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youth theater

Beginning Acting–My Acting Debut in Third Grade

April 21, 2018 By dhcbaldwin Leave a Comment

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Let’s talk about beginning acting.

(That’s me, with all the hair, holding on to the young Oliver Twist, circa 1986 I think. Yikes!)

To this day, I have no idea how I got cast as Queen Isabella in third grade. I was a good reader and very expressive. I know we didn’t have auditions or at least I don’t think so. I mean, that was a long time ago.  I sort of remember my costume.  My mother made a crown out of cardboard, blue pop beads from a necklace of hers and aluminum foil.  I wore Mom’s clear-plastic-but-looked-glass wedding shoes (from the 1930’s, this was the l960’s) that cramped my feet something awful but I would never have complained.  Maybe I wore a white bathrobe as my gown.  Heck, I don’t know.

But I do know one thing:  I had wanted to be an actress since I was teeny.  We lived in a huge old brick house in a small town in Kansas.  It had three floors, four fireplaces, a front and back staircase (one for the servants to use, I guess but we had no servants) and two porches.  One porch was on the second floor and enclosed and another porch was connected to the living room.  On the upstairs porch, I spent many late afternoons and Saturdays playing dress up, making blanket forts under the ping pong table and dramatizing any and all books I had read or movies I had seen. There was no heat on the porch and I remember just about freezing off my toes in the dead of winter, and forget playing out there during those hot, hot Kansas summers! I’d go across the street to Lori’s house and have Orange Crush pop and soda crackers and bask in the breeze of her window air conditioner.

Mostly, I just pretended and pretended.

I kept real quiet about my pretending, because I was afraid people would think I was crazy and maybe I’d get in trouble with my parents.  That seemed to be a great fear I had.  I didn’t like to mess up and get those looks from them.  The ones that said, “Oh my. We are ashamed of you.” I still can’t handle those looks from people.

Sorry, I digress…

Acting was a fabulous outlet for me!  It was effortless and such fun!  I still enjoy it.  It is never stressful like directing can be for me. Don’t get me wrong, though.  I enjoy directing even with all of its stresses.  It is just very different from acting.

Deborah Conard Baldwin

I remember ordering a kneeling boy (ironically named Christopher–maybe that’s why he got the part), “Rise, Christopher Columbus!”  I gestured upward with my arm copying the high school girl portraying the Angel Gabriel I had seen in the annual community Christmas pageant.  I guess I thought all important people gestured like that–queens, angels, presidents and the like.  Even today when I direct a young child to gesture in the same way, I am reminded of my performance as Queen Isabella. Hopefully, they look better than I did.

It took me years to become proficient (I think it’s the best word to describe my acting) as an actress.  I think I stunk at it pretty badly until I was way up in my twenties.  When I look at myself in photos from a show I always remember what I felt like at the time the photo was taken and for me at least, it doesn’t feel at all the same on the inside as what I am projecting on the outside.

Some readers who have performed will understand me when I say that acting is a gift you give yourself. When an actor “finds the character”, it’s a huge surprise–like receiving a present one didn’t expect. There is something very mystical about acting and lifting my chubby arm to Christopher Columbus that first time in my life as an actress confirmed it. I was totally intrigued and excited. To this day, I still feel the same way. How many times can a person say that about life?

That’s my  beginning acting story.  What is your story?

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Filed Under: acting, drama education Tagged With: middle grades, youth theater

Top Seven Reasons Drama Education is Important to Your Child’s Life

April 3, 2018 By dhcbaldwin 3 Comments

Top Seven Reasons Drama Education is Important to Your Child’s Life

This is a re-publish of an article I wrote for Litpick.com.  I hope it’s useful to you.

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Willy Wonka, Jr.  Fine Arts Guild of the Rockies August 2012

When the Litpick staff and I discussed writing several articles concerning drama education, I was stymied.  I have been a drama teacher and director since 1979. We decided upon the top seven reasons drama education is important to your child’s life.  

Personally, theater and the creativity that stems from it is very second nature to me. I forget that other people may not be aware of its strengths in the same manner.

