many people believe they are not creative. One of my friends, who has a beautifully decorated home told me, “I’m not creative like you.”  What? Of course,  I disagree with her. Creativity is not just about art, music, or theater. It is the foundation of critical thinking, adaptability, and innovation. When students learn to think creatively, they develop skills that help them approach problems from new perspectives. They explore unconventional solutions, and express their individuality. Since this is a drama education blog, I’m going to consider creativity from that standpoint.

The Power of Creativity: Nurturing Innovation in Students

Creativity in Action: Building Skills Through the Arts

For example:

  • Problem-Solving: Creativity helps students develop resilience and resourcefulness when facing challenges, fostering a mindset of possibilities rather than obstacles. Set design is an excellent example of problem solving.  Students envision their design, draw and build a model of it.
  • Innovation: Many of today’s most groundbreaking advancements come from those who think outside the box, whether in science, business, or technology. The War Horse play is wildly innovative using life size puppets of horses to tell the story.
  • Emotional Growth: Creativity allows students to express their feelings, build confidence, and develop empathy by exploring diverse narratives and perspectives. Writing a monologue, a form of playwriting, about a Christmas gift a student is given is non-threatening and something they can relate to quite easily.

The Power of Creativity: Nurturing Innovation in Students

Strategies to Cultivate Creativity in the Classroom

  1. Encourage Open-Ended Exploration Let students experiment with ideas and projects without fear of being “wrong.” Open-ended assignments promote originality and allow them to explore their interests. Several times in a semester, I give students an opportunity to improv. a particular theme using tableaux or movement like the Tricicle Theater Company.
  2. Incorporate Arts into the Curriculum Theater, music, visual arts, and creative writing engage students in ways that traditional lectures cannot. These disciplines help students develop a broader range of cognitive and emotional skills. Teaching students about building a mood through sound effects and music is always fun.
  3. Provide Opportunities for Collaboration Group projects encourage students to build on each other’s ideas, learning how to synthesize diverse perspectives into something greater than the sum of its parts. For example, if students create their own juke box musical they must work together to create a dynamic and finished product.
  4. Value the Process Over the Product Celebrating effort and experimentation reduces the pressure to “succeed” and helps students take risks, an essential part of creative growth. Designing a costume and using only newspaper and painter’s tape to secure it nurtures ingenuity.  
  5. Model Creativity Teachers who demonstrate their own creative processes—whether through storytelling, problem-solving, or innovation in teaching methods—instill a sense of curiosity and possibility in their students.  When teaching storytelling, I always model a story for my storytelling unit.
  6. If you’d like to learn about the importance of drama education to a student’s life, check out my Litpick.com article.

The Power of Creativity: Nurturing Innovation in Students

The Long-Term Impact

Are you a day dreamer? Sometimes I daydream when I’m create new resources such as the Sonologue unit.  According to the American Psychological Association, “Studies indicate that creativity involves the interaction of multiple neural networks. For instance, the default mode network, associated with mind-wandering and spontaneous thinking, collaborates with the executive control network, responsible for focused attention, during creative tasks. This interplay allows individuals to generate original ideas and critically evaluate them.

As a teacher, one of the best things you can do is praise your students when they are creative, no matter the quality of their project.  When creativity is nurtured, students carry these skills far beyond the classroom. They learn at an early age that having creative ideas will pay off for them.  They become innovators in their fields. Additionally, they are compassionate leaders, and individuals who view the world through a lens of possibility. My advice?  Be as free with them as you possibly can and just watch them light up! 
The Power of Creativity: Nurturing Innovation in Students
Here’s a new warm-up exercise which I think will help you and your students greatly as they hone their creativity: Exploration Game
Moreover, creative education helps students develop a lifelong love of learning, which is critical in an ever-changing world. Learn about my former student, Brandon Davis and how he used set design as a student and turned it into a professional career. The Five Reasons Your Students Will Love Set Design
The Power of Creativity: Nurturing Innovation in Students

The Link Between Personality, Creativity, and Joy

Personality traits such as openness to experience have been consistently linked to higher creativity. Individuals high in this trait tend to be more imaginative.  Additionally they are curious, and open to new experiences.  These quality all contribute to creative thinking. in a recent study sponsored by YouGov which surveyed 700 children, “Creative activities help children recognize their unique talents and develop a deeper belief in their abilities—giving children an incredible sense of joy and accomplishment,” says Cheri Sterman, senior director of education for Crayola. For more information, check out: www.parents.com 

Final Thoughts

I hope my friend re-considers her creativity.  It would be sad to think someone stunted their creativity and imagination just because they don’t think they are capable.  And here’s another thing–creativity has nothing to do with talent! Whoa, that’s a heady thought.  Someone can be talented and not creative.