Today’s the day for bolstering creativity in your child!

In a typical school day I taught theater classes to approximately 100 students, ages eight to eighteen.  Whew!  This included classes in creative dramatics, introduction to musical theater, film making, technical theater and a production based musical theater class. Most of what I taught, I created myself for the students.

Since I worked for an enrichment program for home school students, I taught a different group of students each day.  Double whew! In another words, creating curriculum plus teaching plus directing productions for nearly forty years equals expert first-hand knowledge.  Oh, I forgot that!

 Your Creative Child

Top Seven Reasons Drama Education is Important to Your Child's Life

At the beginning of the school year, it was not uncommon for parents to stop me in the hallway and express delight that their child will be taking a drama class with me.

Many parents say, “My daughter is very imaginative and expressive.  She plays dress up all day if I let her, but other than dress up, I don’t know what to do with her imagination next.”

I think I know what the parent is trying to express to me.

They need some assurance that A. this is a normal part of the child’s development; B. it should not be squelched but promoted and C. there are many strengths to being a creative human being.  I smile and encourage the parent to allow the child to continue imagining. I take it from there and the magic begins.

I will admit I am very partial to theater arts.  Honestly, theatre saved my life when I was about ten years old, but that’s another story for some other time.  All arts classes will nurture your child’s creativity and every art form brings different gifts to the table.  Here are my top seven reasons for drama classes in your child’s life.

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Stage Make up Assignment in Technical Theater Class  May 2016

Drama Classes:

Strengthen literacy—We know that through reading, our reading becomes more fluid and comprehensive. Not everyone recognizes that in a drama class we READ a lot–plays, scenes, poems and stories to dramatize.  Of course, when we rehearse a piece we read the words over and over again—aha! Then we MEMORIZE them.

We practice a character’s lines using vocal inflection and variety.  Suddenly, the words come to life for the reader. Voila! We sneak in reading skills without any of us being aware of it.  It is that easy, but reading must be continued in order to have consistent success.

Build self-esteem and self-confidence—If a child has an opportunity to share his ideas through drama, he is immediately accepted. We applaud for the student and his attempt.  We encourage positive comments towards the student’s effort.  Over time, the child begins to see his worth within the classroom, within the school and consequently in the world as well. Self-actualization is realized. It is a known fact that many at-risk students attend school only because they can take an arts class.  That’s pretty powerful.

Build a team spirit—I compare a cast in a play to a football team. The only difference is that no one sits on the bench—everyone plays.  Everyone’s actions count to make the goal, the performance.  If a student knows that he is expected to help other members of the cast and crew, he takes on the responsibility.

This level of responsibility carries over into social situations, because by becoming a part of a team, a student can see himself as part of the whole instead of merely one piece. A P.E. teacher once remarked to me that she could tell which of my drama students took her classes.  When playing games, they were the ones who quickly pulled a group together, used their individual strengths and left out no one. How nice!

Aristocrats kids

Encourage tolerance—Through a scene or play, when one experiences first-hand what is like to be the down trodden character, the misunderstood, the shunned, the innocent accused, one’s framework of understanding broadens.

For example, when we dramatize the story of Anne Frank or Helen Keller, we begin to see life differently and the value of everyone.  Life’s issues become greyer in color to us and thereby we appreciate the many perspectives in a particular situation.

This is a remarkable attribute.

Provide a safe place to express one’s emotions—Society’s pressures have encouraged us to keep our emotions to ourselves, especially negative ones. I was one of those people.  In turn, some people are the opposite and show only negative emotions because they feel less vulnerable in so doing.

By creating a character and expressing the character’s emotions—happiness, sadness, fear, pride, curiosity, anger, joy, jealousy, etc. these feelings become an accepted part of one’s psyche. One’s acceptance of all one’s emotions, strengths and weaknesses is vital to our growth, no matter the age.

Lastly, there will come a day when your child will thank you for introducing theatre arts to them.  I have never known a student who didn’t flourish from a bit of drama education whether it was from taking a drama class or participating in a production.  There is something very special about the stage and I hope you’ll give it an opportunity to show you.