For instance, your student is a math wizard–that takes analytical thought and problem solving.  That doesn’t necessarily take talent.  Or your teacher is an incredible singer–they are expressive and skilled. Her prowess was probably built through much hard work and practice. I would argue that both people are creative. Do you agree? 

Investing in creativity in education is about more than preparing students for careers—it’s about preparing them for life. When schools make room for creativity, they  enrich students’ academic experiences. Furthermore, they empower them to shape a better future. As educators and mentors, we hold the key to unlocking the potential of the next generation. Let’s use it to inspire a world filled with imagination, innovation, and boundless opportunities.

How do you nurture creativity in your classroom? Share your strategies and success stories in the comments below!

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Filed Under: acting, Arts, arts education, arts integration, community theatre, creative movement, Creativity, drama education, drama integration, Education, Education, elementary, High School, middle grades, performing arts, set design, storytelling, Teacherspayteachers, theatre Tagged With: children, costume design, elementary, high school, litpick.com, Middle school, movement, set design, sonologue, sound effects, storytelling, tableau, yougov

Superhero Drama: Captivating Classroom Techniques

June 12, 2024 By dhcbaldwin Leave a Comment

 Superhero Drama: Captivating Classroom Techniques

If you are a new drama teacher for middle school, you may find that although the students are excited they have no idea what to expect.  Additionally,  they may be reluctant to participate or even disinterested (how could anyone be disinterested in theater?) because your class could be a pre-elective and everyone takes it.  Or maybe the school counselor plopped them in your class so they get their arts credit completed. I can help you! This post concerns superhero drama: captivating classroom techniques.

This happened to me. Many years ago, when I discovered I had students that fit this aforementioned description, I completely reorganized my lesson plans.  Instead of the traditional lesson you might teach beginners (intro. to theater, breathing exercises, monologues and duets) I  taught with non-threatening and more group exercises. One thing that always worked with them was superheroes.

Superhero Drama: Captivating Classroom Techniques

 Superhero Drama: Captivating Classroom Techniques

Superheroes have always fascinated audiences, capturing the imagination of both young and old. Their tales of courage, conflict, and victory make them perfect tools for engaging students in the drama classroom. Simply put, super heroes are a safe subject with them. Using superhero themes can spark students’ creativity.  In addition it can make learning more relatable, and deepen their understanding of dramatic arts. Here’s how you can leverage superheroes to create an engaging drama classroom experience.

The Magnetic Appeal of Superheroes

Superheroes embody themes like good versus evil, identity, and transformation and everyone understands those themes.  Additionally, they  are rich in dramatic potential. By incorporating these familiar and exciting characters into drama lessons, you can immediately capture students’ attention and make learning more engaging.

 Superhero Drama: Captivating Classroom Techniques

Super Hero Lesson Number One

Start by analyzing popular superheroes. Discuss their backstories, motivations, strengths, and weaknesses. This familiar territory makes character analysis more accessible and exciting for students.  Plus, it  helps them understand the nuances of character development.

The first lesson I teach them is Storytelling with Postcards Super Hero Themed. Students are placed in small groups.  Their challenge is to select five postcard cards at random from a box or hat.  The group creates a story about a super hero integrating the postcards images, words, or themes into the story.  But, the story must be about you as the super hero. Talk about fun! Students enjoy telling the story together–see?  No performing alone.  For more information, check out the lesson here.

Lesson Plan Number Two: Costume Design and Stagecraft

 Superhero Drama: Captivating Classroom Techniques

Designing sets and costumes for superhero-themed performances can enhance the visual appeal of drama and teach students about stagecraft. This hands-on approach can make the learning experience more engaging and memorable. Encouraging students to create their own superheroes taps into their creativity.  It allows them to apply their understanding of character development in a very relaxed manner.  This activity not only engages students but also helps them develop their storytelling abilities. Plus, students can study costume design at the same time. Check out this resource here.

 Superhero Drama: Captivating Classroom Techniques

Lesson Number Three:  Playwriting and the Monologue

Superhero stories are rich with conflict and moral dilemmas, perfect for exploring plot development and thematic elements in drama. Discussing these common superhero conflicts can make complex dramatic concepts more accessible and engaging. Another lesson which they enjoy is writing a monologue as themselves as the super hero. You might think this would be too difficult for your students, but if you give them a framework they will be successful.  Check out this resource here.

 Superhero Drama: Captivating Classroom Techniques

 Lesson Number Four: Encouraging Movement and Tableaux

Superhero scenarios are perfect for practicing movement and tableaux–two crucial components in drama. Tableaux is an easy concept for everyone to understand.  There are many ways to demonstrate it through the use of super heroes–maybe a group shows the moment Super Man protects someone from a monster?  Or Wonder Woman holds back the ocean so that a group of boaters aren’t drowned by it?

Students are familiar with super heroes jumps, falls, lunges and spins.  By studying movement using the super hero theme, students yet again feel comfortable moving around the room as they learn various elements of movement.  These scenarios often involve unexpected situations, requiring quick thinking and adaptability, which keeps students on their toes. Using those lessons to lead into studying tableau, makes for effortless studying of tableaux. Check out this lesson here.

 Superhero Drama: Captivating Classroom Techniques

Lesson Number Five:  Improvisation

Superhero scenarios are perfect for practicing improvisation, a crucial skill in drama. These scenarios often involve unexpected situations and require quick thinking and adaptability, By doing so, this keeps students on their toes. My favorite way to teach improvisation to novices is through a few warm up exercises.   This exercise is titled “My Three Headed Monster” but it would be just as fun if the monster became a three headed super hero.  Pick it up here (page one) and  here (page two) Again, I have found this is always a successful teaching experience because students sit together on the stage. Although they are speaking spontaneously they must work out answers together.  

Reflective Learning

Make sure that after each activity you  encourage students to reflect on their performances.  Process is everything! Discussing what they learned and how they felt embodying their superheroes can deepen their understanding and appreciation of drama. Grab this bundle which can last over five days Super  here.

‘ Superhero Drama: Captivating Classroom Techniques

Super Hero Quotes as Writing Prompts: Lesson Number Six

Using quotes spoken by super heroes for writing prompts is useful in this situation, too. Here are a few I like:

  • “With Great Power, Comes Great Responsibility.” Uncle Ben in Spider Man
  • “Heroes are made by the path they choose, not the powers they are graced with.” Iron Man
  • “You are much stronger than you think you are. Trust me.” Super Man
  • “You don’t need to be a super hero.  You just need to be better than you were yesterday.”
  •  “A true hero isn’t measured by the size of her strength, but by the strength of her heart.” Wonder Woman
  • “The woman who follows the crowd will grow no further than the crowd. The woman who walks alone is likely to find herself in places no one has ever been before.” Super Woman

Using superhero themes in the drama classroom can transform lessons into engaging, imaginative experiences. It is easy to connect dramatic principles to beloved characters. You can make learning more exciting and relatable for students. So, be courageous!  Embrace your inner hero and lead your students on an epic journey through the world of drama, where creativity and engagement soar.

Have you ever taught using a super hero theme to teach concepts? I’d love to hear about it.  Just email me at DhcBaldwin@gmail.com

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Filed Under: acting, arts education, Back to School, creative dramatics, creative movement, drama education, drama integration, Education, elementary, set design, storytelling, Teacherspayteachers, Teaching, teaching strategies, theatre, youth theatre Tagged With: costume design, drama compoents, improvisation, movement, set design, Spider Man, storytelling, super hero, super heroes, super heroes lesson plan, super man, tableau, Wonder Woman

Discovering Creativity: A Drama Camp Fairy Tale Adventure

April 16, 2024 By dhcbaldwin Leave a Comment

A group of students jumping with joy at a summer drama camp

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Today let’s talk about discovering creativity: a drama camp fairy tale adventure.  I heartily love summer for many reasons, do you?  Before I retired one of my favorite things to do in the summer, was to run a two week summer drama camp. Since I ran summer drama camps for thirty-eight years, this is one thing I really have down.  Are you thinking of running a camp this summer?

 

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Drama campers having a little coloring time break!

Summer is a perfect time for students to learn about subjects that they either do not have available to take in their school, or wish to learn more in depth.  Enter my Summer Drama Fairy Tale Camp Curriculum!

Designed to ignite creativity and foster confidence, this immersive program offers eight dynamic lessons encompassing costume design, set creation, chanting, movement, storytelling, tableau theater, sound effects, and stage properties. Whether you’re planning a short spring break camp or a summer extravaganza, this comprehensive resource is your ticket to a stress-free and engaging experience for campers of all ages.

Summer Camp of Bye Bye Birdie

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Tableau Theater:
Campers kick off their fairy tale adventure by delving into the art of tableau theater. Then, through group exercises and improvisation, they learn how to create striking frozen scenes. These poses cleverly convey emotion and narrative without words. This lesson sets the stage for exploring composition, expression, and storytelling through stillness.