Contact me at dhcbaldwin@gmail.com or check out my website at DeborahBaldwin.net

I’d love to hear from you!

If you are interested in a semester-long drama curriculum, check out: Bundle Drama Class and Units 

Here is an example of one of my popular lessons:  Costume Design with Fairy Tale Characters

Costume Design with Fairy Tales

 

 

 

 

 

 

 

 

 

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Filed Under: arts education, creative dramatics, creative movement, Creativity, drama education, Education, excellence in teaching, litpick, reading skills, Teacherspayteachers, teaching strategies, youth theatre Tagged With: A Whole New Mind, back to school, DRAMA LESSONS AND UNITS, youth theater, youth theatre

If You Teach Shakespeare You will Want to Check out this Book

October 4, 2016 By dhcbaldwin 1 Comment

 

 

midsummer1

Today I’m blogging about someone else’s book!  Surprised, huh? Lately, I’ve been considering creating another blog specifically about books focused on theatre and writing reviews about them.  Should I do so?  Would that help anyone?  We’ll start with this one.

A Pinterest Friend

This review began because of a pin on Pinterest. Wouldn’t you know it?    I saw this fellow’s pin and thought it would be helpful to me and my writing.  Brendan, the author, and I emailed each other several times since that pinning. I was not asked to write a review.  I offered it to Brendan. Although I don’t walk around calling myself an expert on youth theatre (because that sounds so pretentious to me–I’m just a hard working, really old teacher-haha), I can confidently say that I am well versed in drama education and youth theatre in general.  And besides…more press for someone’s book can’t hurt, right?

Playing with Plays

Playing with Plays is the publisher of Shakespeare’s A Midsummer Night’s Dream for Kids. This great little book is packed with three versions of Shakespeare’s beloved play. Each version of the play is around ten minutes in length.  More importantly for a teacher, it has three different cast sizes!  Oh my, that is very useful!

As a drama teacher of over thirty-eight years, I continuously sought quality resources for my students. Each year, I perused publishers’ books for new approaches to classic plays.  Playing with Plays has figured out what is needed for teachers like me– fresh approaches to teaching drama, etc.  Several times I have taught with the book, Beautiful Stories from Shakespeare which is a bit misleading.  The stories are those of Shakespeare’s plays not some other stories that Shakespeare authored.  I think Playing with Plays is a better introduction to the plots for students and young readers.

Brendan calls his versions “Melodramatic Modifications to Shakespeare’s Plays”.  I appreciate that description and think that’s a fair depiction of these playlets.  Brendan isn’t trying to be Shakespeare, but has created clever versions of the Bard’s play that is palatable to all students of various ages and abilities. Oh, I like that too!

I appreciate that  Brendan  has high-lighted the particular lines from the actual play.  For a child or beginning drama student or Language Arts student, this is tremendously helpful– a reader can clearly discern which lines Shakespeare wrote and which Brendan penned. Yeay! Also, a teacher could lift those lines very easily and use them in a class discussion. Anything to help our teachers; that’s what I say.

shakespeare

Integrity of the Story

I have read A LOT of plays, produced, directed and acted in many plays and musicals.  I’m a purist.  I don’t appreciate classic literature to be bastardized.  I dislike parodies or “skits” of fairy tales, beloved plays or musicals.  As an artist, I know it is difficult enough to get butts in seats and to encourage audiences to appreciate the work, as is.  Sometimes all people know is “that really funny middle school play version of Red Riding Hood.” Can you imagine? Ugh. I appreciate that Brendan hasn’t done that with Midsummer Night’s Dream, but he has plucked the most important pieces of the plot.

Playing with Plays created other Shakespeare plays:  Rome and Juliet, Macbeth (my person favorite0, Hamlet, Julius Caesar and Much Ado About Nothing and several more.  You can purchase Playing with Plays scripts in bookstore and on line at PlayingwithPlays.com.

If you have a chance, check out his website, too.  There is a lot of helpful information for anyone teaching Shakespeare.  I bet you find something there you can use in your next lesson. That can’t be said of every educational website.