Set Design Masterclass:
In this hands-on workshop, campers discover the magic of set design. From fantastical landscapes to royal castles, students brainstorm and sketch their own designs. At the same time, they  learn how to bring their imaginative visions to life on stage. With the templates provided, they explore the intricacies of set pieces required for each setting, sparking their creativity and transport potential audiences to far-off lands.

A MIDDLE GRADE GIRL POINTING AT THE CAMERA

Pick up my FREE Scope and Sequence Drama Curriculum here.

Lessons During Drama Camp

Chanting and Choral Performance:
Campers harness the power of voice and rhythm as they explore chanting and choral performance techniques. Through vocal warm-ups and group exercises, they develop their vocal skills and create captivating chants. These chants can  be used to enhance the atmosphere of their fairy tale world in the play.  As a result, this adds depth and authenticity to their performances.

Movement and Characterization:
Through movement exercises and character exploration, campers learn how to embody the personalities and traits of their favorite fairy tale characters. From graceful princesses to mischievous trolls, they discover the physicality and nuances that bring characters to life on stage. Ultimately, this  fosters a deeper understanding of character development and expression.

Discovering Creativity: A Drama Camp Fairy Tale Adventure

First day of camp read through

Storytelling:
Campers delve into the art of storytelling, learning how to captivate audiences with their words and imagination. Through interactive games and exercises.  In addition, they explore narrative structure, character development, and audience engagement.  They hone their storytelling skills and unleashing their creativity in the process. Plus, there is a whole day set aside for everyone to tell a story of their own life!

File:Windmaschine (Nachbau).jpg

Wind machine

Creating Sound Effects and Beginning Playwriting:
In this interactive workshop, campers explore the world of sound effects. They do so by learning how to use everyday objects to create magical sounds and immersive audio environments. Working in small groups, the campers experiment with creating sound scenes by incorporating them into a short scene. The student write their own scene  and performing them for their peers. Consequently, they discover how sound can enhance the atmosphere and drama of their performances.

Costume Design Workshop:
Campers unleash their creativity as they explore the art of costume design. From princess gowns to wizard robes, they conceptualize, sketch, and create costumes design. The campers discover how they can bring their own fairy tale character to life. With four design templates provided, they have the freedom to customize their designs and express their unique vision.

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Playing a game during camp

Stage Properties:
Campers get hands-on experience studying stage properties and learning how to categorize props through fun activities. They discover the magic of stage properties, from magical wands to treasure chests, unleashing their creativity and attention to detail in bringing the world of fairy tales to life. If time allows, they can even make a few props for your production!

Discovering Creativity: A Drama Camp Fairy Tale Adventure

https://creativecommons.org/licenses/by/4.0/

Bloom’s Taxonomy of Learning

I’m a student of Bloom’s Taxonomy of Learning. Bloom’s Taxonomy focuses on cognitive development of intellectual abilities and skills. The cognitive learning domain can be classified in declarative and intellectual skills. Intellectual skills  include concepts, principles, procedures and rules which are applied in instances beyond instruction. In other words, it isn’t enough for a student to merely learn about something. They need to apply it for the students to retain the learning. 

Culminating in a Captivating Performance:
As the grand finale of the fairy tale adventure, campers bring the beloved classic “The Brave Little Tailor” to life on stage. With roles for 25+ students, this enchanting one-act play showcases the talents and creativity of young actors, transporting audiences to a world of adventure, courage, and magic.

Discovering Creativity: A Drama Camp Fairy Tale Adventure

Synopsis: “The Brave Little Tailor” follows the journey of a humble tailor who, through his wit and bravery, embarks on a series of daring adventures. From a outsmarting giant to overcoming posses of flies, the tailor’s courage knows no bounds as he proves that even the smallest individual can achieve great things. In the end, even the King and Queen of the kingdom get involved.  And let’s not forget that fun song that’s included. (optional)

Throughout the camp, DramaMommaSpeaks’ resources help directors foster a supportive and inclusive environment where campers can express themselves creatively, build confidence, and forge lasting friendships. With a treasure trove of lessons and a captivating finale, the Fairy Tale Adventure curriculum promises to ignite the spark of imagination and leave a lasting impression on all who participate.

Would you like a preview of the resource?  Click SUMMER CAMP UNIT EBOOK PREVIEW YDP PDF-min.

This unit is valued at $50.00, but you will be paying much less.

Photo Gallery of DramaMommaSpeaks

Group hug at end of camp cast party

Life Lessons Learned at Summer Camp

One website, Simplelocalbillings.com had a nice article about the value of summer camp, “In the safe surroundings of summer camp, you can push yourself past your comfort zones and release your inner child in a judge-free environment. You learn to have faith in both yourself and the people around you, so that whatever seems scary, different, or impossible is often achievable at camp.”

Making New Friends at Camp

Another asset of summer camp is that students make new friends outside of their school.  This is important!  These experience demonstrate to the students that they are more than just the school they attend.  By doing so, it gives them a new and different perspective on themselves and how they fit into the world.
In conclusion, I hope you’ll consider purchasing this 136 page resource. You’ll find it here.  It will not only give you everything you need to be successful in your camp, but help to provide opportunities for students to learn as well as be joyful.
What camps have you created?  I’d love to hear about them.  Contact me at DhcBaldwin@gmail.com

 

Woman behind DramaMommaSpeaks

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Filed Under: acting, arts education, arts integration, community theater, community theatre, creative dramatics, Creativity, drama education, drama integration, Education, gifted and talented, Teacherspayteachers, theater, theatre, youth theatre Tagged With: costume design, drama camp for grades 3 to 7, dramamommaspeaks, play production, set design, sound effects, stage properties, storytelling, summer drama camp, tableau, teacherspayteachers, The Brave Little Tailor, two week camp

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

June 14, 2023 By dhcbaldwin Leave a Comment

two boys making funny faces for the camera

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

At this time of year, many newly employed teachers are perusing the internet for lessons for their classes.  Today I’m going to discuss unlocking the secrets of elementary theater class: a comprehensive guide.

A little history about me–My first job was as an English teacher in a junior high school.  Bear in mind that I was certified to teach English, but had never taught it or even experienced teaching it as a student teacher. My student teaching was in theater which in the 1970s was almost unheard of in the mid-west.

Anyway,  I remember they gave me this HUGE book with all of the benchmarks or objectives I was to reach.  It was so full of jargon, I had to sit and translate it into layman’s English.  Finally, I got the hang of it.

My Teaching Journey

When I began teaching middle school theater in the mid 90s (yikes), no one seemed to be clear on what they wanted me to cover.  I came into the position with twenty years of teaching and directing experience outside the classroom, so I knew what to do in those circumstances. Continuing in this position for thirteen years, we then moved to Estes Park, CO which was a dream we never thought would occur.  We loved it!

While in Colorado for six years,  I taught a creative dramatics class to second through fifth  grade students in a home school enrichment program called Apex Home School Enrichment.   The classes were fifty-five minutes in length, once a week.  I saw around 175 students a week over three days. Because I came to the position with so much teaching experience, it was very easy for me to create a curriculum , because I knew what worked and what didn’t.  I hope I can pass along some of this experience to you now.

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

To be frank, there are good and not-so-good parts of being the only theater teacher in a school.  The good is that you can make your own decisions as to the content you teach without having to go through a department chair for their approval.  The greatest challenge I believe is that because you are alone in teaching the subject, you don’t have anyone to bounce ideas off of who truly understands what you are teaching.

I know what that’s like.  Having taught for over thirty-eight years, I’ve felt alone many times in my career.  Plus, when you are just starting out its easy to become overwhelmed by all the necessary details.  You probably say to yourself, do I have to create all these lessons all by myself.  The answer is no.

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Where can I find creative dramatics lessons?

You can join some fancy membership website and spend a lot of money buying lessons you may ever need. Maybe you purchase the membership at the beginning of the year because it sounded like a really good deal.  And maybe it is.  Perhaps you discover after assessing your students for a week or so that this website doesn’t offer what you need. You feel stuck because you paid your money and well, the lessons will suffice.

There is nothing worse than the nagging feeling that you are not doing something especially useful for your students. I’ve been there and I understand.  I bet deep in your soul you know these are not the lessons your students need and really, you need to work ala carte! You want to pick and choose what you cover with your students, planning a month or two at a time.  Check out my latest article in One Classroom Over magazine.

Many times when teaching elementary students, in my opinion, there is too much emphasis placed on the wrong aspects of theater. The secret to unlocking curriculum is go right to ala carte! 

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Here are some things you do not need to cover:

  1.  Scene study
  2.  Monologues
  3.  Writing a play
  4.  A comprehensive study of the history of theater
  5.  Memorizing large quantities of lines
  6.  Performing in a play longer than fifteen minutes
  7.  Performing in a musical longer than 30 minutes
  8.  Stock characters–Greek and Roman theater helped flesh out stock characters as a concept, but many of the ones we have now would  not originate until much, much later.

When I taught these creative dramatics  lessons in this particular order I began with the easiest concepts and progressed to the most challenging. This was a pass/fail course.  I gave a daily participation grade as well.