So, check out Playing with Plays.  I think you’ll be glad you did.

 

 

 

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Filed Under: Book Reviews, drama education, play reading, youth theatre Tagged With: drama education, Midsummer Night's Dream, Playing with Plays, William Shakespeare, youth theater

Notable quote from Bumbling Bea

September 20, 2016 By dhcbaldwin Leave a Comment

bb-chapter-7

 

Ms. Phillips sighed loudly and said, “Since this rehearsal is a bust, I think it would be best if we just played some drama games for the rest of the time.  Michiko and Beatrice, I want you to go out in the hallway and practice Michiko’s part together.”

Bumbling Bea appeared out of nowhere.  I hadn’t figured on my alter ego showing up right at that moment but as I have mentioned before, I can’t control her. “I can’t, Ms. Phillips,” I stammered. “I have to go home early today.  My dad is coming over today.”

There was no way I would help Michiko with her part!  Well, Bumbling Bea wasn’t going to help Michiko.  We were in to the lie too far to back out now.  Michiko drove me crazy!  I was sick of her attitude and bizarre costuming idea.  I couldn’t take another minute of it!  I guess Michiko knew this about me, because before I could say anything else she had grabbed up her violin and backpack and sprinted for the door.

Except she dropped something.

A note.

 

 

Contact me at dhcbaldwin@gmail.com or Bumblingbea.com

I’d love to hear from you!

 

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Filed Under: Bumbling Bea, drama education, Uncategorized Tagged With: 'tweens, growing up, middle grade books, middle grade girls, rehearsal process, youth theater

Notable quote from Bumbling Bea

September 17, 2016 By dhcbaldwin Leave a Comment

bb-chapter-0

As I took Peter’s place on stage, there was another rustling and gasp from the cast and Ms. Phillips.  Michiko had whisked off the scarf on her head and stood smiling happily.  There on top of her usually pretty blue black hair was a thin plastic cap.  I think it’s used by hairstylists to hi-light hair.  My mom’s had her hair done that way before.  The cap thing was jammed all the way down on to her forehead.  A few wisps of her hair had slipped out and around the cap.  She looked like a sear urchin, an anemone to be exact.

“You know, Pocahontas was bald when she met John Smith.  The children’s heads were shaved because of lice! Well, what do you think?” Michiko asked proudly.

“Bald and naked! How absolutely embarrassing.” I said.

To purchase my award winning book, Bumbling Bea go to https://www.amazon.com/Bumbling-Bea-Deborah-Baldwin/dp/1500390356

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Filed Under: Bumbling Bea, Uncategorized Tagged With: 'tweens, Bumbling Bea, drama education, growing up, middle grade books, middle grade girls, middle grades, poison ivy, youth theater

Notable quote from Bumbling Bea

September 16, 2016 By dhcbaldwin Leave a Comment

Bumbling Bea

 

 

bb-chapter-0OH.MY.GOSH!

Peter drifted up on the stage near me, scratching his arm so hard welts appeared making faint pink stripes right down to his wrist.  Then I noticed little raised bumps, like drips of honey, creeping toward his neck.  At one point, they stopped and leapt toward the opening of his tee shirt which Peter kept pulling away from his neck at the same time he was striping his arm with his scratching.  He was very busy.  I’m no expert, but  I think that’s an allergic reaction to something…Like an allergic reaction to poison ivy?  But Peter said his grandpa told him he probably wasn’t allergic to it! Probably…

Oops.

Contact me at dhcbaldwin@gmail.com or BumblingBea.com

Purchase my award winning book, Bumbling Bea at: https://www.amazon.com/Bumbling-Bea-Deborah-Baldwin/dp/1500390356/ref=sr_1_1?ie=UTF8&qid=1474053300&sr=8-1&keywords=bumbling+bea

 

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Filed Under: Bumbling Bea, middle grades, Readers Favorite, Uncategorized Tagged With: 'tweens, drama education, growing up, middle grade books, Middle school, poison ivy, youth theater

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