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Here are some concepts they do need to study:

  1. Tableau (1 day)–Tableau is a staple of theater and a non-threatening concept which beginning theater students can learn. Students learn how to make stage pictures (which is one of the basic of directing as well), however they don’t have to say anything. You can find my tableau lessons here:
  2. . Chanting (1 day)–Chanting, (in my TPT store) or a repeated word or phrase used to illicit an effect is the second component I teach novices. Got some questions about teaching middle school? You can also find it in my Made by Teachers store at: Chanting
  3. Movement (2 days)–Just like tableau, students enjoy creative movement because there is no speaking.  Plus, it does a great job of giving students some physical exercise which they sorely need.
  4. Storytelling–(3 days) To learn to tell a story with all of its parts (beginning, middle and end, etc.) is an important skill. You can also find it in my Payhip store at: Storytelling Unit 
  5.  Parts of the stage–(1 day) Students have a difficult time understanding these labels unless they are learned right along with performing. So, keep that in mind.
  6. Improvisation (2 days)–Some advice for you: never begin your year by throwing students into improvisation.  It’s terribly difficult for the novice actor or those who are reluctant about the class.  Build up their trust for at least a month. Take it in baby steps. Try this drama circle for Halloween!
  7. Mask making (2 days)–Students enjoy creating masks and using them in movement pieces or to create a character. My advice?  Use animal masks which are premade or they can create their own.
  8. Costume Design (2 days)–Who doesn’t like costume design?  Depending upon the time of year, I like to teach about costume design with a thematic approach. In this case, it’s Halloween characters or teach with fairy tale characters.
  9. Components of a Stage (1 day) –It’s best to teach these positions as students study set design so they can apply the information you give them.
  10. Set Design (2 days)– Teaching how to draw a rendering of a set is super useful and fun!
  11. Stage Properties (4 days)–Creating and making a stage prop is a magnet for student engagement.  Maybe you can make a prop which is used in the class play, such as snowflakes for a play, Ojisan and the Grateful Statues which is set in winter.
  12. Performance (1 week) You can choose to direct your students in a short one act class play, readers theater or a radio theater play-I liked to switch it up every now and then using something different.   Word of caution–don’t have one class performing a play while the others are studying radio theater.  You will make yourself crazy.
  13. Audience etiquette (weekly)–You can teach how to be a good audience member every day if you like.  Reminding students of what a quiet, attentive audience looks like goes a long way with them.
  14. Warm up Exercises–You can never go wrong with a good warm-up exercise.  Here is one which always works–Firecracker Freeze Tag

If you’d like you can purchase a bundle of them at a discounted cost right here: Theater Arts Lessons for Grades 3 to 5

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

In 2018, I opened my store on Teacherspayteachers.com.  My plan was to recoup the pension I lost by staying home with our daughters when they were very young.  I understood that I would lose half of my pension at the time of my retirement, but to this day I have no regrets.  This was a real privilege and I’m aware that many educators don’t have the luxury to do the same.  To this day, I know our daughters almost as well as they do themselves because I was with them when they were young. I treasure that. The aforementioned words in blue are links to my resources which you are welcome to use in your classroom.

If you need defenses for your lessons, check out National Core Arts Standards: A Conceptual Framework for Arts Learning

Do you have any questions?  One feature of my business is that I am available for any teacher who needs a bit of advice or direction for their theater class, no matter the grade level.  You can find me at DhcBaldwin@gmail.com

Unlocking the Secrets of Elementary Theater Class: A Comprehensive Guide

 

 

 

 

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Filed Under: arts education, arts integration, creative dramatics, creative movement, drama education, drama integration, Education, elementary, performing arts, Radio Theatre, readers theater, storytelling, Teacherspayteachers, Teaching, youth theatre Tagged With: chanting, costume design, movement, mulicultural plays, readers theaterplay production, set design, storytelling

5 Easy Drama Games for Emergency Sub Plans

May 31, 2023 By dhcbaldwin Leave a Comment

If you are reading this blog post, you are probably a. collecting materials for the next school for your theater class or b. sick as a dog and you need help fast!  Either way, you have come to the right place. I only offer sound teaching lessons (some made with Google slides)  or advice to teachers–no gimmicks!  Today, let’s talk about 5 easy drama games for emergency sub plans.

In some ways, I don’t want to divulge this secret I have.  The site I’m going to share with you is full of fabulous theater improv. games and exercises. But in the interest and support of theater teachers around the world, I would like to introduce Hoopla to you.

Who is Hoopla?

Hoopla is the United Kingdom’s first improvisation theatre, established for over twelve years.

From their website, “Hoopla is an improv comedy (also known as improvised comedy, impro and improvisation) company based in London, UK. Hoopla were founded in 2006 by Steve Roe and Edgar Fernando.

Hoopla run a selection of improv classes and courses across London and also an improv comedy club in London Bridge featuring a selection of groups from across the UK improv scene. Hoopla are the founders of the UK’s first ever improvised comedy club. Hoopla also do improv based corporate training.

Mission of Hoopla

The aim of Hoopla is to make improv fun and accessible for everyone from all backgrounds. We’re especially focused on teaching beginners improv and we love introducing people to improv for the first time in a fun, friendly and safe way.

Also, Hoopla encourages and supports a growing improv community with shows, courses, networking events, socials and more.”

Did you know I have the secret to boosting student engagement?  My new book, “We’re Live! Radio Theater #101” explains my journey to implementing this unique tool in the classroom. Check it out here

History of Hoopla

From their website, “Hoopla was founded in January 2006 by Steve Roe and Edgar Fernando, two old school friends who have known each other since they were 4 years old. Hoopla was originally based in Balham SW London, near to where Steve and Edgar grew up.

Originally it was just them and some school friends from their old GCSE drama group running a free workshop once a week, to have fun after work and keep the joy of drama and play in adult life. But it rapidly grew to friends of friends and then friends of friends of friends, and with word of mouth Hoopla soon became the UK’s biggest improv company.

Not surprisingly, Hoopla now teach 1000s of improv students a year in various venues around London and run shows five nights a week featuring improv groups from across the world. Don’t know much about improvisation?  Check out: What You Know About Improvisation In Theater And What You DON’T Know About Improvisation In Theater

5 Easy Drama Games for Emergency Sub Plans

In 2010 Hoopla’s shows moved to The Miller in London Bridge and with the help of the amazing staff there and a large community of improvisers the venue was converted to the UK’s first ever improv theatre.

Recently, the company is honored to have been involved in the huge rise of improv in the UK over the last decade and to be part of such a great improv community.”

The games I’ve included games would be best for middle school students and larger classes.  They take little to no set up and are easy to implement.  Here are several of their drama games that would work in a pinch if you needed something a substitute teacher could lead. 

5 Easy Drama Games for Emergency Sub Plans

1. Curveball Story ⚾️⚾️

Directions: 
This is played in pairs (trios work too). One person makes up a story. As they tell it, the other will call out random words that need to be incorporated into the story. Wait for the last word to be folded in before giving another.🌟

Variations
Similar to What If? where the other person says something like “what if it started raining?” “What if you jumped on a boat?” and they incorporate that into the story.

🌟Grades 3 and up would have gobs of fun with this warm-up. Use vocabulary words for the random “curve ball” or maybe characters from a book, or particular facts from a science lesson. Looking for additional warm up exercises?  Check out: Drama Class Exercises for the First Two Weeks of School

5 Easy Drama Games for Emergency Sub Plans

If you are looking for a lessons to begin the school year, check out: First Week of School Drama Class Lessons

2.  Book Club

Directions:
Two improvisers have a book each given to them from the audience and all their lines of dialogue come from those. The third person makes sense of those lines in the context of the scene. A location or relationship call-out helps at the beginning.

NOTE: I took quotes from Charlotte’s Web and Harry Potter and the Goblet of Fire to show you.

Example
Player A (No book): Thanks for helping me out today

Player B (Book): If I can fool a bug… I can surely fool a man. People are not as smart as bugs..

Player A (No book): Perhaps you are right. Go bugs!

Player B (Book): It is deeply satisfying to win a prize in front of a lot of people.

Players A (No book): I bet! So what will you do with the prize?

Third player enters

Player C (Book): It takes a great deal of bravery to stand up to our enemies, but just as much to stand up to our friends.

Player A (No book): Oh hi Kim! That’s a nice to thing to say after losing so terribly.

Player C (Book): Numbing the pain for a while will make it worse when you finally feel it.

Player A (No book): Well, that’s good know.

Player B (Book): Salutations are greetings; it’s my fancy way of saying hello.

Player A (No book): Wow, you win one game and now you think you are special!

Player B (Book): It matters not what someone is born, but what they grow to be.

Teaching Purpose
It’s fun! By the end, students learn how to accept and justify offers given. Got introvertive students?  Check out: Drama Games for the Introvertive Student

5 Easy Drama Games for Emergency Sub Plans

5 Easy Drama Games for Emergency Sub Plans

3. Car Journey 🚗🚕🚙( I renamed it, Family Vacation)

Everyone has stories of a family vacation or journey.  I think this is what makes this exercise so successful–it’s a universal theme! 

Directions:
Begin by having five people on stage in a car set-up.

Tell them they are on their way somewhere they don’t normally go (a convention, concert, festival, theme park, etc.).

They must be silent for the first 30 seconds of the scene.

Lastly, inform them that they cannot stop the car or get out.

Ideally they will establish relationship before any dialogue happens.

Variation
After you’ve done a few of these, ask the same casts to return to the stage and perform their return trips. They can swap places in the car.

With elementary students, you may need to get their creative juices flowing by asking them about what people talk about while they are traveling somewhere. 😊

I would think middle and high school students would have no trouble with this exercise.

Variation
After you’ve done a few of these, ask the same casts to return to the stage and perform their return trips. They can swap places in the car. (How fun would that be?)

If you choose to try this with elementary students, you may need to get their creative juices flowing by asking them about what people talk about while they are traveling somewhere. 😊
5 Easy Drama Games for Emergency Sub Plans

5 Easy Drama Games for Emergency Sub Plans

4. Columns/Pillars 👉👉

Description:
For this game you need 2 volunteers from the audience. They stand/sit at the front sides of the stage, and act as pillars for the players. 2 players do a scene, and whenever they need a word they tap one of the pillars on the shoulder.

The pillars say whatever comes to them, and the players then justify why that has been said. Some words fit perfectly, others will be completely random!

Example
Gary: Thanks for helping me fix this car, Denise.

Denise: No problem Gary, I’m glad I could (PILLAR) “help”.

Gary: I really appreciate it, you know I’m so nervous about the race tomorrow.

Denise: You shouldn’t be, you’re (PILLAR) “Batman”. The others don’t stand a chance!

Gary: I know, I’m just scared that if I don’t win I’ll also lose my (PILLAR) “cook”. He only wants to work for winners.

Denise: He does make great (PILLAR) “statues” out of chocolate. I’m sure you’ll win. Hand me the (PILLAR) “oats”.

Gary: I would never think to use oats to repair a car. You’re a genius.

⭐️Additional Tips for Playing

Give the pillars a chance to practice (e.g., “this morning for breakfast I had…”)
Repeat the word after the pillar has said it
Listen, and justify what has just been said

Remember to thank your lovely volunteers!

5 Easy Drama Games for Emergency Sub Plans

Are you looking for more warm up exercises?  Check out this category: Emergency Sub Plans

5.  Oracle

Directions:

The Oracle involves four people, set behind each other. (It will look a little like the photo above.) First, one person is at the front sitting on the floor, second one behind sits on a chair, the third one behind that standing and lastly, the fourth one stands on a chair. In this way, we can see all their faces. Oracle is a brilliant low stakes word-at-a-time short form game.

To begin, the host simply takes big life questions from the audience, like ‘Is there a God?’ and ‘Why are we here?’ or ‘Will the United States win the World Cup?’ and then asks the Oracle, who answers it a word at a time (per person). When Oracle is in action everyone’s arms wave to the side. If Oracle is in silent contemplation everyone’s hands are together in a kind of ‘prayer’ pose.

It’s funny, simple and daft. And being word at a time you can guess how wise oracle sounds. Sometimes very. Sometimes just plain ridiculous!

Example–

Audience question: What is love?

Player A: Love

Player B: is

Player C: hot

Player D: chocolate

Player A: on

Player B: a

Player C: rainy

Player D: day.

In this game listening and being obvious are important, as you follow what the previous person has said. You don’t have to make complete sense or try to be funny; just say the first thing that comes to you.

Or are you looking for Drama resources made with Google slides?

5 Easy Drama Games for Emergency Sub Plans

I hope these games/exercises work out well for you.  If you’d like more warm up exercises (and you can expect me to have many favorites over the 38 years of teaching and directing), check out my free collection of warm ups for middle school students.  You can pick it up here. Or maybe you are wanting something a little quieter and individual? Check out these word searches.

Did you know I have the secret to boosting student engagement?  My new book, “We’re Live! Radio Theater #101” explains my journey to implementing this unique tool in the classroom. Check it out here

 

A collection of theater warm-up exercises for middle schoolers.

What do you leave for your substitute to teach while you are absent?  I’d love to hear about it.  Feel free to email me at DhcBaldwin@gmail.com.

Dramamommaspeaks Blog Author Deborah Baldwin

 

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Filed Under: acting, arts education, Back to School, drama education, drama integration, Education, English Language Learners, High School, middle grades, Musical Theatre, New Teacher, Teacherspayteachers, Teaching, teaching strategies, theater, theatre, youth theatre Tagged With: cooperative learning, emergency substitute plans, lesson plans for substitute, partner storytelling, reluctant student, shy student, storytelling, substitute lesson plans, theater games, warm up games

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